Tài liệu Kobrah ppt

Ü OUTLINING AND SHADING WITH HATCHING: You add the hair and more facial details, then outline the drawing with nice neat lines, and finally add shading with hatching.. Line AB is a line

Brenda Hoddinott

F-05 BEGINNER: HATCHING

This project guides you through the process of setting

up proportional guidelines, and using symmetry to

draw the facial features and hair of a male anime

character named Kobrah Super simple hatching lines

are then added to the face to create the illusion of

three-dimensional reality

The overall proportions of most anime adult faces are similar to those of a human child, giving the characters the appearance of having a childlike head attached to a mature adult body

This lesson is divided into the following three sections:

Ü INTRODUCTION: The term Manga encompasses a vast array of individual styles of

drawing, which allows artists to use their creative license in the design of their characters’ faces, hairstyles, personalities, and clothing

Ü SETTING UP PROPORTIONS: I take you step by step through the process of setting up

proportional guidelines on a frontal view of an adult male anime head, and sketching his facial features, ears, and hair within the proportional guidelines

Ü OUTLINING AND SHADING WITH HATCHING: You add the hair and more facial

details, then outline the drawing with nice neat lines, and finally add shading with hatching

If you choose to render this drawing completely in pencil you need: good quality white drawing paper, graphite pencils, kneaded and vinyl erasers, pencil sharpener, sandpaper block, and a ruler If you plan to use a marker for the final version, you will also need a fine tip permanent marker, and you should use a drawing paper that is specifically designed for drawing with markers, rather than regular paper You may even wish to add color to your drawing with such options as colored pencils or markers

This project is recommended for artists from age 10 to adult, as well as home schooling,

academic and recreational fine art educators

17 PAGES – 21 ILLUSTRATIONS Published by Hoddinott Fine Art Publishers, Halifax, NS, Canada – 2004 (Revised 2006)

INTRODUCTION

The term Manga encompasses a vast array of individual styles of drawing, which allows artists to use their creative license in the design of their characters’ faces, hairstyles, personalities, and clothing The eyes of anime characters generally appear disproportionately large, and are the most expressive part of their faces The nose and mouth tend to be drawn small and simple so as

to further emphasize the powerful expressions of the eyes and the facial area around the eyes

Refer to the next drawing and become familiar with terms used to identify each part of an eye:

1 The arch-shaped group of hairs, above the eye, is known as an eyebrow

2 A fold in the skin, above the eye is called an upper eyelid crease

3 The upper eyelid is a movable fold of skin that opens and closes to protect the eyeball

4 The white of the eye (the visible section of the eyeball) is light, but not really white

5 A highlight is the brightest area where light bounces off the surface of the eye

6 The pupil of an eye is the darkest circular shape within the iris

7 The iris is the colored circular section of the eyeball surrounding the pupil

8 The lower eyelid is a fold of skin protecting the lower section of the eyeball

ILLUSTRATION 05-01

SETTING UP PROPORTIONS

In this section, I take you step by step through the process of setting up proportional guidelines

on a frontal view of an adult male anime head, and sketching his facial features, ears, and hair

within the proportional guidelines Proportion is the relationship in size of one component of a

drawing to another or others Keep in mind that the facial proportions of this adult manga character are very similar to those of a real life child

1 Use a ruler to draw a straight line down the center of your page (Line AB)

Use an HB pencil, and keep your line very light so it can be easily erased Line AB is a line

of symmetry and provides you with a guideline for drawing both sides of the head the same

size Symmetry is balanced arrangement (sometimes referred to as a mirror image) of lines

and shapes on opposite sides of an often-imaginary centerline You simply measure various

horizontal distances on either side of the line Shape refers to the outward outline of a form

Basic shapes include circles, squares and triangles

2 Choose two points along Line AB to be the total length of Kobrah’s head, and draw a horizontal line through each point

The greater the distance between these two points, the larger your drawing will be The upper line (at point A) marks the location of the top of his head, and the lower line (at point B) marks the bottom of his chin

3 Measure the total length of the vertical line AB (the total length of the head between points A and B), and mark the halfway point

4 Draw a horizontal straight line (Line CD) through the point

Line CD divides the total length of the head in half

ILLUSTRATION 05-02

5 Mark the halfway

point along line AB

(between Line CD

and the horizontal

line that marks the

bottom of the chin),

and then draw Line

EF through the

point

Line EF divides the

lower half of the head

in half

6 Mark the halfway

point between Line

EF, and the

horizontal line at the

bottom, and then

draw a Line GH

through the point

Line GH divides the

lower quarter of the

head in half

ILLUSTRATION 05-03

7 Sketch the basic outline of the bottom half of Kobrah’s face with an HB pencil

Keep your lines very light so they can be easily erased Use the line of symmetry (line AB)

to provide you with a guideline for drawing both sides of his face the same size

8 Lightly sketch the top and sides of the upper eyelids

Note that the tops are along line CD Use the line of symmetry to help you draw both eyes the same size

Observe also that the eyes seem far apart

ILLUSTRATION 05-04

9 Draw a curved line to

mark the opening of the

mouth in between lines

EF and GH

A curved line is created

when a straight line curves

(or bends) Curved lines

can be drawn thick or thin

Note that this line is closer

to line GH than EF Leave

space for his lower lip, the

bottom of which will be

even closer to line GH

10 Add a tiny dark section,

on each end of his mouth

to mark the corners

ILLUSTRATION 05-05

11 Add a line under each eye to identify the location the edge

of his lower eyelids

12 Sketch another line under the opening of his mouth to mark the location of the bottom of his lower lip

This line is almost touching line GH

ILLUSTRATION 05-06

13 Lightly sketch two

V-shapes with

slightly curved

lines

The upper v-shape

marks the place

where his hair

grows from the top

of his head The

point of the V is at

point A

The lower V-shape

identifies the outline

of his hairline

(commonly known

as a widow’s peak)

ILLUSTRATION 05-07

14 Add the outline of his hair on each side of his head

Remember to measure various horizontal distances on either side of the center line

With lots of practice drawing manga faces, you won’t need to draw the proportional lines with a ruler You’ll be able to simply eyeball the lines and distances in your mind

ILLUSTRATION 05-08

15 Use angle lines to sketch the

positions of the top and

bottom of each of his ears

Angle lines occur when two

straight lines meet (or join

together)

The angle lines marking the

tops of his ears begin on line

CD and are drawn upward

and outward from his face

The angle lines marking the

bottoms of his ears begin on

line EF and are also drawn

upward and outward

ILLUSTRATION 05-09

16 Draw partial circles to identify the positions of the irises of his eyes

17 Draw the eyebrows

Observe their overall shapes, and the angles of the outlines

Take note of how close together the center sections of the eyebrows are to one another

ILLUSTRATION 05-10

18 Draw a long thin triangular shape (the pupil) inside each iris

19 Add two comma-shapes as the nostrils of the nose

20 Lightly sketch the texture of the hair with curved lines

Watch closely the various directions in which the lines curve Also, remember to keep your lines very light by applying very little pressure to your pencil as you draw

ILLUSTRATION 05-11

OUTLINING AND SHADING WITH HATCHING

In this section you discover all the fun parts of this project You first add more details to Kobrah’s face and hair, then outline the drawing with nice neat lines, and finally add some hatching lines Anime cartoons tend to be rendered with thin neat lines.Keep a pencil sharpener and sandpaper block handy so you can easily keep your pencil points nice and sharp

21 Erase your proportional guidelines, and redraw those sections of the sketch that have accidentally been erased

I softened the angular sections of the jaw and chin by making the lines more rounded

ILLUSTRATION 05-12 ILLUSTRATION 05-13

Drawing symmetrical faces and heads becomes quite simple when you’ve devoted lots of time to practicing this skill A couple of helpful hints include:

Try rotating your paper and looking at your drawing from different perspectives This

little trick often allows you insight into the problem areas

Looking at the reflection of your drawing in a mirror will also help you to see areas in

need of fixing

22 Use your kneaded eraser to lighten the sketch lines of the hair until you can barely see them

Pat the sections gently with your kneaded eraser Refer to the drawing on the next page

23 Take your time and carefully redraw the hair, paying extra attention to the curved lines which outline its perimeters

ILLUSTRATION 05-14

24 Add three strands of hair growing down onto Kobrah’s forehead

Note that one of the three strands is large and the other two are smaller Also carefully observe the directions in which the lines curve

25 Use your kneaded eraser to gently pat all your sketch lines until they are so light that you can barely see them

ILLUSTRATION 05-15

In the final steps of this lesson, you add more details, and outline the entire character with a freshly sharpened dark pencil such as a 2B, or fine tip black marker From there you may even want to add color to your drawing; you can color only the eyes or add color to the entire drawing

26 Outline Kobrah with dark, neat pencil lines or a fine tip black marker

Take note of the small sections of the pupils of the eyes that have been erased to make room for the highlights Adjust your drawing accordingly

ILLUSTRATION 05-16

27 Use a 2H pencil to very lightly map the hatching lines on the hair, ears, face, and eyes

The light source in this drawing is from the right, so the shadow sections are mostly on the

left Light source is the direction from which a dominant light originates The placement of

this light source affects every aspect of a drawing The light source tells you where to draw all the light values and shadows

As you become more familiar with drawing cartoons, you may no longer need to draw your lines lightly before you finalize them with a dark pencil or marker

ILLUSTRATION 05-17

28 Draw the hatching lines with your dark pencil or fine tip marker

Take note of the top sections of his hair, keeping in mind that they need to be filled in very dark later Don’t forget to draw the outlines of the highlights in his eyes If you are using a pencil, keep it very sharp

ILLUSTRATION 05-18

29 Fill in the upper tips of his hair, his eyebrows, and the pupils of his eyes very darkly

30 Add hatching lines to the inside sections of his nostrils

31 Darken the outlines of his upper eyelids

ILLUSTRATION 05-19

ILLUSTRATION 05-20

If you wish, you

can add color to

his eyes with a

fine tip marker

or colored pencil

You may even

want to try

adding color to

the hair and face

ILLUSTRATION 05-21

BRENDA HODDINOTT - BIOGRAPHY

As a self-educated teacher, visual artist, portraitist, forensic artist, and illustrator, Brenda Hoddinott utilizes diverse art media including graphite, technical pen, colored pencil, chalk pastel, charcoal, conté crayon, and oil paints

My philosophy on teaching art is to focus primarily on the

enjoyment aspects while gently introducing the technical and

academic Hence, in creating a passion for the subject matter,

the quest for knowledge also becomes enjoyable

>Brenda Hoddinott<

Born in St John’s, Newfoundland, Brenda grew up in the small town of Corner Brook She developed strong technical competencies with a personal commitment to self directed learning, and the aid of assorted “Learn to Draw” books During Brenda’s twenty-five year career as a self-educated civilian forensic artist, numerous criminal investigation departments have employed Brenda’s skills, including Royal Canadian Mounted Police and municipal police departments In 1992, Brenda was honored with a commendation from the Royal Canadian Mounted Police, and in 1994, she was awarded a Certificate of Membership from “Forensic Artists International”

Her home-based art career included graphic design, and teaching recreational drawing and painting classes As supervisor of her community’s recreational art department, Brenda hired and trained teachers, and designed curriculum for several children’s art programs In 1998, Brenda chose to end her eighteen-year career as an art educator in order to devote more time to writing, drawing, painting, and developing her websites

Drawspace http://www.drawspace.com incorporate her unique style and innovative approach to curriculum development These sites offer downloadable and printable drawing classes for students of all abilities from the age of eight through adult Students of all ages, levels and abilities have praised the simple step-by-step instructional approach These sites are respected as

a resource for fine art educators, home schooling programs, and educational facilities throughout the world

LEARN-TO-DRAW BOOKS BY BRENDA HODDINOTT

Drawing for Dummies (2003): Wiley Publishing, Inc., New, York, NY, this 336 page book

is available on various websites and in major bookstores internationally

The Complete Idiot’s Guide to Drawing People (2004): Winner of the Alpha-Penguin

Book of the Year Award 2004, Alpha - Pearson Education – Macmillan, Indianapolis, IN, this 360 page book is available on various websites and in major bookstores internationally