Bathroom single room With no window, this bathroom is characterized by a large walk-in shower that goes from wall to wall with a groove in the bottom of the ceiling light, designed to gi
Trang 151Arch 十佳项目 十佳项目
第 02 期期
2014-08
Trang 3建筑 | 商业及零售 | 工业及办公 | 建筑推荐 | 20140815
太子大厦
SPARK 思邦负责设计了由中国招商地产开发的一个占地71,600 平方米的商业综合体和交通枢纽项目——太子大厦。它坐落于中国南方城市深圳，该项目由一个110米高的地标性办公塔楼和5个被葱郁廊道和露台相互连接的商业亭空间相互组合，创造出一个自然通风的购物商场和饮食休闲的目的性场所。该综合开发项目建在公交场站和“海上世界”地铁站口之上，是蛇口区新的交通枢纽。太子大厦位于深圳南头半岛的最南端，是一个周围环绕自然美景的场所。三面环水，城市与两座绿意盎然的看似直接从海平面的湿润雾气上飘升的大南山和小南山相互交融。正是这种壮观的亚热带滨海景色和丰富的人文活动之间的关系启发了SPARK思邦的设计。
景观设计概念：流畅的山体景观
景观设计的概念来自蛇口的人文尺度和丰富的自然景观资源——包含周围山脉细腻的岩石纹理。独特的室内外相交融的空间提供了创造室内设计和景观设计密切贯穿且伸入和环绕商业组成部分的机会。
景观设计穿插于空间之中，形式上和概念上都与建筑的水平石材纹理形成有机的对话。景观的设计由条带的石材叠层组成，由雅致的金属条带点缀，在夜晚它们会发光，同建筑的表皮相呼应。点缀的金属条带是受到自然状态下岩层缝隙可能发现的珍惜矿藏元素的启发。建筑外立面与景观中的选材一致，商业亭仿佛为自然地理的竖向延伸。
随着办公塔楼接近街面水平，周围的景观会柔和建筑的底部环境，主任Peter Morris 解释道：“绿植挑选，铺装设计和纹理都致力于将人们从商亭之间的场所中引入到综合项目中来。铺装和绿植的选择在质地，材料和色调方面都相互补充，更加突出了流动性，使人们流经一系列景观层次” 。从街边的植物到一个下沉花园，再上升到灯笼亭的露台，其顶部由商亭的绿色屋顶遮掩。
项目总监 Stephen Pimbley, Lim Wenhui
项目主任 Carlo Joson, Peter Morris
项目团队 Cynthia Liau, Rafal Kapusta, Lintang Wuriantari, Darmaganda, Mark Mancenido,Olivia Wong, Fabian Ong, Paula Zheng, Arnold Galang, Natasha Hill
面积 总建筑面积（平方米）：71,600平方米（其中办公：47,200平方米，商业：20,400平方米, 公交场站：4000平方米）
Trang 20室内 | 住宅 | 室内推荐 | 20140808
米兰公寓
Marco Piva 事务所设计，位于意大利米兰。卧室的设计，好像是一个酒店套房，衣柜与私人浴室位于独立的区域。灯光装饰营造一种淡雅的气氛。两个大露台，可以欣赏美丽的米兰夜景。
On the one hand, the technical lighting provides a series of specific requirements for the use of space, while on the other, the decorating light gives a touch of personality and atmosphere
Table and chairs, upon client’s request, has been chosen looking at functionality first, with an extensible table
From the "secondary" living area we finally get to the study / guest room with its bathroom, and to the night area, with the two main bedrooms
The bedrooms have been designed as if they are an hotel suite, with separate areas for the wardrobe and private bathroom
Single bedroom: the door entrance acts as a divider between the study area, consisting of a large corner desk, and the sleeping one, with a bed and a bookcase
Master bedroom: there are two walk in closets, one for man and the other one for the woman
The woman wardrobe has been placed before the bathroom, because we liked to imagine that the woman could close it and have a space totally reserved for herself, a space dedicated both for the makeup and the dressing
The headboard, designed by Marco Piva, provides a soft leather pad for the part that includes the bed, while is stiff and lacquered the one that incorporates the theme of the tables and brings the reading light
For the two drawers, one for the woman and one for the man, we played on the contrast between the glossy lacquered opening and matt lacquered structure, which creates a pattern of memory of certain Japanese decorations, a culture
loved by our customers
Also in this room is visible the dualism between technical and decorative light
The decorative lamps chosen distinct themselves for having a color that varies depending on whether they are on or off
The lamp above the drawers, instead, has an architectural sign that seeks to emphasize the cut of the beam
Bathrooms: four in all, of different sizes, have been studied individually ad hoc, with a deep study of technical and decorative lighting, for a great visual impact
Bathroom single room
With no window, this bathroom is characterized by a large walk-in shower that goes from wall to wall with a groove in the bottom of the ceiling light, designed to give light to the same and greater depth to the bathroom It has been given great importance to the taps for which there is a significantoverhead for the various solutions of water use
The wall cladding plays on a type of tile that creates a play tone-on-tone glossy / matte herringbone, with which the light creates a vibration with almost wavelike motion
Bathroom Double Room
In this bathroom the request involved a solution that is both whirlpool tub than shower
The choice was, having a very "invasive" architecture, to further emphasize the performance of the window, select a bath with a shape that makes even more evident the formal contrast
A long sink, designed with a dynamic and original stretch, replaced two individuals one, making the space more efficiently, while maintaining the use of two taps
For the entire length of the cabinet, there is a large back-lit mirror
Bathroom Studio / guests / courtesy
Even in this bathroom there is a shower that occupies the entire space wall to wall, with an important architectural element that actually makes it a double shower
The architectural element (structural) has been revised and the internal pillar was coated, creating a unique environment
For the furniture we have chosen to use wood material
The terraces
The terraces play a very important role in the project, as there is a big exterior space, divided into two large terraces plus a service’s veranda
The terrace that overlooks the main living room has a square base, while the second, rectangular, starts from the living room and goes until the room
For the main terrace, designed to be used as a conversation area, we have imagined that the column that interrupts the terrace (a structural one) will be completely green-covered, so we decided to put there a climbing jasmine The idea is that it will become a vertical green
Moreover, decorative lights were placed on the trees inside the vessels
For the second terrace, it was decided to work on a dining area in the front of the living-room, while in the front-bedroom, we used a plant near the pillar so as to make the area a little more intimate and private
Together with two lounge chairs and a coffee table, it was placed an old family’s dresser chamber, on which it was made a special treatment in order to stay outdoors
Here, too, it was decided to decorate the green using decorative lamps to complement the architectural lighting of the ceiling
BILL OF WORKS:
The floors and walls in the parts relating to ceramic (kitchen, bathrooms) are the ones that has been specify on the bill of works, as well as the sanitary, doors and window frames
The floors and other elements of the bathrooms, showers, tubs, and some faucets have been identified instead out of the bill of works, with precise choices, oriented to the selection of the highest quality materials from the industry’s leaders
LIGHTING
The technical and decorative aspect relating to the use of light was a key element in the whole design process, both for internal than external spaces
The entire technical system was developed with IGuzzini, in large part led, with important stage effects
In the showers and bathrooms there are areas where strip-LED were used to illuminate the walls and make visual games, while the kitchen has been designed with several illuminations depending on the area (kitchen / dining room) and the time of use (more technical for the cooking time, softerfor eating)
The dualism between the technical and decorative lights runs through all the apartment, creating scenic contrasts and customizable effects
All the lights can be customized, creating different scenarios for the same environment: the scenarios help to create the perfect atmosphere for any time of the day
Moreover, there are also automatic switching of lights, and in the same way you can centralize power off or sleep mode when it is recognized that there is no people in the house
HOME AUTOMATION TECHNOLOGY AND SOUND
From the technological point of view all the CityLife units are equipped with cutting-edge technologies and the most modern automation systems, with the important role of improving and simplifying the quality of life
The main domestic functions can be controlled using an integrated system that governs the switching on and off and control even remotely the home
In addition to that supplied, Studio Marco Piva has made an additional operation, developed in conjunction with B Ticino
From the acoustic point of view, it was important to set up a Home Theatre system to offer in the TV area the feeling of being immersed in the middle of the event
Moreover, it has also set up a wireless system to offer the possibility of following the favorite music/Tv program in every room, including bathrooms, with high sound quality
All parts related to the sound system were perfectly hidden inside containers / walls, and are not visible
SUSTAINABILITY
All City Life residences are “Classe A” certified, thanks to clever design features and system choices
In addition to this, the companies chosen by Studio Marco Piva for the supply are all actively involved from the point of view of a ethic and responsible design, careful in terms of environmental certifications
CUSTOMER COMMENT
What we requested Studio Marco Piva was a home of contemporary and modern style but not “datable”, so to express our style and our personal taste, without exceeding into too innovative design and without any legacy of mid 20th century design, to coherently represent our family’s characterand lifestyle
A home we would not get tired of over the time
Having bought the apartment “on paper”, we also asked for advices in the selection of what “is not visible”, as for example the technical installations and systems underlying the pure interior design, such as equipment and lighting distribution and fully integrated domotics and home automations.Studio Marco Piva has followed us at all stages with a great care and with their professional team, able to communicate with us as well as with all the suppliers The primary of which, Salvioni Arredamenti, allowed us – through their overall strength and the availability of leading brands – to fullyevaluate the furniture before the purchase
The overall result of Studio Marco Piva’s work responds almost perfectly to what we wanted, through a setting consistent with the overall Hadid CityLife’s project, with a space allocation as requested by us, without excesses and with the presence of right halftone doses, which has moreover
facilitated the integration of various antiques and vintage pieces
设计事务所 Studio Marco Piva
地点 意大利, 米兰
项目建筑师 Marco Piva
面积 230 sqm internal, 80 sqm terraces
摄影 Andrea Martiradonna
Trang 45建筑 | 休闲及娱乐 | 20140829
崖门游艇会所概念方案设计
殊舍建筑设计，位于广州新会区。在狭长且只有一面具有设置交通出入口的条件下，合理布局建筑平面形状，改变出入口位置，不但让交通流线缩短一半，且形成了地面广场和室内两个小庭院的意想不到的空间。
Trang 86建筑 | 住宅 | 20140807
京畿道比例住宅
JOHO 建筑事务所设计，位于韩国京畿道。约20,000块玄武岩质地砖，构成了建筑的外表面，粗糙形态外观显得别具特色。
The great view and the light
“The great view and the light” These two concepts should be compatible for a good house However, Pangyo, the collective housing area, is
composed only of functional logic to accommodate as many houses as it can It has a closed view being next to other buildings in the south, while
facing the north from which Cheonggyesan is seen Therefore, this project had its functional limitation that the houses couldn’t get the beautiful view
in the north if the important rooms were arranged in the south for the natural sunlight The project began with this incompatible situation which had to
be resolved
Optimal allocation of flat surface and lights from a high position
The Master Room and Living Room were allocated in north to capture the beautiful scenery In this case, the plan design has a weakness that the
natural lights do not come into the rooms To solve the problem, it was designed to have a difference of height, with the roof divided into four parts,
so that the light could come into the rooms The height of the roof was different, so the lights came in from various angles from the east, south, and
the west It became possible to feel the seasonal changes inside the building thanks to the natural lights coming from the windows This is the optical
space organization that can overcome the physical weakness of the north side and get the maximal sun lights Moreover, the automatic upper
windows discharged the heat inside to outside in summer, making the cross ventilation possible with the windows and doors in the south and north
This project design was based on the natural convection current to make an eco-friendly and heat-effective space
Basalt, the nature of materials
The brick architecture is produced by each brick as one pixel, it reveals the nature of materials as well as a combined shape In particular, basalt is
different from the general bricks, because people process the gemstone in the shape of a brick Therefore, basalt brick can keep its essential meaning of basalt gemstone This project is focusing on
contracting the features of basalt including its rough pores and its surface that is different from a fired brick
The recomposition of materials- Cold, warm and neutral matter properties
The architectural form consists of basalt bricks, general brick, and stainless steel As well as general brick, about 20,000 basalt bricks, which are the main material to compose the rough surface, are dividedinto two parts according to their angles and recomposed on the architectural form The basalt bricks are allocated horizontally in five parts ranging from 5 degrees to 45 degrees In addition, it is divided intothe embossed and the engraved parts vertically The 2-parted basalt bricks are recomposed with the general bricks and changes both the vertical and horizontal form with the embossed and engraved parts.The changes are caused from the features of the bricks as the material presents the changes of strata in contrast The rough pores of the basalt gives us an essential message of the materials inside the
recomposed surface The bricks are revealing their existence by the recomposed forms with the embossing and engraving that changes the angles of the light The materials are recomposed and the image
Trang 100建筑 | 交通 | 20140825
金门客运中心方案设计
Tom Wiscombe Architecture 设计，位于台湾金门。建筑的轮廓特点反映出金门独特的地域文化，屋顶绿化长廊延长到中心的东侧，将成为陆地和海洋之间的联系纽带。
A New Era of Communication
This proposal for the Kinmen Passenger Service Center is based on the idea that what we are building is not just a piece of infrastructure, but also a cultural intervention To do this, the unique history of
Kinmen must be considered Kinmenese culture has evolved from its Fujian Province traditions and formal establishment as “Kinmen” (meaning: “Golden Gate”) in the 14th century, but also by becoming a
multi-cultural crossing-point for trade, having been occupied by the Japanese from 1937-1945 in World War II, and then becoming part of the territory of the Chiang Kai-shek’s Nationalist government after the
Chinese Civil War in 1949 During the period between 1949 and 1992, Kinmen was transformed from a quiet island culture into a military front line, which radically changed its way of life Its ground became
three-dimensionalizedinto a network of underground bomb shelters and sea tunnels for protectingpeople and ships, while its surface became hardened by military installations Communication in this era of
tense Taiwan-Mainland relations consisted of physical shelling, and visible propaganda slogans and lines of tanksalongopposing shorelines
Nevertheless, there is another more nuanced story here, that of deep understanding between the Kinmenese and the Mainland Chinese, a sense of shared cultural and economic history and destiny, a sharing
of resources (such as water during wartime, and now, in the form of a planned pipeline), and a shared appreciation of the historical significance of the Island and its sublime natural habitats and architecture
Now, as cross-strait tensions subside, and this war-time era comes to a close, Kinmen Island can be re-vitalized and re-discovered through new modes of communication Its heritage parks, wildlife, historical
villages and also its military heritage will be a draw for a new generation of visitors and immigrants.The opening of free travel between China and Kinmen in 2001 was a critical moment, now expanded by the
‘Three-Links’ pilot program Recently, unprecedented high-level talks between Taiwanese and Chinese government officials have underscored the commitment of both to open communication, trade, and
transportation.In this context, designing a Port Terminal for Kinmen is not onlya unique opportunity but a great responsibility The Kinmen Passenger Service Center should set the tone for the island both in
terms of reflecting its complex identity and affiliations, but also in terms of presenting a vision of its future
Roof Silhouettes, Interweaving Patterns, and Color
Our design is intended to both symbolize a new era of open communication with Mainland China, and reflect the unique local culture of Kinmen The strong silhouette of our design, designed to be seen from
Xiamen, is characterized by dynamic figures arising from the terminal roof.The building will be a beacon for openness and transformation- literally the “golden gate” of Kinmen Island The roof silhouette is not a generalized gesture, but rather one which is associatedwith the specific traditions of Kinmenese architecture.This history is defined by its complex and varying roof ridges, exemplified in the Swallowtail and Saddleback roof silhouettes seen throughout the island, originating in Taiwan and China’s Fujian Province
The tradition of complex interwoven materials and patterns in Kinmen architecture is also resonates in our project The envelope design is characterized by three interfering but complimentary patterns- freeform seams, maze-like projections, and cross-grain panels.The simultaneity of these patterns produce a heterogeneous overall effect reminiscent of local Kinmenese brickwork with its distinctive diagonal striping, as well as other unconventional juxtapositions of material scales and orientations seen everywhere on the Island.Our project is conceived of as a contemporary interpretation of that craft and sensibility
The rich palette of colorsfound on Kinmen Island in its architecture, decorative arts, and in its diverse species of birds and flowers in its National Parks are part of what makes it unique In our design, we celebrate the colors of Kinmen in the interior of the Terminal.Citrus colors such as reds, oranges, yellows, and greens are used for freestanding furniture, wall graphics, roof planting, and lighting effects, to create a cornucopia of color effects These colors glow from inside the terminal out across the water at night The terminalappears not as a piece of infrastructure but rather as a mirror or the interior of the Island
Nested Crystals and Sectional Spaces
The building design is based on nesting fivedynamically oriented Crystals into an elevated horizontal box These Crystals push out into the box, as if stretching it, creating serene formal transitions from horizontal to vertical and hard to soft In this way, the building
appears simultaneouslyas a series of objects and a new whole object On the interior, vaulted sectional spaces are created between the Crystals and the loose-fitouter shell of the building The Departures Hall becomes a sequence of compressed and
expandedspaces, creating discrete and memorable spatial experiences for travelers The vaulted interstitial spaces also create a stack effect, where warmer air rises, drawing in cooler air from openings below This constitutes a sustainable natural ventilation systemwhich will be able to supplement the conventional air-conditioning system and reduce overall energy use from fall through spring
TheCrystals are arranged in plan such that they naturally organize flows of peoplefrom to ships, providing them with an automatic sense of orientation Spatially, this is more akin to the varied sequences of spaces found in nature rather than the gridded space of thecity or a Modernist free plan.This creates a calm interior experience for travelers, free of excessive passageways and signage
The Crystals contain various programs which need enclosure such as commercial space and restaurants on the Departures Level as well as upper level administration functions.Passengers who are shopping or relaxing on upper mezzanines of the Crystals are
offered views down into the vast, bustling terminal, creating a three-dimensional spatial experience The upper levels of the two biggest Crystals are reserved for Port Operations, Administration, and the Vessel Traffic Control Center A double-skin envelope system isused in parts of the Crystals, with simple curtain wall construction on the inside and perforated metal panel on the outside This allows for views out while also filtering daylight and maintaining the strong silhouette of the building.In addition, because the Crystals arebuildings-within-a-building, they can contain microclimateswith more tightly controlled temperature and humidity levels than in the naturally ventilated Departures Hall
The Green Roof Promenade
The Green Roof Promenade creates a virtual extension of the greenbelt to the east of the site, turning the building into a link between land and ocean It is open to all types of user groups, and can be programmed with any number of recreational, cultural, and socialevents It weaves along both the ocean-side of the building, with views of arriving ships, Lesser Kinmen Island, Jiangong Island, and Mainland China, and the inland side of the building, with views of the nearby Shuitou Village and the Maoshan Tower on the hill
The varied roof forms create a dynamic spatial experience and also offer protection from sun and wind Several pathways cascade down into the public areas of the Departures Hall and connect to restaurant, shopping, and cultural functions nested inside the roof
forms The Promenade becomes an extension of the unique natural environment of Kinmen, including its wide diversity of plants species, providing an atmosphere of sanctuary
Port Logistics, Security, and Flexibility
The project is based on state-of-the-art Port Terminal design It is focused on fluidity of passenger movement, clear security zones and passenger processing, and flexibility for future contingencies and growth The separation between Departures and Arrivalsonto twolevels, with independentdrop-off and pick-up zones is the most significant part of this strategy It alleviates circulation bottlenecks both for passengers and vehicular traffic, creating uninterrupted flows, and capacity for future increases in traffic loads Within each level,secured areas for X-ray checks, passport and ticketing checks, and waiting are clearly defined with flexible opaque and glass partitions, which can be moved to accommodate future re-organizations of the Terminal to accommodate different vessel sizes and changingproportions of domestic and international traffic
In advance of any future reconfigurations, the Terminal as designed can already accommodate both international and domestic vessels at every gate, with passport control and customs control zones in place at all points of embarking and disembarking, which, in thecase of domestic travel, can simply be by-passed While the competition brief currently only calls for international ship and ferry routes, we believe that the Terminal must be flexible enough to be able to respond to the fast-changing Taiwan-Mainland relations and thepotentials of expanding the Kinmen Port Terminal network to include more distant ports of call in Southeast Asia and beyond
The Phase Two expansion is planned for the east side of the site, to accommodate Dock S4 and eventually Docks S5 and S6 The Departures and Arrivals levels can be extended easily and economically without any alteration of the base project and its circulationand structural grid The existing boarding corridor could also simply be extended as an armature to connect to Ships docking further east
Green Energy
The design incorporates threeprimary strategies for green building design: natural ventilation, rainwater reclamation, day lighting Passive natural ventilation will be used during the months of November through March, when outside temperatures make it feasible Thevaulted interstitial spaces of the interior will exhaust warm air out of the building, pulling in cooler air from outside through sensor-controlled, operable louvers at the Departures Level The louvers at the top and bottom will be automatically closed during high winds orrain This system will save energy and allow the building to be less dependent on its active air-conditioning system, which is required for hot and humid summer months
The conventional air conditioning system that will supplement the natural ventilation system will include air handling units and cooling towers at the peaks for the two large Crystals, located behind a light perforated metal panel construction This will shroud them fromvisibility from the Green Roof Promenade and large approaching ships, while allowing them access to high-quality fresh air This system will be a ducted variable air volume system in the Departures Hall, with fan coil units located in the Crystals for precise local
control
Rainwater will be collected on the expansive roof surface, both from the network of wide architectural seams as well as in gutters hidden below the open-joint rain screen of the roof This water will be recycled into irrigation for the surrounding landscape and
greywater for internal building use Rainwater will be stored in a sub-basement for off-peak use Daylighting will be provided in the Departures Hall primarily from its perimeter glazed facade, which either faces north or is self-shaded to allow ambient rather than directsunlight to penetrate A shaded skylight in the center of the Departures Hall, also provides light to the interior all the way down to the Arrivals Lobby In addition, the double skin system of the Crystals will provide natural daylighting to offices and other upper-level
functions All of these measures are intended to reduce the carbon footprint of the building by significantly reducing the daytime energy required to light the interior of the building This also offsets the load on the air conditioning system due to the reduced heat
produced from light fixtures
Other green building strategies intended to offset the carbon footprint of the building and attaining a Silver Level Status include the reduction of carbon dioxideand the increase of biodiversity through vegetation on the Green Roof Promenade, in the Bamboo Garden
in the central atrium of the building, and in the surrounding site landscaping The shell of the building will be optimally insulated, building equipment will be selected for energy and water efficiency, LED lighting will be used in general, and heat-recovery wheels will beused to reclaim energy from air exhausted from the building The building skin will be light in color in order to maintain a high albedo and avoid absorption of solar radiation and the associated heat gain Solar photovoltaic panels will not be utilized due to the inevitablecorrosion from salty sea air that would greatly reduce their efficiency and maintenance cost, as well as the rainy monsoon and intermittent foggy weather experienced on Kinmen Island
Structure and Envelope
The structure of the building will be based on an economical 8X8 Meter base column grid and a combination of reinforced concrete and steel superstructure The proposed concrete basement is an economical rectangular shape with the base column grid, to be builtusing diaphragm perimeter walls to de-water the site The foundation consists of a pile supported mat foundation, with an internal sump system to control water penetration into the basement The Arrivals and Departures Level floors are poured-in-place flat plate andslab and beam construction, and the four primary vertical cores are to be reinforced concrete.On the Departures Level, the floor is shaped in section to cantilever and tapered to the perimeter
The Crystals are steel frame with composite deck construction for interior floors The Crystals, in combination with their internal concrete cores, constitute the lateral bracing system for the project The roof drapes over the Crystals, spanning from stiff rings embeddedinternally in the roof cavity to columns along the perimeter of the Departures Level The roof is based on a two-way truss system with 8x8 Meter bays, including transverse beams at 4 Meter intervals for cladding support
The building envelope is a combination of opaque and perforated composite panel, suitable for the corrosive marine environment The majority of the envelope is single skin, but areas which require daylight or views, especially on the upper levels of the two large
Crystals, have a double-skin construction of opaque and low-e glazed curtain wall construction with perforated panel in front on a light steel construction, with access space between The geometry of the roof is primarily planar with limited zones of one-way curvature,which can be achieved simply with edge returns to maintain panel shape Panel sizes can be large as they are lightweight and can be delivered by barge and erected directly by barge crane The glazed facades of the Departures Hall will be high-performance low-eglazing, optimized to insulate as well as allow the penetration of daylight
设计事务所 Tom Wiscombe Architecture
合作设计 Fei& Cheng Associates
面积 42 000 平方米
效果图 Kilograph