Bài học từ vựng - Cách chụp ảnh potx

responds - to say or do something as a reaction to something that has been said or done squinting - to partly closing your eyes in order to see more clearly silhouette - a dark shape se

Bài học từ vựng - Cách chụp ảnh

Các học viên của chúng ta đi du lịch nhiều nơi trên thế giới, khám phá nhiều nền văn hóa mới và trở về với những ký ức đáng nhớ bên trong hàng nghìn bức ảnh! Đây là một số hướng dẫn giúp bạn có thể chụp ảnh tốt hơn

Tôi đã bỏ đi một số từ vựng trong bài viết Việc bạn cần phải làm là điền từ vào chỗ trống

Key Words

crop - to make something shorter or smaller, especially by cutting

details - the small features of something that you only notice when you look

carefully

responds - to say or do something as a reaction to something that has been said or

done

squinting - to partly closing your eyes in order to see more clearly

silhouette - a dark shape seen against a light surface

strive - to try very hard to do something, especially for a long time or against

difficulties

shoot - to use a camera to record a film or take a photograph

distract - to make someone stop giving their attention to something

shadows - areas of darkness, caused by light being blocked by something, which

usually have a similar shape to the object that is blocking the light and which appears to be joined to it

represent - to show or describe something or someone

How to take good photographs

Each time you spot a subject, snap a shot and then move in closer for a better shot Having your subject almost fill the frame helps your viewer understand and

appreciate your photo Also, _1_ are often more interesting than an overall view Keep moving in closer until you are sure the photo will successfully _2_ your

subject

If it is at all possible that your subject may move, bolt, fly away, stop smiling, or

just get tired of waiting for you to take the picture, _3_ once right away Practice

getting quicker and quicker to the draw Do not worry about taking too many pictures and do not wait until you're absolutely certain all the knobs and buttons are in their correct position As the motto of one of BetterPhoto old t-shirts states,

"Shoot First, Ask Questions Later."

Even if you don't plan on selling your photo to the Smithsonian, make every effort

to keep it balanced and beautiful On one level or another, everyone _4_ better to a

picture that has all elements in balance _5_ to lead the eye along an interesting

path through the photo, with the use of strong lines or patterns Keep the horizon

level; _6_ out extra elements that you are not interested in Consciously place your

subject where you think it most belongs rather than just accepting it wherever it happens to land in the photo; Play with perspective so that all lines show a pattern

or lead the eye to your main subject

Discern what you are really interested in and center your efforts on getting the best photo of this subject, whether it a still life, your funny cat, your doggy, a friend, a family matter, a mood, a place or culture Then be sure to keep anything that

would _7_ out of the picture The easiest way to do this is to watch your borders -

the edges of the view you see through the camera's viewfinder Then recompose if anything - such as an unattractive telephone wire, an old soda can, a distracting sign, your finger, or your camera strap - hangs into your picture.It can become more difficult if you want to, say, shoot a San Francisco cable car without a single distracting telephone line But even in such a difficult case, you have many

options

Look at the light By this, I don't mean look into the sun - no, that won't do at all But it is good to see what kind of light you are working with Which way are the

_8_ falling? Unless you want a _9_ effect, where your subject is black against an

interesting background, it's generally best to shoot with the sun behind you How

is the light affecting your subject? Is the subject _10_? Is the light blazing directly

and brightly upon your whole subject? This works well if you are in love with the bold colors of your subject Side lighting, on the other hand, can add drama but can also cause extreme, hard-to-print contrasts Lastly, indirect light can be used to make your subject glow soft and pretty

For more tips go to: http://www.betterphoto.com/exploring/tips.asp

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Đáp án

1 details

2 represent

3 shoot

4 responds

5 strive

6 crop

7 distract

8 shadows

9 silhouette

10 squinting