Học Kanji qua ảnh
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CHAPTER 4: PEOPLE 71
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Trang 3BOGIDÉN ááuyvkdiSes65/020ScGGã1:012/60153002818mieeovEsiok 108 CEPEEREdìG 106266200612 241474441962293ixs9925< 162
TIN ó v áxá (000660300 dkrbk coi ma“ 109
VN) si ái2v6i656650aie2kenEobcsncegatcsa 110 CHAPTER 9: TOOLS 163
TÊN (uc cv boot sa 112 THIÊN 1181415160165 0614 2Gà(10!ssả 164
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UI: oma chk ce ee nal DR le 123 Pa ie akan HH T 178
NHI CO a, 9 puieaocesesere sceeetetbidceub eee eae elena 124
CHAPTER 1O: PLACES 179
CHAPTER 7: POWER 125 PÏ[@ces cuc cASSSSceerknnves 180
FEU 292 201480%6-549291109906622)59/0000f2y22 0A 126 VilÌage Ặ Q2 re 182
| ne 128 LD -— HH XS - — 183
Master .ccccceccceeeecueeeeeseceeesaecesesecaeeeensess 130 Gt eee ccccececceceeeeeesecesceuseseeeeeseuaaeeseeess 184
4, 0.5 131 DRO ‹ assgvvfs-c<62sargsse09609661339: 96 ve, S66-00699 P561) 186
mà 132 Building & Roof . Ặcccc c2 188
Soldier se 133 Shelier -L LG On n nh se 190
(Never Budge an) lnch_ 134
Enclosed -.cccQQQQSn nhu 136 CHAPTER 1T: JOURNEY ses TỘI
NI cm sen re an 138 án ch ác ca can ng no 192
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CAN sưa xnRGixoasr(41071g5g070V60sg'e2kf2segib36:656g8i8ốc 197 CHAPTER 8: LEARN =— 1111 cose 143 DI ga deerfennessereecree E02 006 cœsscoitbssessere 198
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PAPRIUE: ‘rein sessine intense ieamehshqtee-eoendwicneaive vesetale 152
[RINDI cancadeece sh encancteespcestespitt-ses bensanntdiuseae 154 NOTES 203
Dy IIE Nan09 1166662601261 AwreeeeesS5v000/6222s04f 156
COND Ti ane rbien sosnaandés Wientddnamamecieiecensledeaete 158 INDEX 207
Trang 4
Introduction
How do you study the written Japanese characters
known as kanji? If you are a child in a Japanese
school, you write each kanji hundreds of times at
your desk After a while, by sheer persistence, it
sticks in your memory If you are not a Japanese
schoolchild, you probably do what | did You stare
at each kanji and make up a story in your head that
you can mentally “attach” to the kanji to help you
recall its meaning when you meet it again in the
future This kind of mental memory aid is called a
“mnemonic” device In this book | provide mnemonic
devices in the form of text and pictures for over
1,000 kanji, or about half of all the kanji in general
use in Japanese newspapers and other printed
material
Kanji developed from pictures used by the Chinese several thousand years ago to represent the
world around them Some types of kanji have
retained their pictographic forms and look very much
like the objects they represent The group of kanji
called pictographs are stylized representations of
actual physical objects:
Ji UW F1
river 55 mountain 167 gate 1101
Symbols use logical designs to indicate
more abstract notions:
perhaps 80%—fall into this category The theme
element, called a radical, may itself be a stand-alone
kanji or some graphic variant of one TREE 126, for example, is a character by itself Used as a radical it usually indicates something made of wood or relating to trees:
free 126 willow 128 timber 152
Trang 5INTRODUCTION
The right-hand elements here give a clue to
pronunciation The problem is that they may have
little or nothing to do with the character’s meaning
This makes creating a mnemonic for them much more
difficult But even pictographic forms have often been
simplified and stylized over the centuries The kanji
STOP 1205, for instance, has changed greatly from its
original depiction of a footprint:
G7 FU ak ik
MH HOW TO USE THIS BOOK
The organization of this book differs from that used
in most kanji-learning books for Westerners, where
characters appear in order of frequency or in the
order used in Japanese schools Since the whole
point of mnemonics is to create associations, | have
grouped my kanji thematically with their cousins and
near cousins in sound, meaning, or appearance
There is no formal pedagogical basis for my
organization My goal was simply to discover
graphic and mnemonic affinities, thus bringing kanji
together that are normally very distant from each
other in dictionaries as well as people’s minds
My kanji selections do include several that are not on the list of kanji approved for general use
by the Japanese Ministry of Education They are here because they were visually interesting to me By the same token, several common kanji have been excluded because frankly | couldn't come up with a satisfactory visual or textual mnemonic For a comprehensive, graduated course in kanji, see Kenneth G Henshall’s very fine book, A Guide to Remembering Japanese Characters (Charles E Tuttle, 1988) | have relied heavily on Henshall’s book, which was especially useful for its kanji definitions and its descriptions of kanji elements and origins For simplicity and economy of space, | have occasionally made modifications to Mr Henshall’s listings
You may find it easier to learn the complex kanji if you begin with the stand-alone characters and the other elements used as radicals Many of these basic kanji and kanji elements are presented here alongside the large-format illustrations Flip through the book and concentrate on these char- acters first
The smaller entries on each two-page spread often incorporate the basic elements presented in the large-format illustrations A few character entries appear without an illustration
Illustrations of the elements that appear in these characters can be found using the schematics and cross-reference numbers at the bottom of each entry
Trang 6
INTRODUCTION
M GUIDE TO THE ENTRIES
The standard kanji entries in this book include the
7— The sun evaporates water, making
the air humid lo
8— IB water 66 [A sun 1° (id wet ns —11
9
1 Meaning in English For the most part the kanji definitions are drawn from Henshall’s
book Definitions that treat the whole kanji as a
semantic form are somewhat misleading and
imprecise, however The meaning of any kanji is
best gleaned from the many words it is used to
represent When the entry kanji is used in Japanese
only as an element within other kanji, the definition
is enclosed in quotation marks
2 Reference number A sequence number used in the index and in kanji cross-
references
3 Kanji character A plain typeset form was selected for each entry character to make the
association with the visual mnemonic more clear
This form is commonly encountered in printed materials (Kanji written by hand sometimes look very different from their typographic forms.)
4 On (borrowed Chinese) reading
Always in upper case These pronunciations (on-
yomi) derive from those used in China when the kanji was first brought to Japan The Japanese adapted the Chinese sounds to their own speech
The same character may have been imported several
times, each time with a different reading, thus
producing the multiple readings in use today
5 Kun (Japanese) reading Always in lower case These pronunciations (kun-yomil represent native Japanese words “fitted” to the imported kanji Most Japanese verbs and adjectives are kun readings Underlined letters represent verbal
or adjectival inflections that are not a part of the kanji’s actual reading
6 Visual mnemonic | have taken many liberties in creating the pictures that go with the kanji Sometimes | have tried to preserve the historical etymology of the character; elsewhere | have abandoned it in favor of something that, to my eyes, made more sense | usually used the identical drawing to represent the same kanji element in
different visual mnemonics, but not always | have,
Trang 7INTRODUCTION
for example, taken creative license with the element
MOUTH 566 (also used to express “opening,” or
“enclosed”), drawing it instead as a tomato in
CULTIVATE 246 and a box in DOUBLE 631 | have also
O 6 OB
mouth 566 cultivate 246 double 631
willfully visually “confused” certain elements that
Japanese teachers are always insisting must never be
confused One example: the interchanging of soi
101 and WARRIOR 753 The schematic of elements (see
number 8, below) identifies the correct form
the kanji The element may be a radical, or it may
be another kanji (if it is another kanji, its shape as
an element may be compressed or slightly altered)
The schematic boxes are not used when the entry
kanji is a stand-alone kanji or is a radical or element
with no other use except as a combining form And
again, sometimes | have had to concoct and
interpret elements when none, according to Henshall
and others, may actually exist While the schematic
of elements is a helpful reference aid, keep in mind that it is a guideline only
9 Element meaning Refers to the first definition given for the kanji or radical used as an element in the entry kanji | have tried to use the meaning of the element in the visual and text
mnemonics
10 Cross-reference number Refers to the sequential reference number of the element used
in the entry kanji
11 Notes reference number Some characters have elements whose meanings are archaic or that correspond to no stand-alone character or radical in Japanese, such as the right
side of PLACE 28 Other characters, like COCOON 307,
are too complex graphically to describe with a simple schematic:
IZ 2 Em Faas]
place 28 cocoon 307
Comments on such complex elements appear in a numbered Notes section at the back of the book
These comments are referenced by “n-000” instead
of a cross-reference number Again, much of the
information here derives from Henshall’s book,
which describes the kanji elements in detail
10
Trang 8THE SYLLABARIES
In addition to kanji, Japanese uses two pho-
netic syllabaries, hiragana and katakana
Each syllabary of forty-six characters repre-
sents the same sounds The cursive hiragana
are used to write words not normally written
in kanji and for verb endings and parts
of speech The angular katakana are used
for emphasis and to write words and names
not of Japanese or Chinese origin
Trang 12A cow says, * A cow says, “Moo.” Yoyo Yodel
Le) ese ono writen sm
turn ki, shi, chi, ni, hi,
L LOGUBLERS] used to double ES sonants are
— the O and U doubled when
t) + <p vowel sounds “2 preceded by a
of other kana: smaller, silent ko» ko, ku> tsu, as in:
Trang 13RA-WA-O-N HIRAGANA KATAKANA
Nicks and cuts
This mark changes the
pronunciations of ha, hi,
fu, he, and ho to popping sounds: pa, pi, pu, pe, and po
This mark changes the pronunciations of all the kana in the series begin- ning ka, sa, ta, and ha to
vibrating sounds: ga, za,
da, and ba
16
Trang 14
KANJI COMPOUNDS
Each kanji has meaning by itself Kanji
also can be combined in kanji compounds,
or jukugo, to form new meanings, much
as root words, prefixes, and suffixes are
combined in English The compound
meaning “world,” shown at right, is
composed of SE 1081, meaning WORLD, and
KAI 203, meaning BOUNDARY Other com-
Trang 15Utsuru /su, hqeru WQ x2
The sun shines outward from
As bright as a day with three suns
| DAMP, MOIST, HUMID
The sun evaporates water, making the air humid
SHITSU shimeru/su
MA sun | m sun 1 fd sun 1 HH water 66 (8 sun 1 {i wet n-<
H | SUN, DẠY 1) | CLEAR, BRIGHT | WARM 7Ì
NICHI, JITSU | a *
hi, -ka | : ` »
The sun rises each day 7 | - ñn sò
The sun and a candle shine clear
and bright light
Trang 16THE SUN / THE
| asa S= Se yo, yoru
The morning is shared by the sun
and the moon
0 rise n-9 [3 moon 14
making a nice view at night
MA shelter 1147 fd person 362 Gl evening 11
| DARK, GLOOMY 10]
Gloomy people see the dark
shadow instead of the sun
IB sun [B stand 627 [W sun 1
| OUTSIDE, OTHER, UNDO
Trang 17hayai akatsuki
We can only escape the sun’s heat The sun rises through the grass Three stars were seen at dawn
in late evening early in the morning
Ml sụn 1 Ti escape 1167 ® sun 1 fl grass n-19 Ml sun : LR clear n-20
20
Trang 18D high n-21 LN sun 1 IE sun 1 [R sword 1023 [ll opening 566 BB hill 1094 (A sun 1 (i rays n-26
| CHILD 22] ‘| ILLUMINATE, SHINE 25 |
a
VY
The sword is illuminated by the
sun above and fire below
MI bright 24 im fire 32
is a place in the soil
EE soil 102 [HB sun 1 (a rays n-26
_|EASY, CHANGE, DIVINATION 23 |
life is easy in the sunshine
im bigeyed lizard n—23
| RAISE, FRY
YO ageru /garu
Raise your hand in the frying hot sun
IB hand 000 [A sun | (a rays n-26
| HOT WATER, HOT SPRING
where hot water springs up
HH water 46 [BM sun | [M rays n-26
Trang 19
PB now 30 fl heart 499
22
Trang 20
A child as young and green as a Inescapable summer hect
new season’s rice plants
& tice plant 231 m child 447 ™ mask n-40 im slow progress 1218
) [TEN-DAY PERIOD | AUTUMN 4]
SHU
= | SPRING 43 |
SHUN
Ten days of sunshine in June Rice stalks turn the fiery colors haru
of autumn Cherry trees bloom in the spring sun
Hi wrap 949 sun | IO rice plant 231 [I fire s3 Mi branches n-43 imi sun |
=p [PERMIT FORGIVE 38) [WINTER
ñ KYO
yurusu, moto
Permit me to speak at noon `
-D speak speck 3840 ` LÍ noon 37 a
TỔ
f
K | GRIEF, SADNESS 39 | vg
8 SHU
©v urei /eru Winter snow and ice impede my
I've got the autumn blues progress
BM autumn 41 m heart 499 ™ slow progress 1218 mm ice 94
Trang 22WIND, RAIN, & CLOUDS 47 -54
Lightning flashes and thunder
echoes in the field
M rain 45 im field 201 rain 45 fal road 1214
| ELECTRICITY | CONVEY, TRANSMIT
| shake and tremble at the foot of
a cliff
Mi rain 45 ml tremble n-so
People transmit clouds of contagious diseases
ID person 362 [RE cloud 54
h As an element this means
cloud Alone, it is a rarely used character meaning “speak.” See 840
Trang 23
A person flows downstream
IB water 66 =[M person n-se [fl river 55
A calamity of flood and fire
MH river 55 im” fire 83
Trang 24À ship in the middle of the Together, two people come to the Sittin’ on the dock of the bay
open sea harbor to see their reflection
water 46 [B middle 954 Hi water co [BM together 388 =I self 450 IE water 46 [§ red nes [i pull 817
DEEP WATER, ABYSS "WATER" 66 `× | SEA ó7Ì
*
` ` N KAI
/ + The sea is the mother of life
H water 66 [B person 363 [i mother 446
EN This is the radical
fuchi for water
ater penetrates the cave ⁄Z
water óó [§ same sao
Trang 25
yogoreru /su, kitanai
Tears cannot wash the dirt of
Trang 26asai A i fi »- uku/kabu /kaberu ớ” waku /kasu ce al a
lash in the shallow water A hand lets a child float in A gushing fountain of boiling
the water water
water 66 {i halberds soi H vokr 6ó [H hànd óc [R child 447 HH woler 66 [ emerge n-78
Y, DEFENSE | DEPEND ON, DUETO, REASON 76} —[ SOURCE, ORIGIN 79 |
Depending on where you place
the drill in the field
Trang 27
Two samurai screamed when
threatened by menacing flames
0 fire sa [N exact 1089 1 mouth 566 CH red (x2) n-5
| BURN, ROAST 85] | VIOLENCE, EXPOSE
Kt \ FR AIS
SHO BO, BAKU
yaku /keru abareru /ku
BAKU 5
ay a firecracker explodes in a burst of fire
I fire s3 LH burst n-90
30
Trang 28Bice 94 { east 91 Ml water 66 FJ crack n—94
| COLD 93) | SNOW 96] |FROST 97 |
Broof 1144 fi plants n-93 El ice 94
Snow: rain you can hold in your hand
Trang 29Hal draws up the area’s boundaries
NI :oil toi {8 halberd soi
A plant grows in the soil
ayy, VY! OTe NSO
sloping cliff “ons
E1 soil toi [ qgoinst 957 th
| EMBANKMENT 100 Ì 103} — | RESIST, OPPOSE
[EI SL AN
2E ys 7L
TEI KO
tsutsumi
The sun shines on the embankment Miners work in a hole deep in The hands oppose management
of soil the earth
A soil 101 (BA sun 1 (i leg 417
BB soil 101 (MB shelter 1147 [N desk 157 IB hand 660 ~~ ([B shelter 1147, [i desk 157
32
Trang 30Ni ba cy * SẺ“
CÓ PaaS NS Agrees đe cớ
gees ets sitter ses 2
aw d ^^ HAY
a: Ay Seer ee
Behe ae en AES: eae ae reo ort ta 2
FISH, LURE, CHANGE
#
CHO tsuri /ru
$T
SHIN hari
metal 105 [A stand 627 [ll scene n-106 IE metal 105 [B little 926 HD money 708
106} | CHAIN, LINK 107 |COIN
Hal flips a metal coin
EK) metal 105 [— halberd ao:
Trang 31
WORLD
| TURF, LAWN 111) ~~ [ WORK, DUTIES 114) | ART, SKILL, PLANT 17
SHI Ạ KIN GEI
shiba wait tsutomeru
M grass 126 mm path n-111 Aj grass 124 ff] flower 119 Hl power 745 M grass 124 im speak n-117
| STALK, STEM 112) ~~ [ GROW THICKLY 115] — [FLOWER, SHOWY, CHINA _178]
KEI 4 MO KA, GE
kuki 7 shigeru | hana
A hand cuts the grassy stalks from
the soil Hal makes the grass grow thickly A Chinese flower grows among the grass
FE grass 124 PB hand 600 i soil 101 PA grass 124 im halberd soi MI grass 124 fl flower n-118
| CHRYSANTHEMUM 113) [FLOWER 116} — [FRAGRANT, SWEET SMELL _119]
hana kanbashii
A chrysanthemum in the grass,
with rice-colored petals
M grass 124 ml rice 217
The plants change into flowers
MI grass 124 tal change 374
This person takes in the sweet smell of the grass
M grass 124 lm person 386
34
Trang 32BAMBOO & GRASS 120 - 124
are used as pipes in the officials’ Bamboo reeds
This is the radical for
grass, though a number
o hands count with a bamboo of other elements have
cus the same shape, such as
bamboo 123 fl eye 538 fl hands n-122 _—+hands in character 122 `
“a
Trang 33BOKU, MOKU, SHU
ki, ko atsumeru /maru
A tree with spreading branches Birds gather in a tree
te FD or Tế e0) F8 shine n—127 Em tree 126 ™ basket n—130 im fruit 126
| ROOT, ORIGIN, BOOK 125] = — | WILLOW, WILLOWY 128) | BALANCE
The roots of a tree are cylindrical
fl tree 126 Iml roots n—125
KEN, GON
Character 125 is also used after yanagi
numbers to indicated that the things
being counted are cylindical
A willow tree A heron balances in a tree
ID tree 126 [ flow n-128 [ tree 126 [R heron 331
36
Trang 34Hands take acorns from the tree Hal plants a tree in the soil Plant a tree in the soil
hand 580 [MB hand 611 [i tree 126 Al soil io) WW tree 126 Gl halberd soi HH tree 126 [R uprighi n—137
EXTREME, POLE 133] |REST 138 |
KYU
ỷ yasumu
A A vacationer rests by a tree
EH] person 362 LN tree 126 KYOKU, GOKU
is and trees generate leaves
ass 124 fa generation 100 Ei tree 126
Trang 35is
Divide a tree to analyze it | cut the tree into kindling
mỈ needle 1006 = ax 1072 Hi) tree 126 ax 1072 PA grass 124
FOREST 142
RIN
Two trees make a forest
mada HE) tree i26
This tree is immature
> WOODS 143
AK SHIN
mori
Three trees mean woods
PA tree 126 i tree 126 Gl tree 126
This tree has a big tip
38
Trang 364 My" ——— Le A branch from a tree
SATSU, SETSU Hl tree 126 LR branch 148 korosu
`
Kill the trees
Mr XM'‹vdvsê [BRANCH OFF 150Ì Lj
Trang 37taba, tabaneru, tsuka, tsukaneru
Bundled tree branches
Hal made a wooden device
EH) tree 126 (8 command 793
| BOARD, PLATE 156
HAN, BAN ita
Trees are cut into boards
HH tree 126 (H against 957
Trang 38
yooden table | read a book on making fences A box made of bamboo and wood
126 GI desk n-157 ID tree 126 t[R book ses FA bamboo 123
ee books sit atop a wooden kshelf A tree is cut into a pillar for the Varnish resins ooze like water from
master’s house a tree
ee 126 (i apply 595 HD tree 126 (H master 734 IB water 66 «TB tree 126 [R woler 57
Correctly arrange the bundle of sticks
FS bundle 153 PM strike 802 iM correct 826
Leave nothing but cut branches
ree 126 OH month (x2) 14 Hl tree 126 CH respectful 703 HL tree 126
UH leave 956
Trang 39Enter the valley
Trang 40MOUNTAINS & VALLEYS 172 - 180
ARK, OBSCURE, LONELY 172] | PEAK, TOP 175 | FR | CAPE, STEEP 178 |