Sử dụng photoshop cs5 part 59 ppsx

On the Layers panel, double-click the T icon for a paragraph type layer, then click anywhere in the text.. Right-click an editable type layer name and choose Warp Text.. D In this image

TRANSFORMING TYPE

➤ When applied to paragraph or point type, the trans-form commands, such as Free Transform, affect both the bounding box and the characters within it (see pages 312–313)

➤ You can move, scale, rotate, and skew both editable and rasterized type, plus you can apply a distortion or perspective transformation to rasterized type

➤ If you want to transform individual characters, create them on separate layers

B When we made the bounding box wider, the type reflowed into the new shape.

Transforming the bounding box for

paragraph type

By changing the shape of the bounding box that

surrounds paragraph type, you can change the line

lengths of the type without distorting the characters

Enlarging the bounding box is a necessity when you

want to reveal overflow type (when a bounding box

contains overflow type, a plus sign displays in the

handle in the lower right corner) You will find less

of a need to rotate type, but instructions for doing

so are also included

To transform paragraph type via its

bounding box:

1 On the Layers panel, double-click the T icon for

a paragraph type layer, then click anywhere in

the text A dashed bounding box surrounds the

type

2 Do one of the following:

To reflow the type by reshaping the bounding

box, position the cursor over a control handle,

then drag.ATo preserve the proportions of

the bounding box while scaling it, start

drag-ging a corner handle, then hold down Shift and

continue to drag The type will reflow into the

new shape.B

To rotate the box, position the pointer just

out-side one of the corners (it will become a curved,

double-arrow pointer), then drag in a circular

direction

3 To accept the transformation, press Enter on

the keypad or click the Commit button on the

Options bar (To cancel it, press Esc or click the

Cancel button on the Options bar.)

➤ To align or distribute multiple type layers, follow

the instructions on page 247

➤ To access the Move tool temporarily when you’re

working with type (perhaps to move the type),

hold down Ctrl/Cmd instead of using the letter

shortcut (V) If you do press “V,” make sure your

type cursor isn’t inserted in type, or you will

unintentionally either replace selected type with

that letter or insert it into your text

A Drag a control handle to transform the bounding box.

Using the Warp Text command

The Warp Text dialog transforms the type

bound-ing box, and the characters within it are warped

accordingly The command offers many

customiz-able style choices, such as arc, arch, shell, wave, and

fish Best of all, warped type remains fully editable

To warp editable type:

1 Do either of the following:

On the Layers panel, double-click a T icon,

then click the Warp Text button on the

Options bar

Right-click an editable type layer name and

choose Warp Text

2 The Warp Text dialog opens A Move it aside if

it’s in the way

3 From the Style menu, choose a preset style

4 Click Horizontal or Vertical as the overall

orientation for the distortion

5 Optional: Move the Bend, Horizontal

Distortion, or Vertical Distortion sliders

6 Click OK B–EA Warp Text icon appears in

the layer thumbnail

Note: Characters that are added to warped type

adopt the same warp characteristics

➤ To reopen the Warp Text dialog at any time, repeat step 1 on this page For example, you could choose a different style or adjust the slid-ers (or to undo the warp, choose Style: None)

➤ Once you move the sliders in the Warp Text dialog, those settings are applied to all the other Styles in the dialog To restore the default settings to all the sliders, choose a Style of None

➤ To warp type using manual controls, see page 316

A The Warp Text dialog offers many Style presets, as well

as three sliders that enable you to customize the effect.

D Style: Flag (layer effects are also applied) E Style: Rise

C Style: Arc (layer effects are also applied)

B Styles: Shell Lower for “Greg’s,”

Bulge for “Boat Yard”

D In this image, a type selection that we converted to a layer mask is masking a group of image layers We also applied a gradient to the mask on each image layer to hide part of the imagery (see also pages 244–245).

A In this image, the type is the base layer in a clipping mask

B This image was created the same way as the one above, except here we also rasterized the type layer (which is the clipping mask), then softened the edges via the Gaussian Blur filter to make it look more “snowy.”

Rasterizing type

To edit type by applying a filter or the Transform >

Distort or Perspective command, or to draw strokes

on it with a tool such as the Brush, you have to

convert it to pixels first via the Rasterize Type

com-mand Unfortunately, you can’t change the

typo-graphic attributes of rasterized type

To rasterize type into pixels:

1 Optional: To preserve the editable type layer,

duplicate it (Ctrl-J/Cmd-J), then hide it Keep

the duplicate layer selected

2 Right-click an editable type layer name and

choose Rasterize Type The layer thumbnail now

has a checkerboard pattern, which represents

areas of transparency

3. Be creative!

Filling type with imagery

To spark your imagination, these are some of the

ways you can make editable type look as if it’s filled

with imagery (and good news: you don’t need to

rasterize the type layer first):

➤ Use an editable type layer as the base layer in

a clipping mask to clip the image layers above

it.A–BYou can edit the image layers (e.g., apply

filters or brush strokes to them) or reposition

them without disturbing the type To learn more

about clipping masks, see page 306

➤ Apply the Pattern Overlay effect to an editable

type layer (see pages 363–364).While the Layer

Style dialog is open, you can scale the pattern by

using the Scale slider or move the pattern within

the type by dragging in the document To create

a custom pattern, with the Rectangular Marquee

tool, select all or part of an image to use as a

pat-tern tile, choose Edit > Define Patpat-tern, then click

OK Choose your new pattern from the Pattern

Preset picker in the Pattern Overlay panel of the

Layer Style dialog.C

➤ Use a type selection in a layer mask (follow the

instructions on the next page).D For an extra

bit of fun, try warping some type, then use the

resulting shapes as a layer mask

C We applied the Pattern Overlay layer effect to the type layer using a custom pattern that we made from an image (we also applied the Drop Shadow, Inner Shadow, Outer Glow, and Emboss effects).

C To reveal layer imagery within the selection, click the

Add Layer Mask button (it’s a “ski mask,” ha-ha).

D To create a solid backdrop for the type shapes, we added

a layer below the image layer, which we filled with white.

A Ctrl-click/Cmd-click a type layer thumbnail to create a

selection from type.

B Hide the type layer — but don’t deselect!

E This is the Layers panel for the final image, which is shown in Figure D.

To use type shapes as a layer mask:

1 Create an editable type layer.

2 Ctrl-click/Cmd-click the type layer

thumb-nail to load the type shapes as a selection.A

3 Hide the type layer by clicking its visibility

icon.BThe selection marquee will remain visible

Don’t deselect it

4 Click the image layer to which you want to add a

mask

5 On the Layers panel, do either of the following:

To reveal layer pixels within the selection area,

click the Add Layer Mask button C–E

To hide layer pixels within the selection area,

Alt-click/Option-click the Add Layer Mask button

The type shapes are now represented by white

or black areas in the layer mask thumbnail

➤ To reposition the layer mask, unlink it from the layer by clicking the link icon (the icon disappears), click the layer mask thumbnail, then with the Move tool, drag in the document

Or to move the layer imagery within the mask, click the layer mask thumbnail, then drag

When you’re done, click to restore the link

➤ You can also add a layer mask by clicking the Add Pixel Mask button on the Masks panel

To toggle the function of the mask between hiding and revealing pixels, click Invert on the panel

Making type fade

To make it seem as though type is fading into thin

air, apply a gradient to a layer mask

To make type fade:

1 Click an editable or rasterized type layer (for this

exercise, make the type relatively large)

2 On the Masks panel, click the Add Pixel Mask

button A layer mask thumbnail appears on

the type layer

3 Choose the Gradient tool (G or Shift-G)

4 On the Options bar:

Click the Gradient picker arrowhead, then click

the “Black, White” preset in the picker (it’s the

third swatch in the default gradient library)

Click the Linear gradient button

Choose Mode: Normal and 100% Opacity

5 Make sure the layer mask thumbnail is still

selected, then in the document, Shift-drag

ver-tically or horizontally from the middle of the

type to one of its edges (we dragged from the

middle to the left) The type layer mask will fill

with a white-to-black gradient Aand the type

will be hidden where black is present in the layer

mask.B

6 On the Masks panel, lower the Density value to

reveal more of the type and soften the transition

between the visible and hidden areas.C–D

➤ To modify the type or the layer, click the type

layer thumbnail; to modify the layer mask, click

the layer mask thumbnail; or to toggle the two

thumbnails, click the layer, then click the Select

Pixel Mask button on the Masks panel on or

off To learn more about layer masks, see pages

168–173

A We clicked the layer mask thumbnail, then dragged with the Gradient tool in the image from the middle of the type to the left edge of the layer.

C To fade the type more gradually, we lowered

the Density of the layer mask to 89%.

B The type is now fading, but a bit too abruptly.

D In the final image, the type fades gradually.

DON’T FORGET ABOUT LAYER EFFECTS!

Layer effects can be applied to both editable and rasterized type layers To open the Layer Style

dialog, double-click next to a layer name Browse through the next chapter and you’ll see many examples of effects that we’ve applied to type