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Trademarks: McGraw-Hill, the McGraw-Hill Publishing logo, and related trade dress are trademarks or registered trademarks of The McGraw-Hill Companies and/or its affi liates in the Unite

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Copyright © 2011 by The McGraw-Hill Companies All rights reserved Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.

ISBN: 978-0-07-174518-5

MHID: 0-07-174518-1

The material in this eBook also appears in the print version of this title: ISBN: 978-0-07-174517-8,

MHID: 0-07-174517-3.

All trademarks are trademarks of their respective owners Rather than put a trademark symbol after every occurrence of a trademarked name, we use names in an editorial fashion only, and to the benefi t of the trademark owner, with no intention of infringement of the trademark Where such designations appear in this book, they have been printed with initial caps.

McGraw-Hill eBooks are available at special quantity discounts to use as premiums and sales promotions, or for use in corporate training programs

To contact a representative please e-mail us at bulksales@mcgraw-hill.com.

Trademarks: McGraw-Hill, the McGraw-Hill Publishing logo, and related trade dress are trademarks or registered trademarks of The McGraw-Hill Companies and/or its affi liates in the United States and other countries and may not be used without written permission All other trademarks are the property of their respective owners The McGraw-Hill Companies is not associated with any product or vendor mentioned in this book Information has been obtained by McGraw-Hill from sources believed to be reliable However, because of the possibility of human or mechanical error by our sources, McGraw-Hill, or others, McGraw-Hill does not guarantee the accuracy, adequacy, or completeness of any information and is not responsible for any errors or omissions or the results obtained from the use of such information.

TERMS OF USE

This is a copyrighted work and The McGraw-Hill Companies, Inc (“McGrawHill”) and its licensors reserve all rights in and to the work Use of this work is subject to these terms Except as permitted under the Copyright Act of 1976 and the right to store and retrieve one copy of the work, you may not decompile, disassemble, reverse engineer, reproduce, modify, create derivative works based upon, transmit, distribute, disseminate, sell, publish or sublicense the work or any part of it without McGraw-Hill’s prior consent You may use the work for your own noncommercial and personal use; any other use of the work is strictly prohibited Your right to use the work may be terminated if you fail to comply with these terms THE WORK IS PROVIDED “AS IS.” McGRAW-HILL AND ITS LICENSORS MAKE NO GUARANTEES OR WARRANTIES AS TO THE ACCURACY, ADEQUACY OR COMPLETENESS OF OR RESULTS TO BE OBTAINED FROM USING THE WORK, INCLUDING ANY INFORMATION THAT CAN BE ACCESSED THROUGH THE WORK VIA HYPERLINK OR OTHERWISE, AND EXPRESSLY DISCLAIM ANY WARRANTY, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO IMPLIED WARRANTIES OF MERCHANTABILITY

OR FITNESS FOR A PARTICULAR PURPOSE McGraw-Hill and its licensors do not warrant or guarantee that the functions contained in the work will meet your requirements or that its operation will be uninterrupted or error free Neither McGraw-Hill nor its licensors shall be liable to you or anyone else for any inaccuracy, error or omission, regardless of cause, in the work or for any damages resulting therefrom McGraw-Hill has

no responsibility for the content of any information accessed through the work Under no circumstances shall McGraw-Hill and/or its licensors be liable for any indirect, incidental, special, punitive, consequential or similar damages that result from the use of or inability to use the work, even if any of them has been advised of the possibility of such damages This limitation of liability shall apply to any claim or cause whatsoever whether such claim or cause arises in contract, tort or otherwise.

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It’s hard to have a passion about art without being somewhat of a dreamer.

I dedicate this book to the dream that there will be peace on Earth within our lifetime

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About the Author

Gary David Bouton is a seasoned author and illustrator with over 20 books to his name,

covering programs such as CorelDRAW, Adobe Photoshop, and topics such as digital video editing, content creation for the Web, and 3D modeling Gary has been drawing and painting both traditionally and electronically for close to 40 years and has been writing books and articles on art since 1992 He has received four international awards for design and desktop publishing and was a finalist in the CorelDRAW World Design Contest In his other life, Gary composes and records music and works on CGI special effects for films

About the Technical Editor

Having degrees in both engineering and art, William Schneider currently teaches computer graphics and darkroom photography in the School of Visual Communication at Ohio University He has twice been a finalist in the annual Corel World Design Contest

He has written 16 magazine articles about photography and computer artwork, and has

had his graphic work published in a number of venues For the textbook Italian Renaissance Art: A Source Book, he was responsible for furnishing hundreds of illustrations and photos.

When he’s not working at the computer or printing in his darkroom, he likes to ice skate and

to build unusual loudspeakers in his shop

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Having celebrated our 20th anniversary last year, it’s our second decade of creating and refining our complete and easy-to-use graphic design suite Learning resources remains a key element to enable users of CorelDRAW Graphics Suite to get going quickly and create amazing illustrations, layouts, graphics, and more We are, therefore, including, in addition

to our help system, electronic documentation, and video tutorials, a full-color hard-cover book of tips and techniques in the latest boxed version of the suite

We’re excited about the new CorelDRAW X5 The Official Guide you hold in your hands,

because McGraw-Hill Professional and author Gary Bouton have taken a different approach

to grasping and ultimately mastering our suite of programs Because the team at Corel has

covered the basics with our documentation, this has freed The Official Guide to focus on

methods for perfecting your craft and design ambitions You’ll find expert instruction on

illustration techniques, not only how to use CorelDRAW, but also how to get the results you have in mind As you’ll see, all the examples in The Official Guide are explained in digestible detail in a way that is relevant to a goal you have in mind You’ll learn as you create;

step-by-step instructions are supported by dozens of example files you can download, and these examples will also provide an idea book you can build upon for inspiration in your own work This comprehensive guide is the result of a valued partnership between Corel Corporation and McGraw-Hill Professional The author has worked closely with the product team at Corel

to ensure that professionals and aspiring designers using our product have the information they need to quickly achieve stunning results

Congratulations to our official guide author, Gary Bouton, for providing such a quality book packed with references, insights, and an accomplished illustrator’s perspective on that

intangible item that makes artwork attractive to an audience: insight As you go through

each chapter, I’m sure you’ll find this to be an invaluable resource for both beginners and graphics professionals alike

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Both McGraw-Hill Professional and Corel present you with something truly new in this book and in the X5 Graphics suite, because like any successful communication that has to be

open and two-way, you told us what you wanted, we listened, and The Official Guide is our

reply to you

Happy CorelDRAWing! Gérard Métrailler

Sr Director, Product Management, Graphics

Corel Corporation Ottawa, Ontario August 2010

xxvi CorelDRAW X5 The Official Guide

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C’mon: you and I both know that no one reads the acknowledgments section in a book when it’s much more fun to dive right into the meat of a detective novel, a historical fiction, and even a book on computer software But if I’ve by chance caught your eye here, I’d like you

to know that if you enjoy this book (the correct answer is yes, you will), the folks who

worked together had just as much fun creating it I can’t think of a single book I’ve written

in the past when the author, the production and layout people, and the editors just clicked as

we did with this book The bonus was that we got to know each other as we worked against

deadlines to bring you this hefty piece of documentation I’d like to introduce my friends to

you now and to thank them for making my part in the CorelDRAW X5 The Official Guide the

best kick one could possibly have without breaking any federal laws:

● To Megg Morin Once again, Megg has played the gracious asylum keeper She has freely offered me encouragement, advice, lots and lots of support for the direction in which I wanted to move this book, at times has humored me, and has let me get silly

at least once in every chapter Megg is good therapy for me, and this book will, in turn, be good therapy for you in the way it’s written while you learn a very, very deep suite of applications

● To Meghan Riley, for not only keeping track of an immense amount of data, but also

for helping me stay organized, in the kindest, most gracious fashion a freelance writer could hope for Oh, oh; look, Meghan—the figure on page 285 is upside-down!!! Onnnnnly kidding! Thank you, Meghan.

● Project Editor LeeAnn Pickrell Let me make it known that LeeAnn didn’t just work

on copy for this book; she worked with me to bring a sense of organization, worked

with my style and not against it, and discussed chapters with me down to a level where at times I felt she was sitting in my office Unfortunately, I have only one

chair here, but I still want to thank you, LeeAnn, for making my mots into bon mots.

● Copy Editor Jan Jue Jan went to extremes to ensure the book you’re holding is accurate I know of no other copy editor who actually installs the program a book is

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