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Sonic Art & Sound Design- P32 doc

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Subsequently, his work has focussed upon sounds, images and forms that are normally hidden to the listening and watching public.. As a performer and installation artist, he uses both sou

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Scanner

Scanner (Robin Rimbaud) first

became well known as a result of his

use of intercepted cellphone

conversations in live performances (his

use of scanning radio receivers led to

his ‘stage’ name) Subsequently, his

work has focussed upon sounds,

images and forms that are normally

hidden to the listening (and watching)

public As a performer and installation

artist, he uses both sound and image

to create a wide range of works, from

oral histories to live electronic

improvisations and soundscapes

Facing page: ‘Echo Days’

A 2002 collaboration with Katarina

Matiasek, exhibited in New Zealand,

USA, Denmark, Australia and Spain

‘The audio environment of the

installation,Echo Days, used

decelerated and thus audible

echolocation sounds of bats flying

through cities and landscapes for an

unsettling and stroboscopic

composition As the soundtrack

entirely exists of reflected sound, it

secretly transports absent structures

In the acoustic gaps of the music, the

staccato image of the visible moving

structures of Echo Days appears, their

afterimages projected on to the black

screen coinciding with each

echolocation signal of the soundtrack

Thus edited in a mutually exclusive

way, the relationship between sound

and image speaks of the difficult

reconstruction of any outside world by

our senses.’

Images courtesy of Katarina Matiasek.

Right: ‘Into the Blue’

A 2002 multimedia installation work

at the Naughton Gallery, Queen’s

University, Belfast

‘A field of balloons, as deep as the deep blue sea, engulfs the viewer, nestling up to them and creating a lighter than air environment Soft carpet caresses your feet as you step slowly through this ever-adapting space, as warm microscopic sounds flutter around your ears You are immersed in a new commission by London-based artist Scanner, whose work has consistently explored public and private spaces, injecting them with ideas that offer an insight into the human condition with warmth and a sense of humour He collected responses from people in Belfast to a simple question, what does blue make you think of? The answers were then printed onto balloons that can be found all over the city and which are combined to create a multi-sensory work within the gallery Into the Blue

is contemplative, calming and a place

to reflect It is a place to touch, listen

and imagine.’

Image courtesy of Scanner.

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Job no : 76098 Title : The Fundamentals Of Sonic Art Client : AVA

Scn : #150 Size : 200(w)230(h)mm Co : M3 C0 (All To Spot)(Coagl)

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Scanner (continued) Left: ‘Belsay Hall’

Another 2004 collaboration, this time with Jerwood Prize winner Shelley Fox, this installation work formed part

of the ‘Fashion at Belsay Hall’

exhibition (which also featured works

by Paul Smith, Agent Provocateur, Stella McCartney, Jean Muir and others)

’For this commission we wanted to evoke memories of past employees and inhabitants and in some way reclaim the interior Shelley created false walls

of padded fresh white linen whilst from within this soft room can be heard fragments of stories from original staff of the Hall, drawn from the Oral History Archive.’

Image courtesy of Shelley Fox.

Left, below: ‘Diva’

A 2004 collaboration with Katarina Matiasek,Diva appeared at the

Kunsterhaus Vienna and was also shown at ‘Phonorama: A Cultural History of the Voice as a Medium’, in Karlsruhe, Germany

‘The voice of Maria Callas soars and cracks in a black space

Zoom out

The projection starts its movement with a zoom out of the black of the diva’s mouth, and her lips start closing

in around the yet black projection screen, her voice fading… Speed up Accelerating from an initial slow motion, the banal magic of the documentary footage incubates the screen The diva accepts her applause with flirtatious ease, bows and closes her eyes

Fade to black

From the inside of the diva the performance starts anew

Loop

The voice of Maria Callas soars and cracks in a black space.’

Image courtesy of ZKM.

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Student works

Chris Amey

Right: ‘Music for Sleeping’

An environment created using

SuperCollider software through which

20 musical tones are created and

presented under the control of a

complex computer algorithm The

gentle and randomly shifting harmonic

pattern thus created is diffused into

the space via eight loudspeakers and

serves as a mask for distracting

extraneous noise, creating a tranquil

environment in which the visitor is

invited to relax on the mattresses that

form the physical part of the work

Image courtesy of Chris Amey.

Jonathan Acker

Far right: Untitled installation

Hospital infusion bottles containing

saline drip on to a heated plate upon

which are conductive strips that are

normally insulated from each other

The conductivity of the saline forms a

temporary circuit between adjacent

strips The completion of these

various circuits are translated into

MIDI information, which trigger the

playback of recorded voices These

voices recall (amongst other things)

people’s experiences of being

unwell, receiving medical treatment, being in hospital etc

Image by Tony Gibbs.

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Job no : 76098 Title : The Fundamentals Of Sonic Art Client : AVA

Scn : #150 Size : 200(w)230(h)mm Co : M3 C0 (All To Spot)(Coagl)

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I hope that what you have read so far will have provided a stimulus for further

exploration and discovery and even, perhaps, your own work We have seen and

discussed a number of aspects and examples of sonic art practice but obviously

cannot claim these to be comprehensive Accordingly, the following section sets out

to help start interested readers on a useful pathway of study and investigation by

providing suggestions for a range of informative resources.

Conclusion

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