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Le Kim Dung Done by : TRAN THI HONG GAM NGUYEN THI NGUYET NGUYEN THI SINH NGUYEN THI THUY TRAN THACH THUY NGUYEN THI TOAN American literature... Definition- Realism: The faithful

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Instructor: Ms Le Kim Dung Done by :

TRAN THI HONG GAM

NGUYEN THI NGUYET

NGUYEN THI SINH

NGUYEN THI THUY

TRAN THACH THUY

NGUYEN THI TOAN

American literature

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I Definition

IV Contribution

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I Definition

- Realism:

The faithful representation of reality

- “Realism is nothing more and nothing less than the truthful treatment of material.” William Dean Howells, “Editor’s Study,”

Harper's New Monthly Magazine (November 1889)

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II Social Background

(1860-1914)

USA: From a small, young, agricultural, ex-colony

to huge, modern, industrial nation

+ After civil war (1861-1865): Business boomed

Strikes and struggling (farmer, worker- money interests)

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III Characteristics

Ethical subject

Character (more important than action and plot)

Middle, lower classes

Plausible events, (Realistic novels avoid the sensational, dramatic elements of

naturalistic novels and romances)

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III Characteristics

Natural vernacular (diction); tone may be comic, satiric, or matter-of-fact

Completely authorial objectivity

Concept of realism as a realization of democracy- a world truly reported

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IV Contribution

- Devoted to accurate representation and an exploration of American lives in various

contexts

( Emphasized specific, detailed descriptions of actual places and reproduced regional

dialects)

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The schools of American Realism:

1) Frontier Humor

2) Midwestern realism

3) Cosmopolitan Novelist

4) Regionalism (local color)

5) Naturalism

6) The Chicago School of poets

7) The rise of black American literature

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FRONTIER HUMOR

• had earlier roots in local oral traditions

• Make lively by exaggeration, tall tales, incredible boasts, and comic workingmen heroes

• Each region had its colorful characters

• The exploits were exaggerated and enhanced in ballads, newspapers, and

magazines

• Twain, Faulkner, Johnson Hooper,

George Washington Harris, Augustus Longstreet

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MIDWESTERN REALISM

• William Dean Howells

A Modern Instance (1882),

The Rise of Silas Lapham (1885),

A Hazard of New Fortunes (1890),

• carefully interweave social circumstances with the emotions of ordinary middleclass Americans

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COSMOPOLITAN

• Contrasts Americans and Europeans

Henry James (1843-1916)

The Wings of the Dove (1902),

The Ambassadors(1903)

Edith Wharton (1862-1937)

The House of Mirth (1905), The

Custom of the Country (1913),

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Local Colorists

• has old roots but produced its best works long after the Civil War

• paint striking portraits of specific American

regions.

• All regions of the country celebrated themselves in writing influenced

by local color.

• Bret Harte, Mary Wilkins Freeman, Harriet Beecher Stowe, Sarah Orne Jewett

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TWO WOMEN REGIONAL NOVELISTS

• Ellen Glasgow(1873-1945)

Barren Ground (1925)

• Willa Cather (1873-1947)

Death Comes for the Archbishop (1927)

• Explored women’s lives, placed in brilliantly evoked regional settings

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• used realism to relate the individual to society

• Daringly opened up the seamy underside of society and such topics as divorce, sex, adultery, poverty, and crime

Stephen Crane, Jack London, Theodore Dreiser

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The Chicago School of poets

• concerns obscure individuals

• realism, dramatic renderings—techniques

Edgar Lee Masters (1868-1950)

Spoon River Anthology

Carl Sandburg (1878-1967)

“Chicago” (1914):

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THE RISE OF BLACK AMERICAN LITERATURE

• one of the most striking literary developments of the post-Civil War era

• the roots of black American writing were understood and used ,

Booker T Washington(1856-1915)

Du Bois (1868 - 1963)

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Thanks for your

attention

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