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Quick-Start Guide to Digital Preservation for Audio

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Kansas State University Libraries New Prairie Press Central Plains Network for Digital Asset Management Planning and Digitizing Yesterday to Preserve It for Tomorrow 2016 Quick-Start

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Kansas State University Libraries

New Prairie Press

Central Plains Network for Digital Asset

Management Planning and Digitizing Yesterday to Preserve It for Tomorrow (2016) Quick-Start Guide to Digital Preservation for Audio

Sandy Rodriguez

University of Missouri-Kansas City, rodriguezsan@umkc.edu

Follow this and additional works at: https://newprairiepress.org/cpndam

Part of the Archival Science Commons , Cataloging and Metadata Commons , Computer and Systems Architecture Commons , Data Storage Systems Commons , Digital Communications and Networking Commons , Management Information Systems Commons , and the Technology and Innovation Commons

This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License

Recommended Citation

Rodriguez, Sandy (2016) "Quick-Start Guide to Digital Preservation for Audio," Central Plains Network for Digital Asset Management https://newprairiepress.org/cpndam/2016/day2/1

This Presentation is brought to you for free and open access by the Conferences at New Prairie Press It has been accepted for inclusion in Central Plains Network for Digital Asset Management by an authorized administrator of New Prairie Press For more information, please contact cads@k-state.edu

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Quick-Start Guide to Digital Preservation

for Audio

Sandy Rodriguez University of Missouri—Kansas City

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What To Expect

• Digital preservation ≠ digitization

• Practical strategies

• Use case

• Demo of tools

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Marr Sound Archives

350,000+ sound recordings Commercial music and radio programs

Versatile formats

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Our Operations

Chuck Haddix, Director

Other Staffing:

Audio Engineer Operations Manager (now a Librarian)

Student Supervisor

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Define the need &

the opportunity

Ahmad Alaadeen

Cassettes

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Conduct a self-assessment &

gap analysis

“render the information generated through our work generalizable to other institutions who want to use the project’s innovations but

cannot redesign their audio studios nor completely alter their staffing situations in order to do so.”

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with Audio Engineer

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Define principles

to guide decision-making

• Understand current capacity & priorities

• Take an iterative approach

• Leverage efficiencies

• Use standards and best practices

• Define “good enough”

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Define “good enough”

the ability to answer these questions

• What is this?

• What does it contain?

• Is the metadata accurate?

• Did the file change?

• What is our process?

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Implement recommendations

• Standardize filenames

• Embed “catastrophic” metadata

• Quality control

• Add fixity information

• Select applications / tools

• Document specifications & process

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Standardize filenames

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Embed metadata

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• BWF MetaEdit – Embed metadata

• MDQC – Automate QC of metadata

• Fixity – Monitor file integrity

Applications selected

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Demo

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Final Thoughts

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Selected Resources

Preservation of Digital Audio Objects

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Contact Info

Sandy Rodriguez

rodriguezsan@umkc.edu

@audiocat7

Ngày đăng: 30/10/2022, 18:02