Mineral make up (1)

Makeup Origin• Cosmetics have been used in the art of making women and men beautiful for years.. Early Cosmetics• Both Egyptian men and women applied makeup; rouge and lip ointments were

Cosmetics: are substances used to enhance or protect the

appearance or odor of the human body A subset of

cosmetics is called "make-up", which refers primarily to

colored products intended to alter the user’s appearance

The U.S FDA defines cosmetics as: "intended to be applied to the human body for cleansing, beautifying, promoting

attractiveness, or altering the appearance without affecting the body's structure or functions."

Early use of Cosmetics

applying lip balm to all parts of the lips, women

put a big red dot on the lower lip and painted the

upper lip in a pointed shape, leaving the rest of

parts to be covered with powder

The art of cosmetics can be traced back to prehistoric times.

From the prehistoric times, human has been using some or the other

natural cosmetic in order to make up their appearance and evidences have been found dating back to almost 5000 years old that confirm that the

civilizations at that time used the natural cosmetics in order to improve

upon their appearance

Archaeological evidence found in Blombos Cave near Cape Town, South

Africa, indicate that the cave dwellers not only made body paint but sold it other cave dwellers, as signs of trade were also found in at the site

Abalone shells from the

ochre toolkit, Blombos Cave

Makeup Origin

• Cosmetics have been used in the art of making women and men beautiful for years

• The Gaul’s dyed their hair red, the Anglo-Saxon went pink with green,

orange and blue locks while the Greeks opted for a more sophisticated look, sleeking their hair with gold and silver powders

• It was the Egyptians who first manufactured cosmetics on a very large scale and the preparation they used are surprisingly similar to today’s

The Egyptian women lined their eyes with dusty kohl and lids shaded with turquoise powder from green copper and lead ore The lips and cheeks were rouged with powdered red clay while henna was used on their feet and toes Cleopatra took baths in milk, which softened and conditioned her skin

• In the Victorian era makeup was frowned upon as being indicative of an immoral character and cosmetics had to be applied discretely Queen

Alexandra revived the popularity of painted faces and women were soon copying the exaggerated look of stars

Makeup pioneers

Early Cosmetics

• Both Egyptian men and women applied makeup; rouge and lip ointments were considered essentials, as was and henna for giving a red tinge to the nails Women traced the veins in their temples and breasts with blue paint and tipped their nipples with liquid gold

• Eye shadow was important to both sexes; it was usually green and

applied to both the top and the bottom lids Eyelash and brow enhancers consisting of carbon, black oxide, and other (often toxic) substances were also applied to give wearers that dark, painted–on look so associated with the culture

• Eyebrows of Ox and a Little Imagination

Some of the earliest evidence of modern beauty equipment has been

found in Babylon ruins Tools such as tweezers, brow brushes, and

toothpicks were common Both the men and women of Babylon also

curled their hair and make up their eyes with eye shadow, eyeliner, and eyelash and brow enhancers They frequently painted their faces with

white lead and used henna to color their nails

Time Line of Make Up

• 100,000 BC Prehistoric paint pot found in South African cave, for body paint

• 33,000 BC colored pigments of soot and animal fat

• 4000 BC Lipstick found in a Babylonian tomb of a man

• 3000 BC Chinese use dye to stain their fingernails

• 1365 BC Egyptians adorn themselves with lavish eye makeup

• 1 AD Romans use Kohl for eyeliner, Greeks used chalk for lighter complexions, Persian women dyed their hair with henna

• 600 AD Women bled themselves to look pale

• 1300 AD Different color lipsticks were available.

• 1500 AD Lead Paint and arsenic are used to whiten the complexion

• 1600 AD Elizabethian women wore egg whites for a glazed complexion

• 1800 AD Red lipstick and rouge was a sign of good health

• 1888 AD Deodorant was inventet

• 1907 AD Synthetic hair dye was invented

• 1913 AD Mascara was invented

• 1936 AD Sunscreen was invented

• 1970 AD Cosmetics were specifically made for African American females

• 1980 AD Mineral make up is introduced to the public

Cosmetic use is Every where

Cosmetics were made for personal use and religious

ceremonies Historical records show that many different

materials were used for body adornment

Minerals as pigments

• Bases are Rutile (TiO2) and Zinc Oxide (ZnO)

• Sparkle is from Mica, muscovite, sericite (fine grained mica)

• Kaolin, clay, is to absorb oil from the skin

• Pigments are colors that do not dissolve

– Iron oxide colors red to orange

– Chromium oxide colors green

– Copper oxide colors green

– Azurite colors blue

– Lead sulfide (PbS) or Kohl for black , not used in USA

Dangerous Beauty

• These materials also were used on hair, skin, and nails Some of the ingredients used

as cosmetics during ancient times are considered

dangerous today For

Dangerous Beauty

In Greco-Roman societies, women wore white lead and

chalk on their faces to attract attention Ancient Egyptians wore foundation to lighten their skin, and the kohl eyeliner they used was only a bit heavier than the eye makeup popular in the mid-1960s Meanwhile, Persians believed henna dyes, used to stain hair and faces, enabled them to summon the

majesty of the earth.

Early Cosmetics

• In the Roman Empire, women applied pastes of narcissus,

lentils, honey, wheat, and eggs to achieve pale complexions For evening wear, chalk and white lead were applied to the skin,

along with rouge The old Egyptian trick of using blue paint to enhance prominent veins was also popular Some people—men and women—rubbed their teeth with a pumice stone Wealthy women had at least one slave assigned the role of cosmetician.

• With the rise of Christianity, the heavy use of makeup gradually diminished in many cultures However, by the Middle Ages,

women were still striving for the fashionably pale look Staying out of the sun was one way to stay pale (if you were rich

enough to have servants), but women also often painted their faces with water–soluble paints and white powder.

• The European Middle Ages followed the Greco-Roman trend of pale faces

Those rich enough not to work

outdoors and acquire a suntan wanted

to show off their affluence by being

pale Spanish prostitutes wore pink

makeup to contrast with high-class

women's pale faces, while regal century Italian women wore pink

13th-lipstick to show they could afford

synthetic makeup

• In the 17th century, men and women used makeup to limited degree; ceruse was used as a base, and a cheek and lip reddeners were sometimes applied From the late 1600s forward, makeup began to get heavier First, white paint was applied, then white powder, then a brownish rouge, and red lip color

• In Elizabethan England, cosmetics were seen as a health

threat because many thought they would block vapors and energy from circulating properly Because men's makeup

wasn't as obvious as women's (women wore egg whites over their faces to create a glazed look), it was seen as even more deceptive than women's.

• By the reign of Charles II, Europe was still recovering from sweeps of illness Many were hesitant to go outdoors, so

heavy makeup supplied the color that sun-fearing people

couldn't get elsewhere During the French Restoration in the 18th century, red rouge and lipstick were the rage and

implied a healthy, fun-loving spirit This stuck in France, but eventually people in other countries became repulsed by

excessive makeup use and said the painted French must be unattractive because they had something to hide.

Victorian Era

Victorians claimed to abhor makeup, associating it with

prostitutes When makeup regained acceptance in the late 19th century, it was with natural tones so that the healthy, pink-cheeked look could be achieved without giving in to the moral decadence of full makeup, which was still seen as

sinful.

Victorian Era to Present

The Victorian face was in fashion until mass makeup marketing hit in the 1920s American women gained the vote, and the newly

liberated woman showed how free she was by displaying her right

to speak out—red lipstick practically became a social necessity

From the 1930s through the 1950s, the looks of various movie stars defined vogue, from Mary Pick ford's baby-doll face to Audrey

Hepburn's cat-eyes eyeliner

The '60s brought a slew of makeup changes, from whited-out lips and Egyptian-style eyeliner to fantasy images like butterflies

painted on faces at high-fashion outings The heavy eyeliner look remained through the late '70s and '80s, with wide color ranges entering the wearer's palette

Makeup of today's Western world claims to be a melange of past

styles with a new emphasis on the natural look—a natural look

that took centuries of painting faces to achieve.

Makeup Arts Developments

Many styles and forms of cosmetics were developed throughout the Middle Ages, the Renaissance Period, the Elizabethan

Era, the Age of Extravagance (Baroque Period), and the Victorian

Age

Cultural Influence

Every era represents a time period of cultural influence and change in society - during the

roaring ‘20s, the wartime

‘40s, the glamorous ‘50s, and the psychedelic ‘60s.

Do not limit yourself just to a few new colors or trends

Regardless of the season or popular culture, do not limit yourself just to a few new colors or trends

Improvise and have your artistic juices flow.

Makeup should suit the individual

Fashion, Style, and Makeup should suit the individual The colors, textures, and techniques should reflect a style of the individual’s personality

Eye Art

The End

The most beautiful makeup of a woman is passion But cosmetics are easier to buy.”

― Yves Saint-Laurent