141 Basic Camera Raw image editing .... 284 Adjustment layers and Adjustments panel.... 284 Adding an adjustment layer procedure .... 285 Adjustment panel controls ..... 290 Curves adjus
Trang 4A professional image editor’s guide to the creative use of Photoshop for the Macintosh and PC
Martin Evening
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Trang 5The right of Martin Evening to be identifi ed as the author of this work has been
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British Library Cataloguing in Publication Data
Evening Martin
Adobe Photoshop CS4 for Photographers : learn photoshop the Martin Evening way!
1 Adobe Photoshop 2 Photography – Digital techniques I Title
Trang 6Foreword xxi
Introduction xxiii
Book and DVD contents xxv
Photoshop for Photographers website xxv
Chapter 1: Photoshop Fundamentals 1 An overview of the book chapters 2
How to use this book 4
Photoshop installation 7
The Photoshop interface 8
Tabbed document windows 10
Managing document windows 12
Image document window details 14
Dynamic zoom views 14
Title bar proxy icons (Macintosh) 15
Rulers, Guides & Grid 16
‘Snap to’ behavior 17
Pixel Grid view 17
Application bar 18
The Photoshop panels 19
Panel arrangements and docking 20
Workspace settings 22
Customizing the menu options 23
Customizing the keyboard shortcuts 24
Working with a dual monitor setup 25
Photoshop CS4 Tools panel 26
Options bar 28
Tool Presets panel 29
Selection tools 30
Color Range 32
Modifi er keys 34
Painting tools 36
On-the-fl y brush changes 37
Brushes panel 39
Brushes panel options 40
Pressure sensitive control 41
Brush tool presets 41
Tools for fi lling 42
Tools for drawing 43
Image editing tools 44
Trang 7Working with Layers 46
Automating Photoshop 47
Move tool 48
Layer selection using the move tool 48
Navigation and information tools 50
Flick panning 51
Bird’s-eye view 51
Rotate view tool 52
Notes tool 53
Screen view modes 54
Preset Manager 55
History 56
The History panel 56
History settings and memory usage 57
History brush 59
Use of history versus undo 59
Snapshots 60
Non-linear history 61
When fi les won’t open 62
Save often 63
Using Save As to save images 64
File formats 65
Photoshop native fi le format 65
PSB (Large Document Format) 66
TIFF (Tagged Image File Format) 66
Flattened TIFFs 67
Photoshop PDF 68
PDF security 69
Adobe Bridge CS4 72
The Bridge interface 73
Custom workspaces in Bridge 74
Slideshows 74
Opening photos via Camera Raw 76
What’s new in Camera Raw 5.0 77
Easter eggs 78
Chapter 2: Confi guring Photoshop 79 What you will need 80
Macintosh 80
Windows 80
The ideal computer setup 81
Trang 8Choosing a display 82
Wide dynamic range displays 83
Video cards 83
Display calibration and profi ling 84
Calibration hardware 86
The calibration/profi ling procedure 87
White point 87
Gamma 88
Luminance 88
Device calibration and measurement 89
The profi ling process 90
Do you want good color or just OK color? 90
Color management settings 92
Extras 93
Backing up image data 94
Photoshop preferences 95
General preferences 95
Interface 97
File Handling 99
File compatibility 99
Performance 102
GPU settings 103
RAM memory and scratch disks 104
Enhancing memory and performance 105
Scratch disks 105
Scratch disk performance 107
Interface connections 107
RAID setups 108
RAID 0 (striping) 108
RAID 1 (mirroring) 108
Internal RAID 109
External RAID 109
Image Cache 110
Cache pyramid structure 110
Cursors 111
Transparency & Gamut 112
Units & Rulers 113
Guides, Grid & Slices 114
Plug-ins 115
Type preferences 116
Trang 9Camera Raw advantages 118
The new Camera Raw workfl ow 118
Does the order matter? 120
Raw capture 120
JPEG capture 121
Editing JPEGs and TIFFs in Camera Raw 121
Alternative Raw processors 122
A basic Camera Raw/Photoshop workfl ow 123
A Lightroom/Photoshop workfl ow 126
Camera Raw support 128
DNG compatibility 128
Getting raw images into Photoshop 129
Image ingestion 129
Importing images via Photo Downloader 130
Tethered shoot imports 135
Importing images via other programs 139
Lightroom imports 140
Importing photos via Lightroom 2 141
Basic Camera Raw image editing 144
Working with Bridge and Camera Raw 144
General controls for single fi le opening 146
Full size window view 148
General controls for multiple fi le opening 148
Opening raw fi les as Smart Objects 150
Saving photos from Camera Raw 154
The histogram display 155
Image browsing with Camera Raw 156
Camera Raw preferences 158
Auto corrections 159
Camera-specifi c default settings 159
Camera Raw cache size 161
DNG fi le handling 161
Basic panel controls 162
White balance 162
Using the white balance tool 163
The tone adjustment controls 164
Exposure 164
Recovery 164
Blacks 164
Fill Light 165
Trang 10Suggested order for the basic adjustments 165
Basic image adjustment procedure 166
Preserving the highlight detail 168
When to clip the highlights 170
How to clip the shadows 171
Shadow levels after a conversion 172
Digital exposure 174
Brightness 176
Contrast 178
Clarity 179
Negative clarity 180
Vibrance and Saturation 182
Tone Curve panel 184
Correcting a high contrast image 186
HSL/Grayscale panel 188
Recovering out-of-gamut colors 189
Adjusting the hue and saturation 190
Lens Corrections panel 192
Defringe 193
Lens Vignetting control 194
Post Crop vignetting control 196
Camera Calibration panel 198
The ACR Calibrator script 199
New Camera Raw profi les 202
Spot removal tool 204
Synchronized spotting with Camera Raw 205
Red eye removal 206
Localized adjustments 207
Adjustment brush 207
Initial Adjustment brush options 208
Brush settings 208
Adding a new brush effect 209
Editing brush adjustments 210
Previewing the brush stroke areas 210
Auto masking 212
Hand-coloring in Color mode 214
Sharpness slider 216
Graduated fi lter tool 217
Angled gradients 220
Adding clarity and contrast 220
Camera Raw cropping and straightening 222
Trang 11Camera Raw settings menu 223
Export settings to XMP 224
Update DNG previews 224
Load/Save Settings 224
Camera Raw defaults 225
Presets panel 225
Saving and applying presets 226
Copying and synchronizing settings 227
DNG fi le format 228
The DNG solution 229
DNG adoption 229
DNG Converter 230
Chapter 4: Sharpening and Noise Reduction 231 When to sharpen 232
Capture sharpening 232
Capture sharpening for scanned images 233
Sample sharpening image 234
Detail panel 235
The sharpening effect sliders 235
Amount slider 236
Radius slider 237
The suppression controls 238
Detail slider 238
Interpreting the grayscale previews 240
Radius and Detail grayscale preview 240
Masking slider 241
Masking slider example 242
Some real world sharpening examples 243
Sharpening a portrait 243
Sharpening a landscape 244
Sharpening a fi ne-detailed subject 245
How to save sharpening settings as presets 246
Capture sharpening roundup 247
Selective sharpening 248
Smart Sharpen fi lter 248
Basic Smart Sharpen mode 248
Advanced Smart Sharpen mode 250
Removing Motion Blur 251
Creating a depth of fi eld brush 252
Trang 12Removing noise 255
Reducing fi lm grain noise 256
Noise removal in Camera Raw 257
Reduce Noise fi lter 258
Advanced mode noise reduction 259
JPEG noise removal 260
Saving the Reduce Noise settings 260
Chapter 5: Image Editing Essentials 261 Pixels versus vectors 262
Terminology 263
ppi: pixels per inch 263
lpi: lines per inch 263
dpi: dots per inch 264
Desktop printer resolution 264
Choosing the right pixel resolution for print 265
Image resolution 265
Repro considerations 266
The relationship between ppi and lpi 267
Creating a new document 269
Altering the image size 270
Image interpolation 271
Nearest Neighbor 271
Bilinear interpolation 271
Bicubic interpolation 271
Bicubic interpolation methods 272
Bicubic Smoother 272
Bicubic Sharper 272
Step interpolation 272
Basic pixel editing 274
The image histogram 274
Basic Levels editing and the histogram 277
Bit depth 278
8-bit versus 16-bit image editing 279
Comparing 8-bit with 16-bit editing 280
16-bit and color space selection 281
The RGB edit space and color gamut 282
Direct image adjustments 284
Adjustment layers and Adjustments panel 284
Adding an adjustment layer procedure 285
Adjustment panel controls 287
Trang 13Levels adjustments 288
Using Levels to improve the contrast 290
Curves adjustment layers 292
On-image Curves editing 294
Direct Curves dialog 296
Saving and loading curves 296
Using Curves in place of Levels 298
Using Curves to improve contrast 300
Curves luminance and saturation 300
Luminosity and Color blending modes 302
Curve presets 304
Locking down portions of the curve 306
Creating a dual contrast curve 307
Brightness and Contrast 308
Correcting shadow and highlight detail 310
Amount 310
Tonal Width 310
Radius 311
Color Correction 313
Midtone Contrast 313
Color corrections 314
Basic color balancing with Levels 315
Auto image adjustments 316
Color correction with Levels or Curves 318
Precise color correction using Curves 320
Hue/Saturation 324
Colorize mode 324
Vibrance 327
Photo Filter 328
Multiple adjustment layers 329
Adjustment layer masks 330
Masks panel controls 330
Masks panel editing 332
Color Range adjustment layer masking 334
Blend mode adjustments 336
Cropping 338
Selection-based cropping 340
Perspective cropping 341
Image rotation 342
Canvas size 343
Trang 14Content-Aware Scaling 344
How to protect skin tones 346
How to remove objects from a scene 347
Big data 348
Chapter 6: Black and White 349 Converting color to black and white 350
The dumb black and white conversions 350
Smarter black and white conversions 350
Black & White adjustment presets 353
Split color toning with Color Balance 354
Curves adjustment layer split toning 356
Camera Raw black and white conversions 358
Pros and cons of the Camera Raw approach 359
Camera Raw Split Toning panel 360
Camera Raw color image split toning 361
Black and white output 362
Chapter 7: Extending the Dynamic Range 363 Multiple raw conversions 364
Place-A-Matic script 367
High dynamic range imaging 368
HDR essentials 369
Fuji Super CCD 370
Alternative approaches 370
Bracketed exposures 371
Displaying deep-bit color 371
Capturing a complete scenic tonal range 372
HDR shooting tips 374
HDR File formats 375
Merge to HDR 376
Tone mapping HDR images 378
Local Adaptation 378
Local Adaptation tone mapping 380
Manual tone mapping 382
Chapter 8: Image Retouching 383 Basic cloning methods 384
Clone stamp tool 384
Clone stamp brush settings 384
Healing brush 386
Trang 15Choosing an appropriate alignment mode 388
Clone Source panel and clone overlays 388
Upside down cloning 390
Better healing edges 392
Spot healing brush 394
Clone and healing sample options 395
Patch tool 396
Layer blending with Auto-Align layers 398
Alternative history brush spotting technique 400
Portrait retouching 402
Beauty retouching 404
Liquify 406
Liquify tool controls 408
Reconstructions 408
Mask options 409
View options 410
Saving the mesh 410
Straightening a fringe with Liquify 412
Warp Transforms 414
Chapter 9: Layers, Selections and Masking 415 Selections and channels 416
Selections 416
Quick Mask mode 418
Creating an image selection 419
Modifying selections 420
Alpha channels 420
Adding to an image selection 421
Selections, alpha channels and masks 423
Expanding and shrinking selections 424
Smoothing a selection 424
Anti-aliasing 426
Feathering 426
Layers 427
Layer basics 427
Image layers 427
Shape layers 428
Text layers 428
Adjustment layers 428
Layers panel controls 428
Masking layers 431
Trang 16Adding a layer mask 431
Viewing in Mask or Rubylith mode 432
Removing a layer mask 432
Adding an empty image layer mask 432
Masks Panel 434
Refi ne Edge command 435
Working with the quick selection tool 436
Combining quick selection with Refi ne Edge 438
Color Range masking 440
Layer blending modes 444
Advanced Blending options 450
Knockout options 450
Blend Interior effects 450
Creating panoramas with Photomerge 452
Depth of fi eld blending 454
Working with multiple layers 456
Color coding layers 456
Layer group management 456
Managing layers in a group 458
Clipping masks 459
Creating a new clipping mask 459
Masking layers within a group 460
Clipping layers and adjustment layers 460
Layer linking 462
Layer selection with the move tool 463
Layer mask linking 464
Layer locking 465
Lock Transparent Pixels 465
Lock Image Pixels 465
Lock Layer Position 465
Lock All 465
Transform commands 466
Repeat Transforms 468
Numeric Transforms 469
Transforming selections and paths 469
Warp transforms 470
Transforms and alignment 472
Using transforms to create a kaleidoscope pattern 473
Smart Objects 476
Photoshop paths 480
Path modes 481
Trang 17Drawing paths with the pen tool 481
Guidelines for drawing pen paths 481
Pen tool shortcuts summary 483
Rubber Band mode 483
Vector masks 484
Isolating an object from the background 485
Chapter 10: Essential Filters for Photo Editing 487 Filter essentials 488
Blur fi lters 488
Adding a Radial Blur or Spin Blur to a photo 488
Gaussian Blur 490
Average Blur 490
Motion Blur 490
Surface Blur 493
Box Blur 493
Shape Blur 493
Smart Filters 494
Applying Smart Filters to pixel layers 495
Lens Blur 498
Depth of fi eld effects 498
Applying Lens Blur to a composite image 500
Adding noise to disguise retouching 502
Adding noise to create a grain effect 503
Lens Corrections 504
Filter Gallery 506
Chapter 11: Image Management 507 The Bridge solution 508
Confi guring the General preferences 508
Launching Bridge 510
Rotating the thumbnails and preview 510
Arranging the Bridge contents 512
Customizing the panels and content area 514
Bridge workspace examples 516
Working with multiple windows 518
Slideshow mode 519
Thumbnail settings 520
Cache management 521
Advanced and miscellaneous preferences 523
One-click previews 524
Deleting contents 524
Trang 18Stacking images 524
Auto-stacking 526
Bridge panels 528
Folders panel 528
Favorites panel 528
Preview panel 529
Review mode 530
Managing images in Bridge 531
Image rating and labeling 532
Sorting images in Bridge 534
Filter panel 535
Metadata panel 536
Image metadata 537
File Info metadata 537
Other types of metadata 540
Edit history log 541
Hidden metadata 541
Keywording 542
Keywords panel 543
Image searches 544
Collections panel 546
Smart Collections 547
Output to Web and PDF 548
Web output 548
Output gallery styles 550
Output gallery settings 550
Output preferences 554
PDF Output 555
The PDF Output panels 556
PDF Output options 557
Bridge automation 558
Renaming images 559
Renaming schemes 560
Undoing a Batch Rename 560
Applying Camera Raw settings 560
Chapter 12: Color Management 561 The need for color management 562
The way things were 562
RGB devices 564
The versatility of RGB 565
Output-centric color management 566