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PHRASE STRUCTURE GRAMMAR 105Adjusting the rule for the verb phrase raises an interesting issue with respect to verbs—the status of particles.. Unlike sentences 1 through 3, sentence 4has

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ments: It places them in parentheses With these factors in mind, we can adjust theearlier rules so that they describe both sentences, as shown here:

This sentence grammar is more complex than the previous one because

we are writing a grammar that is generalizable to sentences 1 and 2, with theexception of the individual words assigned Now consider another, morecomplex, example:

3 Maria wore an expensive evening gown

This sentence is interesting because it adds adjectivals to our basic NP VP

combination, and one of them is a noun, evening We therefore must adjust the

phrase-structure rules so that they will describe all three of our sentences,which means adding a rule for the adjective phrase (AdjP) that describes bothtypes of adjectivals:

NÆ Maria, evening, gown

VÆ wore

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PHRASE STRUCTURE GRAMMAR 105

Adjusting the rule for the verb phrase raises an interesting issue with respect

to verbs—the status of particles We examined particles in chapter 3, but now

we can look at them more closely While doing so, let’s consider another struction that can appear in both the verb phrase and the noun phrase—theprepositional phrase Consider these sentences:

con-4 The goons with bow ties looked up the number for Pizza Hut

5 Buggsy put the gun on the table

The set of phrase-structure rules we have developed so far works to scribe only parts of these sentences Unlike sentences 1 through 3, sentence 4has two prepositional phrases (PP) as parts of two noun phrases, and it has the

de-verb particle up (prt) Sentence 5 has a prepositional phrase as part of the de-verb

phrase These structures were not in the previous example sentences, whichmeans that we must treat them as optional elements Adjusting the rulesshould be easy at this point: We must provide for optional prepositionalphrases in both NP and VP, and we must allow two possibilities for V, one be-

ing a verb + particle combination With these adjustments, we can describe

sentences 1 through 5 and many others:

SÆ NP VP

NPÆ (det) (AdjP) (PP) N

VPÆ V (NP) (AdjP) (PP)

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NÆ goons, bow ties, number, Pizza Hut, Buggsy, gun, table

VÆ looked + prt, put

detÆ the

prepÆ with, for, on

prtÆ up

These rules have value beyond their ability to describe sentences 1 through

5 They also help us understand that, as sentences become more complex, thegrammar must become more flexible if it is to describe a variety of structures

NP and VP, for example, may have several elements, but they are all optionalexcept for the core features, N and V, respectively Perhaps the larger goal ofphrase-structure grammar is becoming clear Individual sentence grammars arerevealing, but the process of producing a new set of rules for all the possible in-dividual sentences in English (an infinite number) is not practical Moreover, itdoes not provide a coherent picture of the whole language The goal, therefore,

is to examine a wide range of sentences to develop a set of highly generalizablestatements that describe most (but not necessarily all) of the grammaticalsentences that speakers of the language normally produce

APPLYING KEY IDEAS

Directions: Write separate phrase-structure rules for each of the followingsentences:

1 A bug danced across my palm

2 The cold wind blew from the distant lake

3 An old man asked for a drink at the bar

4 Buggsy put on a coat and walked into the desert

5 Fritz really liked Macarena

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PHRASE STRUCTURE GRAMMAR 107

TREE DIAGRAMS

Grammar is about sentences—the form of the words and their functions in tences Consequently, analyzing individual sentences is a major part of gram-matical study Such analysis can provide a great deal of information aboutlanguage In the 19thcentury, Alonzo Reed and Brainerd Kellogg developed away to diagram sentences in an effort to make grammatical analysis more re-vealing and meaningful Many schools continue to use Reed-Kellogg diagramstoday, more than a hundred years later As the examples that follow suggest, theReed-Kellogg approach to diagramming sentences gets very complicated veryquickly These diagrams have no labels for constituents, so it is not easy to note

at a glance what the constituents are Understanding the structure of any tence demands understanding the structure of the diagramming procedure,which is arbitrary and often counterintuitive

sen-Let’s consider three simple sentences:

6 Fred is a good friend

7 Running is good exercise

8 Buggsy believed that he was a handsome dog of a man

Looking at sentences 6 and 7, we can see the counterintuitive nature ofReed-Kellogg diagrams Any analysis of a sentence must provide informa-tion about form, but it also should describe clearly the relations of the vari-ous components The lack of labels in the Reed-Kellogg approach is a bighandicap in this regard It forces Reed-Kellogg diagrams to adopt differentgraphic structures for words that have identical functions but differentforms All but exceptional students have a hard time figuring out how thedifferent graphic structures reflect their corresponding grammatical rela-

tions In sentence 6, for example, Fred is a noun functioning as the subject,

Sentence 4.6: Fred is a good friend (Reed-Kellogg diagram)

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whereas in sentence 7, the subject Running is a gerund (a verb functioning

as a noun) functioning as a subject—but the diagrams are significantly ferent We should expect subjects to have a similar diagrammatic structure

dif-in every situation, but that isn’t the case with Reed-Kellogg diagrams tence 8 is seriously complex but grammatically it is very similar to sentence

Sen-6, which is really not evident from the diagrams

A more revealing and instructional method of analysis is the tree diagram, in

which all the components are labeled and in which all the grammatical relationsare easily recognizable Compare the tree diagrams on pages 110 and 111 withtheir corresponding Reed-Kellogg diagrams Notice how the labels and consis-tent structure allow us to recognize the constituents easily The rest of this chaptercontains quite a few diagrams and even more phrase structure rules The aim isnot to introduce analyses simply for the sake of analysis but to aid in the under-standing of some of the more significant grammatical structures in English Thediagrams and the rules allow deeper insight into the structure of language

Direct and Indirect Objects

We examined direct and indirect objects in chapter 3 as part of the sion of transitive and ditransitive verbs Because the basic sentence pattern

discus-in English is SVO, it is important to consider early on how phrase-structuregrammar treats objects We already have a phrase-structure rule that de-scribes objects:

Sentence 4.7: Running is good exercise (Reed-Kellogg diagram)

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Sentence 4.8: Buggsy believed that he was a handsome dog of a man (Reed-Kellogg diagram)

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Sentence 4.6: Fred is a good friend (Tree diagram)

Sentence 4.7: Running is good exercise (Tree diagram)

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PHRASE STRUCTURE GRAMMAR 111

VPÆ V (NP) (AdjP) (PP)

The only thing we have to keep in mind with these rules is that, for indirectobjects that appear as a noun phrase rather than as a prepositional phrase, weadd another noun phrase to the analysis Consider this sentence:

9 Fritz sent his grandmother a gift

This sentence has a verb phrase of the form V NP NP The corresponding agram is on page 112

di-Sentence 4.8: Buggsy believed that he was a handsome dog of a man (Tree diagram)

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Now consider sentence 10, which is an example of an indirect object in theform of a prepositional phrase Compare its associated diagram with the dia-gram for sentence 9.

10 Buggsy asked a question of the commissioner

112

Sentence 4.9: Fritz sent his grandmother a gift.

Sentence 4.10: Buggsy asked a question of the commissioner.

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Prepositional Phrases

Prepositional phrases (PP) are interesting structures because they are so tile They can function as indirect objects, and they also can function as adver-bial modifiers and as adjectival modifiers As adverbials, they can function assentence-level modifiers, which means that they can modify an entire clause Inchapter 3, we discussed phrasal modifiers and noted that the prepositionalphrase is one of the major types As indicated in that discussion, prepositionalphrases can appear in the initial, medial, or final positions When they appear inthe initial positions, prepositional phrases are sentence-level modifiers Sen-tences 11 through 15 illustrate the various positions and forms that preposi-tional phrases can take:

versa-11 The goons put yellow flowers on the table (adverbial)

12 Macarena, with a smile, accepted the invitation (adverbial)

13 The woman with the red hair drives a Porsche (adjectival)

14 In the morning, Buggsy went home (sentence level, adverbial)

In addition, prepositional phrases can function as complements to certainkinds of verbs, as in sentence 15:

15 Fred stepped onto the stool (verb complement, adverbial)

Usage Note

Before the advent of printing, handwritten books were valued as much asworks of art as storehouses of information They were beautifully illustrated,and the monks who produced them took great pride in the quality of their callig-raphy Anyone who views some of these books in a museum will notice that thecalligraphy is so uniform as to rival mechanical printing As literacy spread andbecame more utilitarian during the 15thand 16thcenturies, there arose a demandfor more readable and less expensive works Punctuation emerged as a means

of making books more readable, as did a significant reduction in the amount ofartwork Paragraphs, which were unknown in the ancient world, also became ameans of helping readers process texts

The lesson we learn from this brief discussion is that punctuation islargely a matter of convention rather than of rule Indeed, different conven-tions govern punctuation in several contexts Journalists, for example, fol-low the Associated Press convention when using commas with items in aseries and do not put a comma before the conjunction joining the last item;

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those who follow the MLA and the APA conventions, on the other hand, doput the comma before the conjunction.

With regard to prepositional phrases, there are two conventions governingpunctuation of phrases in the initial position One holds that writers should uselength as the basis for deciding whether to set the modifier off with a comma Inthis convention, short structures are not set off, whereas long ones are Al-though this approach is perfectly acceptable, it creates problems for teacherswhose students want as much consistency as possible

Another convention holds that all modifying structures at the beginning ofsentences should be set off with a comma Many teachers have adopted thisconvention because it is easier to teach, or at least it is easier for students to ac-cept They do not have to think about length

Ambiguity

Language is inherently ambiguous, but certain prepositional phrase tions are quite obviously so Under normal circumstances, we use context todisambiguate such constructions, but it is possible to provide a grammaticalanalysis that also disambiguates Consider the following sentences:

construc-16 Fred built the bench in the garage

17 Macarena put the shoes in the box in the closet

All ambiguous sentences have two possible meanings.1

In sentence 16, onemeaning could be that the act of building the bench could have taken place inthe garage The second meaning could be that the act of building could have oc-curred anywhere other than the garage, but the bench is in the garage now Insentence 17, the shoes already could be in the box, and Macarena put those par-ticular boxed shoes in the closet The other meaning could be that the emptybox already could be in the closet, and Macarena put the shoes in that box

We can use grammatical analysis to disambiguate sentences like 16 and

17 because each possibility has a different phrase-structure, as illustrated inthe diagrams on pages 115 and 116

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Sentence 4.16: Fred built the bench in the garage.

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Sentence 4.17: Macarena put the shoes in the box in the closet.

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structures It is called the Coordinate XP rule, where X is a variable identifying

any element, such as noun or verb, and P is phrase Coordinating conjunctionsare designated by CC This rule supplies two pieces of information First, anyphrase can be conjoined to another phrase of the same form For example, anytwo noun phrases can be linked using a coordinating conjunction Second, thetwo conjoined phrases function as a single unit that has the character of the indi-vidual phrases In other words, two noun phrases joined by a coordinating con-junction function as a single noun phrase The rule is shown as:

XPÆ XP CC XP

We can see how the XP rule works in sentences 18 through 20 In 18, the

sub-ject is Fred and Fritz, which exists as a single unit and can be represented by XP But the subject consists of the two noun phrases: Fred and Fritz.

18 Fred and Fritz loved Cheerios

The sentence grammar for 18 would be:

19 Macarena danced, laughed, and sang at the party

We would describe the grammatical structure of 19 as follows:

The Coordinate XP rule also applies to entire clauses, giving us a way of

de-scribing the grammatical structure of compound sentences A compound

sen-tence is one that has two independent clauses The analysis proceeds in

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exactly the same way as we saw earlier, but rather than repeating phrases, therule repeats sentences.

Consider sentence 20:

20 A goon shot the ATM, so Buggsy made an easy withdrawal

Because each clause has the structure of a sentence, by convention our mar would begin with:

gram-SÆ S1CC S2

What this means is simply that the sentence (S) consists of two clauses (S1and S2) The grammatical analysis for 20 then would proceed like thoseshown earlier:

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PHRASE STRUCTURE GRAMMAR 119

Sentence 20: A goon shot the ATM, so Buggsy made an easy withdrawal.

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APPLYING KEY IDEAS

Directions: Draw tree diagrams for the following sentences In the case of biguous sentences, disambiguate with two trees

am-1 Macarena put the magazine on the table

2 Fritz went to the races and bet on Lucky Lady

3 Fred jogged to the boardwalk and watched the skaters

4 Ophelia DiMarco and Raul drove to Rodeo Drive

5 Fritz took the pictures with the camera in the den

6 Macarena invited Fred for a swim, but he was busy

7 Fritz sent roses to Macarena, and he bought her a lovely necklace

8 Mrs DiMarco baked a pie and a cake

9 Without guilt or remorse, Buggsy enforced the contract

10 Buggsy was on the road between Los Angeles and Las Vegas

11 Raul cleaned the sofa in the living room

12 Macarena and Fritz danced until dawn at China Club

Expanding the Verb Phrase

Our description of verb phrases to this point has been rudimentary It has not cluded any specification for tense, nor has it provided any means of describingfuture or aspect To describe these features, phrase-structure grammar expandsthe analysis of the verb phrase

in-Some minor changes to the phrase-structure rule for verb phrases are all thatare necessary Currently, our rule for verb phrases looks like this:

VPÆ V (NP) (AdjP) (PP)

It designates NP, AdjP, and PP as optional elements of the VP

To describe tense, we change the rule to include an auxiliary (Aux)

constitu-ent that carries tense and other features to be discussed shortly:

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One of the beauties of phrase-structure grammar is its versatility Earlier, wemodified our VP rule because we know that we have to be able to account fortense if we are going to describe sentences accurately But what aboutadverbials? They are part of the VP, but so far we have not described grammati-cally how they appear in the language Well, all we have to do is modify the VPrule again by adding an optional adverbial phrase:

VPÆ Aux V (NP) (AdvP) (AdjP) (PP)

On page 79, we differentiated simple adverbs from adverbials, noting thatadverbs are single words and that adverbials are phrases and clauses—specifi-cally, prepositional phrases and subordinate clauses—that function adverbi-ally Because phrase-structure rules do not provide explicit information aboutfunction, prepositional phrases and subordinate clauses are not included underthe heading of AdjP Consequently, if we expand the description of VP foradverbs, we have:

21 Quickly, she called her bank on the cell phone

22 Macarena lost her checkbook yesterday

Because adverbials and adjectivals frequently work together, we need onemore adjustment to the VP to describe sentences like 23:

23 Buggsy bought his wife a very expensive emerald necklace

Again, making the change to the rule is quite simple:

AdjPÆ (AdvP) adv

NP

ìíî

üýþ

At this point, the grammar rules are beginning to get more complicated, butdiagrams can help us visualize how the rules work to describe sentence gram-mar A diagram of sentence 23, for example, illustrates how the various compo-nents fit together

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