When working with the Brush tools, available tool options include Size, Mode, Opacity, and Tolerance.. Click the Preset list arrow, and then select a preset document, or choose your own
Trang 1Photoshop has an abundance of tools that
give a Photoshop designer tremendous
con-trol over any creative designing problems that
may crop up For example, the Photoshop
toolbox contains 8 selection tools (you can
never have enough selection tools), 10
paint-ing or shape tools, 4 type tools, and 12 tools
dedicated to restoring and retouching images
Add to that collection, slicing, sampling, and
viewing tools and you have a total of 70 tools
When you work on a document, it's important
to know what tools are available, and how
they can help in achieving your design goals
Photoshop likes to save space, so it
consoli-dates similar tools under one button To
access multiple tools, click and hold on any
toolbox button that contains a small black
tri-angle, located in the lower right corner of the
tool button Take a moment to explore the
Photoshop toolbox and get to know the tools
The Photoshop toolbox contains the tools needed to work through any Photoshop job, but it's not necessary to click on a tool to access it Simply using a letter of the alphabet can access all of Photoshop's tools For exam-ple, pressing the V key switches to the Move tool, and pressing the W key switches to the Magic Wand tool In addition, if a button has more than one tool available, such as the Gradient and Paint Bucket buttons, pressing the Shift key along with the tool's shortcut lets you cycle through the tool's other options You can quickly move between tools using Spring-loaded keys Rather than go back to the toolbox when you want to switch tools, just hold down the shortcut letter key for the new tool, use the tool, and then let go
of the shortcut key and you'll be back using the first tool
Working with Photoshop Tools
Toolbox
Trang 2You can refer to Adobe Photoshop CS5
Keyboard Shortcuts (available for download
on the Web at www.perspection.com) for
more information on all the letter
assign-ments for the various tools To really get
effi-cient in Photoshop, you need to learn to use
both hands Use one hand for your mouse or
drawing tablet, and the other on the keyboard
to make quick changes of tools and options
Using the Options Bar
The Options bar displays the options for the
currently selected tool If you are working
with the Shape Marquee tools, your options include Feather, Style, Width, and Height
When working with the Brush tools, available tool options include Size, Mode, Opacity, and Tolerance The Airbrush mode of the Brush tool also includes Flow The Pencil tool options include Auto Erase along with the standard Brush tool options The Standard Shape tool Options bar includes Fill Pixels, Weight, Radius, Style, and Color The impor-tant thing to remember is that the Options bar is customized based on the tool you have selected For more information on these options, refer to Chapters 4, 6, and 9
Currently selected tool
Options bar
Toolbox
(New !)
Trang 3Creating a New
Document
Create a New Document
Click the File menu, and then click
New.
Type a name for the document
IMPORTANT Typing a name
does not save the document You
still need to save your document
after you create it
Click the Preset list arrow, and
then select a preset document, or
choose your own options to create
a custom document
◆ Width and Height Select from
various measurements, such as
points, centimeters, or inches
◆ Resolution Select a resolution,
such as 72 pixels/inch (ppi) for
online use and 300 ppi for print
◆ Color Mode Select a color
mode, such as RGB for color
and Grayscale for black/white
◆ Background Contents Select a
background color or a
transparent background
Click OK.
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Creating a new Photoshop document requires more thought than creat-ing a new word processcreat-ing document For example, there are resolu-tion and color mode consideraresolu-tions to keep in mind You can create as many new documents as you need for your current project However, since opening more than one document takes more processing power, it's probably best to work on only one new document at a time Once a new document is created, you have access to all of Photoshop's design and manipulation tools to create anything you can imagine
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Creating a Custom Preset Document
You may find that you use the same new document size over and over again To save time, you can save the settings as a preset In the New dialog box, click the Preset list arrow, click a setting, and then change the various options to customize your new document
To name your customized preset, type a name in the Name box, and then click Save Preset
For Your Information
Trang 4Selecting Color Modes and Resolution
Selecting a Color Mode
A color mode, also known as color space,
determines how Photoshop displays and
prints an image You choose a different color
mode (based on models used in publishing)
for different tasks You can choose a color
mode when you create a new document or
change a color mode for an existing
docu-ment The common color modes include:
Grayscale Best for printing black-and-white
and duotone images This mode uses one
channel and has a maximum of 256 shades of
gray
RGB (Red, Green, and Blue) Best for online
and multimedia color images Red, green, and
blue are also the primary colors on a monitor
CMYK (Cyan, Magenta, Yellow, and Black)
Best for commercial printing of color images
LAB (Luminosity, A and B channels) Best for
performing image correction This mode puts
all grayscale information on the L channel and
splits the colors to the A and B channels
For more information on color, see Chapter 8,
"Understanding Colors and Channels."
Selecting Image Resolution
Photoshop works primarily with raster
docu-ments Raster documents are images
com-posed of pixels A pixel is a unit of
information that holds the color and detail
information of the image Think of a
Photoshop document as a brick wall, with the
individual bricks in the wall representing the
individual pixels in the image Documents
opened in Photoshop have a specific
resolu-tion The resolution of the image, along with
its width and height, represents how many
pixels the image contains Since pixels (the
bricks in the wall) represent information, the
more pixels a document contains, the more information Photoshop has to manipulate or enhance the image
A typical 17-inch monitor displays pixels at
a resolution of 1,024 x 768 pixels per inch You can figure out how many pixels are present
on a 17-inch monitor by multiplying 1,024 x
768, which equals 786,432 pixels on the screen The resolution is equal to how many pixels fit into each monitor inch, otherwise known as ppi (pixels per inch) A typical moni-tor displays pixels at 72 pixels per inch
To determine the size of an image in inches, we divide the pixels by the ppi For example, an image 1,024 pixels wide at 72 ppi would be 14.2 inches wide (1,024 / 72 = 14.2)
To determine the pixels present in an image, you multiple the size by the ppi For example,
a 3 inch image at 72 ppi would have a total of
216 pixels (3 x 72 = 216) As the image resolu-tion drops, so does the output quality of the image Pixelization occurs when the resolu-tion is so low that the edges of the pixel begin to appear The higher the resolution (more pixels), the sharper your image will be
However, the higher the resolution, the larger the file size will become To optimize your image file size, you need to use the correct resolution for the specific task Use 72 ppi for web pages, CD/DVDs, and multimedia; use
150 ppi for inkjet printers, 200 ppi for photo printers, and 300 ppi for commercial printing
When working with images, it's always a good idea to start with a larger image size
You can always reduce the size of the image (subtract pixels) without losing any quality If you need to enlarge an image, you run the risk of losing image quality When you enlarge
an image, the number of pixels doesn't increase as the image does, so the pixels become larger, which results in a rougher, or more pixelated, image
Trang 5When you create documents for specific purposes, such as, web, film, video, or for use on a mobile device, you know the importance of creat-ing documents that will perfectly match the output requirements of the intended file destination The preset file sizes available in the Preset menu let you create images at a size and pixel aspect ratio that com-pensate for scaling when you incorporate them into various output modes When you work with the Preset menu, the guesswork involved
in creating compatible photo, web, mobile device, film and video docu-ments in Photoshop is a thing of the past
Creating a New
Document Using
Presets
Create a New Document
Using Presets
Click the File menu, and then click
New.
Click the Preset list arrow, and
then select from the available
presets:
◆ Photo
◆ Web
◆ Mobile & Devices
◆ Film & Video
◆ Custom
Click the Size list arrow, and then
select the preset you want The
options vary depending on the
type of document you want to
create
◆ Photo For example, Landscape
4 x 6
◆ Web For example, 640 x480.
◆ Mobile & Devices For
example, 176 x 208
◆ Film & Video For example,
HDTV 1080p/29.97
If you want, adjust the available
options
Click OK.
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Using a Video Preview Option
Photoshop now includes a Video Preview option that lets you pre-view your documents on a display device such as a standard or DVD screen The device must be attached to your computer through the use of a FireWire port Once the device is attached, open a docu-ment, click the File menu, point to Export, and then click Send Video Preview to Device To set output options before viewing your docu-ment on the device, click the File menu, point to Export, and then click Video Preview The Video Preview option supports RGB, grayscale, and indexed color images, in either 8 or 16 bits per chan-nel You can adjust the aspect ratio for proper display of images
First, select the aspect ratio of the display device, either Standard (4:3) or Widescreen (16:9), and then select a placement option, such
as Center or Crop to 4:3, for the image To maintain an image's (non-square) pixel aspect ratio, select the Apply Pixel Aspect Ratio To Preview check box
For Your Information
Trang 6Images displayed on a computer monitor are made up of square pixels
Conversely, an image displayed on a video monitor is not composed of pixels at all Non-square pixels are most commonly used by encoding devices for video production When importing an image created by a square-pixel graphics program into a video editing program such as Adobe Premiere, the square pixels are automatically scaled to non-square pixels for video encoding This scaling results in a distorted image By default, non-square pixel documents open with Pixel Aspect Ratio Correction enabled This enables you to preview how the image will appear on an output device such as a video monitor, and see how it will appear when exported to an analog video device In keeping with an ever-changing industry, Adobe includes the following Pixel Aspect Ratio options: DVCPRO HD 1080 (1.5) and HDV 1080/DVCPRO HD 720 (1.33)
Working with
Non-Square Pixels
Work with Non-Square Pixels
Click the File menu, and then click
New.
On the bottom of the New dialog
box, click the Pixel Aspect Ratio
list arrow, select any of the
non-square pixel settings, and then
click OK.
Click the Window menu, point to
Arrange, click New Window to
create a new window, and then
select the new window
Click the View menu, point to
Pixel Aspect Ratio, and then
select a pixel aspect ratio that’s
compatible with the video format
The original window shows the
corrected aspect ratio, and the
other one shows it without
To reset the pixel aspect ratio to
the default, click the View menu,
point to Pixel Aspect Ratio, click
Reset Pixel Aspect Ratios, and
then click OK (replaces) or Append
(replaces, yet retains any custom
values)
To remove the pixel aspect ratio,
click the View menu, point to Pixel
Aspect Ratio, click Delete Pixel
Aspect Ratio, select the aspect
ratio, and then click Delete.
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Image with a non-square pixel ratio
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