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Tiêu đề Logos: Making a Strong Mark
Trường học Louisiana State University
Chuyên ngành Healthcare Marketing
Thể loại Thesis
Năm xuất bản 2023
Thành phố Baton Rouge
Định dạng
Số trang 20
Dung lượng 3,48 MB

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Wolff Olins was commissioned to create not only the brand but the business strategy for Hutchison Whampoa's latest enterprise The biggest task for the Wolff Olins creative team was to d

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88

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Logos: Making a Strong Mark

MedBiz Market Baton Rouge, Louisiana, USA CFX Creative

Vancouver, British Columbia, Canada

The Challenge

MedBiz Market has over 30 years of experience in the healthcare industry,

ranging from facility development to daily operations management The company extended its scope to offer prospective buyers and sellers an online resource for the sale of medical offices, pharmacies, hospitals, medical supply houses, nurs-

ing homes, assisted living residences, and other health care facilities, It assists

buyers in securing financing for purchases

CFX Creative was given the task of developing a brand identity that would por-

tray both the medical and business aspects of the company’s offering Because

the mark would predominantly be employed on the Web, it had to have a clean and easily recognizable presence,

The Process

Rather than spelling out a message of real estate, the CFX Creative design team directed its attention to the interaction between buyer and seller within the mar-

ketplace Pairs of gray and green arrows pointing in four directions graphically

serif type treatment

achieved the goal, The icon was combined with a solid, sans that gives equal weight to both the medical and business sides of the company’s wordmark, The color green is traditionally associated with the medical profes- sion, making it the perfect palette to convey the identity to the target market The Result

Initially, the identity was implemented on MedBiz Market's eponymously named website, accompanied by the tagline “The Marketplace for Healthcare Buyers and Sellers.” The client was so pleased with viewer response it plans to incorpo- rate the mark into a full corporate identity package

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diy

Diva’s proprietary line of beauty ane health aids, Such as tivs box of single- use makeup remover anc cleansing towelettes, has an elegant, distinctive air that appeals to its target market

sa

Client:

Agency

Offering and fi

ots for an

upse:

Diva Intern the human energy, and brand iolentiy

sirengt in it

(liVA

Diva International Srl Spello, Italy

Studio GT&P Foligno, Italy The Challenge Health care products and services developed for use strictly by women has become a tlourishing industry, From presoription and over-the-counter medica- tions to natural and alternative remedies, the women's health industry demands

a design treatment that conveys messages of confidence, trust, reliability, and femininity, all in one image

Diva International creates lines of products that target this huge audience of women, Studio GT&P was asked to create a vital yet feminine identity combining warmth, softness, energy, and strength in a single image

The Process

Studio GT&P's solution ta the challenge of designing packaging for Diva

International's line of products focused on the use of the structurally perfect

typeface Bodoni in a modified form A blue color palette enhances the sense of reliability the image needed A golden brushstroke reflects the human aspect of

well-being and healthcare that is a signature of Diva International's product line

The Result The brand was instantly accepted by its target audience, and the client loves it

It appears on all of their branded products and on signage, collateral materials, and the company's stationery program

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90

characters and Roman jet ters, Sen's name and image fuse two cultures to send the

ing balance” to consumers

Sen is the Mandarin word for

“forest,” a universal symbol

of an ideal ecosystem that's continually evolving yot constantly in balence,

Logos: Making @ Strong Mark

Sen London, UK Wolff Olins London, UK The Challenge Hutchison Whampoa is one of the largest companies listed on the Hong Kong stock exchange, with more than 150,000 staff in businesses spanning 41 coun- tries This massive conglomerate decided to bring good quality, reliable, and well-packaged traditional Chinese medicine products to the West For most Westerners, Chink

concerned about product content Generally speaking, this target audience lacks medicine is an unknown entity, Potential consumers are

understanding and is sometimes skeptical of the effectiveness of these ancient formulas Wolff Olins was commissioned to create not only the brand but the business strategy for Hutchison Whampoa's latest enterprise

The biggest task for the Wolff Olins creative team was to demystify perceptions

of Chinese medicine and to create a brand that would attract customers to this ancient healing art and help them feel comfortable with it The new identity had

to retain its Chinese heritage and resonate with the West The name had to be meaningful in the Chinese language, but English-speaking consumers had to be able to pronounee it

The Process The Wolff Olins team began its investigations by discovering what products would be sold outside of China The team visited the two Chinese production factories and researched how the products were marketed and used within China The team also did extensive research into the alternative therapies indus- try and its target audiences

Chinese medicine seeks to achieve balance between the body and the natural world, These two elements provided the creative team with the brand's essence:

“living balance.” This concept catapulted them toward the Mandarin word for

“forest,” which is sen In both Eastern and Western cultures, the forest repre sents an ideal ecosystem that is continually evolving yet constantly in balance

The Chinese character for the word sen is made up of three smaller “wood” characters arranged in a triangular formation, creating a beautiful and visually memorable identity

The Result Hutchison Whampoa launched its Sen product line in central London with the

‘opening of the first Sen shop in December 2003 Since then, Sen concessions have been launched in British pharmacies such as Boots and Lloyds While it's

still in its early days, the Sen designs were recognized in 2003 by the London International Advertising and Design Awards and the prestigious British Design and Advertising Awards,

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health

“Tradtional Chinese Medicine treats inesses holistically -i looks at oot causes net surface problems

(Often ‘ilnesses referred ton Wester medicine would actually be considered as symptoms In tem - possibly caused by body network weakness thatthe West would not expect to be connected,

“To see how tem views some common symptams (or tnesses), select ne of the following:

The identtty’'s bright palette

continues the theme of pos-

ive energy, health, and

quality even on its website,

which supports the product Jine's launch in chain phar- macies throughout the

United Khgdom

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Chapter Four: Hotels and Restaurants

ESPRESSO CAFE

Client: Simon's Espresso Café

Seattle, Washington, USA

Bainbridge

and, Washington

The Challenge

Seattle, where catés and coffee shops are as numerous as nev lands in New

Simon's Espresso Caté nee ference to make its w

a visual point

highly-competitive market De le that identity

gle Design was called in to cr

The Process

The designers wanted to establish recognition of Simon

person, so they

incorporated the figure of a man into the logo's typographic treatmen

Numerous sketches and fonts were reviewed to find the perfect downtown

Seattle, metropolitan café feel The man-shaped | was enhanc: ‹l by @ provoca:

tive shadow, which was tried at many angles before final selection

as made The | was later employed as a motif on takeout cups and other materials The Result

logo, which is currently used in packaging, cups, signage, and collateral

ighly competitive cotfee arena in Seattle, received a 2008 national design award from American Corporate Identity

J08 and oth

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93 Hotels and Restaurants

Spring Park INTERNATIONAL

Client: Spring Park International Hotels

an elegant cursive font,

of spring to Spring Park

Based in Taiwan, Spring Park International Hotels’ owner wanted a high-end logo for the exclusive chain of Far Eastern hotels He also wanted the word spring to be symbolized in the finished visual identity The biggest challenge Graphicwise faced when it was commissioned to develop the logo was time; the client didn't contact the design team until the hotels were a month from opening

The Process Following the strict request to symbolize spring in the design solution, the Graphiowise team went through numerous intensive brainstorms, emerging with two potential symbols—a butterfly and young sprouting leaves The latter was selected because it was more strongly connected to the seasor's association with birth and growth, The cursive font added a touch of elegance that res- onated well with the hotel chain's Asian locales and audience The team also recommended parts of the leaf motif be stamped with a subtle shade of gold foil

The Result Graphicwise's final design was unveiled before the Taiwanese press when the hotels were just about to open for business The logo was applied to everything from the stationery program, robes, towels, and bed covers to hotel signage, website, print advertising, and billboards It earned Graphiowise a 2002

‘American Design Awards gold award

‘Screened-back enlarge- ments of the young leaves icon, seen here on business cards and fetterhead, rein-

Sui soe Shite ee

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94

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The Lewis Moberly design

team created this informal script type treatment which

‘was inspired by the whim- sical drawing style found in many Wtalian village cafés and patisseries

Lewis Moberty didn't stop

with the logo: they created

an extensive series of playful

graphic dustrations used to

‘extend the branding on print-

‘ed materiats, packaging,

and signage,

er iit)

Logos: Making a Strong Mark

Panini/Grand Hyatt Hotel Dubai

Dubai, United Arab Emirates

Lewis Moberly London, UK The Challenge

‘The Grand Hyatt Dubai Hotel is one of the Middle East's largest and most exclu sive hotels, appealing to both business and leisure travelers, The establishment houses 674 rooms and suites as well as 15 restaurants and bars, each with a distinct personality,

The Grand Hyatt's bakery caté and patisserie, Panini, is designed in the style of

a classic Italian village calé, Panini’s identity had to communicate a sophisticated version of this persona as well as advertise the venue's offerings: delicate pas- tries, cakes, chocolates, gelati, and gift packaging To accomplish this goal, the hotel hired Lewis Moberly, which had previously developed the brand for another

of the Grand Hyatt’s venues, Indochine (see page 98)

The Process The Lewis Moberly design team took its inspiration from the whimsical drawing style found in many Italian village cafés and patisseries The informal script type treatment and spontaneous graphic illustration are set on a bold red The team’s

solution plays on the lively, {un, relaxed, and social elements that can be found

at these establishments, which serve as the lifeblood of small towns throughout Italy

The Result Panini’s lighthearted logo playfully decorates the café's menus and signage as well as numerous takeout items The cafe was an immediate success with hotel visitors, who find the expressive branding an open invitation to take a pampering break, Lewis Moberly won accolades for its solution, including designations from Creativity 38 Annual and Mobius 2003,

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95

Client:

Agency:

Hotels and Restaurants

VINOPOLIS

CITY OF WINE

Wineworld ple London, UK

Lewis Moberly London, UK

The Challenge Vinopolis is visitor attraction on a grand scale A major new venture on the banks

of the River Thames, the venue presents a rare opportunity to experience and learn about wine in depth, covering every conceivable aspect from grape to glass The complex consists of 20 halls Each hall hosts a particular region, presenting a visual feast that narrates the host's wine-related history, culture, and character Audio commentary is provided by the world’s leading wine experts, Grand Tasting Halls, a shop, a gallery, and a restaurant offering more wines by the glass than any other in Europe complete the experience

Lewis Moberly was commissioned to create a brand that broke down the wine snobbery barriers, emotionally and visually captivating audiences who want to learn more about wine and wine appreciation The design solution also had to attract investors needed to acquire the £18 million in funding for completion

The Process Wine affects more than one sense in fact, the true appreciation of wine involves sight, smell, taste, and touch The Lewis Moberly creative team focused on these essentials of wine appreciation to create a compelling visual invitation to

this distinctive London destination The design solution was an abstract view of

the human senses paired with the true wine experience, creating an inviting and intriguing statement Applying a Picasso-style motif to the overall treatment, the

identity resonates with both veteran aficionados and novices who equate wine with fine art

The Result Working closely with interior design house Jasper Jacobs Associates, Lewis Moberly employed the identity in collateral and promotional materials, signage, and shopping bags The complete visual package not only attracts thousands of visitors, it won the agency a number of awards, including a Loewrie Gold Award, the D&AD Annual, and a Clio Bronze

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6 Legos: Making a Strong Mark

experimented extensively

with word pairings unti they

identified this deceptive

LA GRANDE EPICERIE

DE PARIS

The City of Ligt

food hail and a venera

institution on the Rive

Gauche, La Grande

Epicerio de Paris's image

evoked its belle epoque

@ abi its contemporary and inter

national a

roots, but sai

ray of foods

Embiazoned on the store

{s s0 smooth that it reads

the full name,

e emph

Le Bon Marché Paris, France Lewis Moberly London, UK The Challenge

La Grande Epicerie de Paris, situated in Paris's stately Le Bon Marché depart ment store, is the city’s leading food hall, A longstanding institution on the Rive Gauche, the store’s food department offers an international array of over 5,000

products, trom hard-to-find Welsh mineral water and handmade French jams to piquant Neopolitan tomato sauce and organic provincial sausages Lewis

Moberly was commissioned to create a fresh, new identity that targets new foodies” and clearly demonstrates the contemporary and confident stance of La Grande Epicerie de Paris The challenge was to convey a long name on a range

of materials—trom entry signage to the top of a delicately iced pastry

The Process The Lewis Moberly design team carefully scrutinized the food hall's name, observing the relationship of th

e words and their meaning within the store, on signage, packaging, and all other printed materials Intensive experimentation with fonts led to a deceptively simple and modern typographic solution Further crafting with fonts and layout led to the final design, in which shared letterforms make the most of a lang name and emphasize the food store’s longstanding importance to life on the Rive Gauche

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packaging assures food customers of punty and Cleanliness, the signage expresses 2 photographic and tlustrative romance with food

sĩ Hotels and Restaurants

The Result The logo and overall identity were implemented across the entire retail environ- ment from signage and uniforms to cake boxes and van liveries The store's diverse range of customers immediately accepted the refreshed identity; now patrons, both young and old, proudly promenade through the Parisian s with La Grande Epicerie de Paris shopping bags The design has received numerous awards, including designations from British Design and Art Direction, Mobius Advertising Awards, and the Loerie Awards

treots

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