Sử dụng photoshop cs5 part 62 pps

On the Layers panel, double-click a layer A to open the Layer Style dialog.. Double-click a layer A on the Layers panel to open the Layer Style dialog.. To remove layer effects: Do eithe

Applying a bevel or emboss effect

The Bevel and Emboss effect creates an illusion of

volume by adding a highlight and some shading The

results can range from a chiseled bevel that looks

factory-made to a pillowy emboss that looks as if

it’s been stamped onto porous paper For variety,

experiment with the Contour options

To apply the Bevel or Emboss effect:

1 Display the Swatches panel.

2 On the Layers panel, double-click a layer A to

open the Layer Style dialog

3 Click Bevel and Emboss

4 Under Structure, choose a Size for the depth of

the bevel or emboss effect

5 Choose other Structure settings: B

Choose a Style: Outer Bevel, Inner Bevel,

Emboss, Pillow Emboss, or Stroke Emboss

C–D (and A–C, next page)

From the Technique menu, choose Smooth,

Chisel Hard (best for type), or Chisel Soft.

Choose a Depth for the intensity of the highlight

and shading

Click the Up or Down button to swap the

positions of the highlight and shading

Raise the Soften value to blur the effect.

6 Choose Shading settings:

Choose an Angle and an Altitude (height) to

change the location of the light source These

settings in turn will affect the position of the

highlight and shading Check Use Global Light

to use the same Angle and Altitude settings for

all effects that are using the Global Light option,

to produce uniform lighting; or uncheck it to

use a unique setting for just this effect Note:

If you change the Angle or Altitude for an

indi-vidual effect while Use Global Light is checked,

any other effects that are using the Global Light

option will adopt those values

Click the Gloss Contour arrowhead, then choose

a profile from the Contour Preset picker

Choose a Highlight Mode and Opacity for the

highlight and a Shadow Mode and Opacity for

the shading

To change the highlight or shading color, click

the corresponding color swatch, then choose a

color from the Color Picker (or, while the picker

A The original image contains two layers.

C The Inner Bevel effect is applied (and also the Drop Shadow effect).

D Here the Outer Bevel effect is applied (plus a Drop Shadow).

B We chose these Layer Style options for Figure C.

is open, choose from the Swatches panel or click

a color in the document); click OK

7 To add a Contour to the edges of the bevel

or emboss, click Contour on the left side of

the dialog, below Bevel and Emboss Click the

Contour arrowhead, then click a preset contour

in the picker This option can dramatically alter

the appearance of the effect

Check Anti-aliased to soften the transition

between the dark and light areas in the contour

For the Outer Bevel or Inner Bevel style option,

adjust the Range (the position of the bevel on

the chosen contour) to minimize or maximize the

prominence of the bevel

8 To add a texture to the effect, click Texture

on the left side of the dialog, click the Texture

arrowhead, choose a pattern from the picker,

then do any of the following: D

Adjust the Scale of the pattern.

Change the Depth to increase or reduce the

con-trast between the shadows and highlights in the

pattern

Check Invert to swap the highlight and shading

This has the same effect as changing the Depth

percentage from negative to positive, and vice

versa

Check Link with Layer to ensure that the texture

and the layer move as a unit

Drag in the document to reposition the texture

within the effect; click Snap to Origin to realign

the pattern with the upper left corner of the

image

9 Click OK.

D Pillow Emboss with a Texture, plus a Drop Shadow, are applied.

C Pillow Emboss (Technique: Smooth) plus a Drop Shadow are applied.

B Emboss (Chisel Soft) is applied.

A This is the original editable type.

Applying the Satin effect

Use the Satin layer effect to apply light and dark

shades to the surfaces of objects or type to make

them look reflective or metallic

Notes: The default Blend Mode for the Satin layer

effect, Multiply, deepens some tonal values and

heightens contrast, so we recommend applying this

effect to an image layer that has a good range of

tonal values For this effect to show up well on type,

make the type a medium to light color, and apply a

strong Inner Glow or Bevel and Emboss effect first

To apply the Satin effect :

1 Double-click a layer A on the Layers panel to

open the Layer Style dialog

2 Click Satin.

3. Do any of the following.B

Change the Blend Mode.

To change the overlay color, click the color

swatch, then choose a color from the Color

Picker or click a color in the document; click OK

Adjust the Opacity of the effect.

Change the Angle of the effect This angle is

independent of the Global Light settings

Set the Distance and the Size of the effect.

Change the edge profile of the effect by choosing

a profile from the Contour Preset picker

Check Anti-aliased to soften the transition

between the dark and light areas in the contour

Check Invert to swap the shadows and

highlights in the effect

4 Click OK C

Applying the Overlay effects

The Gradient Overlay and Pattern Overlay effects

can be applied to image, shape, and type layers The

same holds true for the Color Overlay effect, which

isn’t discussed here

To apply the Gradient Overlay effect:

1 Double-click a layer on the Layers panel to open

the Layer Style dialog.D

2 Click Gradient Overlay

3 Click the Gradient arrowhead, then click a

gradi-ent on the Gradigradi-ent picker Also choose a Style

of Linear, Radial, Angle, Reflected, or Diamond.

A The Bevel and Emboss effect is applied to this editable type.

C The addition of the Satin effect makes the surface of the letters look even more reflective

B We chose these options for the Satin layer effect.

D The Bevel and Emboss effect is applied to this type.

➤ To load gradients from another library,

choose a library name from the lower part of

the picker menu (see page 401)

4. Do any of the following:

Choose a Blend Mode.

Adjust the Opacity of the overlay.

Check Reverse to switch the direction of the

gradient

Check Align with Layer to confine the gradient

to visible pixels in the layer, or uncheck it to have

the gradient fill the whole canvas

Set the Angle of the gradient

Choose a Scale percentage to control how

gradu-ally the gradient transitions across the layer

Drag in the document to reposition the gradient

within the layer shapes

5 Click OK.A–BTo learn more about creating and

editing gradients, see the next chapter

➤ If you apply two overlay effects, such as Gradient

Overlay and Pattern Overlay, lower the opacity of

the one that’s listed first in the dialog; otherwise

the bottom one won’t be visible

Patterns applied via the Pattern Overlay effect can

range from those with an obvious repeat, such as

polka dots or stripes, to overall textures resembling

such surfaces as gritty sandpaper, handmade paper,

woven fabric, or variegated stone

To apply the Pattern Overlay effect:

1 Double-click a layer on the Layers panel to open

the Layer Style dialog.C

2 Click Pattern Overlay.

3 Click the Pattern arrowhead, then choose a

pattern preset in the picker Also adjust the

Opacity of the overlay.D

➤ To load patterns from another library, choose

a library name from the lower part of the

picker menu (see page 401)

4. Do any of the following:

Change the Blend Mode.

Drag in the document to reposition the pattern;

click Snap to Origin to realign the pattern with

the upper left corner of the document

Choose a Scale percentage for the size of the

pattern

A We chose these options for the Gradient Overlay layer effect.

B The Gradient Overlay effect is applied to the original image (shown in Figure Don the previous page)

C The original type contains the Bevel and Emboss and Satin layer effects.

D For our Pattern Overlay layer effect, we chose the Mountains pattern, which is in the Texture Fill library

With the pattern overlay added to the mix, now the type looks like polished granite

Continued on the following page

Copying, moving, and removing layer effects

If you like how an effect looks on one layer, you can copy it to another one The more, the merrier

To copy individual effects between layers:

Alt-drag/Option-drag any individual effect name from one layer to another

You can move an individual effect from one layer to another without deleting any effects on the target layer

To move an effect from one layer to another without replacing existing effects:

Drag any individual effect name from one layer

to another The effect will be removed from the source layer and copied to the target layer

And finally, you can also move all the effects from one layer to another (that is, replace any existing effects on the target layer and remove them from the source layer)

To move all the effects from one layer to another, replacing existing effects:

Drag the Effects listing from one layer to another

Clicking to remove the visibility icon for a layer effect or unchecking the box for an effect in the Layer Style dialog doesn’t remove the effect — it merely hides it from view If you want to perma-nently delete effects from a layer, do as follows

To remove layer effects:

Do either of the following:

Drag a single effect name to the Delete Layer button at the bottom of the Layers panel

To remove all the effects from a layer, drag the Effects listing over the Delete Layer button

➤ If you turn off an effect via the check box in the Layer Style dialog and then turn it back on again the same way, the last-used options for that effect will redisplay

➤ To flatten all the layer effects in a document, choose File > Scripts > Flatten All Layer Effects.★ If any type layers contain effects, the script will also rasterize those layers

Check Link with Layer to link the pattern to

the layer so they’ll move as a unit if you drag

the layer

5 Click OK.

Applying the Stroke effect

If you’re partial to neon, you can achieve that

illusion in Photoshop by using the Stroke effect

This works especially well on type, and also on

geometric shapes

To apply the Stroke effect:

1 Double-click a layer on the Layers panel to

open the Layer Style dialog

2 Click Stroke.

3. Do any of the following:

Choose a Size (width) for the stroke.

From the Position menu, choose whether you

want the stroke to be applied to the Outside,

Inside, or Center of the edges of the layer

content

Choose a Blend Mode.

Choose an Opacity percentage.

For the Fill Type, choose Color, Gradient, or

Pattern, and choose settings for the options

that become available (see the preceding page)

4 Click OK A

A The Bevel and Emboss, Gradient Overlay, and Stroke

effects are applied We did this in one easy step by applying

the Liquid Rainbow layer style, which is in the Text Effects

style library (see the next page).

Applying layer styles

You can conveniently store multiple layer settings

collectively as a style on the Styles panel The style

will include layer effects and/or blending options,

such as the layer opacity, blending mode, and fill

opacity settings Once stored, styles can be quickly

applied to any layer To get acquainted with this

panel, start by applying one of the predefined styles

to a type layer or to a layer that contains some

trans-parency You can edit the effects from any predefined

style, or create and save your own styles, as we show

you on the next page

To apply a style to a layer:

1 Show the Styles panel. Via the panel menu, you

can change the panel display mode to Text Only

or to a Thumbnail or List mode, and you can load

more style libraries onto the panel by choosing a

library name (see page 401)

2 Do one of the following:

Click a layer (not the Background) on the Layers

panel, then click a style on the Styles panel.A–F

Drag a style name or thumbnail from the Styles

panel over any selected or unselected layer on the

Layers panel

Double-click a layer to open the Layer Style

dialog, click Styles at the top, click a style

thumb-nail, then click OK (A, next page)

➤ Normally, when a style is applied, it replaces any

and all existing effects on the current layer If you

prefer to combine the effects from a style with

the existing effects on a layer, click or

Shift-drag the style Note that whether Shift is held

down or not, if two effects have the same name,

effects in the new style will replace the old

A Click a layer, then click a style thumbnail (or

name) on the Styles panel

E KS Styles library ★> Lightning

F Image Effects library > Water Reflection

C Text Effects library > Sprayed Stencil

D Text Effects library > Shaded Red Bevel

B Web Styles library > Blue Paper Clip

CLEARING A STYLE FROM A LAYER

To remove a style from a layer (and also restore the default opacity of 100% and the layer blending mode of Normal), right-click the layer and choose Clear Layer Style

Creating layer styles

When creating a layer style, you can control whether

the style will include the layer effects that are

currently applied to the selected layer and/or the

current blending option settings (such as the layer

opacity, blending mode, and fill opacity)

To save a style to the Styles panel:

1 To a layer, apply the effects settings and/or

blending option settings that you want to save

collectively as a style

2 Do either of the following:

On the Layers panel, click the layer that

con-tains the desired settings,Bthen on the Styles

panel, click either the blank area or the New

Style button C–D

On the Layers panel, double-click the layer that

contains the desired settings, then on the right

side of the Layer Style dialog, click New Style.

3 The New Style dialog opens Enter a Name

for the new style, check whether you want to

Include Layer Effects and/or Include Layer

Blending Options in the style, then click OK

If the Layer Style dialog is open, click OK again

The new style appears as the last listing or

thumbnail on the Styles panel

➤ To create a library of styles, see page 401

➤ To copy a style from one layer to another,

right-click the layer that contains the desired settings

and choose Copy Layer Style Click another layer,

then right-click that layer and choose Paste Layer

Style If the target layer already has a style, the

new one will replace it

B On the Layers panel, click a layer that contains the effects and/or other settings to be saved as a style…

A Styles can also be applied to a layer via your old pal, the Layer Style dialog Click Styles at the top left side of the dialog, then click a thumbnail.

D Our style appears at the bottom of the panel.

C …then on the Styles panel, click either the blank area or the New Style button