Working with gouache pptx

Working With Gouache - Opaque watercolor "Where Man Is A Probable Stranger" © Gouache Opaque Watercolor I want to state that I don't claim to be an expert on gouache.. All I know is, th

Working with gouache

Working With Gouache - Opaque watercolor

"Where Man Is A Probable Stranger" ©

Gouache Opaque Watercolor

I want to state that I don't claim to be an expert on gouache All I know is,

the first time I put Gouache down on watercolor paper, it was love at first sight

I hope that by showing you a few examples of how I work with gouache, you'll have a better understanding about the medium Who knows, it may encourage you to try Gouache for yourself!

Gouache demonstration

The Photograph ©

Courtesy of Maury

Kettell

Drawing

I drew my composition directly onto 140lb Lanaquarelle 9" x 12”

watercolor paper I stayed pretty true to the

photograph but added the fallen log for additional

Beginning

I chose a Blue-Purple as

my dominant hue with Cadmium Yellow-Orange

as the complimentary color Cobalt Blue and Violet are the adjacent hues to the Blue-Purple

interest with Yellow-green and

Yellow-Orange as the two discord colors I went back and refined my drawing by adding a few more rocks for interest

Midway

This is where the fun part

begins I usually pick one

main element in my

painting, and connect

everything else to it At

this point I have a pretty

Nearing Completion

Working the painting as a whole, checking to see where improvements can

be made Painting and refining the water was very enjoyable and

Finish

I added some additional dark areas back in the foreground rocks I got carried away with flinging paint, both dark and light

good idea where I'm going

with the painting Now

it's just a matter of

working the painting as a

whole

relaxing I had to keep in mind that the rocks both above and below the water line will influence the color of the water

I did enjoy the process

What is gouache ?

It simply is pigments in a gum-based solution, capable of rendering beautiful works of art Gouache (gwaash) tends by it's nature to dry to

a rich vivid opaque color and is a favorite of illustrators Unlike watercolor, gouache doesn't rely on the whiteness of the support you're painting on to show brilliance Gouache lays right on the surface and isn't used as a stain like most watercolor pigment Gouache is thinned with plain old water, the same as

watercolor, acrylic, and casein

Getting started

Winsor & Newton Designers Gouache, and Da Vinci Gouache are the two that I use I started with Winsor & Newton and have recently been working with Da Vinci For the demonstration

on this page I used; Da Vinci Gouache and found it pleasing to work with I recommend either one as each has excellent qualities

Supplies

Brushes: Sable and artificial sable brushes work best (Your choice of size

and shape)

Surface: Illustration board cold or hot-press and watercolor paper 140lb or

300lb cold or hot- press (Your choice of brand)

Paints: Winsor & Newton Designers Gouache or Da Vinci Gouache If

you like working with a specific brand of watercolor, check to see if they also carry it in Gouache It is not necessary to invest your hard earned artist

dollars in 10 tubes of gouache you may only use once Try this, just buy

only 4 tubes: Permanent White , Cadmium Yellow Lt., Cadmium Red Lt., Ultramarine Blue Use your yellow and red to make orange, your red and blue to make violet and your yellow and blue to make your green

Palette: Any covered watercolor type palette or butcher's tray (cover

butcher's tray with plastic wrap when not in use)

My palette colors

Limited Palette C olor s : Permanent White, Cadmium Yellow Lt., Cadmium

Orange, Cadmium Red Lt., Alizarin Crimson, Violet, Cobalt Blue,

Ultramarine Blue, Phthalo Green, Sap Green This is the order in which I place the colors on my palette

A few comments about my choice of palette colors, and how I work with

them As you can see I try not to use tube earth colors on my palette In my

opinion, by mixing your own earth colors from the primaries, your colors

will be richer and more vibrant I can't stress enough how important it is for

a beginning painter to work with a limited palette When I first started

painting with oils, I thought that I had to have every color on the planet All

I got from that way of thinking was frustration with dull, muddy colors Now in defense of mud, it is possible to gain some beautiful grays/neutrals Only when your painting is totally muddy, does all life go out of it A limited palette when traveling is also a real plus for an artist

Tip: Keep a spritzer bottle filled with water to keep your gouache paints

moist I keep a small wet sponge inside my gouache palette when I'm not working with it Change your water container often You might want to try using two water containers

I hope this demonstration has served to give you an understanding of how I work with Gouache

Suggested Reading

Pamela Kay "A Personal View Stephen Quiller and Barbara Whipple

Gouache" Publisher David &

Charles ISBN 0 7153 0289 2

"Water Media: Processes And Possibilities" Publisher Watson-Guptill ISBN 0 8230 5695 3

Watson-Guptill ISBN 0 8230 2165 3

Ned Mueller to my knowledge has yet to write a book on gouache He has

written several articles about gouache in various publications of Artist

Magazine Ned Mueller is the artist most responsible for my interest in working with gouache