nikon d90 for dummies (isbn - 0470457724)

Learn to:• Master all of the features of your D90 • Take control of exposure, focus, and color • Download, manage, and share your photos online or in print Open the book and find: • Tip

Learn to:

• Master all of the features of your D90

• Take control of exposure, focus, and color

• Download, manage, and share your photos online or in print

Open the book and find:

• Tips for taking perfect portraits, dynamic action shots, and beautiful nature pics

• Techniques for manipulating color and focus

• Detailed coverage of every menu option

• Advice on which Custom Settings

to use (and which ones to avoid)

• How to choose the right Image Quality setting

• Help with using Retouch menu options to fix problem photos

• Easy-to-understand explanations

of technical lingo

Julie Adair King is the author of many digital photography books,

including Digital Photography For Dummies, Nikon D40/D40x For Dummies,

Your Nikon D90 offers professional-quality features to help

you take your photography to the next level Take full advantage

of every one with this fun and easy guide! Understand and

use all the dials and modes, manage photo size and quality,

take creative control with manual settings, and share your

images in print or online.

• Nuts and bolts — set up your camera, work with lenses and memory

cards, and use automatic photography modes

• Go live — get the scoop on using Live View mode and recording and

playing HD movies

• Gain new shooting skills — find out how to use advanced options to

capture any subject like a pro

• Exposure is everything — control aperture, shutter speed, and ISO;

work with Active D-Lighting; and use various flash modes

• Out of the camera — download, organize, and archive your images

and share them in prints, e-mails, and slide shows

Use every feature of

your D90, get creative,

and snap great shots!

In Color

by Julie Adair King

FOR

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Manufactured in the United States of America

10 9 8 7 6 5 4 3 2 1

Julie Adair King is the author of many books about digital photography

and imaging, including the best-selling Digital Photography For Dummies Her

most recent titles include a series of guides to popular digital SLR cameras,

including Nikon D60 For Dummies and Nikon D40/D40x For Dummies Other works include Digital Photography Before & After Makeovers, Digital Photo Projects For Dummies, Julie King’s Everyday Photoshop For Photographers, Julie King’s Everyday Photoshop Elements, and Shoot Like a Pro!: Digital Photography Techniques When not writing, King teaches digital photography at such

locations as the Palm Beach Photographic Centre A graduate of Purdue University, she resides in Indianapolis, Indiana

I also owe much to the rest of the folks in both the editorial and art ments, especially Heidi Unger, Rashell Smith, Shelley Lea, Steve Hayes, Andy Cummings, and Mary Bednarek

depart-Thanks, too, to Jonathan Conrad for providing the awesome nighttime shot for Chapter 7, and to agent extraordinaire, Margot Maley Hutchison, for her continuing help and encouragement And last but not least, I am also indebted to technical editor Dave Hall, without whose insights and expertise this book would not have been the same

at http://dummies.custhelp.com For other comments, please contact our Customer Care

Department within the U.S at 877-762-2974, outside the U.S at 317-572-3993, or fax 317-572-4002.

Some of the people who helped bring this book to market include the following:

Acquisitions and Editorial

Project Editor: Kim Darosett

Executive Editor: Steven Hayes

Copy Editor: Heidi Unger

Technical Editor: David Hall

Editorial Manager: Leah Cameron

Editorial Assistant: Amanda Foxworth

Sr Editorial Assistant: Cherie Case

Cartoons: Rich Tennant (www.the5thwave.com)

Publishing and Editorial for Technology Dummies

Richard Swadley, Vice President and Executive Group Publisher Andy Cummings, Vice President and Publisher

Mary Bednarek, Executive Acquisitions Director Mary C Corder, Editorial Director

Publishing for Consumer Dummies

Diane Graves Steele, Vice President and Publisher Composition Services

Gerry Fahey, Vice President of Production Services Debbie Stailey, Director of Composition Services

Table of Contents

Introduction 1

A Quick Look at What’s Ahead 1

Part I: Fast Track to Super Snaps 2

Part II: Taking Creative Control 2

Part III: Working with Picture Files 3

Part IV: The Part of Tens 3

Icons and Other Stuff to Note 3

About the Software Shown in This Book 4

Practice, Be Patient, and Have Fun! 5

Part I: Fast Track to Super Snaps 7

Chapter 1: Getting the Lay of the Land 9

Getting Comfortable with Your Lens 10

Attaching a lens 10

Removing a lens 12

Using a VR (vibration reduction) lens 12

Setting the focus mode (auto or manual) 13

Zooming in and out 14

Adjusting the Viewfi nder Focus 15

Working with Memory Cards 16

Exploring External Camera Controls 18

Topside controls 19

Back-of-the-body controls 20

Front-left buttons 23

Front-right controls 24

Ordering from Camera Menus 26

Monitoring Shooting Settings 28

Asking Your Camera for Help 31

Reviewing Basic Setup Options 31

Cruising the Setup menu 31

Browsing the Custom Setting menu 35

Chapter 2: Taking Great Pictures, Automatically .41

Getting Good Point-and-Shoot Results 42

Using Flash in Automatic Exposure Modes 46

Exploring Your Automatic Exposure Options 47

Auto mode 48

Digital Vari-Program modes 50

Changing the (Shutter Button) Release Mode 55

Chapter 3: Controlling Picture Quality and Size 59

Diagnosing Quality Problems 60

Considering Resolution (Image Size) 62

Pixels and print quality 63

Pixels and screen display size 64

Pixels and fi le size 64

Resolution recommendations 66

Understanding the Image Quality Options 68

JPEG: The imaging (and Web) standard 68

NEF (Raw): The purist’s choice 71

My take: Choose JPEG Fine or NEF (Raw) 75

Setting Image Size and Quality 75

Chapter 4: Monitor Matters: Picture Playback and Live View Shooting 79

Enabling Automatic Picture Rotation 80

Disabling and Adjusting Instant Review 81

Viewing Images in Playback Mode 82

Viewing multiple images at a time 84

Displaying photos in Calendar view 86

Zooming in for a closer view 87

Viewing Picture Data 89

File Information mode 90

RGB Histogram mode 92

Highlight display mode 94

Shooting Data display mode 95

GPS Data mode 97

Overview Data mode 97

Hiding Photos during Playback 99

Deleting Photos 101

Deleting images one at a time 101

Deleting all photos 102

Deleting a batch of selected photos 102

Protecting Photos 104

Exploring Live View Shooting 105

Taking pictures in Live View mode 107

Recording movies 110

Customizing the Live View display 113

Part II: Taking Creative Control 115

Chapter 5: Getting Creative with Exposure and Lighting 117

Introducing the Exposure Trio: Aperture, Shutter Speed, and ISO 118

Understanding exposure-setting side effects 120

Doing the exposure balancing act 124

Exploring the Advanced Exposure Modes 126

Reading the Meter 127

Setting ISO, Aperture, and Shutter Speed 129

Adjusting aperture and shutter speed 129

Controlling ISO 130

Choosing an Exposure Metering Mode 134

Applying Exposure Compensation 138

Using Autoexposure Lock 141

Expanding Tonal Range with Active D-Lighting 143

Using Flash in P, S, A, and M modes 145

Setting the fl ash mode 146

Adjusting fl ash output 151

Locking fl ash exposure on your subject 154

Exploring a few additional fl ash options 155

Using an external fl ash head 156

Bracketing Exposures 158

Chapter 6: Manipulating Focus and Color 163

Reviewing Focus Basics 164

Adjusting Autofocus Performance 166

Understanding the AF-area mode setting 166

Changing the Autofocus mode setting 171

Choosing the right autofocus combo 172

Using autofocus lock 173

Autofocusing in Live View mode 173

Manipulating Depth of Field 176

Controlling Color 183

Correcting colors with white balance 183

Changing the white balance setting 185

Fine-tuning white balance settings 188

Creating white balance presets 190

Bracketing white balance 196

Choosing a Color Space: sRGB vs Adobe RGB 198

Taking a Quick Look at Picture Controls 200

Chapter 7: Putting It All Together 205

Recapping Basic Picture Settings 206

Setting Up for Specifi c Scenes 206

Shooting still portraits 206

Capturing action 211

Capturing scenic vistas 214

Capturing dynamic close-ups 217

Coping with Special Situations 219

Part III: Working with Picture Files 223

Chapter 8: Downloading, Organizing, and Archiving Your Picture Files 225

Sending Pictures to the Computer 226

Connecting the camera and computer 227

Starting the transfer process 228

Downloading and Organizing Photos with the Nikon Software 231

Downloading with Nikon Transfer 231

Browsing images in Nikon ViewNX 235

Viewing picture metadata 238

Organizing pictures 240

Processing Raw (NEF) Files 242

Processing Raw images in the camera 244

Processing Raw fi les in ViewNX 247

Chapter 9: Printing and Sharing Your Pictures .251

Printing Possibilities: Retail or Do-It-Yourself? 252

Preventing Potential Printing Problems 253

Match resolution to print size 253

Allow for different print proportions 256

Get print and monitor colors in synch 258

Preparing Pictures for E-Mail 260

Creating small copies using the camera 262

Downsizing images in Nikon ViewNX 265

Creating a Digital Slide Show 267

Setting up a simple slide show 268

Creating Pictmotion slide shows 269

Viewing Your Photos on a Television 271

Part IV: The Part of Tens 273

Chapter 10: Ten (Or So) Fun and Practical Retouch Menu Features 275

Applying the Retouch Menu Filters 276

Removing Red-Eye 278

Straightening Tilting Horizon Lines 279

Shadow Recovery with D-Lighting 281

Boosting Shadows, Contrast, and Saturation Together 282

Two Ways to Tweak Color 284

Applying digital lens fi lters 284

Manipulating color balance 285

Creating Monochrome Photos 287

Removing (or Creating) Lens Distortion 289

Adding a Starburst Effect 291

Cropping Your Photo 293

Chapter 11: Ten Special-Purpose Features to Explore on a Rainy Day 297

Annotate Your Images 297

Creating Your Own Menu 300

Creating Custom Image Folders 302

Customizing External Controls 305

Adjusting the On/Off switch 305

Changing the function of the OK button 305

Assigning a duty to the Function button 306

Changing the function of the AE-L/AF-L button 307

Customizing the command dials 309

Two Roads to a Multi-Image Exposure 310

Index 313

Nikon The name has been associated with top-flight photography

equipment for generations And the introduction of the D90 has only enriched Nikon’s well-deserved reputation, offering all the control a die-hard photography enthusiast could want while at the same time providing easy-to-use, point-and-shoot features for the beginner

In fact, the D90 offers so many features that sorting them all out can be more

than a little confusing, especially if you’re new to digital photography, SLR

photography, or both For starters, you may not even be sure what SLR means

or how it affects your picture taking, let alone have a clue as to all the other

techie terms you encounter in your camera manual — resolution, aperture, white balance, and so on And if you’re like many people, you may be so overwhelmed

by all the controls on your camera that you haven’t yet ventured beyond fully automatic picture-taking mode Which is a shame because it’s sort of like buying

a Porsche and never actually taking it on the road

Therein lies the point of Nikon D90 For Dummies: Through this book, you can

discover not just what each bell and whistle on your camera does, but also when, where, why, and how to put it to best use Unlike many photography books, this one doesn’t require any previous knowledge of photography or

digital imaging to make sense of things, either In classic For Dummies style,

everything is explained in easy-to-understand language, with lots of tions to help clear up any confusion

illustra-In short, what you have in your hands is the paperback version of an in-depth photography workshop tailored specifically to your Nikon picture-taking powerhouse

A Quick Look at What’s Ahead

This book is organized into four parts, each devoted to a different aspect of using your camera Although chapters flow in a sequence that’s designed to take you from absolute beginner to experienced user, I’ve also tried to make each chapter as self-standing as possible so that you can explore the topics that interest you in any order you please

The following sections offer brief previews of each part If you’re eager to find details on a specific topic, the index shows you exactly where to look

Part I: Fast Track to Super Snaps

Part I contains four chapters that help you get up and running with your D90

✓ Chapter 1, “Getting the Lay of the Land,” offers a tour of the external

controls on your camera, shows you how to navigate camera menus to access internal options, and walks you through initial camera setup and customization steps

✓ Chapter 2, “Taking Great Pictures, Automatically,” shows you how to

get the best results when using the camera’s fully automatic exposure modes, including the Digital Vari-Program scene modes such as Sports mode, Portrait mode, and Landscape mode

✓ Chapter 3, “Controlling Picture Quality and Size,” introduces you to

two camera settings that are critical whether you shoot in automatic or manual mode: the Image Size and Image Quality settings, which control resolution (pixel count), file format, file size, and picture quality

✓ Chapter 4, “Monitor Matters: Picture Playback and Live View Shooting”

offers just what its title implies Look here to find out how to review your photos and how to take pictures using your monitor to compose the scene — that is, how to use the D90’s Live View mode to shoot both still photos and record short digital movies This chapter also discusses how to delete unwanted images and protect your favorites from accidental erasure

Part II: Taking Creative Control

Chapters in this part help you unleash the full creative power of your D90 by moving into semiautomatic or manual photography modes

✓ Chapter 5, “Getting Creative with Exposure and Lighting,” covers the

all-important topic of exposure, starting with an explanation of three critical exposure controls: aperture, shutter speed, and ISO This chap-ter also discusses your camera’s advanced exposure modes (P, S, A, and M); explains exposure options such as Active D-Lighting, automatic exposure bracketing, metering modes, and exposure compensation; and offers tips for using the flash

✓ Chapter 6, “Manipulating Focus and Color,” provides help with

control-ling those aspects of your pictures Head here for information about your camera’s many autofocusing options, for tips on how to manipulate depth of field (the zone of sharp focus in a picture), and for details about color controls such as white balance

✓ Chapter 7, “Putting It All Together,” summarizes all the techniques

explained in earlier chapters, providing a quick-reference guide to the camera settings and shooting strategies that produce the best results for specific types of pictures: portraits, action shots, landscape scenes,

Part III: Working with Picture Files

This part of the book, as its title implies, discusses the often-confusing aspect

of moving your pictures from camera to computer and beyond

✓ Chapter 8, “Downloading, Organizing, and Archiving Your Picture Files,”

guides you through the process of transferring pictures from your camera memory card to your computer’s hard drive or other storage device Look here, too, for details about using the D90’s built-in tool for processing files that you shoot in the Nikon Raw format (NEF) Just as important, this chapter explains how to organize and safeguard your photo files

✓ Chapter 9, “Printing and Sharing Your Pictures,” helps you turn your digital

files into “hard copies” that look as good as those you see on the camera monitor This chapter also explains how to prepare your pictures for online sharing, create digital slide shows, and, for times when you have the neighbors over, display your pictures and movies on a television screen

Part IV: The Part of Tens

In famous For Dummies tradition, the book concludes with two “top ten” lists

containing additional bits of information and advice

✓ Chapter 10, “Ten (Or So) Fun and Practical Retouch Menu Features,”

shows you how to fix less-than-perfect images using features found

on your camera’s Retouch menu, such as automated red-eye removal

You also find out how to apply color effects and perform a few other photo-enhancement tricks

✓ Chapter 11, “Ten Special-Purpose Features to Explore on a Rainy Day,”

presents information about some camera features that, while not found

on most “Top Ten Reasons I Bought My D90” lists, are nonetheless interesting, useful on occasion, or a bit of both

Icons and Other Stuff to Note

If this isn’t your first For Dummies book, you may be familiar with the large,

round icons that decorate its margins If not, here’s your very own decoder ring:

icon-✓ A Tip icon flags information that will save you time, effort, money, or some other valuable resource, including your sanity

✓ Lots of information in this book is of a technical nature — digital raphy is a technical animal, after all But if I present a detail that is useful mainly for impressing your technology-geek friends, I mark it with this icon

photog-✓ I apply this icon either to introduce information that is especially worth storing in your brain’s long-term memory or to remind you of a fact that may have been displaced from that memory by some other pressing fact.

✓ When you see this icon, look alive It indicates a potential danger zone that can result in much wailing and teeth-gnashing if ignored

Additionally, I need to point out three additional details that will help you use this book:

✓ Other margin art: Replicas of some of your camera’s buttons also

appear in the margins of some paragraphs I include these to provide

a quick reminder of the appearance of the button being discussed

✓ Software menu commands: In sections that cover software, a series

of words connected by an arrow indicates commands that you choose from the program menus For example, if a step tells you to “Choose File➪Convert Files,” click the File menu to unfurl it and then click the Convert Files command on the menu

✓ Camera firmware: Firmware is the internal software that controls many of

your camera’s operations This book was written using version 1.0.0 of the firmware, which was the most current version at the time of publication

Occasionally, Nikon releases firmware updates, and it’s a good idea to check out the Nikon Web site (www.nikon.com) periodically to find out whether any updates are available (Chapter 1 tells you how to deter-mine which firmware version your camera is running.) Firmware updates typically don’t carry major feature changes — they’re mostly used to solve technical glitches in existing features — but if you do download an update, be sure to read the accompanying description of what it accom-plishes so that you can adapt my instructions as necessary

About the Software Shown in This Book

Providing specific instructions for performing photo organizing and ing tasks requires that I feature specific software In sections that cover file downloading, archiving, printing, and e-mail sharing, I selected Nikon ViewNX and Nikon Transfer, both of which ship free with your camera and work on both the Windows and Mac operating systems

edit-Rest assured, though, that the tools used in ViewNX and Nikon Transfer work very similarly in other programs, so you should be able to easily adapt the steps to whatever software you use (I recommend that you read your soft-ware manual for details, of course.)

Practice, Be Patient, and Have Fun!

To wrap up this preamble, I want to stress that if you initially think that digital photography is too confusing or too technical for you, you’re in very

good company Everyone finds this stuff a little mind-boggling at first So take

it slowly, experimenting with just one or two new camera settings or niques at first Then, each time you go on a photo outing, make it a point to add one or two more shooting skills to your repertoire

tech-I know that it’s hard to believe when you’re just starting out, but it really won’t be long before everything starts to come together With some time, patience, and practice, you’ll soon wield your camera like a pro, dialing in the necessary settings to capture your creative vision almost instinctively

So without further ado, I invite you to grab your camera, a cup of whatever it

is you prefer to sip while you read, and start exploring the rest of this book

Your D90 is the perfect partner for your photographic journey, and I thank you for allowing me, through this book, to serve as your tour guide

Part I

Fast Track to Super Snaps

Making sense of all the controls on your D90 isn’t something you can do in an afternoon — heck, in a week, or maybe even a month But that doesn’t mean that you can’t take great pictures today By using your camera’s point-and-shoot automatic modes, you can cap-ture terrifi c images with very little effort All you

do is compose the scene, and the camera takes care of almost everything else

This part shows you how to take best advantage

of your camera’s automatic features and also addresses some basic setup steps, such as adjust-ing the viewfi nder to your eyesight and getting familiar with the camera menus, buttons, and dials In addition, chapters in this part explain how to obtain the very best picture quality, whether you shoot in an automatic or manual mode, and how to use your camera’s picture-playback and Live View features

Getting the Lay of the Land

In This Chapter

▶ Attaching and using an SLR lens

▶ Adjusting the viewfinder to your eyesight

▶ Working with memory cards

▶ Getting acquainted with your camera

▶ Selecting from menus

▶ Displaying onscreen help

▶ Customizing basic operations

I still remember the day that I bought my first SLR film camera I was

excited to finally move up from my one-button point-and-shoot camera, but I was a little anxious, too My new pride and joy sported several unfamiliar buttons and dials, and the expla-nations in the camera manual clearly were written for someone with an engineering degree And then there was the whole business of attaching the lens to the camera, an entirely new task for me I saved up my pennies a long time for that camera — what if my inexperience caused me to damage the thing before

I even shot my first pictures?

You may be feeling similarly insecure if your Nikon D90 is your first SLR, although some of the buttons

on the camera back may look familiar if you’ve ously used a digital point-and-shoot camera If your D90 is both your first SLR and first digital camera, you may be doubly intimidated

previ-Trust me, though, that your camera isn’t nearly as complicated as its exterior makes it appear With a little practice and the help of this chap-ter, which introduces you to each external control, you’ll quickly become as

comfortable with your camera’s buttons and dials as you are with the ones

on your car’s dashboard This chapter also guides you through the process

of mounting and using an SLR lens, working with digital memory cards, gating your camera’s menus, and customizing basic camera operations

navi-Getting Comfortable with Your Lens

One of the biggest differences between a point-and-shoot camera and an SLR

(single-lens reflex) camera is the lens With an SLR, you can swap out lenses

to suit different photographic needs, going from an extreme close-up lens to

a super-long telephoto, for example In addition, an SLR lens has a movable focusing ring that gives you the option of focusing manually instead of relying

on the camera’s autofocus mechanism

Of course, those added capabilities mean that you need a little background information to take full advantage of your lens To that end, the next four sec-tions explain the process of attaching, removing, and using this critical part

of your camera

Attaching a lens

Whatever lens you choose, follow these steps to attach it to the camera body:

1 Remove the cap that covers the lens mount on the front of the camera.

2 Remove the cap that covers the back of the lens.

3 Hold the lens in front of the camera so that the little white dot on the lens aligns with the matching dot on the camera body.

Official photography lingo uses the term mounting index instead of little white dot Either way, you can see the markings in question in

Figure 1-1

Note that the figure (and others in this chapter) shows you the D90 with its so-called “kit lens” — the 18–105mm Vibration Reduction (VR) zoom lens that Nikon sells as a unit with the body If you buy a lens from

a manufacturer other than Nikon, your dot may be red or some other color, so check the lens instruction manual

4 Keeping the dots aligned, position the lens on the camera’s lens mount as shown in Figure 1-1.

When you do so, grip the lens by its back collar, not the movable, forward end of the lens barrel

Mounting index dots

Figure 1-1: When attaching the lens, align the index markers

Always attach (or switch) lenses in a clean environment to reduce the risk of getting dust, dirt, and other contaminants inside the camera or lens Changing lenses on a sandy beach, for example, isn’t a good idea For added safety, point the camera body slightly down when performing this maneuver; doing so helps prevent any flotsam in the air from being drawn into the camera by gravity

Removing a lens

To detach a lens from the camera body, take these steps:

1 Locate the lens-release button, labeled in Figure 1-2.

2 Grip the rear collar of the lens.

In other words, hold on to the stationary part of the lens that’s closest to the camera body and not the movable focusing ring or zoom ring, if your lens has one

3 Press the lens-release button while turning the lens clock- wise until the mounting index

on the lens is aligned with the index on the camera body.

The mounting indexes are the little guide dots labeled in Figure 1-1 When the dots line

up, the lens should detach from the mount

4 Place the rear protective cap onto the back of the lens.

If you aren’t putting another lens on the camera, cover the lens mount with the protective cap that came with your camera, too

Using a VR (vibration reduction) lens

If you purchased the D90 camera kit — that is, the body-and-lens combination

put together by Nikon — your lens offers a feature called vibration reduction

On Nikon lenses, this feature is indicated by the initials VR in the lens name.

Vibration reduction attempts to compensate for small amounts of camera shake that are common when photographers handhold their cameras and use a slow shutter speed, a lens with a long focal length, or both That camera movement during the exposure can produce blurry images Although vibration reduction can’t work miracles, it does enable most people to cap-ture sharper handheld shots in many situations than they otherwise could

However, when you use a tripod, vibration reduction can have detrimental effects because the system may try to adjust for movement that isn’t actually occurring That’s why your kit lens — and all Nikon VR lenses — have an On/Off switch, which is located on the side of the lens, as shown in Figure 1-2 Whether

Vibration Reduction switch

Lens-release button

Figure 1-2: Press the lens-release button to disengage the lens from the mount

check the manual For the 18–105 kit lens, Nikon does recommend setting the switch to the Off position for tripod shooting, assuming that the tripod is

“locked down” so the camera is immovable

If you use a non-Nikon lens, the vibration reduction feature may go by

another name: image stabilization, optical stabilization, anti-shake, vibration compensation, and so on In some cases, the manufacturers may recommend

that you leave the system turned on or select a special setting when you use

a tripod, so be sure to check the lens manual for information

Chapter 6 offers more tips on achieving blur-free photos, and it also explains focal length and its impact on your pictures See Chapter 5 for an explanation

of shutter speed

Setting the focus mode (auto or manual)

Your camera can accept a variety of lenses, but only two types of lenses permit you to take advantage of autofocusing: AF lenses and AF-S lenses

(The 18–105mm kit lens falls into the AF-S category.)

The AF stands for autofocus, as you may have guessed The S stands for silent wave, a Nikon autofocus technology.

For times when you attach a lens that doesn’t support autofocusing or the autofocus system has trouble locking on your subject, you can focus manu-ally by simply twisting a focusing ring on the lens barrel The placement and appearance of the focusing ring depends on the lens; Figure 1-3 shows you the one on the kit lens

Take these steps to try out manual focusing:

1 Set the camera to manual focus mode.

The procedure depends on the type of lens, as follows:

• AF-S lenses: Set the switch on the lens itself to M, as shown in

Figure 1-3 Note that the figure shows the switch as it appears on the D90’s kit lens; if you use a different lens, check the lens instruc-tion manual if you have trouble finding the switch (It may carry the label AF/MF instead of A/M.)

• AF lenses: For this type of lens, two switches are involved First, set

the lens switch to M, as just described Then look for the AF-M switch

on the camera body — it’s located just below the lens-release button,

as labeled in Figure 1-3 Flip the switch to M for manual focusing

• All other lenses: Set the switch on the camera body to M.

If you have trouble focusing, you may be too close to your subject; every lens has a minimum focusing distance You may also need to adjust the viewfinder to accommodate your eyesight; see the next section for details.

Some lenses, including the D90 kit lens, enable you to use autofocusing to set the initial focusing point and then fine-tune focus manually Check your lens manual for information on how to use this option, if available With the kit lens, you set the lens switch to the A position and then press the shutter button halfway to autofocus Then you simply twist the foscuing ring to adjust focus further, if needed

Zooming in and out

If you bought a zoom lens, it has a movable zoom barrel The location of the soom barrel on the D90 kit lens is show in Figure 1-3 To zoom in or out, just move that zoom barrel forward and backward

The numbers on the zoom ring, by the way, represent focal lengths I explain

focal lengths in Chapter 6 In the meantime, just note that when the lens is mounted on the camera, the number that’s aligned with the lens mounting index (the white dot) represents the current focal length In Figure 1-3, for example, the focal length is 35mm

Zoom barrel Focusing ring Auto/Manual focus switches

Adjusting the Viewfinder Focus

Tucked behind the right side of the rubber eyepiece that surrounds the

viewfinder is a tiny dial called a diopter adjustment control With this control,

labeled in Figure 1-4, you can adjust the focus of your viewfinder to modate your eyesight

accom-Diopter adjustment control Focus point

Figure 1-4: Use the diopter adjustment control to set the viewfinder focus for your eyesight

If you don’t take this step, scenes that appear out of focus through the finder may actually be sharply focused through the lens, and vice versa

view-Here’s how to make the necessary adjustment:

1 Remove the lens cap from the front of the lens.

2 Look through the viewfinder and concentrate on the little black ings shown on the right side of Figure 1-4.

The little rectangles represent the camera’s autofocusing points, which you can read more about in Chapters 2 and 6 The four curved lines rep-resent the center-weighted metering area, which relates to an exposure option you can explore in Chapter 5

3 Rotate the diopter adjustment dial until the viewfinder markings appear to be in focus.

The Nikon manual warns you not to poke yourself in the eye as you form this maneuver This warning seems so obvious that I laugh every time I read it — which makes me feel doubly stupid the next time I poke myself in the eye as I perform this maneuver

per-Working with Memory Cards

Instead of recording images on film, digital cameras store pictures on

memory cards Your D90 uses a

specific type of memory card

called an SD card (for Secure Digital),

shown in Figures 1-5 and 1-7 You can also use the new, high-capacity Secure Digital cards, which are labeled SDHC, as well as Eye-Fi SD cards, which enable you to send pictures to your computer over

a wireless network (Because of space limitations, I don’t cover Eye-Fi connectivity in this book; if you want more information about these cards, you can find it online

at www.eye.fi.)

Memory card access light

Figure 1-5: Insert the card with the label facing the camera back

Do you need high-speed memory cards?

Memory cards are categorized not just by their storage capacity, but also by their data-transfer speed SD cards (the type used by

your D90) fall into one of three speed classes,

Class 2, Class 4, and Class 6, with the number

indicating the minimum number of megabytes

(units of computer data) that can be transferred per second A Class 2 card, for example, has a minimum transfer speed of 2 megabytes, or MB, per second Of course, with the speed increase comes a price increase

Photographers who shoot action benefit most from high-speed cards — the faster data-transfer rate helps the camera record shots at its maximum speed Users who shoot at the high-est resolution or prefer the NEF (Raw) file format

also gain from high-speed cards; both options increase file size and, thus, the time needed to store the picture on the card (See Chapter 3 for details.) As for picture downloading, how long it takes for files to shuffle from card to computer depends not just on card speed, but also on the capabilities of your computer and, if you use a memory card reader to download files, on the speed of that device (Chapter 8 covers the file-downloading process.)

Long story short, if you want to push your camera

to its performance limits, a high-speed card is worth considering, assuming budget is no issue

Otherwise, even a Class 2 card should be more than adequate for most photographers

Safeguarding your memory cards — and the images you store on them — requires just a few precautions:

✓ Inserting a card: First, be sure that the camera is turned off Then put

the card in the card slot with the label facing the back of the camera, as shown in Figure 1-5 Push the card into the slot until it clicks into place;

the memory card access light (circled in Figure 1-5) blinks for a second

to let you know the card is inserted properly

✓ Formatting a card: The first time you use a new memory card or insert

a card that has been used in other devices (such as an MP3 player), you

should format it Formatting ensures that the card is properly prepared

to record your pictures

Formatting erases everything on your memory card So before

format-ting, be sure that you have copied any pictures or other data to your computer

You can format a card in two ways:

• Simultaneously press and hold the Delete and Metering Mode buttons See the little

red Format labels next to the buttons? They’re reminders that you use these buttons

to quickly format a memory card Hold the buttons down for about two seconds, until

you see the letters For blink

in the Control panel on top

of the camera, as shown in Figure 1-6 The other data visible is the Shots Remaining value, which indi-cates how many pictures you can fit on the memory card at the current Image Quality and Image Size settings — 290, in the figure

While the display is blinking, press and release both buttons again

When formatting is complete, the For message disappears, and the

Control panel display returns to normal (See the upcoming section

“Monitoring Shooting Settings” for more about the Control panel.)

• Choose the Format command from the Setup menu The upcoming

section “Ordering from Camera Menus” explains how to work with menus When you select the command, you’re asked to confirm your decision to format the card Highlight Yes and press the OK

Format symbol Shots remaining

Figure 1-6: To format a memory card, press the Delete and Metering Mode buttons until you see this message in the Control panel;

then press both buttons again

If you insert a memory card and see the letters For in the Shots

Remaining area of the Control panel, you must format the card before you can do anything else

✓ Removing a card: After making sure that the memory card access light

is off, indicating that the camera has finished recording your most recent photo, turn the camera off Open the memory card door, as shown in Figure 1-5 Depress the memory card slightly until you hear a little click and then let go The card should pop halfway out of the slot, enabling you to grab it by the tail and remove it

When no card is installed in the camera, the symbol [-E-] appears in the Control panel and viewfinder

✓ Handling cards: Don’t touch

the gold contacts on the back

of the card (See the left card in Figure 1-7.) When cards aren’t

in use, store them in the tive cases they came in or in a memory card wallet Keep cards away from extreme heat and cold as well

✓ Locking cards: The tiny switch

on the left side of the card,

labeled lock switch in Figure 1-7,

enables you to lock your card, which prevents any data from being erased or recorded to the card Press the switch toward the bottom of the card to lock the card contents; press it toward the top of the card to unlock the data

You can protect individual images from accidental erasure by using the camera’s Protect feature, which is covered in Chapter 4

Exploring External Camera Controls

Scattered across your camera’s exterior are a number of buttons, dials, and switches that you use to change picture-taking settings, review and edit your photos, and perform various other operations In later chapters, I discuss all your camera’s functions in detail and provide the exact steps to follow to access them This section provides just a basic road map to the external controls plus a quick introduction to each

Lock switchPaws off!

Figure 1-7: Avoid touching the gold contacts on the card

One note before you move on: Many of the buttons perform multiple functions and so have multiple “official” names The WB (white balance) button, for exam-ple, is also known as the Help button and the Protect button In the camera manual, Nikon’s instructions refer to these multi-tasking buttons by the name that’s relevant for the current function I think that’s a little confusing, so I always refer to each button by the first moniker you see in the lists here.

Topside controls

Your virtual tour begins with the bird’s-eye view shown in Figure 1-8 There are a number of controls of note here:

Mode dial Control panel

Metering Mode button

On/Off/Illuminate

ExposureCompensationbuttonRelease Modebutton

AF (Autofocus)Mode button

Figure 1-8: The tiny pictures on the Mode dial represent special automatic

shooting modes

✓ Control panel: On the D90, you can view basic camera settings on this

topside LCD panel or on the main monitor See the upcoming section

“Monitoring Shooting Settings” for more info

✓ On/Off/Illuminate switch and shutter button: Okay, I’m pretty sure

you already figured this combo button out But check out Chapter 2 to discover the proper shutter-button-pressing technique — you’d be sur-prised how many people mess up their pictures because they press that button incorrectly And note that if you want to illuminate the Control panel, you just rotate the On/Off switch past the On position to the little

✓ Metering Mode button: Press this button to select an exposure metering

mode, which determines what part of the frame the camera considers

when calculating exposure Chapter 5 has details

The little red Format label above the button reminds you that you can press this button together with the Delete button — which also sports the label — to quickly format a memory card See the earlier section

“Working with Memory Cards” for details

✓ Exposure Compensation button: This button activates a feature that

enables you to tweak exposure when working in three of your camera’s autoexposure modes: programmed autoexposure, aperture-priority autoexposure, and shutter-priority autoexposure, represented by the letters P, S, and A on the camera Mode dial Chapter 5 explains

✓ Release Mode button: With this button, you can switch from normal

shooting, where you take one picture with each press of the shutter button, to one of the camera’s other modes, including Self-Timer mode

See the end of Chapter 2 for a look at all your options

✓ AF Mode/Reset button: Press this button to access the Autofocus mode

setting, which affects your camera’s autofocus performance Check out Chapter 6 for an explanation of the available modes

See the little green dot above this button and the Exposure Compensation button? The dots are a reminder that pressing these two buttons simultaneously for more than two seconds restores the most critical picture-taking options to their default settings See “Restoring default settings,” at the end of this chapter, for more on this topic

✓ Mode dial: With this dial, labeled in Figure 1-8, you set the camera to

fully automatic, semi-automatic, or manual photography mode The little pictographs, or icons, represent the Nikon Digital Vari-Program modes, which are automatic settings geared to specific types of photos: action shots, portraits, landscapes, and so on Chapter 2 details the Digital Vari-Program and Auto modes; Chapter 5 explains the four others (P, S,

A, and M)

Back-of-the-body controls

Traveling over the top of the camera to its back side, shown in Figure 1-9, you encounter the following controls:

✓ Main command dial: After you activate certain camera features, you

rotate this dial, labeled in Figure 1-9, to select a specific setting For ple, to choose a White Balance setting, you press the WB button as you rotate the main command dial (Chapter 6 explains white balancing.)

exam-AE-L ✓ AE-L/AF-L button: When you’re taking pictures in some automatic

modes, you can lock in your focus and exposure settings by pressing and holding this button Chapter 5 explains why you may want to do so

You can adjust the performance of the button as it relates to locking focus and exposure, too Instructions in this book assume that you stick with the default setting, but if you want to explore your options, see Chapter 11

✓ Lv (Live View) button: You press this button as the first step in

record-ing a movie or takrecord-ing advantage of Live View shootrecord-ing, in which you can use the monitor to compose your shots Chapter 4 introduces you to both Live View features

✓ Multi Selector/OK button: This dual-natured control, labeled in Figure

1-9, plays a role in many camera functions You press the outer edges

of the Multi Selector left, right, up, or down to navigate camera menus and access certain other options At the center of the control is the OK button, which you press to finalize a menu selection or other camera adjustment See the next section for help with using the camera menus

Multi Selector

Maincommanddial

Focus Lockswitch

Figure 1-9: You use the Multi Selector to navigate menus and access certain

other camera options

✓ Focus Selector Lock switch: Just beneath the Multi Selector, this switch

relates to the camera’s autofocusing system When the switch is set to the position shown in Figure 1-9, you can use the Multi Selector to tell the camera to base focus on a specific focusing point Setting the switch

to the L position locks in the selected point See Chapter 6 for details on all this focusing stuff

✓ Info button: In addition to viewing current camera settings on the

Control panel, you can press this button to display the Shooting Information screen on the camera monitor The screen not only gives you an easier-on-the-eyes view of the camera settings but also enables you to adjust some settings more quickly than by using the camera menus See the upcoming section “Monitoring Shooting Settings” for details

✓ Delete button: Sporting a trash can icon, the universal symbol for

delete, this button enables you to erase pictures from your memory card Chapter 4 has specifics

✓ Playback button: Press this button to switch the camera into picture

review mode Chapter 4 details the features available to you in this mode

MENU ✓ Menu button: Press this button to access menus of camera options See

the next section for details on navigating menus

✓ WB/Help/Protect button: This button serves several purposes:

• White balance control: For picture-taking purposes, the button’s

main function is to access white balance options, a topic you can explore in Chapter 6

• Help: You also can press this button to display helpful information

about certain menu options See “Asking Your Camera for Help,”

later in this chapter, for details

• Protect: In playback mode, pressing the button locks the picture

file — hence the little key symbol that appears on the button face —

so that it isn’t erased if you use the picture-delete functions (The

pic-ture is erased if you format the memory card, however.) See Chapter

4 for details

✓ ISO/Playback Zoom Out/Thumbnail button: In picture-taking mode,

pressing this button accesses the ISO setting, which controls the era’s sensitivity to light Chapter 5 has details

In playback mode, pressing the button enables you display multiple image thumbnails on the screen and to reduce the magnification of the currently displayed photo See Chapter 4 for a complete rundown of picture playback options.

✓ Qual (Quality)/Playback Zoom In button: In playback mode, pressing

this button magnifies the currently displayed image and also reduces the number of thumbnails displayed at a time Note the plus sign in the middle of the magnifying glass — plus for zoom in

In picture-taking mode, pressing the button gives you fast access to the Image Quality and Image Size options, both of which you can explore in Chapter 3

As for the monitor, I show it in this book without its protective plastic cover

But when the camera isn’t in use, it’s a good idea to keep the cover on to protect the screen from scratches and other damage

Front-left buttons

On the front-left side of the camera body, shown in Figure 1-10, you find the following controls:

✓ Flash/Flash compensation:

Pressing this button pops up the camera’s built-in flash (except in automatic shooting modes, in which the camera decides whether the flash is needed) By holding the button down and rotating the main command dial, you can adjust the flash mode (normal, red-eye reduction, and so on) In advanced exposure modes (P, S,

A, and M), you also can adjust the flash power by pressing the button and rotating the sub-command dial (That’s the dial just below the shutter button.) See Chapter 5 for all things flash related

Bracketing button

Lens-release button

Flash buttonMicrophone

Auto/Manual focus switch

Figure 1-10: Press the Flash button to pop up the built-in flash

✓ BKT (Bracket) button: This button is key to enabling automatic

bracket-ing, a feature that simplifies the job of recording the same subject at

var-ious exposure, flash, and white balance settings Chapter 5 details flash and exposure bracketing; Chapter 6 discusses white balancing

✓ Lens-release button: You press this button before removing the lens

from your camera See the first part of this chapter for help with ing and removing lenses

✓ AF/M (autofocus/manual) switch: This switch comes into play if you use

certain types of lenses See the earlier section “Setting the focus mode (auto

or manual)” for the short story; see Chapter 6 for help with autofocus

Make note, too, of the tiny microphone perched just above the D90 label Be careful not to obscure the microphone with your finger when you’re record-ing a movie, a subject you can explore in Chapter 4

Front-right controls

Wrapping up the list of external controls, the front-right side of the camera offers the following features Figure 1-11 shows this part of the camera with-out a lens attached to make this foursome easier to see

✓ Sub-command dial: This dial is the counterpart to the main command

dial on the back of the camera As with the main dial, you rotate this one

to select certain settings, usually in conjunction with pressing another button

✓ AF-assist lamp: In dim lighting, a beam of light shoots out from this little

lamp to help the camera’s autofocus system find its target In general, leaving the AF-assist option enabled is a good idea, but if you’re doing a lot of shooting at a party, wedding, or some event where the light from the lamp may be distracting, you can disable it through an option on the Custom Setting menu Chapter 6 explains this and other autofocus features

✓ Function button: By default, this button locks the flash exposure value

when pressed (See Chapter 5 for details on this flash feature.) But if you don’t use that feature often, you can use the button to perform one of nine other operations Chapter 11 provides the details on changing the

button’s purpose (Note: All instructions in this book assume that you

haven’t changed the function, however.)

✓ Depth-of-Field Preview button: By pressing this button, you can see

how different aperture settings affect depth of field, or the zone of sharp focus in your image Chapter 5 explains aperture settings and Chapter 6 delves into depth of field

Sub-command dial

Function button

AF-assist lamp

Depth-of-Field Preview button

Figure 1-11: You can assign the Function button to perform any of 10 operations

Ordering from Camera Menus

MENU You access many of your camera’s features via internal menus, which, conve-niently enough, appear when you press the Menu button Features are

grouped into six main menus, described briefly in Table 1-1

Playback Viewing, deleting, and protecting

picturesShooting Basic photography settings

Custom Setting Advanced photography options and

some basic camera operationsSetup Additional basic camera operations

Retouch Built-in photo retouching options

After you press the Menu button, you see on the camera monitor a screen similar to the one shown in Figure 1-12 Along the left side of the screen, you see the icons shown in Table 1-1, each representing one of the available menus The icon that

is highlighted or appears in color

is the active menu; options on that menu automatically appear to the right of the column of icons In the figure, the Shooting menu is active, for example

Menu icons

Figure 1-12: Highlight a menu in the left column to display its contents

I explain all the important menu options elsewhere in the book; for now, just familiarize yourself with the process of navigating menus and selecting options therein The Multi Selector, shown in Figure 1-9, is the key to the game You press the edges of the Multi Selector to navigate up, down, left, and right through the menus.

In this book, the instruction “Press the Multi Selector left” simply means to press the left edge of the control “Press the Multi Selector right” means to press the right edge, and so on

Here’s a bit more detail about the process of navigating menus:

✓ To select a different menu: Press the Multi Selector left to jump to the

column containing the menu icons Then press up or down to highlight the menu you want to display Finally, press right to jump over to the options on the menu

✓ To select and adjust a function on the current menu: Again, use the Multi

Selector to scroll up or down the list of options to highlight the feature you want to adjust and then press OK Settings available for the selected item then appear For example, if you select the Image Quality item from the Shooting menu, as shown on the left in Figure 1-13, and press OK, the available Image Quality options appear, as shown on the right in the figure Repeat the old up-and-down scroll routine until the choice you prefer is highlighted Then press OK to return to the previous screen

In some cases, you may see a right-pointing arrowhead instead of the

OK symbol next to an option That’s your cue to press the Multi Selector right to display a submenu or other list of options

Figure 1-13: Select the option you prefer and press OK again to return to the active menu

✓ To quickly access your 20 most recent menu items or create a custom menu: The sixth menu is

actually two menus bundled into one The Recent Settings menu, shown in Figure 1-14, provides a list of the 20 menu items you ordered most recently So if you want to adjust those settings, you don’t have to wade through all the other menus looking for them — just head to this menu instead

Through the Choose Tab option

at the bottom of the menu, you can switch to the My Menu screen From there, you can create your own custom menu that contains your favorite options

Chapter 11 details the steps involved in making and using your menu

The My Menu screen also contains a Choose Tab option so that you can switch back to the Recent Settings menu at any time

The menu icon changes depending on which of these two functions is active; Table 1-1 shows both icons

Monitoring Shooting Settings

Your D90 gives you the following three ways to monitor the most critical picture-taking settings

✓ Control panel: The LCD panel on top of the camera offers an array of

shooting data, as shown on the left in Figure 1-15 Remember that you can illuminate the panel temporarily by rotating the On/Off switch past the On position to the little light bulb marker, shown on the right in the figure, and then releasing the switch (You also can turn on the illumina-tion for a longer period of time; see the upcoming section “Customizing shooting and display options” for details.)

✓ Shooting Info display: If your eyesight is like mine, making out the tiny

type on the Control panel can be difficult Fortunately, you can press the Info button to display the Shooting Information screen on the monitor

Figure 1-14: The Recent Settings menu offers quick access to the last 20 menu options you selected