Introduction xii Digital setup 2 Monitor settings 3 Choosing a working space 5 Getting started with Photoshop 5 Settings and preferences 8 Navigation and viewing modes 10 Rulers and guid
Trang 2mark galer philip andrews
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Trang 3Focal Press is an imprint of Elsevier
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First published 2007
Copyright © 2007, Mark Galer and Philip Andrews Published by Elsevier Ltd All rights reserved The rights of Mark Galer and Philip Andrews to be identified as the authors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988
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Trang 4To our families:
Dorothy, Matthew and Teagan and
Karen, Adrian and Ellena
for their love, support and understanding
We would like to pay special thanks to Mark Lewis and Bryan O’Neil Hughes for their advice and editorial input and to Stephanie Barrett and Margaret Denley at Focal Press for all their hard work in getting this book to press
Picture credits
Paul Allister; Magdalena Bors; Andrew Boyle: Dorothy Connop; Catherine Dorsen; Samantha Everton; Serena Galante; Shari Gleeson; John Hay; Paulina Hryniewiecka; Jeff Ko; Anitra Keogh; Seok-Jin Lee; Anica Meehan; Chris Mollison; Chris Neylon; Serap Osman; Rod Owen; Craig Shell; Daniel Stainsby; Jennifer Stephens; Akane Utsunomiya; Victoria Verdon Roe
Also our thanks go to www.iStockphoto.com for supporting this venture by supplying various tutorial images
All other images and illustrations by the authors
Trang 5Introduction xii
Digital setup 2
Monitor settings 3
Choosing a working space 5
Getting started with Photoshop 5
Settings and preferences 8
Navigation and viewing modes 10
Rulers and guides 13
Digital Basics 15 Introduction 16
Channels and modes 17
Levels 18
Hue, Saturation and Brightness 19
Color and light overview 21
Bit depth and mode 23
File size 24
File formats 25
Image compression 28
Resolution 30
Image size 34
Interpolation 37
Bridge 41 Introduction 42
Bridge turns 2.0! 43
Setting up Bridge 44
Using Bridge 48
Using Bridge to access the project resources 53
foundation module
Trang 6Introduction 56 Advantages and disadvantages of 16-bit editing 57
Saving a modifi ed fi le – Step 7 70
Introduction 76
Processing projects – images on supporting DVD 77 Straighten, crop and size – Step 1 78
Choosing a bit depth – Step 3 80
Saturation and vibrance – Step 6 84 Noise reduction and sharpening – Step 7 85
Dust on the sensor – batch removal 93 Archiving Raw fi les as digital negatives 94
Introduction 98 Monitor calibration and working color space 100
Maximizing shadow and highlight detail 108
Printing using a professional laboratory 110
Contents
Trang 7advanced skills module
Layers and Channels 115
Adjustment and fi lter layers and editing quality 126 Layer masks and editing adjustments 127
Selections 129
Introduction 130
Shape-based selections with the Marquee Tools 130 Drawn selections using the Lasso Tools 131 Customizing your selections 133
Saving and loading selections 136
Contents
Trang 8Blend modes for tinting and toning 164
Luminosity 166
Filters 171
Filtering in Photoshop 172
Smart Filters in CS3 173
Improving fi lter performance 176
Installing and using third party fi lters 177
Filtering a shape or text (vector) layer 177
Th e great fi lter round-up 177
Contents
Trang 9Retouching Projects 203
Correcting perspective – Project 1 204 Adjustment layers – Project 2 214 Shadow/Highlight – Project 3 226 Clone and stamp – Project 4 231 Advanced sharpening techniques – Project 5 240
Advanced Retouching 249
Black and white – Project 1 250
Creative depth of fi eld – Project 3 269
Th e smooth tone technique – Project 5 281
imaging projects module
Contents
Trang 10Creating a simple blend – Project 2 308 Paths and selections – Project 3 314
Replacing a sky – Project 5 326 Shadows and blur – Project 6 332 High dynamic range – Project 7 342 Displace and Liquify – Project 8 351 Composite lighting – Project 9 359 Creating a panorama – Project 10 365
Digital diff usion – Project 2 381 Digital Polaroid transfer eff ect – Project 3 387
Portrait makeovers – Project 5 396 Advanced blending – Project 6 401
Glossary 407
Index 420
Contents
Trang 11Th e DVD is a veritable treasure trove of supporting fi les for the projects in this book as well as a resource for your own creative projects Th e images and movies on the DVD are divided into their respective chapters
and can be accessed via Bridge (see Bridge > page 53) Most of the images in the Foundation and Advanced
Skills modules of the book can be found on the DVD together with all of the images from the Imaging Projects module Th e movies are an invaluable resource, allowing you to start, stop and rewind so that the skills can be quickly and easily acquired at your own pace Th e DVD also contains multi-layered image fi les (PSDs) of the completed projects, uncompressed TIFF fi les with saved selections, RAW fi les and high-quality 16 Bits/Channel fi les Loadable Actions and Presets are also available to enhance your software, together with a rich stock library of royalty-free images
Contents DVD
Install the movie player on the supporting DVD if required
Trang 12THE DVD PROVIDES EXTENSIVE SUPPORT IN THE FORM OF:
Over eight hours of movie tutorials to guide you through all of the projects in this book You may need to install the QuickTime movie player from the supporting DVD to watch the movies
High-resolution, high-quality JPEG images to support all of the imaging projects t
Full-resolution TIFF images with ‘saved selections’ for users interested in completing t
the projects in the least amount of time whilst achieving maximum quality
Camera RAW and 16 Bits/Channel fi les
t
High-resolution images courtesty of iStockphoto.com
t
Multi-layered Photoshop documents (PSD fi les) of completed projects
t
A stock library of 100 high-resolution, royalty-free images for creative montage work t
Adobe presets (Layer Styles, Custom Shapes and Gradients) to enhance the
t
performance capabilities of your Adobe Photoshop Elements software
Photoshop Action fi les to fast-track your workfl ows and editing tasks
t
Printable PDF fi le of keyboard shortcuts to act as a quick and handy reference guide to t
speed up your image-editing tasks
Receive a 10% discount on additional images purchased from iStockphoto.com by t
quoting the code that is available on the supporting DVD
dvd
Trang 13essential skills: photoshop CS3
Introduction
Photoshop has helped revolutionize how photographers capture, edit and prepare their images for viewing Most of what we now see in print has been edited and prepared using the Adobe software The image-editing process extends from basic retouching and sizing of images, to the highly manipulated and preconceived photographic montages that are commonly used by the advertising industry This book is intended for photographers and designers who wish to use the
‘digital darkroom’ rather than the traditional darkroom for creative photographic illustration The information, activities and assignments contained in this book provide the essential skills necessary for competent and creative image editing The subject guides offer a comprehensive and highly structured learning approach, giving comprehensive support to guide Photoshop users through each editing process An emphasis on useful (essential) practical advice and activities maximizes the opportunities for creative image production
Acquisition of skills
The first section of this book is a foundation module designed to help the user establish an effective working environment and act as a guide for successful navigation through the image-editing process from capture
to print Emphasis is placed on the essential techniques and skills whilst the terminology is kept as simple as possible using only those terms in common usage
Application of skills
The subsequent modules extend and build on the basic skills to provide the user with the essential techniques to enable creative and skilful image editing The guides explore creative applications including advanced retouching, photomontage, vector graphics, special effects and preparing images for the web Creative practical tasks, using a fully illustrated and simple step-by-step approach, are undertaken in each of the guides to allow the user to explore the creative possibilities and potential for each of the skills being offered
Anitra Keogh
Trang 14introduction
A structured learning approach
The study guides contained in this book offer a structured learning approach and an
independent learning resource that will give the user a framework for the techniques of digital imaging as well as the essential skills for personal creativity and communication
The skills
To acquire the essential skills to communicate effectively and creatively takes time and
motivation Those skills should be practised repeatedly so that they become practical working knowledge rather than just basic understanding Become familiar with the skills introduced in one study guide and apply them to each of the following guides wherever appropriate
Supporting DVD
A supporting DVD and dedicated web log (blog) has been set up to enable users to access current information The address for the blog site is: www.photoshop essentialskills com.
The supporting files can be accessed through the Bridge interface (Computer > CS3_DVD)
Research and resources
You will only realize your full creative potential by looking at a variety of images from different sources Artists and designers find inspiration in many different ways, but most find that they are influenced by other work they have seen and admired
The DVD has images and movies available to support and guide the learning process
Trang 15essential skills: photoshop CS3
Essential information
Th e basic equipment required to complete this course is access to a computer with Adobe Photoshop CS3 (CS2 would suffi ce for many of the projects contained in the book) Th e photographic and design industries have traditionally used Apple Macintosh computers but many people now choose ‘Windows’-based PCs as a more cost-eff ective alternative When Photoshop is open there are minor diff erences in the interface, but all of the features and tools are identical It is possible to use this book with either Windows-based or Apple Macintosh computers
Storage
Due to the large fi le sizes involved with digital imaging it is advisable that you have a high-capacity, removable storage device attached to the computer or use a CD or DVD writer to archive your images
Commands
Computer commands which allow the user to modify digital fi les can be accessed via menus and submenus Th e commands used in the study guides are listed as a hierarchy, with the main menu indicated fi rst and the submenu or command second, e.g Main menu > Command or Submenu > Command For example, the command for opening the Image Size dialog box would be indicated as follows: Edit > Image Adjustments > Image Size
Keyboard shortcuts
Many commands that can be accessed via the menus and submenus can also be accessed via keyboard ‘shortcuts’ A shortcut is the action of pressing two or more keys on the keyboard to
carry out a command (rather than clicking a command or option in a menu) Shortcuts speed
up digital image processing enormously and it is worth learning the examples given in the study guides If in doubt use the menu (the shortcut will be indicated next to the command) until you become more familiar with the key combinations
Note > Th e keyboard shortcuts indicate both the Mac and PC equivalents
Example: Th e shortcut for pasting objects and text in most applications uses the key
combination Command/Ctrl + V Th e Macintosh requires the Command key (next to the spacebar) and the V key to be pressed in sequence whilst a PC requires the Control key (Ctrl) and the V key to be pressed
Trang 16~ Set up the computer, monitor and software preferences for effective digital image editing
~ Gain familiarity with the Photoshop interface
~ Review Photoshop’s basic tools and commands for navigating images on screen
the digital darkroom
essential skills
Chris Neylon
Trang 17essential skills: photoshop CS3
Digital setup
Photoshop is the professional’s choice for digital image editing Photoshop affords precise control over images that are destined to be viewed on screen and in print In order to maximize this control it is necessary to spend some time setting up the software and hardware involved in the imaging process in order to create a predictable and efficient workflow
This chapter will act as a pre-flight checklist so that the user can create the best possible working environment for creative digital image editing The degree
of sophistication that Photoshop offers can appear daunting for the novice digital image-maker, but the time required setting up the software and hardware in the initial stages will pay huge dividends
in the amount of time saved and the quality of the images produced
Commands and shortcuts
This chapter will guide you to select
various options from a list of menus on
your computer If a command or dialog
box is to be found in a submenu, which in
turn is to be found in a main menu, it will
appear as follows: ‘Main menu > Submenu
> Command’ Many of the commands can
be executed by pressing one or more of the
keyboard keys (known as ‘keyboard shortcuts’)
Keyboards: Mac and PC keyboards have different layouts The ‘Alt’ key on a PC is the
‘Option’ key on a Mac The functions assigned to the ‘Control’ key on a PC are assigned
to the ‘Command’ key on a Mac (the key next to the Spacebar with the apple on it) When the text lists a keyboard command such as ‘Ctrl/Command + Spacebar’ the PC user will press the Control key and the Spacebar while the Mac user should press only the Command key together with the Spacebar