CO-FOUNDER AND MD OF DIGITAL BRAND ENTERTAINMENT AGENCY MEDIA BOUNTY

Một phần của tài liệu Running a creative company in the digital age (Trang 29 - 36)

When did you set up Media Bounty and what do you do?

We​started​in​2008​with​three​founding​partners​who​are​still​the​

board​and​we’ve​morphed​from​a​bespoke​PR​company​to​being​a​

brand​ entertainment​ agency,​ effectively​ a​ modern​ ad​ agency.​ We​

do video, audiovisual content and social media for a bunch of big brands and then get the content seen across various platforms by the right person at the right time.

We​ all​ came​ out​ of​ a​ business​ that​ went​ bust​ so​ there​ was​ a​

decision​to​be​made​as​to​whether​we​go​and​get​jobs​or​whether​

three crucial people in that business go and set up themselves. Over a pint and several glasses of wine we decided we could probably do this​better​than​it’s​being​done​at​the​moment.​We​had​an​accountant​

that we knew, he introduced us to a lawyer and we set up the URLs and​started​trading​very​quickly,​with​a​couple​of​clients​we’d​known​

for a long time. So we already had an element of revenue.

Because it was 2008 and banks were not lending money, we all went for personal loans. I went and said I needed money for a new car, my colleague said she needed money for home improvements, and my other partner and founder went to the Bank of Mum and Dad. So we had three months of cash from this and, obviously, if it had all gone wrong we would be in a lot of bother – but fortunately it​went​right!

You’ve​got​to​do​what​it​takes,​if​you​have​no​other​route.​We​went​

to​friends​who​had​more​money​than​we​did;​we​investigated​getting​

a​business​loan​but​the​climate​wasn’t​there,​so​if​we​hadn’t​taken​

a​personal​risk​it​couldn’t​have​happened.

Because it had come from somewhere you knew it was viable; it wasn’t a complete unknown.

Yes,​but​I​don’t​think​many​people​set​up​a​business​that​they​don’t​

think​is​viable;​it’s​got​to​be​a​calculated​risk​as​opposed​to​‘fuck​

it,​I​don’t​know​what’s​going​to​happen’​–​otherwise​you​run​out​of​

money very quickly.

So were your co-founders colleagues, friends or both?

Colleagues in the previous business. One was a university friend whom I had recruited into the previous business, and Emma I had worked with for the best part of six years. So I knew them both well.

Do you feel that your roles complement each other and it all works, or did it take a bit of developing over the years?

It’s​taken​some​sorting​out​over​the​years.​We​ran​by​committee​at​

first and, sometimes, when you run something with no structure at board level you run the risk of inertia, because the person who says no is de facto running the company.

When you say there was no structure, what exactly do you mean?

It was three directors on an even keel. So there was a consultant that approached us and he came in and did a lot of personality profiles, interviewed us all to then make a pretty strong recommendation as to how we should structure ourselves.

So have you picked someone to be in charge?

Yes

And that’s you?

Yes

And has that worked? It’s a tricky transition!

It has but it took time. People need to think about that as early as possible, i.e. how something is structured, because if you do it halfway through there are always going to be challenges because there’s​history.​I​would​do​that​earlier​if​I​was​to​do​it​again.

So what are your official roles now?

I’m​ MD,​ Matt​ is​ client​ services​ director​ and​ Emma​ is​ a​ hybrid​ of​

insights director, HR director and operations director.

Would you recommend, if someone is setting up with their mates, getting a consultant in to do that because it’s an objective opinion?

Yes,​definitely.​When​you​set​up​you’ve​got​to​park​your​egos​at​the​

door and say ‘what is the best make-up of the characters in the business?’​Because​it​could​end​up​as​a​competition​between​you.​

Objective​advice​from​somebody​who​has​been​in​business​for​a​few​

years​and​so​can​give​good​advice​–​that’s​a​good​starting​position.​

We​only​did​job​descriptions​three​years​ago​and​if​we​had​done​that​

earlier it would have been a clearer way of working.

What was your vision at the beginning?

Naively, we did what we knew, so we had run a lot of media competitions and radio interviews and the naive vision was ‘this will​probably​work,​we​will​probably​be​able​to​sell​it​in​five​years’.​

We​are​now​seven​and​a​half​years​in,​have​changed​the​business​

immensely and are now in a good position to work with big brands at​a​higher​level​because​we’re​offering​a​much​more​strategic​and​

creative package rather than a tactical, short-term ‘solve a problem here​ and​ now’.​ It’s​ more​ about​ the​ whole​ business​ or​ brand​ and​

communicating that to the target audience.

Unless​you’ve​got​a​piece​of​tech,​it​takes​time​to​get​to​exit​–​the​

FBs, Twitters, Snapchats are very few and far between where they sell​very​quickly​and​make​lots​of​money.​When​you’re​in​your​late​

twenties​and​quite​naive​about​business​you​think​it’s​going​to​be​

easy​–​and​it​ain’t.​You’ve​got​to​find​your​feet.

Do you still aim to sell in the future or will you stay with the company?

Possibly.​I’m​open-minded​about​it​–​it’s​a​judgement​call​if​and​when​

that​happens.​We’re​still​in​the​process​of​trying​to​grow​the​business​

but​I’d​be​lying​if​I​said​that​if​a​good​offer​was​put​on​the​table​I​

wouldn’t​consider​it.​I​can’t​see​that​happening​for​the​next​few​years.

Talk about your team now – who else is there in the office?

There’s​a​senior​team​of​five:​head​of​strategy,​two​account​directors,​

HOD in charge of audiovisual, and head of media. There's also a client services team and we're now 23 people. Building that senior team​ has​ been​ critical.​ Once​ you​ start​ growing​ you​ can’t​ manage​

everybody so you need senior people whom you trust but who do parts​of​the​job​better​than​you​do,​so​you’ve​got​that​mix​of​skills​

that​frees​up​people​like​me​to​work​on​the​business​rather​than​just​

in​the​business.​If​you​don’t​have​people​you​trust​that​do​a​great​job​

and​give​a​shit​then​it’s​very​difficult​to​work​on​the​business​–​you​

end​up​spending​all​your​time​working​in​the​business.​I’m​trying​to​

grow the business and see the bigger picture as opposed to being constantly at the coalface.

Did you have job descriptions for all those people or was it more organic?

Bit​of​both.​We​made​quite​a​lot​of​mistakes.​Mainly​we​hired​the​

right people and those people are still there but we also hired the wrong people, too, and had to part company. Part of growing a business​is​that​some​of​it​you’ll​get​right​and​some​of​it​you’ll​screw​

up​–​it’s​about​learning​from​the​screw-ups​so​you​don’t​do​it​again.​

A lot of it has been organic because four out of the five senior people have been with us for more than two years and have been promoted into these more senior positions, so they know the business well.

Who are your main clients – and what is the spread of clients?

We​ used​ to​ over-rely​ on​ one​ or​ two​ clients;​ the​ spread​ is​ now​ a​

lot​better.​We’ve​moved​from​being​project-based​to​having​longer- term relationships with some of our key clients. Clients include SCA

(Bodyform, Plenty, Tena), Velvet, Colgate, Palmolive, Direct Line, Boots, Siemens, Celetrens who distribute drinks brands, Luxado in Italy.

Did you make a conscious decision that the business was more stable with a spread of clients?

If​ you’re​ complacent​ then​ you’re​ much​ more​ at​ risk​ than​ if​ you’re​

aware of it and work hard to grow other opportunities. If that client had​walked​out​three​or​four​years​ago​we’d​have​probably​been​bust​

or​we’d​have​had​to​really​downscale​quickly,​whereas​now​we’re​in​a​

position​where​if​we​lost​a​big​client​we’d​be​fine.​That​allows​you​to​

lose​less​hair.​It’s​a​balance​about​making​sure​the​relationships​are​

with the right stakeholders within the businesses as well, because those​people​can​change​and​affect​the​company’s​relation​to​the​

business.​We​need​to​know​how​the​politics​of​big​business​works​

and how their external and internal structures work.

Our​turnover​is​all​client-based.​No​investors.​We’ve​put​a​lot​of​

profit​back​into​the​business​to​make​sure​we’ve​always​had​a​buffer​

cash​reserve.​We’ve​been​very​lucky​in​that​we​did​that​quite​early​

and​we’ve​never​had​a​situation​where​we’re​saying:​‘how​the​hell​

are​we​going​to​pay​people?’

What advice would you give in terms of retaining money in the business over the years when you’re not getting a huge amount of turnover?

Between three and six months of admin cash or on your balance sheet to​cover​your​run​rate;​easily​digestible​management​accounts​so​

you​understand​as​quickly​as​possible​whether​you’re​overspending​

somewhere;​a​robust​forecast​and​budget​so​you​understand​what’s​

coming​down​the​track.​This​is​easy​to​say​in​hindsight​and​we’ve​

done​it​as​we’ve​gone​along​–​but​if​I​was​to​do​it​again​those​are​the​

things​I’d​put​in​straight​away.​All​about​having​the​right​information​

to be able to make the right decisions.

What is the culture of your company?

The culture is a bunch of people who are fun to work with and really care.​It’s​not​just​a​job.​One​of​our​values​is​we​give​a​shit​about​

people​ we​ work​ with​ and​ clients​ we​ work​ with.​ We​ have​ a​ charity​

partner.​It’s​quite​flat​in​terms​of​ideas​and​where​they​come​from.​

We​don’t​have​a​‘creative’​department.​There’s​no​creative​director​

so​ nobody​ has​ that​ ultimate​ responsibility.​ We​ run​ open​ creative​

sessions,​in​an​ego-free​environment,​where​no​idea’s​a​bad​idea.​

Then we go back to present to the client three or four ideas from a brainstorm​of​25.​If​creativity​is​always​‘owned’​by​one​department​

then​you​don’t​encourage​creativity​elsewhere.

How has the digital space changed since you’ve set up?

It’s​now​changed​to​the​point​where​platform​is​becoming​irrelevant.​

If you produce good content that is then optimised for platforms, that’s​the​trick.​The​mobile​is​where​people​now​consume​a​lot​of​

content​–​a​certain​demographic​don’t​watch​traditional​broadcast​

TV​any​more,​so​whether​you’re​making​TV​film​or​short-form​ads​it’s​

about the quality of the content, then getting it distributed to people as​opposed​to​hoping​that,​for​example,​C4​will​just​commission​it.​

Rather​than​one​or​two​gatekeepers,​it’s​a​much​broader​idea.​It’s​

very consumer-first – are they on Instagram, Snapchat, YouTube, etc.​so​you​can​have​a​suite​of​assets​that​are​not​just​cutdowns​

but thought about in terms of story – beginning, middle and end – for that platform? Mobile, social networks on those devices, increasingly​ Snapchat;​ video​ is​ exploding​ and​ continues​ to​ do​ so​

because it has been the best way of delivering messages since the fifties when TV came out.

Who is your charity partner?

It’s​an​organisation​called​World​Land​Trust.​We​did​some​consultancy​

for them, but for every piece of work we do, we fund the purchase of one or more acres of threatened habitat. They work with local NGOs globally.​Its​patrons​are​David​Attenborough​and​Chris​Packham.​It’s​

about​ making​ sure​ we’re​ not​ just​ using​ the​ planet​ as​ a​ resource.​

They​obviously​had​to​vet​us​and​make​sure​we’re​a​viable​business,​

because​your​logo​is​on​their​site,​etc.​Over​years​we’ve​given​tens​

of thousands of pounds to them.

What lessons have you learned running a business for several years?

Budget​together​as​ early​ as​ possible;​ make​sure​ you’re​on​ top​of​

expenditure​to​allow​quick​growth;​the​mantra​for​any​business​is​

surround yourself with successful people. Starting out, what you don’t​know​is​a​lot​more​than​what​you​do​know​and​you​can​avoid​

making mistakes by talking to people who have done it before. If you think​you​know​it​all​you’ll​screw​it​up​pretty​quickly.​Don’t​be​afraid​

to​make​mistakes​and​try​new​things.​If​you​start​a​business​you’re​

taking a risk. The market does not stand still – change your offer as you go along.

What does the future hold for Media Bounty and is it a positive future for start-ups?

We​will​be​producing​more​and​more​content,​but​the​right​content​

–​ not​ just​ content​ for​ the​ sake​ of​ it.​ The​ spirit​ of​ collaboration​ is​

very good at the moment. Bigger businesses are more monolithic and​they’re​very​protective​whereas​we’ve​grown​up​a​bit​over​the​

last​seven​years.​Now,​if​we​don’t​do​something,​we’ll​recommend​

partners to fill the gaps – a collaboration between two companies providing a solution rather than a one-stop shop claiming to do everything.​ You’ve​ got​ to​ understand​ the​ market​ but​ I​ think​ it’s​ a​

good time to set up and then collaborate with the right people.

Collaboration​ is​ a​ much​ more​ positive​ culture.​ We’ve​ tried​

to​ do​ too​ much​ before​ focusing​ on​ what​ we’re​ good​ at​ and​ then​

collaborating. If you work with businesses in a non-competitive way then everyone learns a lot.

Một phần của tài liệu Running a creative company in the digital age (Trang 29 - 36)

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