Regular bold and other default font styles will be offered by default, which will make it easier for designers to choose sizes when less precision is required.
What Font Variable Fonts Are Available Today?
There are many different variable fonts available nowadays. You can select from a wide variety of variable fonts on the Google Fonts page and customize them for your design. Some examples include Open sans, Roboto Flex, Montserrat, Raleway, and Inter.
Do All Browsers Support Variable Fonts?
The majority of modern browsers, including Firefox, Chrome, Safari, and Opera, enable variable fonts. However, not all browsers support it, therefore the designers will need to include static fonts as a backup.
Using variable fonts can be done in the following ways.
On several pages, you can experiment with the variable font to experience and comprehend them.
Some websites where you can test the technology are listed below:
● Variable Fonts
● Google Fonts
● Font Playground.
Designers can use variable fonts in these situations.
Some types of designers will find variable fonts useful, while others may not find it necessary to use them frequently.
● UI designers
Variable fonts will give UI designers the flexibility to precisely control the interface's visual style. When they decide to use font styles to create a better hierarchy, a white or dark theme, or font styles that are more accessible, it will be noticeable.
● UX designers and product designers
For product designers and UX designers, variable fonts are not frequently used. The majority of businesses have design systems, which means that product designers and UX designers concentrate more on solutions than aesthetics.
● Graphic designers, marketing designers, and motion designers
This feature will be valued by designers of this type because it gives them more options. They will be able to make designs that are more exact and experiment with typography to produce visually appealing works.
Designers that concentrate on the graphical aspect of the user interface, where the variable fonts may assist their skill and knowledge, will be able to get the most out of it.
Using Variable Fonts in Adobe Photoshop
● The indicator that appears beside the font name in the Fonts menu
indicates whether a font is variable. The icon bears a little "VAR."
● Both the text and layer levels can be used to adjust variable fonts. You can use the Move Tool to adjust all of the text on the layer. Use the Type Tool to highlight the text if only specific words or characters need to be changed.
● Open the Properties Panel. Controls for Weight, Width, and Slant
are displayed.
● You can adjust the weight to change how bold the text is.
● Width will condense or expand the text.
● Slant will create a false italic.
What Is Monitor Calibration?
Avoid making an improper color correction. Learn how to control the color settings on your computer monitor to ensure that the video matches your vision.
Monitor or display calibration involves bringing the colors on your screen into compliance with the RGB (red, green, and blue) color standards. The majority of TVs and computers use this model, which was developed in the nineteenth century.
Since almost all screens use the RGB model, correcting color on a correctly calibrated screen will increase the likelihood that your work will seem as you intended it to on other people's screens.
Where To Begin Your Color Calibration
You cannot achieve accurate color with either online calibration software or the built-in Windows or Mac operating system calibration tools. Because eyes are subjective, these systems rely on your vision.
You need to use a colorimeter to get the objectively correct color. A colorimeter is a compact calibration tool that you can attach to your screen and use with calibration software to adjust the display color for your specific screen and the lighting in your room. Wherever you are, tools like the Datacolor Spyder and X-Rite ColorMunki will measure the ambient light and suggest the best calibration settings.
Give your monitor roughly 30 minutes to warm up before starting the operation. Avoid shining direct light on your monitor, and ensure that the surrounding lighting is similar to how it will be when you adjust the colors in your work.
Your software will prompt you to specify your monitor type and target settings as its initial action:
● White point
Pure white light is not a real phenomenon. A white that is heated more intensely will have a bluish color, just like the bluest area of a candle's flame.
Redder, oranger, or yellower colors can be seen in cooler whites. The temperature setting (measured in degrees Kelvin) that controls the warmth or coolness of your whites on modern monitors is known as the white point.
The suggested white point for working with video on an LCD monitor is 6500K or D65. This is sometimes referred to as your monitor's native temperature. The white point of 5000K (D50) is advised when working with still pictures that you intend to print since it appears more white on paper.
● Gamma settings
The rate at which colors go from black to white is known as gamma.
Although a higher gamma value will provide more contrast within that range, it still has the same black-and-white extremes as a lower gamma value.
Depending on how you anticipate your video will be viewed, a certain gamma level may be advised.
The suggested display setting for a screen in a bright space, like an office, is 2.2. The default configuration for Mac and Windows computers is this. The suggested setting for displays in dim environments, such as home theaters, is 2.4 since the contrast is easier to see in a dim environment.
● Luminance
The brightness or luminous intensity of the display is referred to as luminance. When performing color correction, it's crucial to maintain consistency with this option to avoid correcting one scene at one brightness level and another at a completely different one. A typical LCD screen should have a brightness of 120.
The automatic calibration procedure will start as soon as you've verified your monitor's settings. The colorimeter will compare the colors on your monitor to industry standards, map the differences, and produce a special color profile (also known as an ICC profile) just for your display. You can identify the precise color tones and convey them across devices if your profile is accurate.
How Often Should You Calibrate?
To guarantee your colors remain consistent, professional colorists advise you to calibrate screens at least once a month, especially as your monitor ages and its colors fluctuate.
Others contend that color on all devices is now essentially excellent enough because technology has gotten to that point. You can test your films on a few different devices to make sure nothing is noticeably off if precise color isn't your primary focus.
Taylor Kavanaugh, a director, and producer, frequently takes this approach.
According to Kavanaugh, "Our users view our content on an iPhone, iPad, or Samsung television, so we always look at it on all the platforms that we know it will be viewed on."
If color accuracy is not your top concern, you can always play it safe by avoiding significant color adjustments. According to colorist and editor Gerry Holtz, "if you're remaining in the broad scope, keeping things kind of even, it will usually translate over multiple devices pretty well." "When you push anything, issues start to arise. On a different device, it can be excessive to oversaturate the colors, provide too much contrast, or crush the blacks.
If issues arise, Adobe Premiere Pro's Color Correction curves can be used to make adjustments.
Zooming In Photoshop
To more accurately edit photos in Photoshop, you must understand how to zoom in and out. To ensure that your edits are accurate, you can zoom in closer to each pixel. You may learn how to zoom in and out in Photoshop here, along with some more navigational advice for documents.
Use the keyboard shortcuts Command + +/- (Mac) or Control + +/-
(Windows) to swiftly zoom in or out of a project in Photoshop. When you are zoomed in, you can move the full page into view by clicking and dragging while holding down the space bar.
Even though this is the most straightforward, there are many different methods to use the zoom feature, and each one has its own. Depending on your project, you might vary the approach you choose. Understanding the various zooming options enables you to select the best strategy for the task at hand.
Let's move on to the best Photoshop zooming techniques right away!
Using The Zoom Tool
Using the first technique, you can click on an area of the image to zoom in or out on particular areas of the image. Press Z to use the Zoom Tool or choose the icon from the toolbar.
The plus symbol inside the magnifying glass icon indicates that the zoom tool is by default set to zoom in. Place your cursor over the region you wish to zoom in on and click.
You can keep zooming in by clicking the image as many times as you like.
You can also click while holding down the mouse button to zoom continuously until you let go of the button.
Click the magnifying glass symbol with the minus sign in the center of the options bar to zoom out. To zoom out, click anywhere on the image as many times as necessary.
If the zoom-in option is used, you may also click the image while holding down the Alt or Option keys to zoom out.
You can zoom across all of the open Photoshop windows using the zoom tool. The zoom level for each image will be the same. Select the checkbox beside "Zoom All Windows" to activate this feature.
If the "Scrubby Zoom" checkbox is checked, you can click on a portion of the image to zoom in or out using your mouse's trackpad or scroll wheel.
You can choose an area to zoom into your image by clicking and dragging on it after the "Scrubby Zoom" box has been deselected. The area where you want the image to zoom will be shown by a rectangular box.
Three quick zoom buttons, labeled "100%," "Fit Screen," and "Fill Screen,"
are visible on the options bar when the zoom tool is selected.
● 100% View Mode
When 100% is selected, the image will automatically zoom in so that each pixel occupies one square pixel on the screen. When fully zoomed in, you can see all of the image's intricacies. You may also check the clarity of your image at full size by zooming in.
● Screen Fit View mode
When you select Fit Screen, the image is zoomed in such that you can view the complete thing in the window. This guarantees that the entire image will be seen and that no corners will be omitted. When photos are opened in Photoshop, this is the default view that is used.
● The Fill Screen View Mode
The image will enlarge to fill the window when the Fill Screen option is chosen. It may clip off portions of the image, due to the size of the image.
How To Use the Photoshop Hand Tool
You can pan or move around your image with the hand tool. You nearly get
the impression that you are moving a picture around on your desk. Clicking on the Hand tool will select it from the toolbar. However, pressing the spacebar on the keyboard is the simplest way to use it. Here is a little tutorial on how to use it.
● Zoom in with the Zoom tool (Z) when a picture is open in
Photoshop.
● From the toolbar, pick the Hand tool . When a hand appears as the
cursor, click and drag to move the image around. Your image will travel in the direction that you push it, as you can see.
This is advantageous since it prevents us from having to zoom out once more to work on another area of the picture. Simply move the camera across to the area we wish to see.
The top options bar, which displays three buttons when the Hand tool is selected, reads 100% (or actual pixels), Fit Screen, and Fill Screen. You can use these options to modify the image's magnification level when using the Hand.
Hand Tool Keyboard Shortcut
Press Z to select zoom once more. When you press and hold the spacebar, the cursor switches to the Hand tool. To move your image and see all of it, keep hitting the spacebar on your computer.
Tip for the hand tool: To fit the entire image on your screen, double-click the hand tool in the toolbar. This is equivalent to Windows' Ctrl+0 or Mac's Cmd+0.
Zooming And Panning With The Navigator Panel
You can switch between views of your image using the Navigator panel's thumbnail display. The region of the window that can now be seen is shown by a red box in the Navigator.
● To change how you see the image, move the slider on the Navigator
panel to the left and right.
● To enlarge the image to 3200%, move the slider to the right.
● When you place your cursor over the red rectangle in the Navigator panel, you'll see that it turns into an icon of a hand. Drag the rectangle in a panning motion with the hand.
As you can see, the operation of the Navigator panel is similar to that of the Zoom tool and the Hand tool.
This Photoshop zoom and pan tutorial is now complete. Remember to press Z for zoom and Spacebar for hand tool panning.
Chapter 3 Review Questions
● How can you make images smaller (Down-sampling)?
● How can you make images bigger (Up-sampling)?
● How can you use the Image Resizing menu?
● How can a picture be resized in Photoshop without influencing
quality?
● Explain the process involved in changing the size of the picture with
the Transform Tool.
● How can you Use Adobe Photoshop Gradient Mask
● How can you set up and align thumbnails in Adobe Photoshop on a
Page?
● How can you use Panels in Adobe Photoshop
● What are Variable Fonts?
● How do Variable Fonts work?
● Explain the steps of using Variable Fonts in Adobe Photoshop.
● What is Monitor Calibration?
● Where can you begin your Color Calibration?
● Explain the process of using the Zoom Tool.
● How can you use the Photoshop Hand Tool?
● How can you use Zooming and Panning with the Navigator Panel?