236750911 guitar play along vol 119 ACDC

Each horizontal line represents a string, and each number HAMMER-ON: Strike the first Iower note with one finger, then sound the higher note on the same string with another finger by fre

r

Cover Photo : ©

88 Michael Uhll/Ebe

t Robert

s Photograph y

ISBN 978-1-4234-8920-7

Music Sales

Unauthorized oopying, arranging , adapting

, recording , Interne

t posting , publi

c performance , o

Infringers are Nable under th

e law

Visit Ha

i Leonar

d Onlin

e a t

THE MUSICAL STAFF shows pitches and

rhythms and is divided by bar lines into

measures Pitches are named afterthe first

seven letters of the alphabet.

TABLATURE graphically represents the

guitarfingerboard Each horizontal line

represents a string, and each number

HAMMER-ON: Strike the first (Iower) note

with one finger, then sound the higher note

(on the same string) with another finger by

fretting it without picking.

TRILL: Very rapidly alternate between the

notes indicated by continuously hammering

on and pulling off.

4-TREMOLO PICKING: The note is picked äs

rapidly and continuously äs possible.

WHOL bend u

p one step immediately bend up äs indicated note and bend up 1/4 step.

A~V """l

D

BEND AND RELEASE: Strike the note and

bend up äs indicated, then release back to the

original note Only the first note is struck.

PRE-BEND: Bend the note äs indicated, then

strike it.

PULL-OFF: Place both fingers on the notes

to be sounded Strike the first note and without picking, pull the finger off to sound the second (Iower) note.

"Jt^"~~^X „

TAPP1NG: Hammer ("tap") the fret indicated

with the pick-hand Index or middle finger and pull off to the note fretted by the fret hand.

VIBRATO BAR DIVE AND RETURN: The

pitch of the note or chord is dropped a specified number of Steps (in rhythm), then returned to the original pitch.

-j>—

VIBRATO: The string is vibrated by rapidly

bending and releasing the note with the fretting hand.

B:

LEGATO SLIDE: Strike the first note and

then slide the same fret-hand finger up or down to the second note The second note

is not struck.

=9-NATURAL HARMONIC: Strike the note

while the fret-hand lightly touches the string directly over the fret indicated.

VIBRATO BAR SCOOP: Depressthe bar just

before striking the note, then quickly release the bar.

w/bar 1

PALM MUTING: The note is partially muted

by the pick hand lightly touching the string(s) just before the bridge.

SHIFT SLIDE: Same äs legato slide, except

the second note is struck.

B

3T^°-PINCH HARMONIC: The note is fretted

normally and a harmonic is produced by adding the edge of the thumb or the tip of the index finger of the pick hand to the normal pick attack.

VIBRATO BAR DIP: Strike the note and then

immediately drop a specified number of Steps, then release back to the original pitch.

Additional Musical Definitions

(accent) • Accentuate note (play it louder).

(staccato) • Play the note short.

Fill

N.C.

• Label used to identify a brief melodic figure which is to be inserted into the arrangement.

• Harmony is implied.

D.S al Coda

D.C al Fine

Go back to the sign ( % ), then play until

the measure marked "To Coda," then skip

to the section labelled "Coda."

Go back to the beginning of the song and

play until the measure marked "Fine" (end).

Repeat measures between signs.

When a repeated section has different endings, play the first ending only the first time and the second ending only the second time.

Back in BlackWords and Music by Angus Young, Malcolm Young and Brian Johnson

2 See additional lyrics

I hit the sack I've been too long, I'm glad _ to be back Yes, I'm _

^^

^—(h-3 3 3^

Copyright© 1980 by J Albert & Son Pty., Ltd.

Internationa] Copyright Secured All Rights Reserved

E5 D5

A5N.C

A5N.C

^P^=^-H 7-^-^=^= €J vi»

nine lives, cat'

s eyes A -

v&

tt f

f — ^ —

5j —

3 — *j ^ —

n

L 1 1 _J ^

R — - ,

^*-^ *

9 9

I

^ ^ — 5 3 — *

9 9 n

P.M.

1 1

1 1

/

WVWW

s I

9

n 7 n

^ t

HC -|c /

X

1 ? 11

J

1 9 1, 1 1919 1 d

1 4 14

E5

let ring \\d

je / \

1d 14

CIA') 1

9 1 d 14

WWW

19 14 ddYS.

' 'I

j l

14

E7 E6

E5 A5 wwwwwwE5

hold bend

wvwvw wwwvvwv

A5

u / \

9 ^.^^

• i * HO t

14X

E5 E7

E6 E5

WVW iVWWV -in ** n n - /

A5 E5

B5 A5

B5 A5

0

n

n o

fm

p ä

£

0 0

p n p

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fc

A5

G5 D

A5 G5

9

«

1 * ' n y u v Q Q

ro-O O

^

YesJ'm

o 1

o 9 4

9 A

n

9 9 4

9 A

n

O ü

ü Ü Ü J

« 0

Q 1 Q 1

Q T

D A5

/t tf tf

^ ^

- e

« J

lj ' ^

3

0 O

p p n

1

wwvw*vw%vwwwww

Outro-Guitar Solo

E5 E7

u _ ww

E6wvw

2 Back in the back of a Cadillac.

Number one with a bullet, I'm a power pack

Yes, I'm in the band, with the gang

They got to catch me if they want me to hang'Cause I'm back on the track,

And I'm beatin' the flack

Nobody's gonna get me on another rap

So look at me now, I'm just a makin' my pay

Don't try to push your luck, just get outta my way

Heils Beils Music and Words

by Angus

Young,

Malcolm Young

and Brian Johnson

Intro Moderate

Rock

J = 110

A5 Asus4

Am7

Asus4

w/ dist

let chords ring throughout

Asus4

Am?

Asus4 C5

G/B A5Asus4

tJ —

4P

^^

4P

•7 n

A5

^

-M -*

Asus4 C5

0

n n 9

7 "

^

7 7 7

J Alber

t &

Son Pty., Ltd

11

s n

—7

1 F m a roll - in' thun- der,

2 See additional lyrics

C5 G/B

m

D5 C

t Hn' np

-3

q q

q q q

9 0

9 9

0 9

9

0 0

0 0

0 0

tL^jp — 1

-J J- -

9

7 n

n 7 n

7 7

7 7

s

ß^ "~~ 0

^*

/n n 0

-9 0

^

• »

7 7 O

1 y O

0

- » 0

i

i—l— ^

q q

0 O 0

You got me ring - in' hell's bells _ My tem-p'ra-ture's high _ Hell's

Asus4 G5f~>'

C5 C5/B

A5 D5/A

C5 C5/B

jjF

-ÄC ' '

' —

4 VWWWWW V

xr i

j • *

^ ^

i W ^

^

^ ^

wvwwwwv

/7\ q

v J

vww

—

vww

» — ~

7 7

v

c u

1/4 1/2

Guitar Sol o

A5 G5

A5 C5

A5 G5 A5 C5

-7

7 5

-15

A5Asus4

Am?

Asus4A5

Asus4Am?

bells,

loco

Sa tan's co

m in' t

-o y-ou

— Hell'

s bells, _

G/B A5Asus4

Am?

Asus4A5

j ]= |

e e~

p ;

»p

m now _

s high _ Hell's

_ — !

C5 G/B A5

U

Asus4Am?

Sva -

-WWWWWVWW WW

7

-hold bend

l _£_

vwvwwwwvw %vw

A5 G5 A5 C5

Free tim e

A5 G5 A5

yeah, yeah

D5

A temp o

A5 G5 A5

B-*-

£ :

^ , -

t

t T

\/ / 1

9n/—9O-

P.S.-^fr 20

7 2G / 20

7 V—2fr

W-fr tt^HT- ^ffl W''^»vw

e a friend

of mine

See m

y whit

e ligh

t flashin' ä

s l

split th

e night,

n I'm

stickin' t

o th

e right

19

Girls Got Rhythm

Words and Music by Angus Young, Malcolm Young and Bon Scott

round the world, _

2 See additional lyrics

Copyright © 1979 by J Albert & Son Pty., Ltd.

International Copyright Secured All Rights Reserved

A5 C5 A5

Pre-Chorus

1 Wear - in' dress - es so tight —

2., 3 See additional lyrics

S

=*=

22

A5 C5

A5 D5

C5 A5

She go

t th

e bac

k seat rh

y thm

A5 C5

A5

Interlude

D5 C 5

pirl's ?ot rh

y thm.

-7 q 7

A5 D5

C5 A5

f^f\/ ~

" " — "

' — ~~

—

w

7 '

Tia

7 Q

, —

T*- '• F «

F ^ — — p -5

— ^ — f- —

•

C5

1/21/2

1/21/2

1/2

-5 S—

- 5

-5 T-

23

» » • • • * (»i * •

( ^/ x ^ * P *-^/ ( ^/ \^

hold bend 1/2

~~- p p P C

• J •< P x X-" * tt L^

l

17 17 9fl Z 1d 11 Id"^ 10

You know she

—j 28— 2fl 7 2fl— 2fl 1 20 1 29 j 20— 2fl j 2fl—r—

M « tt tt tt tt tt tt

tt-24

A5 C5

A5 D5

C5 A5

7 *

i 7

_t^| (

) ^ :

real ly got th

-e rhy

- thm

7 c

7 R —

9

n n

D 5 C5

A5 C5

A5 D5

C5

T£H b-d —

~ — ^ —

J J | j

o n n

y thm

A5

D 5 C5

i ^ i

7

-1 T-

T-Additional Lyrics

2 She'

s lik

e a lethal brand, to

o muc

h fo

r an

y man

She giv

e m

e firs

t degree, sh

e really satisfy

d sore

Enough to stop

t I'

m i

n to

o deep

Like a body need blood,

No doubt abou

t it, can'

t liv

e withou

t it

Pre-Chorus 3 Yo

It's lik

e a liquid love

No doubt abou

t it, can'

t liv

e withou

t it

25

Copyright © 1980 by J Albert & Son Pty., Ltd.

International Copyright Secured All Rights Reserved

$ VerseN.C.CA7)

-2 See additional lyrics

m }

1 1

1 1 J_ L ~^s~ ~^z j ^a * ^ ^-^ ^

—

Fi

— -*

n n n

: T*

— J -

h a

^n

- y

K — _ —

r —

- —

— —

5 4

«y

c cen

T* J J

4

C

8n

i

fi t

V 3

C flB

1 1

straight

l ine

a

n n n

- * •

C C ,4 C

7t*rH — — — i — , | ' ' ff (VS ^

| ' 1

— ^ —

\—

H

\ 1 1

t3sour mas

h an

d chea

p wine Yeah

, _

- / ff Ltff k

ä

^ a — ^ — J

* — — *

N.C.(AV)

*t

(G)

^ f.

Tr fN.C.(G)

So

don't

h- •~

P.M P.M

P.M.

P.M P.M

.

-3 3 3—3^

N.C.CA7)

.'f

A-t k J ? ^

— "

~~^d

^ ,

Ä

-trd J^

— ^ —

'•" ~^~~= d G 9 ~%* 0

*r V

5 sLA >

V s

t 3

3 J ^

n n n

D.S a / CW a

j=N=E

2 Oh ,

P.M P.M

-e—a—G—e—B—a—e-^ Cod a

C5 A5

Guitar Sol o

E5 A5

Get stoned!

-fl 3 B-

^^J^Xr

vwvww

-5—5 ^9—-T-

wwwwwvw

1/2

-(2) 0-

D/A

vwvwvww

E5 A5

J / ttjfP

r —

- f

r — -f- —

1 i

29

1 t

drink on me.

Yeah!

Oh, hav

e a drink

on me

0

o

0 0

Come on!

Outro

A5 D/A

Gon-na roll a-round,

let ring - let ring

A5 D/A

G5 D/A

Jf tt^

> 1 — * ^ w^ — —

y ft

H t]

« • £ ^-

J

l , ,J

E

J E J

l

3

0 o o

3

0 o o

8

9 9

9

8

n n n

X

n n

— w — L _ 1 — U

1 J —

Take an

- ot

h

er swig ,

m

-4

4 4

4

9 9

9

q q o

9 9 9

1 ^~—i • — 4

• J 1

have an

- ot

h

er drink

9

Q Q o

o

9

9 9

9

8

n n n

A5 D5/A

Free time

A5D5/A

Have a drink

i iiww i

vwvwvww

täS=±^=±=^EỆ

1

1/2 ^ r " 'WVWWWW

,0

14

I I

! ^ !- '

' —

1111

1 1

/21

5

7 c

n c ^-^7

1R"^^

Ađitional Lyrics

2 Oh

, dizzy, drun

k an

d fightin' o

n tequil

a whit

e lightnin'

Yes, my glass is

gettin' shorte

r on whiskey, ice

and water

Yeah, s

o com

e on, hav

e a good time, an

So don't worr

y 'bou

t tomorrow, tak

e i

t todaỵ

Forget abou

t th

e check, wél

l ge

t hel

l t

o paỵ

33

1 Liv - in' eas - y,

2 5ee additional lyrics

Copyright© 1979 by J Albert & Son Pty., Ltd.

International Copyright Secured All Rights Reserved

G5 D/ptt G

- in' ,

A g

H ^

>y fl|j;

T1

— 9 *;

9 9

? 2 ? 2

2 2

2 2

«

n n n

D/F#

G5 D/F#

A

ain't noth

-

i n ' F d

0 2 2

ty time, _

-JMt ^

6

n n

X

Y Y 9 0 0

w

— ^ — —

— —

leave _ m

e be , ta

k in' e

v 'ry -

a a

5t 5

t ^ 5t 5

t t]"*

" 5:

3

q q

9 9 9

9

9 9

n 9

9 H 9

9 9

9 9

^ i f

1

* r

r tir^

r r f

1 — 1 1 E-T t — P — 7 r * - F — ^ | F — i i 1 — v ± ^ ^ - —

Don't_

need rea- son , don't _ nee

d rhyme ,

X

Y Y Y

9 9

9 9D/F#

P^ r

IT M

v l / •

^ G

o in ' down ,

9

9 9

2 2

are gon

- n

a b

e ther

e to o

1 i

- *

*^ 1

J — -^

-^

H

j j 4P

9 99

9

99

9 9n

n nn

G

— \J

—4P 4l-*—

i h

35

-*Bass plays R.D/A

DDsus4

D

Guitar Sol o

A5D/A

Yeah, yeah,

ooh!

Au W

• n

i l J i

^ iL

^ 1

1 1 1

t

5

/55/

5

G5

x^

A5D/A

G5 D/F#

erad bend

1/2 1/4

1/2 1/4

t t

u ' _x

'

i /

74 (

4) 2

A5D/A

let ring

- 1

G5 D/A

A5D/A

'Vwvw

L — J

J-— ^ H'^

— T'g

^ — ;f

•«•

fef ring

-/ 5 T \

q

7

1/4 f

/5

1

7 1 '

r^

T^ —

T — T^ —

G5 D/F

#

F r 1

— ••

• —

F m on the hie h

way t

o hell

n 1

A5 D/A G5 D/A A5 D/A

T "p J

wwwwvvw

ciyiv^ n

nS

Free tim e

^ —

1 —

- —

- — ^ £ 1

^ ~ —

go

- in

* down

^ -e

- ^' "~^~ e-

- _ _ _

^

Gtr tace t

all

the way—

A5

Whoa!

On the high-wa

tr~~

12 (1 7

*Tremolo pick while trilling

Additional Lyrics

2 N

o sto

p signs, spee

d limit, nobody'

s gonn

a slo

w m

e down

Like a wheel, gonn

a spi

n it, nobody'

s gonn

a mes

s m

e around

Hey Satan, pay'n' m

y dues, playin' i

n a rockin' band

Hey mama, loo

k a

t me, I'

y t

o hell

I'm on the highway to hell Highwa

y t

o hell

Mm Don'

t sto

p me Yeah, yeah, ooh

!

39

Whole Lotta Rosie

Words and Music by Angus Young, Malcolm Young and Bon Scott

C5

-^

*

.

D5

i i

ff -ff

7 7

~ff

Q -ff

n

^

*

7 -ff

n

• ff -ff

7

* -ff

Copyright ©1977 byJ Albert & Son Ply., Ltd.

International Copyright Secured All Rights Reserved

N C

A 5 C

5

D 5 C

5

A 5 N.

C

h

Ah er

r—

in'

\M)

«3'

—

* * tf

9 q

7 c 9

5

D 5 C

5

A 5 N.

C A5

C5 D5

C5

A5

f\_ j

* 1 m -, fff\ tJ

A •

* *

" * • f -W —

7

C

7 q

n c n

t

'

9 o

n

*i m

m m m

m

Sheain't e

x act - ly pret - ty,

9 c 7

C5 D5

C5 A5 N.

nine,

9 p 7

7 q

5

9

9

^

A5 C5 D5

C5 A5

^JP—^B _

1 — H»

= 1

1 1

fffi T ^ —

^ —

fif ty

- six, yo

u coul

d say

— _ _ _

1—

_ _ —

0

^ ^ ^f-^

0

0 n

q n o n

41

2 Nev er had a wom

-3 See additional lyrics

f f f

N.C

fe^

A5

f f f

Ain't n

o fa

i ry

sto

- ry,ain't n

N.C

A5N.C

A5

ff f

ff fr

^

0 0

0

/9\9

ini n

n n n

•"' ^' ^' ^j' 5' ^

0 0 0 0 0

9 9 9 9 9

lot ta

-9 -9

9 99n

^

3

q n

1 1

i = i

G5

G5/F#

G5 N.C

, yeah

!

W

Guitar Solo

t-^

—

\- -«' ,•'

/c\ c

_ — —

P

wvwvwwww%vwwv

c c

7 ( '7

\l \l 1j

C

^ i

»

7 7

C 7 c

45

A5 C5 D5 C5 A5 N.C

•VWWWWVV

Play 6 times

'

7 c 7

P ,

P 9*~

™f PM

H

c 7 c

/ 7

7 7 7

A5 C5

vwvwwwv -wwvwwvv

D5 C5

A5

w\

~^Y" — fj

W

*ww F

vvw^

^wwv ^w

5

7 R

7 7

7

7

* vwvw v

XL **.

J I

p p

p

p P

wvww

(-7-1 7

'WWWVVWV

7 c

7 7

A5

wwwwvw \vw

p

—

7 7

7 7

5 5 8

5 5 8 5

S—5 5 8 5 8

5

1/2

N.C

7 5 -

(5)X20

?o47

G5

f^rF—F

whole lot - ta Ro

- sie,

a whol

e lo

t ta,you're

u ca

n d

o it, d

Only one who turn, onl

Whew, t

o m

y surprise, Rosi

e neve

r stops

49

2 See additional lyrics

wpw/ slight dist.

Copyright © 1975 by J Albert & Son Pty., Ltd.

International Copyright Secured All Rights Reserved

E7A5

dfcj*

m o

0 0 »-

A6 G/A

T

= =

thing.She wa

s hol

d ing

a pair,

but I had

to

O Q

-0

B B B

A5A6

G/AA5

A6 G/A

try.Her deuc

e wa

s wild

fr

^ B B

fr

A5A6

G/AE5

E6 E7

4 * high.

But ho

w wa

s I to

know that she'

9^

^ B B

-Said she'd nev

- e

r ha

d a füll house

,

9 9-B

B B B-

-B

fr

51

To Coda l

E5 E6

E5 E6

Jr

ftw^tt

'i

* i i

jack She'

s go

t the

ß tt tt,

i tt tt J/ Trw

<tJ 1

1 _J J

1 _J J

?3f333

?3

E5 E6

V

- i

i i i

i i -r-4-^ -J- -* -0\- -m- -0- -«•

<

«

jack, jack, jack

, jack,

3 3

3

3

^ ^ ^ ^ ^ ^ ^

^ ^ ^ ^ _

^

22222222

A5

E5 E6

E5 E6

E5 A5

A#5 B5

A1 —

B,

- h

^_

jack,j

^ J -

n n n

j«

— —

"irü

- -9- -9

-9-4 2

wwwwww

^ g

^

-^ I

^ ^ _ jJ

_ ^ j

T -X

H — ^

^ — ' — ' — — i f

l — T

1 17 1 91 11 1/

1j 11

E5 E6

E5 E6

E5A5

A

B5

0 t t

D a H*

?-n

JE

*tc

•

o n

r—

j — r~^

t wa

s a bad deal

«3 >

?

Ja

^_/ j

-1

<

>

'Jr

«-:k

*< T k ' r

n

yi

h» Hr t the r j s go * * 5 r xv y \ ,ey She' _i

.Jac

M

+

oo

v /

-* ' ^

-ffk ' ft tf — >• ; •3

Ja

-ÄU fl

B r

- ^

J ~

ck Jack Jack

Jack Jack

3 3

3 3

T—* £ -~j—h^ \

M m

m t i m m m m m

r

4

A A

M A

* A A J

9

0

9

55

2 Poker face was her name, poker face was her nature.

Poker straight was her game if she knew she could get ya

She played 'em fast and she played 'em hard

She could close her eyes and feel ev'ry card

But how was I to know that she'd been shuffled before?

Said she'd never had a royal flush, but I should have knownThat all the cards were comin' from the bottom of the pack

And if I'd known what she was dealin' out, l'd have dealt it back

56

You Shook

Me All Nigh

t Lon

g n n Johnso d Bria g an m Youn Young, Malcol Angus by Music and Words

Intro Moderate Rock = 120

c Q2

• j

# — 1

X

^

'0

G5 C

•—0 —

? — ? ' — 3^

=^=f^

, |

| a d

~Tm ~

7^ 1 1

1 Sh

e wa

s a2

- 0

^0 ~9~ ' Tf

3

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63