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Ebook The art of woodworking classic American furniture: Phần 2

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Part 2 ebook present the content: windsor chair, anatomy of a sack back windsor chair, making the spindle, making the bow and arm, assembling the chair, a milk paint finish, queenanne secretar, anatomy of a queen anne secretary, making the desk unit, building the pigeonhole unit, glossary, acknowtedgments.

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I I I I I I

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I study in contrasts

and durable.

the seat at whatever angles suit its user All of the chair's parts are joined with round mortise-and-tenons-a fairly simple joint to produce Some woodworkers contend that one of the benefits of making

a Windsor chair with green lumber is that you can take advantage of the hygroscopic,

or moisture-absorbing ter of wood By dryrng the leg tenons prior to assembly and fitting them into "wet" mor- tises in the seat, a snug joint will become even tighter Once the joint is assembled, the tenon will absorb moisture from the wood surrounding the mortise, swelling the tenon and shrink-

\AINDSORCHAIR

The top of a Windsor chair seat is traditionally sculpted by hand With shaping tools like the spokeshave, inshave, and drawknife, it is possible to customize the seat for its user.

The sack-back Windsor chair shown at left was finished with milk paint, a

traditional finish for American Country furniture ,fuailable in powdered

form and mixed with water to a paint-like consistency, milk paint reflects

the simplicity of the Windsor chair; it is best applied by brush.

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ANATOMY OF A SACK-BACK WINDSOR CHAIR I

I

any of the round

mortise-and-tenon joints that hold a Windsor

chair together are reinforced by wedges.

As the illustration at right shows, the

top end ofthe legs, arm posts, and

spin-dles are allkerfed prior to assembly;the

wedges that fill the kerfs expand the

tenons, ensuring that they fit snugly in

their mortises.

But a Windsor chair is more than the

sum of its parts For strength and

com-fort, it also relies on the interaction of

its various assemblies The legs and

stretchers, for example, work against

each other to support the weight of its

user The back assembly, with its bow,

arm, and spindles, functions in a similar

manner The legs splay out to the sides

and are raked forward and

backward-providing a broad, stable base for the

chair As with all enduring designs the

s e a t is t i l t e d b a c k s l i g h t l y , m a k i n g

the chair more comfortable.

The three views of the sack-back

Wndsor presented on page 73 provide

you with the critical angles, spacings,

and dimensions More dimensions

appear in the cutting list below and

throughout the chapter where each part

of the chair is made.

As you prepare your stock, keep in

mind that you will not be able to cut

some of the parts to their finished length

until you begin final assembly The

spin-dles, for example, should all be left at

their maximum possible length-22

inches-until you have bent the arm and

bow, and test-fitted the spindles against

them In the same way, size the

stretch-ers only after test-fitting the blanks

between the legs.

44',

1 1 ' ,

A R r

1 7 ' 20' 22',

I I % '

1 7 ' I4Yz'

I I I t I t I I I I I I t I I I I I t I I I I I I t

PIECE Arm Arm posts Bow Legs Seat Long spindles

S m a l l s p i n d l e s Middle stretcher Side stretchers

T % ' Ivi'

OTY.

I 2 I 4 1 7 4 1

2',

CUTTING LIST

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Side view Front view 1ocketa in

arm for lonqapindleeapaced 2'/oincheo apart

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MAKING THE SPINDLES

indsor chair making starts with a

freshly cut log Because green

Once a loghas been cut into able lengths, it is time to split it.

manage-Driving an iron wedge into the end of the log with a sledgehammer, as shown

at left, will separate the wood ftbers alongthe grain Wear eye protection when you strike metal against metal.

I I I I I I I I I I I I I t I I I I I I I I t I t I t I I I

PREPARING THE SPINDLE BLANKS

1 Splifting a bolt into quarters

I O n c e y o u have f e l l e d a l o g a n d

t r i m m e d o f f th e b r a n c h e s , s a w i t i n t o

workable lengths, called bolts For best

results, use a chain saw Split the bolts in

hall (photo, abovd, using a

sledgeham-mer and iron wedges; wear safety goggles

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I I I t t I I t I I I I I I I I t I t I t I I I t I t t I t

)/

l :

' ) i

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Sore holes inlo a wood

ecrap, eizing Lhem accordinq

t o N h e s V i n d l e o ' k e y d i a m e t e r s D n l l a

'/,.,-inch-diameLer hole into the qaugeLo

check Nhe tenon aI Lhe boLLom end of Lhe

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I I I

WINDSOR CHAIR

Eridge2" x 10"x 35"

Pivotinglag boltLeg

2 " x 4 " x 1 9 / 2 "

A SHAVIilG HORSE

The shaving horse grips stock securely

in place while it is shaped with

draw-k n i v e s a n d s p o k e s h a v e s S i m p l e t o

build, the typical shaving horse features

a bench, an inclined bridge, and a

piv-oting arm assembly By stepping down

on the assembly's foot bar, you can lock

your workpiece in position between the

bridge and the assembly's crossbar.

T o b u i l d t h e v e r s i o n s h o w n a b o v e ,

s t a r t w i t h th e b e n c h , w h i c h c a n b e

hewn from half a log 10 to 12 inches

in diameter, or cut to length from rough

3 - b y - 1 0 l u m b e r M a k e t h e le n g t h o f

the bench to suit your needs.

Next, cut the legs from 2-by-4

stock and attach them to the bench

with angled T half-lap joints, reinforced

by screws and braces tighil CutIhe two braces trom 2-by-4 stock to fit between the leg's outside edges and screw them to the legs To bevel the bottoms of the legs so they sit flat and

l e v e l , s e t th e s h a v i n g h o r s e o n a f l a t surface and butt a square board up

a g a i n s t a l l fo u r s i d e s o f e a c h l e g t o mark cutting lines around them (page

79, above, /eft) Saw the bottoms of the legs flat, then cut the tops of the legs flush with the bench.

Next, saw the riser and the bridge to size; the riser should be cut and bev- eled so that the bridge is inclined at an angle of about 15'to the bench Locate

t t

I t I t I t I I I I I I I I t t I

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crossbar to provide an octagonal-shaped

foot rest on each side of the arm

assem-bly Cut dadoes in the foot bar to match the notches in the arms, fit the pieces

t o g e t h e r , a n d r e i n f o r c e t h e jo i n t s w i t h screws With the foot bar attached slio

t h e a r m a s s e m b l y u n d e r t h e s h a v i n g horse and screw it in place with the

lag screws Do not tighten the screws

i m m e d i a t e l y ; l e a v e t h e m l o o s e e n o u g h

so you can slip the crossbar in place Do not glue or screw it, but leave the bar free to pivot Once it is connected to the

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MAKING THE BOW AND ARM

-l- h arm and bow of the sack-back

I Windsor anchor the chair's

back-rest, tying the spindles into a strong

and comfortable structure The

grace-ful curves ofboth pieces are achieved

through steam bending, a process that

may well be the most challenging part

of making the chair.

The two essential elements of

wood-steaming are a steam generator and an

enclosed steamer The version shown in

the photo at right and described on page

The arm of a sack-back Windsor chair

is extracted from a steaming jig with a

pair of tongs The steaming process

leaves the wood pliable for about a

minute-long enough to bend the piece

around a form Because of the intense

heat produced, always wear work gloves

when handling steamed wood

ANATOMY OF A BOW AND ARM

83 is shop-made from ABS pipe Be sure

to make the steamer longer than the bow and arm, and seal it tightly to keep the steam from escaping Include a small drain hole at one end and olace the steamer on a slight incline, however, to allow the condensed steam to run out.

Ifyou are using a gas-powered steam

source, it is safest to do your steaming outside, If you are using green wood, l5 to 20 minutes of steaming should make the piece sufficiently pliable to bend around a form Air-dried lum- ber requires twice as much steaming It will take about one week for a bent piece of l-inch-thick stock to dry.

I I I t t I I I I I t I t I I I

r

I I I I I t I I I t t I I

22" (from end to middle)

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f o r b e n d i n g , y o u c a n r e m o v e t h e b o w a n d b e n d t h e a r m a s i n

s t e p 2 T h e s t r i n g w i l l k e e p t h e b o w b e n t u n t i l it d r i e s

I I I I I I

t t t

I I T I I I I

t

I I I I

t

I I I I I I I I

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-able cap at each end for easy access.

The steam source is a water can

con-nected to the steamer by a length of

p l a s t i c h o s e : t h e w a t e r i n t h e c a n

i s h e a t e d b y a p r o p a n e - f i r e d c o o k e r

( T h i s s e t u p s h o u l d o n l y b e u s e d o u t

-doors) The steam source should

have a removable, screw-type cap.

To build the steamer, start with a lengh of schedule 80 ABS pipe longer

s t a i n i n g t h e w o o d ) D r i l l t h e h o l e s

b e l o w t h e c e n t e r l i n e o f th e p i p e t o provide room for the wood Install the bolts, using steel and rubber washers

on both sides to make an airtight seal Now glue both halves of the pipe to an

A B S T c o n n e c t o r D r i l l a % - i n c h d r a i n hole at one end to release moisture

a n d e x c e s s p r e s s u r e T h e n g l u e a connector pipe cut from 1%-inch ABS pipe to the spoui of the T connector.

N e x t , c u t a l e n g t h o f p l a s t i c h o s e

t h a t w i l l c o n n e c t t h e s t e a m e r t o t h e

w a t e r c a n ; t h e f it t i n g s r e q u i r e d f o r the water can end are shown above (The fittings for the steamer end of the hose are identical, except that an ABS end cap is used instead of the

w a t e r c a n c a p ; t h e e n d c a p i s g l u e d and screwed to the connector pipe.)

M a k e s u r e t h e f it t i n g s a r e a i r t i g h t Lastly, build a 2-by-4 frame to sup- port the steamer Nail a small support

b l o c k a t o n e e n d s o th e s t e a m e r w i l l rest on a slight incline and the excess

w a t e r w i l l ru n o u t o f th e d r a i n h o l e

To use the steamer, carefully

con-n e c t t h e g a s c o o k e r t o a p r o p a n e

t a n k F i l l th e w a t e r c a n , a t t a c h t h e cap and hose to it, and set the can on the cooker Secure the removable end caps on the steamer, light the cooker,

a n d le t th e s t e a m e r b u i l d u p s t e a m (Caution: Do not let the steamer or steam source become pressurized.)

STEAM 1OUKCE FTTTING (DETAIL)

Machirte nuL

7[aeLtc hoae

to Iteamer

Kemovable end cap

' '"(-""

aaa cookertanK

8 3

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MAKINGTHE SEAT

rla he seat of a sack-back Windsor

I chair is best cut from a single plank.

As shown in the photo at left, the blank

is roughed out by hand with a frame saw or bowsaw Then the seat is given its basic shape using a variety of hand tools-the edges are rounded over by a drawknife (page 85), the top surface is scooDed out with an adze and an inshave (page 86),and some final touch-

es are etched with a veiner (page 87).

SEAT DIMENSIONS AND ANGLES

The final step is to bore mortises into the seat for the legs, spindles, and arm posts (page90) Asshown in the anato-

mv illustration below the arm oost mortises are the largest: % inch in diam- eter; the leg mortises are % inch in diam- eter, while the spindle mortises must

be drilled with a %-inch-diameter bit.

Refer to the diagram for the seat's dimensions and for the location and spacing of the mortises.

r

I I t I I I I I I I I

t

I I I I I t T I I t I I I I t I I I

A frame saw cuts a Windsor chair

seat blank from a pine plank.

The blank will be shaped later

with a variety of hand tools It

could also be cut on a band saw.

OVERHEAD VIEW

'IDEVIEW

i i<-13/a"

16"

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SHAPING THE SEAT

r) Rounding over the blank

L C l u ^ o t h e b l a n k i n a v i s e a n d u s e a d r a w k n i f e t o r o u n d o v e r

i t s e d g e s T o b e g i n , s m o o t h t h e c i r c u m f e r e n c e o f th e b l a n k a n d

r o u n d o v e r i t s u n d e r s i d e , p u l l i n g t h e d r a w k n i f e w i t h t h e g r a i n

(above, /eff); repositton the blank in the vise as necessary lf you

1 0utlining the top surface of the seat

I S a w y o u r s e a t b l a n k f r o m a p i e c e o f2-inchlhick pine (page 84), then outlinethe area to be scooped out Start by mark-

i n g th e c e n t e r o f t h e b l a n k ' s f r o n t e d g e

N e x t , m a r k a l i n e 2 k i n c h e s i n f r o m e a c h

s i d e o f t h e b l a n k ; t h e li n e s s h o u l d b e p a r allel to the front edge and 4% inches away

-f r o m it D r a w a c u r v e d l i n e t h a t jo i n s t h e

t w o s i d e m a r k s a n d p a r a l l e l s t h e s i d e s a n dback edge of the blank (lefil Finally, draw

t w o c u r v e d l i n e s t h a t c o n n e c t t h e s i d e

m a r k s a n d th e c e n t e r m a r k a t t h e f r o n t

e d g e o f t h e b l a n k ; t h e s e l i n e s i n d i c a t e

w h e r e t h e t o p s u r f a c e o f t h e s e a t s l o p e stoward the front edge and are represented

b y th e d o t t e d l i n e s i n t h e i l l u s t r a t r o n

e n c o u n t e r a k n o t i n th e w o o d , c u t a r o u n d i t g r a d u a l l y , r a t h e r

t h a n t r y i n g t o h a c k t h r o u g h i t w i t h a s i n g l e s t r o k e T h e n u s e t h e

d r a w k n i f e t o fo r m t h e f l a t li p o n th e t o p s u r f a c e a l o n g t h e f r o n t edge of the blank, angling the cut at about 40' bbove, right).

8 5

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WINDSOR CHAIR

Smoothing the seat

Secure the seat between two bench

always follow the grain (righil Use a

con-vex spokeshave, or travisher, to refine the

smoothness of the seat (photo page 7 l)

n Dishins out the seat

I I I I I

t

I I t I I I I I I I I I I I

8 6

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-t o p s u r f a c e f r o m t h e fl a t s e c t i o n a r o u n d

i t s c i r c u m f e r e n c e ( l e f t ) T h i s i s a d e c o

-r a t i v e g r o o v e d e s i g n e d t o s h a r p e n t h e

t r a n s i t i o n b e t w e e n t h e c u r v e d a n d f la t oortions of the seat.

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I I I I I I I I I I I t I I I I I t I I t I I t I I I I t I

tlt h legs, stretchers, and arm posts of

I a Wndsor chair can be shaoed with

a drawknife, but many woodworkers work with a lathe instead, using a story pole for each componenl (page 52) as a

A hand brace fixed with a spoon bit bores a mortise in one side stretcher

of a sack-backWindsor chair The mortise will house a tenon of the middle stretcher The mortise must

be angled; a spoon bit enables you

to start drilling the hole straight for the first'/ inch before tilting the tool to the correct angle.

guide to produce the turnings Refer to the illustration below for dimensions and use calipers to check key diameters as the work progresses Start by turning the legs and the arm posts But before you can turn the stretchers you have to bore the leg mortises in the seat and test-fit the legs in place By measuring the exact distance between the legs with the chair test-assembled, the stretchers can be sized with precision.

The tenons that join the pieces together-at the top ends of the legs, the bottoms of the arm posts, and at both ends of the stretcheri-are tapered to lock the tenons into their mortises.

ANATOMY OF THE LEGS, ARM POSTS, AND STRETCHERS

LEG

MIDDLE 5TRETCHER

SIDE STRETCHER

Note: All dimeneione aredia meters, etae pt wh e reapeaified ao length

ARM PO9T

8 8

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I I

t t

I I I I I I

t

I

t I I I

r) Drilling the leg mortises

r e m a i n i n g l e g m o r t i s e s

90

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WINDSOR CHAIR

f, Sizing the side stretchers

.-,1 Set the seat-and-leg assembly on a work surface and

I I I t I I I I I I t I I I t I I t I I t I I I

r

t t I t I

9 2

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t h e c h a i r O n c e t h e m i d d l e s t r e t c h e r i s

r e a d y , p l a c e a s t r a i g h t e d g e o n th e w o r k surface along one front and rear leg of the

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ASSEMBLING THE CHAIR

i\ lthough the stretchers are glued to

A the legs and the legs are glued to the seat in separate steps, these procedures must be completed in quick succession for the chair to be symmetrical and well balanced To make glue-up go easier, test-fit all the joints and correct any ill- fitting ones, then label the legs before applying any glue to the pieces.

Once the legs are fixed to the seat, the top ends of the legs are kerfed and wedges are inserted into the cuts to rein- force the joints (page 96).The arm posts are installed next, then the arm is set in place, fastened to the arm posts with round mortise-and-tenons The final steps of the assembly are installing the spindles and the bow (page 9B).

I T t I I I I I I t T I I t I I I I I I I I I I I t I I t I

GLUING THE LEGS AND STRETCHERS TO THE SEAT

Once the stretchers have been glued

to the legs and the legs fixed to the

seat, it is time to trim the legs to the

same length The technique shown

above involves cutting four wood

blocks from a single board, then

notching one of them to fit around a

Ieg Place theblock around the first

Ieg to be cut, then, holding the leg

firmly with one hand, cut it to length

with a flush-cutting saw Once the

first leg is trimmed, remove the

notched block and replace it with

one of the remaining blocks Position

the notched piece around the next

leg and cut it Continue in the same

way until all four legs are cut.

1 Drilling the stretchel mortises in the legs

I W i t f r t h e c h a i r t e s t - a s s e m b l e d , p o s r t i o n t h e s i d e s t r e t c h e r s o n th e I e g s a n d

m a r k t h e i r l o c a t i o n s T h e n r e m o v e t h e le g s f r o m t h e s e a t a n d s e c u r e o n e i n a v i s e Because the legs are raked to the front and back of the chair, the stretcher mortises

i n th e le g s m u s t b e a n g l e d A d j u s t a s l i d i n g b e v e l t o th e c o r r e c t a n g l e , r e f e r r i n g t o

t h e a n a t o m y i l l u s t r a t i o n o n p a g e 7 3 F o r t h e fr o n t l e g s t h e a n g l e i s 1 5 " fr o m t h e

v e r t i c a l ; f o r t h e r e a r l e g s , i t i s 2 0 " In s t a l l a s p o o n b i t in a h a n d b r a c e , s e t t h e s l i d

-i n g b e v e l o n th e b e n c h t o p , a n d k e e p t h e b r a c e a l i g n e d w i t h t h e b e v e l b l a d e a s y o u drill each mortise bbove),

94

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y o u d r i v e t h e m i n t o t h e i r m o r t i s e s , s e t the seat upside down on wood blocks on

y o u r w o r k s u r f a c e F i t th e le g s i n t o t h e i r

m o r t i s e s b y h a n d , t h e n f in i s h t h e jo b w i t h the dead-blow hammer (left).

9 5

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WINDSOR CHAIR

1l Kerling the leg tenons for wedges

-t The leg tenons in the seat are wedged,

f, Tapping in the tenon wedges

r-,1 Cut hardwood wedses to f it into the

hammer (below) Let the glue set, then

trim the wedges even with the end of the

96

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INSTALLING THE ARM

r) Boring the mortises for the arm posts

L Clamo the arm to a work surface with

-tises in the seat (nase \ r s b e r91).

1 Marking the arm post

I mortises on the arm

I n s t a l l t h e a r m p o s t s a s y o u d i d th e le g s , referring to the anatomy illustration (page 73) f or Ihe angles at wh ich the posts splay

o u t to t h e s i d e s a n d ra k e t o t h e fr o n t o f

t h e s e a t D r i l l t h e c o m p o u n d - a n g l e m o r tises for the posts in the seat, then set the

9 7

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WINDSOR CHAIR

I N S T A L L I N G T H E S P I N D L E S

'l Marking the center spindle

I location on the arm

its location on the top face (right).

r) Marking the remaining

L spindle locations

A d j u s t a s e t o f c a l i p e r s t o t h e d is t a n c e

b e t w e e n t h e c e n t e r s o i n d l e a n d t h e

adjacent ones (page 73) and mark their

locations on the arm (below) Repeat for

r

I t I t I I I

9 8

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bevel blade to bore the holes (rueht).

Gluing the arm posts and spindles to the seat

s e a t S p r e a d s o m e a d h e s i v e o n th e s p i n

-d l e t e n o n s a n d i n th e i r s e a t m o r t i s e s , a n d

o n th e to p e n d s o f th e a r m p o s t s a n d in

t h e i r m o r t i s e s i n th e a r m , t h e n f i t th e s p i n dle assembly onto the seat (/eft) Use a dead-blow hammer to tap the arm between

-e a c h o f th e s p i n d l e s t o s e a t t h e s p i n d l e and arm oost tenons fullv in their mortises.

99

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WINDSOR CHAIR

f, Wedging the arm posts and shoft spindles r.,/ The too ends of the short spindles and both ends of the arm posts are wedged in their mortises Starting with the chair right-

s i d e u p , c h i s e l k e r f s i n t o t h e t o p e n d s o f th e s h o r t s p i n d l e s a n d arm posts, making the cuts perpendicular to the wood grain of the arm, then tap a wedge into each cuI (left); follow the same proce- dure used for the leg lenons (page 96).furn the chair over and repeai to wedge the tenons at the bottom ends of the arm posts hbove) Trim the wedges and tenons flush with the seat surface.

I I I I I I I t t I I I I I I t T I I I t I I I I I I I I I

INSTALTING THE BOW

1 Markine the bow ends on the arm

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r) Boring the center spindle

Z- mortise through the bow

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down along its lengh with a mallet to seat

the piece fully (ilghil Install wedges in

t h e t o p e n d s o f th e s p i n d l e s , r e p e a t i n g t h e

p r o c e d u r e u s e d f o r th e s h o r t s p i n d l e s

@age 100 Make sure the kerfs are

per-pendicular to the grain of the bow Trim the

t02

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rl- he traditional finish for Windsor

I chairs is milk paint, which is thin

enough to allow wood grain to show

through You can buy the paint in

pow-dered form and mix it with water or

make your own by following the recipe

presented below The blend provided

was used in colonial times as an

interi-or wall paint, which yielded a flat,

lus-terless finish that can be stained, oiled, or

waxed once the surface is dry To

pro-duce a semigloss sheen, egg whiteican

be added to the recipe Their use has a

long tradition in painting; egg tempera

paints were used by some of the great

Renaissance masters.

The ability of milk paint to produce

a finish that is both durable and

mois-ture-resistant is somewhat of a mystery,

but it is known that a chemical reaction

occurs between the lactic acid in the milk and the lime, which is a base; lime is not simply added as a thickener Skim milk is used because the fat in whole milk interferes with the curing process, reduc- ing the paint's durability Buttermilk or the whey from cheese-making were tra- ditional substitutes for whole milk.

A milk paint finish is beingbrushed onto a sack-back Windsor chair.

The transparency of milk paint, pared to other paints, along with its tendency to vary slightly in hue across

com-a surfcom-ace, complements the sculpted contours of the Windsor chair.

hand-The dark green shown at right is a traditional color for Windsors.

PREPARING A MILK PAINT FINISH

Combining and applying the ingredients

To make aboul 2 quarts of milk paint, wear gloves and pour 3

-o f v a r n i s h , s h e l l a c , o i l , o r w a x t o p r o t e c t t h e f in i s h

1 0 3

Trang 36

Made from mahogany with a clear lacquer finish, the

Queen Anne secretary shown at left marries elegance

with usefulness, crowning a slant-top desk with a

book-case to create a single, striking piece of furniture.

t

The weight of the fall-front in the secretary shown above is borne by a pair of supports called Iopers In the down position, the front becomes

a leather-Iined writing surface The removable pigeonhole unit is set atop the desk unit.

Both the desk and bookcase

Trang 37

ANATOMY OF A QUE,EN ANNE, SECRETARY I

r

DESK UNIT 1 0 9 ) Jotned Lo eidee wiLhToP

half-blind dovetaileTop of drawer seationFront edqe to hin4ed to fall-fronL:

ende ftt tnto qroove in carcaee etdee

Duet frame (page 112)9upporLe drawer AaEembledwtth plaLe jotnta; etde ptecee fiL

Loper (page 115)9upporte fall-front when tn down poeitron

Dowel 4lued tnLo tnatde face altdea tn elot

in loper houeinq: ptece jotned Lo fronL endwith eltdinq doveLail conceale end qrain

Loper houeingFeaturee slot Lhat qutdee loper;

t.op edqe ftte tnto qroove tn etde of drawer eectton Lop

under-Eack panel

Ftl,e tnto rabbete cut alonq back

ed7ee of carcaae panele

Fall-front (page 122)Hin4ed Lo Lop of draw-

er eecLion; servee aowntin4 eufface in down

featurea leaLher inlay

EottomJoined Lo aidee wil,hhalf'blind dovetatla

I I I I I I I I I I t t I I t I I I I I t I I I I I

Trang 38

, he major compoucuts of the Queen

Anne secretary are shorvr.r in

explocl-ed forrr in this section The most

elab-orate part-the desk rmit (poge 106) is

essentially a carcase lvith drawers, a

f-all-fi'ont and an opening fbr the pigeonhole

unit All the corner joints fbr the carc.lse,

the bookcase, ancl the drarvers are

dove-tailed The drarvels are supported b,v dust

fl'arres attaclieclto the sicles To allorv for

nrlrlcl n"ror,etr-tent as a result of changes in

QUEEN ANNE SECRETARY

huuridity, the frames are glLred to the sides only near the front; screu,s driven through elongated holes reinforce this connection The fall-front is flxed to the unit u,ith butt hinges To ease the strain

on the hinges when the fall-front is let

d o w n , a p a i r o f b o a r d s , c a l l e d i o p e r s , slide out to provide support.

The bookcase (below)is another id-panel cal'case with shelves, a back pan-

sol-el, and crown molding The shelves are

ftrll,v adjustable; the,v sit on pins that can

b e in s e r t e d a t a n y h e i g h t i n t h e s i d e s The glass doors that grace the bookcase ancl protect its contents are hinged to the side panels.

The pigeonhole unit (pnge 108) is a srraller carcase ll ith three drau,ers and a series of i,ertical dividels The unit rests atop the dralver section of the desk, lvith

s t r i p s o f m o l d i n g c o n c e a l i n g t h e g a p betleen the trvo.

Layered crown moldinq (page Ea)Eack rail

Tenone aL ends ftt tnLa morLteee tn etdee Face

i a n r n - r o 1 r n a r r n r y m n 4 a f e w o o d b u f to n o f o rLop; boLLom edge te rabbeted for back panel

Eack panelFitE tnLo rabbeLe cuL along

fl $f-;-

-S5

back ed7eo or carcabp paiet,

Front facing railFrovidea baEe for moldin4;

joined to sidea with plaLe jointeShelf

eupporEFtte tntoaleeve tneert-

ed in holednlbd inetde panel

9ideJotned tobaltltam withhalf'blrnddoveLaile

Bottom railGlued to back ed7e of bot-tom panel; Lop edqe te rab'beLed for back panelEottom

Jotned Lo eidee wiLhhalf'blind dovetatle

door frame

RailTenone aLende fit int.o

ettle morLteee

t07

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