Colors don’t exist in a vacuum but are always seen with other colors.. Because of this, you can design a color- coordinated document based on the colors in any element on the page...
Trang 1Before & A f e r® BAmagazine.com i U X
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Howtoindtheperfectcolor
Hiddeninyourphotoisthecolorpaletteyouneed.Here’showtogetitout.
No single visual element has more effect on a viewer than color Color gets attention, sets a mood, sends a message
But what colors are the right
ones? The key is that color is
relational Colors don’t exist in
a vacuum but are always seen with other colors Because of this, you can design a color- coordinated document based
on the colors in any element
on the page Here’s how.
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Lookclose,closer,closest Every photo has a natural color palette First step is to ind it and organize it Zoom
in on your photo, and you’ll be astonished by how many colors you see
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Hair
JacketShadowside
Lightside
Pulloutthecolors Now extract colors with the eyedropper tool Work from the biggest color (the one you see most of) to the smallest For contrast, pick up dark, medium and light pixels of each.
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Tryeachoneon Place the photo on a swatch of each color The results are pretty, aren’t they? What’s fun
is that this will always look good, because the colors you’re using are already there.
WarmcolorsThesearethewarmcolors—
wouldbegoodforacos-message
CoolcolorsThecoolcolors—blues,
mainly—makeforamore
tionshipandconveyadirect,
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Addtothecolors The next step is to add more colors Select any of the colors, and locate it on the color wheel
The purpose of a color wheel is to show you a color’s relationship to other colors.
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Createcolorpalettes From your base color, you can now create an exciting range of coordinated color palettes
Values can mix For example, medium blue works with light teal and dark violet.
AnalogousOnecolorstepeithersideofthebase
colorareitsanalogouscolors.Analogous
green,blue,andblue-violet),which
colorsshareundertones(here,blue-createbeautiful,low-contrastharmony.
Analogouspalettesarerichandalways
easytoworkwith.
MonochromaticFirstarethedark,mediumandlight
chromaticpalette.Ithasnocolordepth,
valuesofthebasecolor.Thisisamono-butitprovidesthecontrastofdark,
mediumandlightthat’ssoimportant
togooddesign
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SplitcomplementOnestepeitherwayarethecomple-ment’sownanalogouscolors.This
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Analogous/complementColorsanalogoustoourbasecolormake
splitcomplementbutwithmorecolor.
monyonthewarmsideandsharp,icy
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message Weigh each against the original purpose by asking, which colors meet the goal?*
*Reviewthedesigngoalonpage2
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resultisaslightlylatterimage,becauseface,hairandback-(withundertonesoffreshness)
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Mitner
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
Typefaces1(a–b)TrajanBold|a)36pt,b)8pt2TrajanRegular|18pt
Images3Rubberball.com
Articleresources
Colors
C0M40Y60K0C100M60Y0K45C0M40Y100K0C0M90Y80K45C0M25Y60K0C60M0Y20K15C30M0Y12K0C100M90Y0K25C60M50Y0K15
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3
45
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1011
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Afterisdedicatedtomakinggraphicdesignunderstand-JohnMcWadePublisherandcreativedirectorGayeMcWadeAssociatepublisher
VincentPascualStaffdesignerDexterMarkAbelleraStaffdesignerEditorialboard GwenAmos,CarlWintherBefore&Aftermagazine
323LincolnStreet,Roseville,CA95678
Telephone916-784-3880
Fax916-784-3995 E-mailmailbox@bamagazine.com
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Trang 18No single visual element has more effect on a viewer than color Color gets attention, sets a mood, sends a message
But what colors are the right
ones? The key is that color is
relational Colors don’t exist in
a vacuum but are always seen with other colors Because of this, you can design a color-coordinated document based
on the colors in any element
on the page Here’s how
Trang 19Every photo has a natural color palette First step is to ind it and organize it Zoom
in on your photo, and you’ll be astonished by how many colors you see
Lightside
Pulloutthecolors Now extract colors with the eyedropper tool Work from the biggest color (the one you see most of) to the smallest For contrast, pick up dark, medium and light pixels of each
Trang 20Tryeachoneon Place the photo on a swatch of each color The results are pretty, aren’t they? What’s fun
is that this will always look good, because the colors you’re using are already there.
Warmcolors Thesearethewarmcolors—
wouldbegoodforacos-message.
Coolcolors Thecoolcolors—blues,
mainly—makeforamore
tionshipandconveyadirect,
The purpose of a color wheel is to show you a color’s relationship to other colors
Trang 21Createcolorpalettes From your base color, you can now create an exciting range of coordinated color palettes
Values can mix For example, medium blue works with light teal and dark violet.
Analogous Onecolorstepeithersideofthebase
colorareitsanalogouscolors.Analogous
green,blue,andblue-violet),which
colorsshareundertones(here,blue-createbeautiful,low-contrastharmony.
Analogouspalettesarerichandalways
easytoworkwith.
Monochromatic Firstarethedark,mediumandlight
Trang 22Analogous/complement Colorsanalogoustoourbasecolormake
splitcomplementbutwithmorecolor.
monyonthewarmsideandsharp,icy
message Weigh each against the original purpose by asking, which colors meet the goal?*
*Reviewthedesigngoalon page2
Trang 24resultisaslightlylatterimage,becauseface,hairandback-(withundertonesoffreshness).
Trang 25Typefaces 1(a–b) TrajanBold |a)36pt,b)8pt 2 TrajanRegular |18pt
Images 3 Rubberball.com
Articleresources
Colors C0M40Y60K0 C100M60Y0K45 C0M40Y100K0 C0M90Y80K45 C0M25Y60K0 C60M0Y20K15 C30M0Y12K0 C100M90Y0K25 C60M50Y0K15
4 5 6 7 8 9
10
11 12
Afterisdedicatedtomakinggraphicdesignunderstand-JohnMcWadePublisherandcreativedirector GayeMcWadeAssociatepublisher
VincentPascualStaffdesigner DexterMarkAbelleraStaffdesigner Editorialboard GwenAmos,CarlWinther Before&Aftermagazine
323LincolnStreet,Roseville,CA95678
Telephone916-784-3880
Fax916-784-3995 E-mailmailbox@bamagazine.com
6 7
10
11 9
4 12 4