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The expansive reach of the church Answer: c page 677 2.. Absence of excessive decoration and sensuousness Answer: a page 677 3.. It was seen as too ornate and strange Answer: d page 677

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Test Item File

for

Henry Sayre’s

The Humanities

Second Edition

Volume 2

by

Jennifer Rosti Roanoke College

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© 2011 by PEARSON EDUCATION, INC

Upper Saddle River, New Jersey 07458

All rights reserved

10 9 8 7 6 5 4 3 2 1 ISBN 0-20-501261-2 Printed in the United States of America

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Table of Contents

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Chapter 21: The Baroque in Italy:

The Church and Its Appeal Multiple Choice

1 What did Bernini aim to symbolize with his oval colonnade that encloses Vatican Square?

a The world converging at the church

b The classical tradition of the church

c The motherly arms of the church

d The expansive reach of the church

Answer: c page 677

2 What is a defining characteristic of Baroque art?

a Attention to viewers’ emotional experience of a work

b Return to the forms and proportions of classical art

c Focus on the symbolic meaning of a work

d Absence of excessive decoration and sensuousness

Answer: a page 677

3 What is the meaning of the Portuguese term barroco, from which “Baroque” likely derived?

a Flamboyant

b Misshapen pearl

c Ecstasy

d Sailor

Answer: b page 677

4 Why was Baroque originally used in a derogatory way to describe this new style?

a It was associated with the common people

b It was very expensive to create

c It defied the Council of Trent’s directives

d It was seen as too ornate and strange

Answer: d page 677

5 Why did the Baroque artists place elements on a diagonal, not the Renaissance frontal and parallel planes?

a To evoke a sense of depth

b To induce more defined shadows

c To produce a sense of action

d To provide more balance

Answer: c page 679

6 Why did Pope Urban VIII commission a baldachino (canopy) for Saint Peter’s interior?

a To cover Saint Paul’s tomb

b To define the altar space

c To crown the papal throne

d To encircle Michelangelo’s Pietà

Answer: b page 680

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7 Why did Bernini decorate the baldachino’s grooved columns with bronze vines?

a To symbolize the union of the Old and New Testaments

b To create a sense of naturalism on the columns

c To emphasize the blending of classical and Italian design

d To draw the viewers’ eyes upward along the spirals

Answer: a page 680

8 In his Cornaro Chapel sculptural program, with what did Bernini equate Saint Teresa’s religious visions?

a Spiritual rebirth

b Duality of body

c Sexual orgasm

d Ecstatic dancing

Answer: d page 682

9 Why did Bernini include theater boxes on each side his Cornaro Chapel sculptural program?

a To allow visitors to have a better view of Saint Teresa

b To create preferential seating for the Cornaro family

c To emphasize his design’s high drama

d To provide extra seating for the churchgoers

Answer: c page 681

10 What did Bernini intend his Four Rivers Fountain to represent?

a Triumph of the Roman Catholic Church over the world’s rivers

b Holy Roman Emperor Ferdinand III’s defeat of Egypt

c Domination of the Roman Catholic Church over paganism

d The Roman Catholic Church’s position as the center of the world

Answer: a page 683

11 While his coworkers constructed his designs, what hobby did Bernini pursue?

a Flower cultivation at the Villa Borghese

b Writing plays and designing stage sets

c Amateur archaeology in Rome’s ruins

d Composing canzonas for religious services

Answer: b page 683

12 How did Fra Andrea Pozzo create the highly dramatic space in Triumph of Saint Ignatius of

Loyola?

a Chiaroscuro

b Tenebrism

c Foreshortening

d Invisible complement

Answer: b page 686

13 Why did Caravaggio portray his subjects in The Calling of Saint Matthew in attire of his time, not

Jesus’s?

a To use richer colors and brushstrokes

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b To conform to other paintings in the series

c To enable the audience to identify with them

d To portray the painting’s patrons realistically

Answer: c page 690

14 What effect does Caravaggio achieve with light in The Calling of Saint Matthew?

a Transforms the calling into a miracle

b Identifies which of the subjects is Matthew

c Shows Jesus bringing the light to sinners

d Makes Jesus’s entrance seem threatening

Answer: a page 689

15 What technique that contrasts large areas of dark with smaller illuminated areas did Caravaggio master?

a Chiaroscuro

b Tenebrism

c Foreshortening

d Invisible complement

Answer: b page 690

16 Why was Artemesia Gentileschi so obsessed with the biblical story of Judith beheading

Holofernes that she painted five versions of it?

a Gentileschi was of Jewish descent

b Judith was the female equivalent of David

c Judith was a female artist

d Gentileschi had been raped

Answer: d page 692

17 Why was the division between the Council of Trent-rejected secular music and religious

compositions less pronounced in Venice?

a It traditionally had ignored papal authority

b It had a large Protestant population

c It was too far from Rome for any to notice

d It was not a part of the Holy Roman Empire

Answer: a page 694

18 Which of the following is not a way Giovanni Gabrieli aimed to make church music more

emotionally engaging?

a Playing two organs against each other

b Placing the four choirs in separate areas

c Adding the first all-female ensemble to the choir

d Using brass and wood instruments in the music

Answer: c page 694

19 What is the canzona’s dominant rhythm?

a Short-long

b Long-short-short

c Long-long

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d Short-long-long

Answer: b page 694

20 Why did Gabrieli organize his compositions around a single note—the tonic note?

a To heighten the sense of harmonic drama

b To allow more pitch for the voices

c To create effects of sonority in a cathedral

d To enable the words to be heard over the music

Answer: a page 694

21 What inspired the first operas?

a Gabrieli’s compositions

b Bernini’s plays

c The Venetian street processions

d Ancient Greek drama

Answer: d page 695

22 What Greek myth inspired Monteverdi’s first opera?

a Prometheus and Pandora

b Orpheus and Eurydice

c Paris and Helen of Troy

d Zeus and Leda

Answer: b page 696

23 Why were only girls in Venice’s orphanages given music instruction?

a Girls would handle the delicate instruments more gently

b It was assumed that boys would enter the labor force

c Girls required musical skill to secure a good marriage

d Venetian orphanages housed only girls

Answer: c page 697

24 Why did the orphanage directors hope audiences would be dazzled by the orphans’ musical performances?

a They would adopt the talented children

b They would buy tickets to their performances

c They would help find jobs for the orphans

d They would donate money to the orphanages

Answer: d page 697

25 Why is Vivaldi’s The Four Seasons known as program music?

a He composed it for one of the orphans’ performances, or programs

b Its purely instrumental music is connected to a story or idea

c Its episodes contrast back and forth with the musical score

d The music follows the program and rhythms of speech

Answer: b page 696

26 As reported in the chapter’s ”Continuity and Change“ section, why did Louis XIV reject Bernini’s design for a new façade for the Louvre?

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a It looked too similar to the Vatican colonnade

b It was too simple and classically inspired

c It would be too expensive to build

d It was too elaborate and ornate

Answer: d page 699

27 What did Louis XIV’s rejection of Bernini’s plan mark in European culture?

a The beginning of the Counter-Reformation

b The end of Italian art and architecture’s dominance

c The beginning of the Romantic period

d The end of classically-inspired designs

Answer: b page 699

Matching

28 Gian Lorenzo Bernini a Canzona Duodecimi Toni

29 Francesco Borromini b Conversion of Saint Paul

30 Caravaggio c Church of San Carlo alle Quattro Fontane

31 Giovanni Gabrieli d Four Rivers Fountain

32 Artemesia Gentileschi e The Four Seasons

34 Andrea Pozzo g Orfeo

35 Antonio Vivaldi h Triumph of Saint Ignatius of Loyola

Answers: 28-e, 29-c, 30-b, 31-a, 32-f, 33-g, 34-h, 35-e

Essay

36 Describe Bernini’s colonnade enclosure of Vatican Square, and explain how it defines the

Baroque style

37 Identify and describe three elements of Bernini’s Cornaro Chapel sculptural program that

illustrate the high drama of the Baroque

38 Compare Bernini’s Baroque David to Michelangelo’s Renaissance David, explaining how each is

representative of its respective period

39 Compare Andrea Pozzo’s Baroque Triumph of Saint Ignatius of Loyola to Michelangelo’s

Mannerist Last Judgment (Chap 24), explaining how each is representative of its respective

period

40 Define tenebrism, and explain Caravaggio’s use of it to provide drama to two of his works

41 Compare the sensual elements of Bernini’s Ecstasy of Saint Teresa to Caravaggio’s Conversion of

Saint Paul

42 List and analyze at least two reasons for Artemesia Gentileschi’s use of her self-portrait for Judith in her five paintings of the Jewish heroine’s story

43 List and explain two ways Giovanni Gabrieli made church music more emotionally engaging

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44 Provide a detailed explanation for the reasons opera developed during the Italian Baroque period

45 Using one sculpture, one painting, and one musical composition, explain the artists’

achievement of Baroque drama—the sense of action, excitement, and sensuality

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Chapter 22: The Secular Baroque in the North:

The Art of Observation Multiple Choice

1 What is the meaning of the Dutch word landschap, from which “landscape” derives?

a Flat

b Land form

c Farm

d Geography

Answer: b page 704

2 Why was portraiture especially popular with the middle-class seventeenth-century Dutch?

a Physical connection to their ancestors

b Only art acceptable to Dutch Reformed Church

c Affirmation of their financial well-being

d Expression of their dislike for lavish Baroque art

Answer: c page 704

3 Which of the following is not a contradiction of seventeenth-century Amsterdam residents?

a Advocated harmony among others, viciously warred with the Spanish

b Avidly collected art for homes, banned art in churches

c Intolerant of religious heresy among Protestants, tolerant of Catholics and Jews

d Obsessed with acquisition of material goods, rigidly austere in religious life

Answer: a page 705

4 Why did the Dutch rebel against the Spanish in 1567?

a The Spanish armada blockaded Amsterdam’s port

b Philip II transferred the Spanish banking from Amsterdam to Madrid

c The Spanish opened the dikes, flooding the Dutch farmland

d Philip II reorganized their churches under Catholic hierarchy

Answer: d page 705

5 From where did Europe receive the first load of tulip bulbs?

a China

b India

c Turkey

d The Congo

Answer: c page 706

6 What creates the “broken” tulip, so highly valued by the seventeenth-century Dutch?

a A virus

b Cross-breeding

c A mutation

d A fungus

Answer: a page 706

7 Why in 1637 did the Dutch economy come close to collapse?

a Widespread flooding of tulip fields

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b Frenzied speculation in tulip futures

c Rampant virus in tulip crop

d inflation caused by tulip craze

Answer: b page 706

8 What requirement did the Dutch state place on people in public service?

a Be a graduate of a Dutch university

b Not be involved in tulip investing

c Not be of Spanish descent

d Be a member of the Dutch Reformed Church

Answer: d page 707

9 Why in 1618 were some members expelled from the Dutch Reformed Church and even

imprisoned?

a Belief that good deeds could overcome predestination

b Refusal to convert from Calvinism to Dutch Reformed

c Belief that predestination was independent of faith

d Refusal to remove religious art from their churches

Answer: a page 707

10 What manner of inquiry did Francis Bacon advocate?

a Dialectic method

b Deductive reasoning

c Cartesian method

d Empirical method

Answer: d page 708

11 According to Francis Bacon, what were the greatest obstacles to human understanding?

a Lack of education and superstition

b Superstition and religion

c Religion and prejudice

d Prejudice and superstition

Answer: b page 708

12 Which of the following is not one of Bacon’s four major categories of false notion?

a Idols of the Market Place

b Idols of the Theater

c Idols of the Tribe

d Idols of the King

Answer: d page 708

13 What manner of inquiry did René Descartes advocate?

a Dialectic method

b Deductive reasoning

c Inductive reasoning

d Empirical method

Answer: b page 709

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14 According to Descartes, what was God?

a Pure love and total acceptance

b The mover of the universe

c The mathematical order of nature

d The determiner of a person’s destiny

Answer: c page 709

15 What branch of mathematics did Descartes found?

a Homological algebra

b Finite mathematics

c Calculus

d Analytic geometry

Answer: d page 709

16 Why were the Catholic and the Protestant Churches opposed to Kepler’s and Galileo’s

heliocentric theory?

a For contradicting certain biblical passages

b For resembling the pagan myths about Apollo

c For challenging belief in God as creator

d For implying the existence of other solar systems

Answer: a page 711

17 Of what does a vanitas painting remind the viewer?

a To avoid the pleasures of everyday life

b To appreciate the beauty in nature

c To focus on the spiritual, not the material

d To enjoy the pleasures of everyday life

Answer: c page 712

18 Why did Johannes Goedaert paint a broken and empty nautilus shell beside the vase in his

Flowers in a Wan-li Vase with Blue-Tit?

a To emphasize the exotic origin of the Ming vase

b To symbolize worldly wealth, vanity, and mortality

c To balance the bird on the canvas’s other side

d To parallel the shape of the tulips’ open blooms

Answer: b page 712

19 What do most of Jan Vermeer’s 34 painting depict?

a The symmetry of Dutch domestic architecture

b A moment in the domestic world of women

c National pride in Dutch land reclamation

d A civic institution’s membership at a particular time

Answer: b page 715

20 What might the pearls In Vermeer’s Woman with a Pearl Necklace represent?

a Wealth

b Foreign trade

c Purity

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d Greed

Answer: c page 715

21 In The Little Street why does Vermeer include a half-whitewashed wall and a mortar-filled

cracked façade?

a To show the tensions of domestic life

b To symbolize Protestants and Catholic division

c To emphasize the differences between two houses

d To acknowledge the disparity between classes

Answer: a page 716

22 Why was Rembrandt’s Captain Frans Banning Cocq Mustering His Company once mistitled The

Night Watch?

a It was covered with grime

b Captain Cocq was a Spanish spy

c Rembrandt never titled it

d The subject’s name was unknown

Answer: a page 718

23 Why was Rembrandt so interested in self-portraiture?

a He wished to emulate Albrecht Dürer’s self-portrait

b He suffered from an excess of vanity

c He aimed to document the changes age brought

d His own face provided the ideal practice subject

Answer: d page 719

24 Why in 1656 was Rembrandt forced to declare bankruptcy?

a His wife’s poor health created massive debt

b He had a gambling problem

c His paintings proved unpopular and did not sell

d He was notorious for living beyond his means

Answer: d page 719

25 In The Anatomy Lesson of Dr Tulp, why does Rembrandt illuminate the cadaver?

a To evoke the executed man’s similarity to Christ

b To enable the viewer to see the anatomical detail

c To highlight the impossibility of resurrection

d To draw the viewer’s eye to the painting’s center

Answer: c page 720

26 Why can Rembrandt’s late work Slaughtered Ox be viewed as optimistic?

a Soft light falls on the animal’s carcass

b The carcass suggests a feast to come

c The crucifixion pose implies redemption

d The maid in the doorway represents the Virgin

Answer: b page 722

27 What provided one of the main forms of entertainment at Dutch family gatherings?

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