nghiên cứu văn tự hán nôm trên đồ gốm sứ việt nam từ tk xv đến tk xix bản tóm tắt tiếng anh

In this period, the domestic scholars have published several works related toNom texts on ceramics, typically can mention the work of Vuong Hong Sen as: - La Chique de Betel et ANCIENS l

Table of Contents

INTRODUCTION 1

1 Reason 1

2 History issue 2

3 Subjects studied range 3

3.1 Study subjects 3

3.2 Research Scope 3

4 Rationale and methodological 4

4.1 Rationale 4

4.2 Research methods used 4

5 Donate new topics 4

6 In addition to the internal layout 4

CHAPTER 1: OVERVIEW OF RESEARCH OFFICE self- Nom CERAMICS FROM VIETNAM TO TK TK XV XIX 5

1.1 The study was published officially 5

1.1.1 Works published in the early twentieth century before 1945 5

1.1.2 Works published in 1945 - 1975 5

1.1.3 Works published in 1975 5

1.2 Material from museums, private collectors and the internet 6

1.2.1 Documentation from the local museum 6

1.2.2 Material from museums abroad Nom 6

1.2.3 Material from museums and private collections private 6

1.2.4 Materials through the Internet 6

Chapter 2: THE CHARACTERISTICS OF FORMS OF OFFICE IN ORDER Nom CERAMICS FROM VIETNAM TO XV century XIX century pottery 7

2.1 On some of the terms used on ceramic, porcelain 7

2.2 Characteristics of the method express written texts 7

2.3 Characteristics can text 8

2.4 Characteristics of types of texts (Han and Nom) 8

2.4 1 Characteristics of Nom layout on ceramic products, ceramic products 8

2 4.2 Characteristics of texts Nom Nom 9

2.4.2.1 Characteristics of Nom layout on ceramics 9

2.4.2 2 Classification and Nom Nom 9

2.5 Value of Nom scripts on ceramics from the fifteenth century - XIX 10

Chapter 3: THE CHARACTERISTICS OF THE CONTENTS OF OFFICE IN ORDER Nom ceramic FROM XV-TK XIX 11

3.1 Texts dating back only to understand the chronology of kings or product produced 11

3.1.1 Texts dating only offset king 12

3.1.2 Van itself can only follow detailed chronological record 12

3.1.3 Van itself can only follow detailed chronology dating combined with 12

3.2 Texts only museum where clause, paragraph and brand communications 12

3.2.1 Texts only visceral account 12

3.2.2 Texts only just lost touch paragraph 12

3.2.3 Texts only self-only brand brand 12

3.3 Document on threads from 12

3.3.1 Poetry, writing scripts 13

3.3.2 Poetry, writing kanji 13

3.4 The value of the content Nom texts on ceramic XV century - XIX 13

Chapter 4: SOME ISSUES ABOUT THE AUTHORS, AND CAN WORK IN CAN THO Spirit Pottery FROM VIETNAM TO TK From XV century XIX 15

4.1 Author artifact issues ceramic 15

4.2 issue the author works through poetry, literature 17

4.3 Spirit of poetry through ceramic, porcelain 19

RESEARCH CONCLUSIONS AND DIRECTIONS 21

INTRODUCTION

1 Reason

selected topics from the fifteenth century to the nineteenth century, the feudal dynasties inVietnam turns to power Each new dynasty appeared accompanied by the appearance of pottery itemsidiosyncratic of that dynasty So, in general antiques and antique ceramic particularly naturally becomemirrors for each historical period The evidence for each historical period through Ceramic requires us tograsp that dating of artifacts, antiques that are proven to be consistent with the historical period underconsideration There are many ways to find out our actual antiques dating, one of the ways of determiningthe age is considered to be fast and accurate through deed records dating artifacts on it However, mostresearchers antiques (especially ancient ceramics research) typically learn the material, pattern area, a fewthrough self-Nom documents to explain more specific examples built on artifacts that have taken Nomscript can do all the research in comparison, also as in-depth research, specifically through the ceramic

Over time, together with the volatility of historical, natural, social, antiques and pottery in Vietnamhas been eroded, but also day affirms the value of this historical document However, researchers are rarehistorical artifacts, Nom go into the systematic collection of texts Nom appear on ceramics from TKVietnam XV - XIX Thereby, building systems that are universal most issues Nom on ancient pottery in

Document on Nom on ancient pottery is one of the important materials to demonstrate a culture or acivilization there Through Nom scripts, we also know about the history of the village, the history of trade,diplomacy Especially the typical work Nom many variants as there are threads Gulf of value in thelearn about authors, works In addition, the study texts on ceramics Nom will open for us the way to buildand develop the systems perspective in research on learning autographs Vietnam ceramics from thefifteenth century to the nineteenth century

Van itself on Vietnam pottery appeared quite soon, however in the development process, they haveinfluenced the way Chinese ceramics processing So, when the ceramics division, modality texts,researchers at no confusion between Vietnam and China porcelain, pottery least mid-nineteenth to theearly eighteenth century Thus, the delimitation of porcelain and fine china Vietnam through texts willhelp clear delineation than two lines of this ceramic

In addition, the identification of ancient ceramics and characteristics of texts on each line ofceramic existing or conflicting opinions; many insights not enough scientific evidence in recognition ofthe cultural characteristics Nom self on ceramics from the XV century through the nineteenth century, thiswas a period space needs to be complemented in the future Thus, our work will contribute to the initialdepth and strings give the most general characteristics of Nom scripts on the ceramics, as well as distinctcharacteristics of each style threads bay, recording Nom script on her ceramics

Due to the subjective reasons and objective, many texts on the subject bay pottery valuable ancienttexts are studied in Vietnam neglect, or enhanced by material values by bringing antiques Therefore,antiques bleeding is pretty much synonymous Nom texts on valuable antiques history, literature, writingsalso learn a follow tomorrow However, in recent years, general antiques, antique pottery in particularVietnam gradually reserved and preserved Besides, at home and abroad have also emerged researchers

focused intensive research Nom script But many artifacts Han - Nom has not been studied, interpreted in

a systematic way

From the above practices, and to implement effective conservation objectives of cultural heritage

in the action program of the Party and the State implement the Resolution of the Central ExecutiveCommittee 5 (key VIII) "Build and develop Vietnam culture advanced, people deeply imbued nation "andConclusion Conference of the Central Executive Committee 10 (IXth) to continue the" Build and developVietnam culture advanced, imbued with national identity "Also, perform User Population: 73/HD-BGDDT-BVHTTDL of the Ministry of Education and Training and the Ministry of Culture, Sports andTourism As well as specifying Guide Number: 5977/BGDDT-GDTrH the Ministry of Education andTraining "V / v: Guiding the implementation of educational content at the local junior high and highschool levels in 2008-2009 school " Therefore, we studied subjects' self-Nom documents on ceramicVietnam XV century - XIX "

To highlight the value of Nom scripts on ancient ceramics Vietnam, we should be demandingorientation and compliance solutions, and concrete science for the conservation and promotion of theresidual value potential through texts Han - Nom on ceramic From there, build up Chinese writing system

- the core Nom on pottery, porcelain neck

2 History issue

work study and collecting ceramic Vietnam have already Nom scripts researchers started veryearly, at the beginning of the twentieth century So far, the research and publication of ceramics, porcelaintexts Vietnam has achieved many accomplishments As can be seen, the research process has gonethrough periods:

- First Period: From 1945 to the early twentieth century

- Second Period: From 1945 to 1975

- Third Period: From 1975 to the present

In the first period, the experts of the Far East Institute has organized several waves of research,collectibles, antiques Khao Vietnam, but does not have the collective works of the Nom script, Nom deedrecorded only sporadically in a number of compiler research, said introducing artifacts general

Typical results can include collection, research activities within the scope of the French Institute ofthe Far Northeast, through two research areas and published collection, collect artifacts of Louis FinotMuseum Hanoi These include the works: "Tho Ha pottery at the top and those at Bat Trang flavor" ofClement.Huet, "An Outline of Southern art" of L.Bezacier

The overseas projects may include "La question de la Ceramique et les Bleus de en Annam Hue"Chochod Louis, "Le Bulletin des Amis du Vieux Hue" of L Cadiere

summary, early ceramics of Vietnam script was in Far East Institute is collecting and resources foryou today However, many recorded content, description, transcribed texts significantly different than thecontent texts on ceramic products, ceramic and authors often make subjective interpretations

In the period No 2, 1945, marks the beginning of a new stage in Nom script research on ceramics,Vietnam's ambassador to the country the Democratic Republic of Vietnam was born Meanwhile,

scientists at the Far East Institute in Vietnam have been cooperating with the new government of national

as well as local scientists to pursue projects in Southeast Asia: Buddhist studies religion, language,literature, ethnography In this period, the domestic scholars have published several works related toNom texts on ceramics, typically can mention the work of Vuong Hong Sen as:

- La Chique de Betel et ANCIENS les pots à Chaux du Viet-Nam (1950)

-breathtaking ancient hobby (1971)

- Survey of ancient Chinese porcelain (1972)

- Jingdezhen training record (1972)

- player's handbook breathtaking ancient (1972)

In this period, many ceramic texts are national property registration and exhibiting organizations.Thereby a large portion artifacts texts have been published over the article published in the journal Culturemagazine and published a number of works such as "History of Vietnam art" of Nguyen Phi diaphragm,one has there is a separate chapter devoted to Bat Trang pottery

This time, the influence of the resistance war against French colonialists made the collection andpublication of texts exhibit very difficult Nom Since then, led to the study of texts Nom on ceramic notdeserve developed as inherent material

The third period: In addition to Hanoi History Museum is the local museum as Hai Phong, NamDinh, Hue royal art has gradually improved profile artifacts The findings and results of new research

on ceramic Vietnam had texts published in many journals such as Archaeology, Fine Arts, Nom, Then andNow, History The collective record weak in specialized workshop also printed, especially "The newdiscovery of archaeological" Announcement science education announcement Nom The individualworks published notable "Chu Dau Pottery" on the third floor of Hengshan, "Handbook of Vietnampottery inscriptions XV century - XIX" by Nguyen Dinh War, "Nguyen Dynasty style porcelain signed"

by Tran Duc Anh Son and a number of ceramic works of the author Hue Tran Dinh Son Tung and Pham

Through research Nom texts on ceramics from the fifteenth century Vietnam - XIX to help identify

cultural values, history, literature Classification, referral, translation and proceed to grasp the content andbasic characteristics of the writing system on ceramic Nom Vietnam XV century - XIX Thereby, thestudy contributes to the village, tourism development, local cultural education As well as a betterunderstanding of the religious life history stages, each region, added to the system as written historicalrecords of the nation Initially proposed a number of measures to preserve and promote the value of texts

on ancient ceramics Vietnam

Through Nom scripts to identify antique porcelain and pottery characteristic of texts on each line

of ceramic, porcelain, here is a gap needs to be complemented Therefore, we will work to nail the writingsystem Nom on ceramic, porcelain and initially launched the most common characteristic of Nom scripts

on the ceramics, as well as its typical of each type of Nom scripts on the line ceramic that

4 Rationale and methodological

4.2 Research methods used

topics fieldwork methodology, analysis, synthesis

Survey methodology, describe, compare, compare

Learning method Nom documents

Interdisciplinary method: Museology, History, Culture learning

5 Donate new topics

Results of the study will help identify the potential value of self-Nom documents on Vietnamceramics from the fifteenth century - XIX, clarify issues of history, culture , literature

Helps recognize true, author of ceramic, porcelain neck through writing system Give the name for each type of texts, each type of localized texts on ceramic products, ceramic XV-XIXcentury

Formalized Nom scripts on Vietnam's ceramics XV century - XIX, thereby building resourcesauthentic value

Contributing to local educational and cultural tourism development, contributing to theconservation and promotion of cultural values Nom self in the new era Contributing to enrich resources in the same field and to study the related subjects The theme could be the player handbook for antiques, especially pottery and porcelain in the comparison

of content, form and characteristics of the scripts on the production of the same type

6 In addition to the internal layout

preamble above mentioned topics will be developed into four chapters, conclusions, list ofreferences and appendices

CHAPTER 1: OVERVIEW OF RESEARCH OFFICE self- Nom CERAMICS FROM VIETNAM

TO TK TK XV XIX

1.1 The study was published officially

From the early twentieth century, many research texts Han - Nom ceramic appeared, each onestage, the author studies the aspects, the level of different, but their contribution to the systemdocumentation Han - Nom ceramic very admirable Vietnam important, even initially works onlyintroductory and simple translation but also brings a new outlook to system documentation Han - Nomceramic Vietnam that period

1.1.1 Works published in the early twentieth century before 1945

Louis Chochod Typically there with "La question de la Ceramique et les Bleus de en Annam Hue";L.Cadiere with "Le Bulletin des Amis du Vieux Hue" The friends of Hue, Cl Huet had monograph onTho Ha and Bat Trang pottery

Mostly, the published material from the early twentieth century before 1945 often stop in thesurvey, introducing each exhibit sporadic texts, not the works adequately addressed, or generalizedcharacteristics texts Han - Nom Through reference material, we initially noticed, recorded contents,descriptions, texts transcribed significantly different than the content texts on ceramic products, ceramicand authors often make is Prize is subjective

1.1.2 Works published in 1945 - 1975

Vuong Hong Sen Typically there with La Chique de Betel et les pots ANCIENS à Chaux du Nam (1950); breathtaking ancient hobby (1971); player's handbook neck Breathtaking (1972) Nguyen PhiHoanh with "Vietnam Fine Arts History" Truong Vinh Cam "Play antiques and antique play"

Viet-Around the year from 1945 to 1975, the study of texts Han - Nom ceramic Vietnam to developthan before but still stop at the introduction and translation estimates nature of texts Han - Nom rather than

a scientific system school Part of the reason may be due to the resistance war against French colonialistsmade collecting difficult material, so the collection, study of texts Han - Nom ceramic has not been aworthy development

1.1.3 Works published in 1975

First may be mentioned "carving through the pedal Vietnam" published by the Institute of FineArts; then, Dean F Frasche wrote "Southeast Asian Ceramics Ninth through seventeenth centuries ";Vuong Hong Sen announced: The porcelain ceramics by bringing about, Handbook of breathtakingancient players, Survey of porcelain from the preliminary post-Le Nguyen, The use of porcelain otheragencies, pragmatics, Study in porcelain enamel blue Hue Nguyen Dinh Chien is: "Handbook of Vietnampottery inscriptions century XV - XIX "; Phan Huy Le and Nguyen Quang Ngoc, Nguyen Dinh Chienannounced" Bat Trang ceramics XIV-XIX century "; Pham Quoc Quan" 2000 years of ceramic Vietnam

"

source materials published since 1975 So far the system has a history of water through ceramic,porcelain, historical introduction villages, patterns, styles Typical of ceramic over each period Besides,the authors also made major contributions to the literature exploring self Han - Nom on ceramic Anumber of researchers have published the monographs, texts and treatises on Han - Nom on ceramic.There is much work to contribute significantly in research texts Han - Nom ceramic Vietnam XV century

- XIX However, the work, the article will only mention a few works of Han - Nom typical that noresearch monograph does research on Chinese characteristics texts - Nom on ceramic

1.2 Material from museums, private collectors and the internet

1.2.1 Documentation from the local museum

Also printed materials, the study of the sources Han - Nom ceramic Vietnam XV century - XIX inthe domestic and foreign museums also remarkable This is hard work, requiring effort and money, so thedisplay through the introduction of artifacts and records artifacts at the museum to study together We canthrough resources at the museum: Vietnam History Museum, Vietnam Museum of Fine Arts, Museum ofRoyal Fine Arts in Hue, Vietnam History Museum - Ho Chi Minh City, Bao Hanoi Museum

1.2.2 Material from museums abroad Nom

source material in foreign museums plentiful, thanks to the power of the artifacts in foreignmuseums but not at researchers, foreign scholars have completed the study of ceramic Vietnam withouthaving to Vietnam research These include: the Royal Museum of Art and History in Brussels, Belgium;Guimet Museum in Paris, Dresden Museum of Art, Museum of Ethnology (DTH) Munich (Germany),Museum of Fine Arts Boston in Boston, Massachusetts, Fukuoka Art Museum and the Museum ofCeramics, porcelain Kyushu, MAK Museum (Vienna, Austria)

1.2.3 Material from museums and private collections private

In addition to the national museum and the national museum outside of the country, the privatemuseums and private collections also contributed a very important part in saving keep the artifactsceramic Vietnam have scripts Han - Nom This is a very rich source material, although they were scatteredsporadically Notably, the collection of: collection of ceramic Vietnam's overseas Jochen May, the privatemuseum of the Nguyen Dynasty style porcelain sign at 114 Mai Thuc Loan Street, Hue City by theresearchers, antiques collector Tran Dinh Son are set up, the private museum of Mr Van Van Tran NgocLam is next Bat Trang village, Hoang Long Artifacts Museum (Thanh Hoa) by Hoang Van Thong,collection of Doan Tuan Anh (Hanoi), Collection of Bat Trang pottery collector Vu Tan (Hanoi), Chu Daupottery collection on the shipwreck of the study, collecting antiques Dao Phan Long Some researchershave large collection of porcelain placed on the type of king, lord Vietnam may include porcelaincollection of Barbie Tung Pham, Nguyen Van Quynh, Nguyen Thanh Tuyen

1.2.4 Materials through the Internet

In the era of information technology as now, those who have common interests usually establishedward meeting on the Internet, individuals with expertise in a number of areas blogging, communicationthrough intrenet they not only share their experiences, provide information and data but also found asympathetic shared passion Currently, appeared on several internet sites that we believe that to be able toeasily search the documents and artifacts of ceramic, porcelain texts Han - Nom in a period where weneed to study

In general, sources Han - Nom ceramic Vietnam is plentiful, but they are scattered, notconcentrated Thus, each data source has its strengths and limitations But through it, we have providedthe best value for the core do research

State the general, Han Nom resources on ceramic Vietnam plentiful, but they are scattered, notconcentrated Thus, each data source has its strengths and limitations But through it, we have providedthe best value for the core do research

Recently, Han Nom texts on new ceramics and became more interested in studying specificsubjects in a number of works

Therefore, we will continue to work in Nom script research on ceramics through to learn aboutspecific forms of cultural self-Nom, Nom script content with these issues the author , through the ceramicworks of poetry and spirit on ceramics from the fifteenth century to the nineteenth century

Chapter 2: THE CHARACTERISTICS OF FORMS OF OFFICE IN ORDER Nom CERAMICS FROM VIETNAM TO XV century XIX century pottery

History Vietnam has a relatively developed in parallel with the development of Chinese ceramicsStates, in terms of shape and can dance, especially from the Han Dynasty onwards However, that's notceramic Vietnam not carry identity of the Vietnamese that the elements are shown on ceramic Vietnamhas characterized the culture of Vietnam Although influenced by Chinese culture, but when introducedinto Vietnam, our ancestors had to turn the scripts to create the Han Nom, a distinctive way of deed ofVietnam

2.1 On some of the terms used on ceramic, porcelain

In China, the term texts on ceramic is called with a name familiar: "U.S pressure" 花 押, "Painterpressure" 画押, "Clause" 款, "Lost Clause" 落款 and "expenses" 款 识 " In Vietnam, the term of Han -Nom write on ceramic, porcelain and how many views identifier Researchers antiques Vuong Hong Sencalled "Test Subject" (诗 题) [Verse], Ha Van Tan, Nguyen Dinh Chien called "Ming writer" ( 铭文)[Inscription], Tung Pham Hy-called "performance problem "(号 题) [Marks], Tran Duc Anh Son referred

to as" self "(文字) [Script], including a performance problem (号 题) [marks] and poetry (诗文) [Proseand verse]; Tran Hung called "Calligraphy, calligraphy" (书法, 书画) [Calligraphy, graphics Letter] Interms of identity terms, we have the author agreed with Tran Duc Anh Son

2.2 Characteristics of the method express written texts

The Han - Nom ceramic Vietnam fifteenth to the nineteenth century, judging from the writing area(Physical, 体, writing froms), we can see two ways is used to write key: Simplified spelling (简 体) inChinese modern style and traditional way of writing (繁 体) in accordance with ancient Chinese writing

Also in terms of writing, we still can see some single letters (单体), also known as sub-description(小写), how to write complex (复 体), also known as Colonel, written quotation (大写) and how to write ashort (短 体), also known as a short description (短 写)

However, when considering characteristics texts Han - Nom ceramic Vietnam XV century - XIX,

in block letters forming characteristics, we found, the pottery village artisans using methods primarily as:

The first type, a form of eczema using quill pen writing on bone ceramic, enamelled before or afterGovernment yeast can also sign up dots stamping products This form, we tentatively called "Binh self"

( 平 字 ) [Flat Writing], represents the "flat text" on products The second type, the form of a pen tip, or a material hard enough to engrave bone ceramic sink lower, thiskind may be bare or enamelled then before firing This form, we tentatively called "Ao self" (凹 字) [Sinkwriting], represents the "bird" on the product

The third type, form fill, Letter on body casting ceramic products, this category can be usedmanually, or molds This form, we tentatively called "sudden death" ( 凸 字 ) [Embossed writing],represents the "Braille" on products

The Fourth Kind, the written form of self-carving holes, build and own separate section forming apattern on product shape and highlight text on the product itself This form, we tentatively called "Bambooself" (筑 字) [building word], represents the "word up" on products

For each type will show us a few lines characteristic of ceramic products, ceramic from thefifteenth century to the nineteenth century

2.3 Characteristics can text

Considering the type of texts, writing style (Letters, 书 , writing styles), we can identify thecharacteristics of the scripts in this phase can be expressed in five major writing:

- Body Seal (篆书), Terms (隶书), Yuan (楷书), sports (草书), Physical Activities (行书)

Each word will be brought to a common vision for deed Han Nom phase ceramics from TK XV XIX

-2.4 Characteristics of types of texts (Han and Nom)

Most documents that appear on ceramic XV-XIX century the Chinese characters, so the richness

of Chinese texts shown on the product diversity Ceramic, porcelain this stage is very ordinary From Kanjiform a word, two words, three words do not mean a full verse, documents that are largely's mark, or thename used for the purpose for landscape, it can form Chinese characters fulfill an essay, poetry, alsoappears extensive On ceramic products, kanji are used to record the name of the land, the creator name orproduct merit, besides, we also carry a full range of other content We have a common characteristiccircular punctuation is not recommended as on paper On some ceramic products have economic self-styleline breaks appear high station letters written to show respect

So far, we have not seen the script typeface appear odd independent nature's mark In this stage, afew interlocking ceramic products in question Kanji script name when the land, the name of merit, orproduct manufactured, typical of Bat Trang, Phu Lang TK XVI, XVII Nom XV century - XIX, in addition to traditional style (traditional style of kanji) are also used simplifiedwriting, or using abbreviated prompt to record the words mentioned above

2.4 1 Characteristics of Nom layout on ceramic products, ceramic products

On, consult the Nom appear as often as the worshiping objects (incense burners, incense ) andappliances (Pore vases, bowls, plates, tea sets )

On the censer, incense, Nom texts appear sporadic, interwoven with Chinese script used to writethe name or place of merit The texts are usually arranged Nom bottom or sides of the base product

On the home appliances, XVIII century - XIX Nom presented mostly independent and poetry,most are located in the heart of the disc, a few are listed below the disk

Nom on the vase, bowls, tea cups, teapots, bowls cigarettes (the map is known as the verticalmaps) are often present behind the product

2 4.2 Characteristics of texts Nom Nom

Document on the appearance of independence on ceramics, we are able to present a completemeaningful poem, or a poem, verses, poems about landscape bay used to be product drawing above Nom

on stage porcelain from the nineteenth century to the fifteenth century focused primarily on two mainproduct lines: Furniture-style set of imperial and feudal Bat Trang pottery So far, we have not seen thescript typeface appear independent brand retail nature

2.4.2.1 Characteristics of Nom layout on ceramics

On ceramic products Nom texts appear as often as the artifacts themselves Butcher (incenseburners, incense ) and appliances (vase , bowls, plates, tea sets )

On the censer, incense, Nom texts appear sporadic, interwoven with Chinese script used to writethe name or place of merit The texts are usually arranged Nom bottom or sides of the base product

On the home appliances, TK XVIII - XIX Nom presented mostly independent and poetry, most arelocated in the heart of the disc, a few are listed below the disk Nom on the vase, bowls, tea cups, teapots,bowls cigarettes (the map is known as the vertical maps) are often present behind the product

2.4.2 2 Classification and Nom Nom

featured on ceramic has many features not coincide with the script on paper, wood However,when considering the structure of the script, each author based on specific criteria , plans divided into 4categories, plans to split into 24 categories, each option has advantages and personal limitations Nom onceramic has many features not coincide with the script on paper, wood However, when considering thestructure of the script, each author based on its own criteria, a plan divided into four categories, plans tosplit into 24 categories, each option has its own advantages and limitations In our classification above wesee Nom classification in the form of 10 categories in accordance with the script on a ceramic, porcelainover

A regular feature in the script is a lot of negative words can read, a word has many differentspellings This one is easy to find on the ceramic products, ceramic, especially on porcelain, which areconsidered civil known as the "street furniture" Unstable phenomenon appears not much on advancedceramic products, ceramic aka placed feudal imperial style, but on the civil porcelain interior, the threestars, the relatively more

- Signature Nom on ceramics while preserving ancient code word Through the phenomenon: Thephenomenon started recording Nom Vietnamese ancient record Nom Nom Vietnamese alphabet neck andneck TERM

On the record here are some characteristics of the script on pottery and porcelain that we justpresented , may be the problem we propose not cover the characteristics of the script on pottery, porcelain,part of because our resources are not fully collected, also due to many interpretations, so the need for anyadditional update later is essential However, one thing that we believe that the problem Nom on ceramics

is relatively new and is also a relatively empty land Therefore, to have a more comprehensive view, wecan hardly do in an early, one-way Recognizing this should be the first step we would stop at theseissues

2.5 Value of Nom scripts on ceramics from the fifteenth century - XIX

The study of the possible words Nom Vietnam on ceramics from the fifteenth century - XIX notonly help classify, identify and generalize the most distinctive elements of the letters that passed to thecharacteristics of each deed form will help us dating more specific as to the origin of ancient that the studymaterial, collection should be considered

Values may be mentioned first is aesthetic and create value for antiques ceramic, porcelain, oldpeople are considered important because the kanji script and consider it as a hobby, so have the oraltradition: "First words, binary thatch, clay, porcelain quartet" (pun Firstly, the second war games, crockeryplay Tuesday, Wednesday play porcelain) Therefore, since the appearance of artifacts, texts have beenshown Nom mendacity, aesthetic rather than clarify meaning On a lot of antiques Bat Trang, texts Nomrole decorations for products, namely on an antiques only texts in the frame with many different styles, inaddition no details other accessories included

An artifact known as flawlessly meet the aesthetic value and material value, they must be "Japan,Turkey, tam exam, magnetize" (First to the neck, the second must be logged strange, Tuesday shall have apoetry fourth, have paintings) This is one of the values that the majority of collectors, especially theantiques dealer recognized the Nom script on pottery and porcelain As with the study of texts on ceramicsNom, the value of self-Nom documents also reflected in many other ways

Through Nom characteristics texts dating of artifacts: About datable through culturalcharacteristics of self-Nom can see we have very high reliability, because the characteristics of texts onceramics , not fabricated porcelain, rarely duplicated displacement (engraving), a few are engraved afterproduct oven used to mark or record number However, the characteristics of this typeface are easy torecognize because the inscriptions do not eat into the inherent composition of the product, even withcultural differences at the root of the product itself For example, the word comes to features ratio canappreciate antiques dating back to the second half of the eighteenth and nineteenth century, or thestructural characteristics of the path itself can get artifacts that belong to the Le Trung Hung

Many analysts have Research is of the opinion that, given the characteristics of the text can beperceived characteristics of Chinese calligraphy Nom on ceramic So, whilst speaking in the style, butbesides that there are many other subtypes Like rabbits, Phuc letters on ceramic processing stage, thenatural and cultural However, potters in Vietnam in general show much rather be writing many types ofwriting Each time the style in vogue a few style written through dating can write pretty accurate Forexample, the type of seal embossed letter a lowercase more prevalent in the latter half of the nineteenthcentury, especially in the Bat Trang pottery

About localized products: The products reviewed on localized texts are very importantcharacteristics important, to avoid confusion for the line of ceramic, porcelain, thereby avoid beingconfused between imitation antiques and antiquities For example, sudden death style and architectureitself, when it comes to these two characteristics will give us even thinking of localized product potteryand porcelain products as mentioned Doai market Pottery is Striking map of Bat Trang, Phu Langsixteenth century and seventeenth-century porcelain set type XVIII

Signature stamps appear on ceramic single word also appears valid only on porcelain Canporcelain two letters on this verse form letters should also be considered to help differentiate products forthe rapid and accurate Or mention the word single stamps ceramic products are not any products typical

of Phu Lang, Tho Ha Referring to the letter, the rate is still more typical of the style porcelain set ofNguyen dynasty

comments feature will give us self-localized products enamelled tech Loi said it was self-ceramicproducts, more specifically, the Bat Trang and Phu Lang

The above are a few values through cultural characteristics of self-Nom, the value may alsocontain multiple and hidden deep inside each artifact, but immediate visible values through culturalcharacteristics of Nom initial order we would be closing as just described above

The researchers sum up the characteristics of selfNom documents from the fifteenth century XIX, not only helps us to have more awareness of Vietnam Ceramic line of type, style, theme decor butalso helps we have more basis in truth assessment, fake antiques in terms of analyzing characteristics eachtype of deed

-It can be seen from the XV century - XIX, Nom texts appear on ceramic rich from a few dozenletters to words (common) or hundreds of letters (rare) Most texts are expressed more in Han, Nomappear less quantity However, through the characteristics of self-Nom documents on ceramic Vietnamthis stage, in terms of presentation and knowledge we can see, the script was written mainly pay attention

to the balance of letters arranged more meaning is clearly written

Look at the characteristics of selfNom documents on ceramic phase from the fifteenth century XIX not only aims to systematize the Nom script which rich and complex, but also to explain in moredetail once again featured in many different aspects of self-Nom documents in specific stages can In theimmediate future, what do we have tried our best resources in the framework of interpretations andpossibilities This is just the first step we introduce an overview of typical Nom texts on ceramic Vietnam

-XV century - XIX Hopefully, in the future, we will continue to complement and further improvement inthe later works

Chapter 3: THE CHARACTERISTICS OF THE CONTENTS OF OFFICE IN ORDER Nom ceramic FROM XV-TK XIX

From very early Han texts were used for recording on ceramic From the Tang and Song onceramic products, ceramic decoration appeared in texts, pottery artisans who often use the word meaningauspicious Phuc, Loc, Tho to show the product Later on, when to turn Chinese texts, his father createdNom Nom and gradually is used on ceramic products, ceramic, porcelain products is set type By the time

Le, Trinh Nguyen, the artists have used texts Han - Nom ceramic as a definition becomes familiar andclose to the user On Nom script content on pottery, porcelain has some simple division sum nature, thecomplex nature detail, can be seen, until now, had split ways But here, we are pleased to offer a separatedivision

3.1 Texts dating back only to understand the chronology of kings or product produced

Texts only on pottery dating from the XV century Vietnam to the nineteenth century is abundant,

we only include texts dating to offset the king, according to the deed can only dating, spending and textsonly dating combination between the two forms