The Man Who Laughs VICTOR HUGO PART 2 BOOK 2 CHAPTER 12 doc

The Man Who Laughs VICTOR HUGO PART 2 BOOK 2 CHAPTER 12 Ursus the Poet Drags on Ursus the Philosopher Then Dea entered.. Sometimes, with the smattering of Spanish which every one kne

The Man Who Laughs VICTOR HUGO

PART 2 BOOK 2 CHAPTER 12

Ursus the Poet Drags on Ursus the

Philosopher

Then Dea entered He looked at her, and saw nothing but her This is love; one may be carried away for a moment by the importunity of some other idea, but the beloved one enters, and all that does not appertain to her presence immediately fades away, without her dreaming that perhaps she is effacing in us a world

Let us mention a circumstance In "Chaos Vanquished," the word monstruo,

addressed to Gwynplaine, displeased Dea Sometimes, with the smattering of Spanish which every one knew at the period, she took it into her head to replace it

by quiero, which signifies, "I wish it." Ursus tolerated, although not without an

expression of impatience, this alteration in his text He might have said to Dea, as

in our day Moessard said to Vissot, Tu manques de respect au repertoire

"The Laughing Man."

Such was the form of Gwynplaine's fame His name, Gwynplaine, little known at any time, had disappeared under his nickname, as his face had disappeared under its grin

His popularity was like his visage a mask

His name, however, was to be read on a large placard in front of the Green Box, which offered the crowd the following narrative composed by Ursus:

"Here is to be seen Gwynplaine, deserted at the age of ten, on the night of the 29th

of January, 1690, by the villainous Comprachicos, on the coast of Portland The little boy has grown up, and is called now, THE LAUGHING MAN."

The existence of these mountebanks was as an existence of lepers in a leper-house, and of the blessed in one of the Pleiades There was every day a sudden transition from the noisy exhibition outside, into the most complete seclusion Every evening they made their exit from this world They were like the dead, vanishing on

condition of being reborn next day A comedian is a revolving light, appearing one moment, disappearing the next, and existing for the public but as a phantom or a light, as his life circles round To exhibition succeeded isolation When the

performance was finished, whilst the audience were dispersing, and their murmur

of satisfaction was dying away in the streets, the Green Box shut up its platform, as

a fortress does its drawbridge, and all communication with mankind was cut off

On one side, the universe; on the other, the caravan; and this caravan contained liberty, clear consciences, courage, devotion, innocence, happiness, love all the constellations

Blindness having sight and deformity beloved sat side by side, hand pressing hand, brow touching brow, and whispered to each other, intoxicated with love

The compartment in the middle served two purposes for the public it was a stage, for the actors a dining-room

Ursus, ever delighting in comparisons, profited by the diversity of its uses to liken the central compartment in the Green Box to the arradach in an Abyssinian hut

Ursus counted the receipts, then they supped In love all is ideal In love, eating and drinking together affords opportunities for many sweet promiscuous touches,

by which a mouthful becomes a kiss They drank ale or wine from the same glass,

as they might drink dew out of the same lily Two souls in love are as full of grace

as two birds Gwynplaine waited on Dea, cut her bread, poured out her drink,

approached her too close

"Hum!" cried Ursus, and he turned away, his scolding melting into a smile

The wolf supped under the table, heedless of everything which did actually not concern his bone

Fibi and Vinos shared the repast, but gave little trouble These vagabonds, half wild and as uncouth as ever, spoke in the gipsy language to each other

At length Dea re-entered the women's apartment with Fibi and Vinos Ursus

chained up Homo under the Green Box; Gwynplaine looked after the horses, the lover becoming a groom, like a hero of Homer's or a paladin of Charlemagne's At midnight, all were asleep, except the wolf, who, alive to his responsibility, now and then opened an eye The next morning they met again They breakfasted

together, generally on ham and tea Tea was introduced into England in 1678 Then Dea, after the Spanish fashion, took a siesta, acting on the advice of Ursus, who considered her delicate, and slept some hours, while Gwynplaine and Ursus did all the little jobs of work, without and within, which their wandering life made

necessary Gwynplaine rarely wandered away from the Green Box, except on

unfrequented roads and in solitary places In cities he went out only at night,

disguised in a large, slouched hat, so as not to exhibit his face in the street

His face was to be seen uncovered only on the stage

The Green Box had frequented cities but little Gwynplaine at twenty-four had never seen towns larger than the Cinque Ports His renown, however, was

increasing It began to rise above the populace, and to percolate through higher ground Amongst those who were fond of, and ran after, strange foreign curiosities and prodigies, it was known that there was somewhere in existence, leading a wandering life, now here, now there, an extraordinary monster They talked about him, they sought him, they asked where he was The laughing man was becoming decidedly famous A certain lustre was reflected on "Chaos Vanquished."

So much so, that, one day, Ursus, being ambitious, said,

"We must go to London."