n Changing the color balance The Color Balance Adjustment tool allows you to adjust the balance between each color in the color channels with its complementary color.. n l Tone: A reall
Trang 1The image shown in Figure 13.3 can be found on this book’s Web site as Figure 13-3.psd You can open it in
Photoshop and try adjusting the exposure n
Changing the color balance
The Color Balance Adjustment tool allows you to adjust the balance between each color in the color channels with its complementary color Changing the color balance adjusts the overall hue of the color channel This allows you to quickly fix a single color that is out of place or adjust all the colors in the image
Tip
The Color Balance tool is extremely useful when you are trying to add color to a black and white image You
can select specific areas of the image and adjust the color balance to those areas to create color tones n
l Tone: A really nice feature of the Color Balance Adjustment tool, shown in the
Adjustments panel of Figure 13.5, is the ability to specify whether you want to adjust the color balance for the pixels in the highlights, midtones, or shadows range Separating the color balance into tonal ranges allows you to focus in on one specific tonal range, fixing the color for that range before moving on
l Color Sliders: To adjust the color balance, simply drag the color sliders to the left or right
to adjust the balance between each color and its complementary color Adjusting the bal-ance shifts the hue of the color, for example, from red to cyan or blue to yellow
l Preserve Luminosity: You can specify whether to preserve the luminosity, which
typi-cally is the best idea Preserving the luminosity forces the color balance adjustments to change so that the luminosity stays the same This keeps the color balance adjustments from washing out the image
The following example demonstrates how to use the Color Balance Adjustment tool to fix the col-ors in an image that has been overloaded with a single tone:
1 Open the image in Photoshop, as shown in Figure 13.4
The orange leaves of the background have really added a yellow hue to the entire image, and none of the colors really pop out
2 Select Window ➪ Adjustments from the main menu to load the Adjustments panel
shown in Figure 13.5.
3 Click the Color Balance button shown in Figure 13.5 to add a Color Balance
Adjustment layer to the image
The Color Balance pane appears, allowing you to adjust the color balance settings.
Trang 2FIGURE 13.4
This image has such intense orange in the leaves that it dominates the other tones in the image
4 Select the Highlights tone, adjust the Blue color up +10, and then adjust the Red
and Green colors down −5 to compensate
This brings more blue into the lighter pixels.
5 Next select the Shadows tone, adjust the Blue color up +20, and then adjust the Red
and Green tones down −5
This time we don’t compensate in the Red and Green channels as much because we want
the shadows to pop more with less yellow in them
6 Next select the Midtones tone, adjust the Blue up +10, and then adjust the Green
color down −10 to give the midtones a bit less green
The Red color stays the same for the Midtones because we don’t want to adjust the
skin tone
Trang 3Adding a Color Balance Adjustment layer to an image in Photoshop
7 View the resulting image as shown in Figure 13.6
Notice that the colors have much more depth and the tree and the boy really stand out
much better
Trang 4FIGURE 13.6
Adjusting the color balance allows other colors to pop out of an image that is over-dom-inated by a specific tone
On the Web Site
The image shown in Figure 13.6 can be found on this book’s Web site as Figure 13-6.psd You can open it in
Photoshop and see the how the adjustment makes the colors pop out better n
Making selective color adjustments
One advantage and disadvantage of the Color Balance tool is that it adjusts all the colors for the selected tonal range This is an advantage when you want to adjust all the pixels in a tonal range uniformly However, this presents a problem if you want to, say, adjust only the blues in the sky without adjusting the rest of the image
The Selective Color Adjustment tool, shown in Figure 13.8, allows you to adjust only the tones of
a specific color instead of a tonal range This allows you to focus on fixing the blues or greens or other colors individually using the following options:
l Colors: You can select the red, blue, green, cyan, magenta, yellow, white, black, or neutral
color tones to be adjusted Only the color tones that fall into the selected color are adjusted
Trang 5each color Use the slider or type the percentage using the text box.
l Relative: This specifies to use the amount of cyan, magenta, yellow, or black based on its
percentage of the total For example, if the total of all sliders is only 50 percent and cyan is set to 20 percent, the actual value used for cyan is 40 percent
l Absolute: This specifies to use the amount of cyan, magenta, yellow, or black based on its
absolute setting regardless of the total For example, if the total of all sliders is only 50 percent and cyan is set to 20 percent, the actual value used for cyan is only 20 percent
The following example demonstrates how to use the Selective Color Adjustment tool to enhance specific color tones in a photo:
1 Openthe image in Photoshop as shown in Figure 13.7.
The colors in this photo were really toned down due to the haze and the lack of a good filter on the camera
FIGURE 13.7
The colors in this image are really toned down from the natural setting
2 Select Window ➪ Adjustments from the main menu to load the Adjustments panel
shown in Figure 13.8.
Trang 63 Click the Selective Color button shown in Figure 13.8 to add a Selective Color
Adjustment layer to the image
The Selective Color pane appears, allowing you to adjust the individual colors.
4 Select Absolute as shown in Figure 13.8
This allows you to make more dramatic changes to the colors.
FIGURE 13.8
The Selective Color Adjustment in Photoshop
Trang 7as possible and the Magenta slider up +35% to make the red in the rocks come out
Notice that the change doesn’t affect the colors in the sky at all.
6 Then adjust the Black slider up 50% to bring out more detail in the red rocks.
7 Select Blues in the Colors drop-down list, and adjust the Cyan and Magenta sliders
up +60 to give the sky a deep blue
Notice that the change doesn’t affect the colors in the rocks at all.
8 View the resulting image as shown in Figure 13.9
Notice that the colors have much more depth The blues and reds now stand out much
more without an overcast to the other tones
FIGURE 13.9
Adding a Selective Color Adjustment layer to the image and adjusting the reds and blues allow you to restore much better color to a washed out image
Trang 8On the Web Site
The image shown in Figure 13.9 can be found on this book’s Web site as Figure13-9.psd Because the book is in
black and white, you can’t really see the adjustments in the image in the book Check out the file on the Web
site to really see the color change in effect You can open it in Photoshop and see the how the selective color
adjustment restores the reds and blues without affecting the other colors n
Applying photo filter to images
Photoshop provides the Photo Filter Adjustment tool to simulate using various color lens filters on photos Photographers use color lens filters to correct lighting problems or adjust the color temper-ature of photos Using color filters can fix photos that otherwise would have a color cast Using warming and cooling filters can enhance the tones in the photo
Using lens filters creates a couple of problems, though One is that because the light must pass through another medium, there is a reduction in the light reaching the camera The second is that the data in the photo is permanently altered by the adjustment made by the lens filter
The Photo Filter Adjustment tool allows you to make adjustments to images that simulate what the image would have looked like if a color filter had been used when the photo was taken The advantage of using Photoshop to apply the color adjustment is that the original photo data can remain intact in the original layer You also can tweak the density of the filter adjustments and try several different ones until you get it right You don’t get a second chance using lens filters in the field
Note
Using the Photo Filter tool gives you many more options and is easier than using actual lens filters However,
there is no real substitute for using the appropriate physical lens filter If you know you really need to use a
lens filter to correct a lighting problem and are confident in the results, use the physical filter to get a better
effect than Photoshop can provide n
To use the Photo Filter Adjustment tool, select Image ➪ Adjustments ➪ Photo Filter from the main menu to launch the Photo Filter dialog box, shown in Figure 13.10 Using the Photo Filter dialog box, you can make the following adjustments:
l Filter: This allows you to select from the predefined filters, including Warming Filter
(85), Warming Filter (LBA), Warming Filter (81), Cooling Filter (80), Cooling Filter (LBB), Cooling Filter (82), Red, Orange, Yellow, Green, Cyan, Blue, Violet, Magenta, Sepia, Deep Red, Deep Blue, Deep Emerald, Deep Yellow, and Underwater
l Color: This allows you to select a specific color instead of a predefined filter Clicking the
Color box allows you to use a color selector to select any of the colors Photoshop can pro-duce to use as a color filter
Trang 9effect on the image, but if you use too high a density, you begin to lose detail.
l Preserve Luminosity: You can specify whether to preserve the luminosity, which
typi-cally is the best idea Preserving the luminosity forces the filter adjustments to change such that the luminosity stays the same
FIGURE 13.10
Using the Photo Filter Adjustment tool, you can simulate the effect that using a color lens filter would have
had when the photo was taken You also can tweak the density and color of the filter
Replacing specific colors
Photoshop allows you to selectively replace an individual color in an image with another color
This allows you to adjust the tone of a specific color range or even replace it with another set of colors For example, you can replace a dull blue with a brighter blue or even bright yellow without changing the other colors in the image
The Replace Color Adjustment dialog box, shown in Figure 13.11, allows you to select a specific color and the tones around it and then select a replacement color The replacement color is applied
to the image replacing the original color tones without affecting any other colors