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Tiêu đề A Guide to Idioms
Tác giả Kay Cullen, Panny Hands, Una McGovern, John Wright
Trường học Chambers Harrap Publishers Ltd
Chuyên ngành Idioms
Thể loại guide
Năm xuất bản 2000
Thành phố Boston
Định dạng
Số trang 222
Dung lượng 10 MB

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bado have g o t it bad inform alYou say that someone has got it bad i f they are so much in love thatbago in the b a g 1 informalYou say that something is in the bag if it is certain to

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T H O I V I S O I M - - * -

AGuide to Idioms

Editors Kay Cullen, Panny Hands, Una M c G o v e rn and John Wright

Published by arrangement with Chambers Harrap Publishers Ltd

Copyright © Chambers Harrap Publishers Ltd 2000

Publisher/Global ELT: Christopher Wenger

Executive Marketing Manager, Global ELT/ESL: A m y Mab/ey

Printed in Croatia by Zrinski d.d

1 2 3 4 5 6 7 8 9 10' 06 05 04 03 02 01

Heinle, Thom son and the Thomson logo are trademarks used herein under license

For more information contact Heinle, 25 Thomson Place, Boston, M A 02210

U S A , or you can visit our Internet site at http: / /www.heinle.com

A ll rights reserved N o part o f this work covered by the copyright hereon may be reproduced or used in any form or by any means-graphic, electronic,

or mechanical, including photocopying, recording, taping,Web distribution

or inform ation storage and retrieval systems-without the written permission

o f the publisher

A C IPcatalogu e record for this book is available from the British Library

We have made every effort to mark as such all words which we believe to be trademarks We should also like to make it clear that the presence o f a word in this book, whether marked or unmarked, in no way affects its legal status as a trademark

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W h at is an idiom?

The term ‘idiom’ is not an easily defined one - it can refer to many kinds of words and phrases The traditional definition

of an idiom is ‘a group of words which has a different mean­

ing from the sum o f its parts’ For example, you can m ake

someone’s blood boil or say they are a sight for sore eyes

Knowing the meanings of all the words in such a phrase w ill

not necessarily help you to understand the meaning of the

whole phrase.

This guide is designed to help anyone who wants to know about idioms, including not only what they mean, but also how to use them It provides an introduction to the most com­ monly used idioms in British and Am erican English Each idiom has its own entry with a full-sentence definition These not only define the idiom but also show it in grammat­ ical context Further usage information is given in the ex­ amples, which have all been based on a corpus Idioms are clearly labelled to show whether they are common in British

or American English and which register or level of language the idiom belongs to When the idiom has any synonyms or near-synonyms these are also shown.

To make this guide as easy to use as possible, idioms are listed according to a strict ordering system Under this sys­ tem, any idiom that you are looking for which contains a noun w ill be found under the firs t noun that occurs within

it So m ake som eone’s blood boil w ill be found under

For example not much to look at w ill be found under look

I f there is no noun or verb in the idiom that you are looking for, it w ill be found at the firs t adjective. A n example of this

kind of idiom would be alive and kicking, which w ill be found under alive I f there is no noun, verb, or adjective, look

for the firs t adverb. So anywhere from , w ill be found under

anywhere.

m

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There is one notable exception to this rule This is that

idioms of the type happy as a clam, or cool as a cucumber,

although they contain a noun, w ill always be found under the

firs t adjective. This is because there are often several possible nouns which can go with the adjective, and so it is more useful to see them grouped together.

This guide also includes Idioms Study panels which present

a variety of idioms that can be used in particular situations

Turn to the panel on anger and you w ill find sections called

bein g angry, suddenly becom ing angry, m ak in g som e­ one angry, and speaking an grily to someone These w ill

help you to express anger in many different ways.

Happiness and sadness

Intelligence and stupidity

Liking and not liking

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The mark 1 shows

where the main

you to find the

idiom you are

looking for

books

o cook the books (inform al)

Someone cooks the books when they

change the numbers in their, or their company’s, accounts in order to gain money for themselves or the company:

They are now saying that everyone is cooking the books I f its true, its a very serious allegation

boom

o lo w er the boom on som eon e (Am E;

informal)

When you lower the boom on som e­

one, you severely scold or punish them:

I f my daughter stays out late again, I ’m going to lower the boom on her

card

have a card up your sleeve or keep a

card up your sleeve

You have, or are keeping, a card up

your sleeve if other people think that

you are in a difficult situation, but you have a secret solution which you plan

to surprise them with: D o n ’t cry Just wait and see Your old grandad has still got plenty of cards up his sleeve.

When people cheat at cards they some­

tim es hide an e x tra card up th e ir sleeve

colour (A m E color)

add colour to something

Something that adds colour to som e­

thing else brings some energy, interest

or variety to that thing: His enthusias­

tic lecturing style adds colour to a subject that many people regard as dull.

day (see also days)

3 all in a day's w ork

You can say that something is all in a

day’s w ork i f it forms part o f your

everyday activities, and must be ac­

cepted as normal, even if you find it un­

pleasant or difficult in some way:

Controlling a class of excitable seven year olds is all in a day’s work if you are

a teacher on a placement scheme !♦ see also a n e ces sa ry evil > e v i l

Register labels show if an idiom

is formal, informal, insulting or vulgar They w ill also tell you if the idiom is used humorously, or if

it was more commonly used

in the past

Variants are always given in full

Examples, supported by the British National Corpus, show how the idiom is used

American spellings are shown in brackets

Cross-references

to other idioms are marked with

a diamond and introduced with

the words see also These draw

your attention to variations and other idioms with similar meanings to help you to expand your knowledge

in particular subject areas The arrow r> tells you where to find the idiom

vi

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d g o from A to ' B or g e t from A to ' B

You go or get from A to B when you go

from one place to another: How long

does it take to get from A to B?

3 A to Z

From A to Z means from the beginning

to the end, or, o f a subject, covered

thoroughly: She went through the whole

explanation again from A t o Z □ an A to

Z of London [= book of maps showing

all the roads in London]

accident

o an accident waiting to happen

You can say that someone or something

is an accident w aiting to happen if

you feel sure that they are going to be

involved in some kind of disaster at

some time: That son of theirs is an acci­

dent waiting to happen,

o m ore by accident than de sign

Something desirable that happens

more by accident than design, hap­

pens more through chance than be­

cause of anyone’s skill or judgement:

He got the job more by accident than de­

sign, since it was he who had to take over

when his boss first went off sick

account

o on no ac count

1 You say that on no account w ill you

do something, or w ill something hap­

pen, when you w ill not do it, or it w ill

not happen, under any circumstances:

On no account will I ask them for money.

2 You say that something should on no

account, or not on any account, be

done, if it must never be done: Don't on

any account switch off the computer.

o settle an ac count

You settle an account with someone

when you do something to harm them

in return for something unpleasant that they have done to you in the past:

It has been suggested that the murder was committed as a way o f settling an account between the two gangs

ace

3 have an ace up your sleeve or (A m E )

have an ace in the hole

You have an ace up your sleeve or

have an ace in the hole when you have

a secret or hidden advantage that you

can use against an opponent: I bet he's got an ace up his sleeve; he wouldn't let anybody beat him that easily.

act

o act o f God

An act o f G od is a totally unexpected

natural event, such as an earthquake, which you could not have predicted or

prevented: Famine caused by drought is not an unstoppable act of God It is simply the most dramatic manifestation

of soil degradation, caused by poor agri­ cultural techniques.

Act of G od’ is a legal term referring I

to events for which you cannot expect compensation from insurance

3 catch som eone in the act

You catch someone in the act when

you discover them while they are doing

something wrong: ♦ see also ca tc h

so m eo n e red-handed > c a t c h

3 clean up your act

Someone cleans up their act when

they start complying with general stan­

dards o f behaviour: I think its about time I cleaned up my act and started tak­ ing my responsibilities a bit more ser­ iously.

3 g e t in on the act

You get in on the act when you get

yourself involved in some profitable deal or activity in order to share the

benefits: Everybody's getting in on the act now; the market's totally flooded with computer games of this type.

3 g et your act togeth er

You get your act together when you

organize yourself, your time and your

work efficiently: We're going to have

to get our act together if we want to finish this job by the end of the month.

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arm 4 arm

The next time you write or talk about anger you might try to use some

o f the following idioms (Remember you can see how to use each idiom

correctly by looking at its entry, which you can find under the word

printed in heavy type.)

fly o ff the handle

lose your head

blow, or flip, your lid blow your stack

do your nut throw a tantrumlose your rag lose your tem perfly into a rage blow your top

go spare

making someone angrymake someone’s blood boil set someone’s teeth on edge

get a rise out o f someone

send someone away with a

flea in their ear

give someone hell

let fly

take it out on someone

give someone a piece of your

mind

speaking angrily to someone

rant and ravegive someone the rough side of your tongue

cause a stink tear someone o ff a strip jump down someone’s throat have w ords with someone

o co st an arm and a leg

Something costs an arm and a leg

when it is very expensive: I can’t believe

these shoes have broken already; they

cost an arm and a leg ♦ see also a p re t­

ty penny > p e n n y

d give your right arm

You say that you would give your

right arm for something, or to do

something, i f you would like it very

much: I would have given my right arm

to be there with a camera.

3 put the arm on som eone {Am E)

You put the a rm on someone when

you put pressure on them for

something, especially a loan: Jeff is put­ ting the arm on his best friend for $200.

o tw is t som eone's arm

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arms 0 awakening

The next time you write or talk about appearance you might try to use

some of the following idioms (Remember you can see how to use each

idiom correctly by looking at its entry, which you can find under the

word printed in heavy type.)

attractive

a bit o f all right a sight for sore eyes

unattractive

a blot on the landscape not much to look at

like nothing on earth as ugly as sin

dressed up

You twist someone’s arm when you

try hard to persuade them to do some­

thing; people often say, humorously,

that someone has twisted their arm if

they accept an offer readily: ‘Have an­

other drink! ‘Oh go on then, you’ve

twisted my arm/

arms

o th row up your arms

You say that someone throws up their

arm s when they express a strong emo­

tion such as anger or despair: She

threw up her arms in despair when I told

her Fd crashed the car again.

3 up in arms

People are up in arm s when they are

very angry, and are protesting about

something: My lads are really up in

arms Nobody believes this story about

the sacking incident.

art

3 g e t something dow n to a fine art

You say you have got som ething

down to a fine art i f after a lot

of practice you have discovered the

best way o f doing it: Over the years

Fve got it down to a fine art I make

lists.

atmosphere

3 you could have cut the atm osphere

w ith a knife

You say that you could have cut the

atm osphere with a knife when you

are describing a situation in which you felt that there were very unplea­sant or unfriendly feelings between

people there: I think they must have been having a row just before I arrived - you could have cut the atmosphere with a knife in there.

auction

3 put something up at auction (A m E )

You put som ething up at auction

when you offer an item for sale at an

auction: Now I know where my records went Dad put them up at auction.

avail

3 to no a vail

You do something to no avail when you

do not get the desired result: I have scoured magazines for any information

on this subject, but so far to no avail.

awakening

3 a rude a wakening

You experience a rude aw akening

when you have an unpleasant surprise:

Jones is an idealist, and w ill probably face a rude awakening when confronted

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axe 6 back

with the realities of bureaucracy

axe (A m E ax)

) have an axe to grind

You have an axe to grin d when you

have a strong belief or desire that

something should happen, and you

keep telling people about it, and trying

to persuade them to see its importance;

you have no axe to grin d if you are

not very concerned about a particular

matter, or if you do not disapprove of

it: We all have an axe to grind ?iow that

our working conditions have become so

unbearable □ M r Doe insists that he is

no opponent of privatization as such

and has no political axe to grind.

w ater

You throw the baby out with the

bathwater when you are so enthusias­

tic about change and getting rid o f old ideas that you destroy or dispose of

things that remain essential: The more ambitious supporters of the new method threw the baby out with the bathwater

back

the back o f be yond (informal)

A place that is in, or at, the back of

beyond is a long way from any public

facilities or houses: You feel as if you re

in the back of beyond, yet its only forty- five minutes from London ♦ see also in

th e m iddle o f n o w h e re ^ m i d d l e ;

ou t in th e sticks ^ s t i c k s ; o f f the beaten track > t r a c k ; ou t o f the

w a y > w a yThis idiom is often used to speak about

a place in a critical way

babe

o babe in the w o o d s (A m E )

A babe in the woods is a person who is

innocent and can easily be deceived:

Mary only knew the countryside, and

was a babe in the woods when she moved

to Miami

baby

o le a v e s o m e o n e h o ld in g th e baby

(B r E )

You leave someone holding the baby

when you stop working on a problem

or project, and leave someone else to

deal with it on their own; you are left

holding the baby when you are the

person who has to deal with a problem

or organize something because every­

one else has left you to do it on your

own: Fve been left holding the baby; jo b ­

less, practically penniless, worrying

about how I ’m going to pay the rent ♦

see also lea ve so m e o n e in th e lurch

! >LURCH

) th ro w the baby ou t w ith th e bath­

er break the back o f something

You say you have broken the back of

something, such as a task, when you

have completed most of it, or the most

difficult part o f it: They are confident that they have finally broken the back of the technical problem

o g e t o f f som eone's back (inform al)

I f you tell someone to get o ff your

back you mean that you want them to

stop criticizin g and pressurizing you:

I f I can just pay this last instalment, the bank manager might get off my back for a while.

o have your back to the wall

You have your back to the w all when

you are forced into a difficult situation which you feel you cannot escape from:

O f course, if your back is to the wall and you have to fight, then that is also classed as self-defence.

This idiom comes from sword fighting,when the person who is losing has walked backwards as far as they can

go, and must continue to defend them­selves from a fixed position

o put your back into something (in for­ mal)

You put your back into som ething

when you try hard to do it well: I f he

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bacon 7 ball

really made an effort and put his

back into it, he’d be finished soon.

:> put someone's back up (informal)

You put someone’s back up i f you

annoy them: I think I put her back

up a bit when I remarked on her being

late.

C When a eat is angry, it raises its back • • " •

into the shape of an arch

) see the back of (B r E ; informal)

You are glad to see the back of some­

one or something unpleasant and an­

noying i f you are relieved to have

finished with them: I bet you’ll be glad

to see the back of that place when you

graduate, wont you?

they act in a way that is not typical of

their normal behaviour: Oh dear; he’s

got it bad; he's taken to w riting poetry now.

o in bad w ith som eone (A m E )

You are in bad with someone when

they are angry with you because of

something you have said or done: Wal­ ter took a two-hour lunch and, of course,

is now in bad with his boss.

o not bad or not to o bad (informal)

You describe something as not bad, or

not too bad, i f you think it is fairly

good, or i f you think it is okay: That’s

not a bad drawing □ 4 How’s your sore throat?’ ‘Not too bad

‘Not bad’ can, in fact, mean anything from ‘quite good’ to ‘not very good at all’, depending on the speaker’s intona­tion

XWhen someone walks away from you,

you see their back

o stab som eone in the back

Someone stabs you in the back if they

appear to be friendly when they are

with you, but then say unpleasant or

harmful things about you when you

are not there: She trusted Robert; he

was so unlike Graham, who was prob­

ably stabbing her in the back at that very

moment.

o you scratch my back and I'll scratch

yours

I f you say to someone,‘you scratch my

back and I ’ll scratch yours’ you

mean that i f they do favours for you,

you w ill do favours for them: A fter ally

you scratch my back and I ’ll scratch

yours; that’s what business is about

bacon

o save som eone's 'bacon {B rE ; in fo r­

mal)

You can say you have saved som e­

one’s bacon if you have helped them

to avoid getting into trouble or if you

have helped them out o f a dangerous

situation: There is also an ‘undo’ com­

mand which will save your bacon if you

have accidentally deleted a file from your

disk

bad

o have g o t it bad (inform al)

You say that someone has got it

bad i f they are so much in love that

bag

o in the b a g 1 (informal)

You say that something is in the bag if

it is certain to be achieved or obtained:

A ll they have to do is tell the people what they want to hear; and their re-election’s

Someone is in the b ag when they are

drunk: When Harold started singing, his wife knew he was in the bag

bait

o rise to the bait or take the bait

You rise to the bait, or take the

bait, if you let yourself get annoyed

when someone is teasing you and try­

ing to upset you: D on’t rise to the bait; they’ll tease you even more.

A phrase from fish in g, w here you put bait on to your hook to attract the fish

ball

o carry the ball (A m E )

You carry the ball when you take re­

sponsibility for something, or make

certain that a job is done: Everyone worked hard, but it was Melissa who car­

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ballistic 8 bananas

ried the ball.

A phrase from A m erica n fo o tb a ll,

where the player who carries the ball

is the most important one

o drop the ball (A m E )

You drop th e ball when you make a

bad mistake, or when you fail: Dan

was in charge of buying the tickets, but

he dropped the ball.

A phrase from American football, used

when an attacking player loses the ball

he is carrying

o the ball is in so-and-so's court

You say that the b all is in a certain

person’s court when they are responsi­

ble for the next move in a situation: I

told them we were interested in buying,

but at a lower price; so the balls in their

court now.

S'

In tennis, when the b a ll is in your

court, it is on your side of the net and

you must hit it back to the other player

o have a ball (inform al)

You are having a b a ll i f you are hav­

ing an enjoyable time, usually socially:

Sounds like shes having a ball at that

university of hers; I ’hope she’s finding

time to get some work done as well ♦ see

also live it up > l i v e ; have th e tim e o f

your life > t i m e

j have something on the ball (A m E )

I f you say someone has som ething on

the ball, you mean they are clever and

have ability: I wouldn’t have hired my

brother if he didn’t have something on

the ball

o on the ball (inform al)

You are on the ball 1 i f you have all the

most recent information about some­

thing: They’re very much on the ball in

this department where research is con­

cerned 2 if you are paying attention to

what you are doing: He wasn’t quite on

the ball at the meeting this morning,

o set the ball rolling or g e t the ball roll­

ing or start the ball rolling

You set, get, or start, the ball rolling

when you cause some activity to begin;

you keep the b a ll ro llin g when you

make sure an activity continues: To get the ball rolling, here are a few questions Fve prepared.

) a w hole new ball gam e or a co m p le­tely d iffe re n t ball gam e or a d iffe r ­

ent ball gam e a lto g e th e r (inform al)

A situation or activity which is a

whole new b a ll gam e, a completely different b all game, or a different

b a ll gam e altogether, is one which

you are not used to: L ife ’s a completely different ball game once you’ve left home and have to look after yourself ♦ see also

k ettle of fish x k e t t l eThis idiom refers to the fact that every game has its own separate set of rules

ballistic

o go ba llistic

You go ballistic when you become very

angry and shout at people: When I told him what had happened to the car, he went ballistic

balloon

o g o d ow n like a lead ba Moon (hum or­ ous)

Something such as a suggestion or a

performance goes down like a lead

balloon when it is not well received:

His sexist jokes went down like a lead balloon ♦ see also fall fla t > f a l l

ballpark

o in th e right ballpark, in th e w ro n g

'ballpark (inform al)

Something such as an estimate is in

the right b a llp a rk if it is likely to be

more or less correct; an estimate is in

the w ro n g b a llp a rk if it is far from

being correct: We exclude those observa­ tions where the estimates were clearly in the wrong ballpark.

s - >

In baseball, the term in the ballpark

means ‘within the limits o f the play­ing area’

bananas

d be bananas (informal)

I f you say that someone is banan as

you mean they are mad or stupid; peo­

ple go banan as when they go mad or

get wild with anger: You paid £6000 for that? You must be bananas □ His mum

Trang 13

bandwagon 9 barrel

would go bananas if she saw him smok­

ing ♦ see also o f f your tro lley t r o l ­

l e y ; off your rocker r o c k e r

bandwagon

i jump on the bandwagon or climb on

the bandwagon

People jump, or climb, on the band­

wagon when they join in, or show in­

terest in, a popular activity only

because it is fashionable, and they hope

to gain some advantage or public

praise for doing so: Channel 4’s Satur­

day-night series showing favourite T V

shows from the past has been so success­

fu l that the B B C have jumped on the

bandwagon.

\

A bandwagon was a large and beauti­

ful vehicle for circus musicians,

pulled by a horse in a circus proces­

sion

bane

o the bane o f your life

Something that is the bane of your

life causes you constant trouble and

problems: This weight problem has al­

ways been the bane of my life

bang

o bang g o es such-and-such (informal)

You say b an g goes a certain thing

when the probability o f it happening

or succeeding suddenly disappears:

Bang go my chances of promotion,

o bang on (B rE )

Something is b an g on when it is ex­

actly right or precise; you are bang on

something if you are in exactly the

right place or situation at the right

time: That’s right You’re bang on; how

did you know that ? j The train left bang

on ' time for once; just the day that I hap­

pened to be late ♦ see also s p o t on

> S P O T

o go w ith a bang (B rE ; informal)

Something that goes with a bang is a

great success: In the end the evening

went with a bang and everyone enjoyed

themselves,

o start w ith a bang

I f something starts with a bang,

it starts with great energy and enthu­

siasm: He hired a band to start

his election campaign with a bang.

bank

) I wouldn't bank on it (inform al)

You say ‘I wouldn’t bank on it’ if you

think that the person you are speaking

to is depending on something which in

fact may not happen: ‘I t ’s okay, Henry will give me a lift to the airport.’ T wouldn’t bank on it, it’s his afternoon off.’ ♦ see also d o n 't c o u n t you r

ch ick en s b e fo r e th e y are h a tch ed

C H I C K E N S

bargain

o drive a hard bargain

Someone who drives a h ard bargain

negotiates hard to get an agreement that w ill be of most benefit to them­

selves: The new managers were warned that the union chiefs were likely to drive

a hard bargain

o into the bargain (informal)

You use ‘into the b a rg a in ’ when you

want to emphasize some additional and rather surprising element in a si­

tuation: They are expected to be exemp­ lary girlfriends, brilliant cooks, and to have a super job into the bargain

bargepole

o not touch som ething w ith a barge­

pole (B rE ; inform al) or not touch

som ething w ith a te n -fo o t pole

(AmE; informal)

I f you say that you w ou ldn ’t touch

som ething with a bargepole, or with a ten-foot pole, you mean that

you refuse to have anything to do with

it, for example, because it is not safe or

reliable: I warned against it at the time, telling investors not to touch it with a bargepole.

A bargepole is a long pole used for|

moving a barge on a canal |

barrel

o have som eone over a barrel

Someone has got you over a barrel if

they are in a position to get whatever

they want from you: I f I don’t pay now, they’ll just keep putting the price up; basically they’ve got me over a barrel,

o scrape the barrel (B rE ) or scrape the

bottom o f the barrel (A m E )

You say you are scraping the barrel,

or scraping the bottom o f the b a r ­

Trang 14

base 10 be

rel, when you have to use, or take, poor-

quality things or people because the

best have already been used or

taken, or because you can't get any­

thing better: You’re scraping the barrel

a bit with those old jokes, aren’t you?

I f a barrel is almost empty you may

have to scrape inside it to get the last

of the contents out

base

3 o f f 'base (Am E; informal)

You describe someone as being o ff

base when you think they are badly

mistaken about something: I f you be­

lieve we can afford that, you are way off

base.

In baseball, a runner who is off base

is in danger of being put out

bash

3 have a bash (B rE ; informal)

You have a bash, or have a bash at

something, when you try to do it: I ’ve

never sung a solo in public before but I

don’t mind having a bash

bat

o g o to bat for som eone (A m E )

I f you go to bat for someone, you

help, support or defend them: Everyone

blamed M ichael, so Jack went to bat

for him.

In baseball, a player bats for another

player who is injured or playing poorly

o like a bat out o f hell

You go somewhere like a bat out of

hell when you move at a great speed:

When I saw the headteacher coming I

was out o f there like a bat out o f hell

o o f f the bat or right o f f the bat (A m E )

When you do something o ff the bat or

right o ff the bat, you do it im m edi­

ately: I said we were in a hurry, so he

signed the papers right off the bat

o o ff your ow n bat (B r E )

You do something o ff your own bat

when you do it without being told to,

or without help: I didn’t ask her to pre­

pare a forward plan; she did it off her

own bat

bath

3 take a bath (A m E )

You take a bath when you lose a lot of

money in a deal or investment: The computer shares looked good, but I really took a bath when the market dropped

batteries

) recharge your batteries

You rech arge your batteries when

you have a rest, for example when you take a holiday, in order to regain your

energy and enthusiasm for work: D on’t try to do too much when you’re on holi­ day; this is a good chance for you to re­

charge your batteries

battle

o fight a losing battle

You are fighting a losing battle if you

are trying to do something which is ce­

rtain to fail: I ’m fighting a losing battle, trying to get Joanne to stay on at school.

3 half the battle

I f you say that something is h a lf the

battle, you mean that it is an impor­

tant step towards success: (They’ve in­ vited me in for an interview.’ ‘Oh well, that’s half the battle, isn’t it V

bay

You keep, or hold, something or some­ one unwanted or threatening at bay

when you keep them at a distance so that they do not harm or affect you:

Concentrating on her guests would keep

her worries at bay for a little while □ The

best medicine for keeping colds at bay is a dose o f your favourite tipple.

/ - \

This idiom comes from the French hunting term ‘aux abois’, describing the stage of the hunt when the animal can neither escape nor attack because

it is just about to be caught

be

3 the be-all and end-all

The b e -a ll and end-all of something

is the final aim, or the most important

part of that thing: D on’t worry too much; good exam results aren’t the be- all and end-all of education.

This idiom comes from Shakespeare's

Macbeth.

Trang 15

beans 11 beaver

beans

i full o f beans1 (informal)

You are full of beans if you are lively

and cheerful: ‘You’re fu ll of beans this

m o r n in g 7 know; I think it must be the

sun.’ ♦ see also bright-eyed and

bushy-tailed b r i g h t

j full of beans2 (A m E ; informal)

I f you say someone is full o f beans you

believe they are badly mistaken about

something: ‘You think the Yankees will

win the World Series? Boy, are you fu ll

of beans’

5 spill the 'beans (informal)

You spill the beans about something

when you tell people a secret, or when

you finally tell them something that

you have been keeping to yourself:

‘Come on, spill the beans What’s this all

about?’ ‘I t ’s something Mum said.’ ♦ see

also let the cat out of the bag > c a t ;

bear

o like a bear with a sore head {B rE )

You describe someone as being like a

bear with a sore head if they are in a

bad mood: ‘You’re looking thinner.' ‘Must

be a bug; Luke’s got it, too, not to mention

behaving like a bear with a sore head

when I asked to take an early lunch.’

beat

3 beat someone hollow (B r E ) or beat

someone all hollow (A m E )

You beat someone hollow, or all hol­

low, when you defeat them easily: I ’d

been beaten hollow all year on the squash

court, and I was determined to get a bit

fitter ♦ see also beat someone hands

dow n i > H A N D S

o 'beat it (inform al)

People beat it when they rush away,

usually to avoid trouble; if you tell

someone to ‘beat it!’, you are telling

them, rather rudely, that you want

them to go away: Now beat it, before I

call the police,

o if you can't beat 'em, join 'em (in for­

mal)

I f someone says ‘if you can’t beat ’em,

join ’em ’ they mean that i f you can’t

persuade people to change their opi­

nions, then the most sensible thing to

do is to change your own opinion: M el­

anie Simmonite says she started racing

20 years ago - her husband did it so it was a case of if you can’t beat ’em join ’em.

’Em, here, is the short, informal form

of the word ‘them’

beauty

3 beauty is in the eye o f the be holder

I f you say that beauty is in the eye of

the beholder you mean that things or

people that are considered to be beauti­ful by one person are not necessarily considered beautiful by other people:

In the final analysis, beauty is in the eye

of the beholder; and essentially a per­ sonal matter What pleases me may not please you, and my recommendation may disappoint you.

This idiom is often adapted to suit the needs o f the speaker You may there­fore find expressions like 'perfection

is in the eye of the beholder’, o r ‘cleanli­ness is in the eye o f the b eh old er’ [=what is considered perfect, or clean,

by one person is not necessarily con­sidered to be so by another]

o beauty is only skin deep

I f you say that someone’s or something’s

beauty is only skin deep you mean

that being physically attractive is not necessarily a good guide to a persons

character: Sometimes when you meet a beautiful woman, you know their beauty

is more than skin deep, and so it was with Rachel.

This idiom is often adapted to the speaker’s needs; therefore you may find ‘more than skin deep’, ‘little more than skin deep’, or ‘that skin-deep qual­ity’, for example

beaver

d beaver a 1 w ay

You are beavering away at something

when you are working very hard at it:

There, beavering away in their indi­ vidual boxes, were other Eurocrats sur­ rounded by shelves fu ll of files.

** - ■>

Beavers are animals which are

known for working very hard all the time

Trang 16

beck 12 begging

) eager 'beaver (humorous)

You call someone an eager beaver if

they are enthusiastic about something,

or very hard-working, in rather a child­

like way: The company takes on a new set

of young, ambitious eager beavers in Sep­

tember every year.

See note at beaver away.

j

beck

) at som eone's beck and call

You are at someone’s beck and call if

you are always ready to carry out their

orders or wishes: I had to be at his beck

and call, night and day He often got me

out of bed at night to run an errand

bed

o g e t out o f bed on the w ro n g side

You say that you have got out o f bed

on the w ro n g side when little things

keep going wrong for you; you can also

say that someone got out of bed on

the w ron g side when they seem to be

in a bad mood: I must’ve got out of bed

on the wrong side today - that’s the sec­

ond cup of coffee I ’ve spilt, j What’s the

matter with Alan today ? D id he get out

of bed on the wrong side? ♦ see also not

be so m eo n e's day >day; one o f

th ose days > d a y s

o in 'bed w ith (inform al)

You say that two or more public figures

or groups are in bed with each other if

they have the same opinions or are

helping each other without openly ad­

m itting it: I t ’s supposed to be a self-

governing body, but everyone knows

they’re in bed with the Government,

o no bed o f roses or not a bed o f roses

1 I f you tell someone that life is no bed

o f roses, or not a bed o f roses, you

mean that things in life are not always

pleasant, and that we have to accept

the unpleasant moments too 2 I f you

say that a certain activity is no, or not

a, bed of roses, you mean that it is un­

pleasant or difficult: I t ’s no bed o f roses

teaching in a secondary school,

o y o u 'v e m ade you r bed, n o w you 'll

have to lie in it

I f you say to someone ‘you’ve made

your bed, now you’ll have to lie in

it’, you mean that they w ill have to suf­

fer the unpleasant side of a situation which they have created themselves:

I ’m sorry to sound unsympathetic, but you've made your bed, now you’ll have

to lie in it.

bee

) a bee in your bonnet

You have a bee in your bonnet when

you have an idea or belief that has be­

come an obsession: ‘Is she still worrying about my diet?’ ‘You know her - once she gets a bee in her bonnet she won’t let the matter rest.’

i think you are the bee's knees

I f you say that someone thinks they

are the bee’s knees, you think they

have too high an opinion of themselves:

A nd he thought he was the bee’s knees, you see; he thought he knew everything.

see also think you are th e c a t's

w hiskers > c a t

beeline

3 make a beeline for

You m ake a beeline for a particular

place or person when you go towards

them quickly and directly: Victoria made a beeline for the sandwiches.

Bees fly in a straight line when they are returning to their hive

)

beg

o beg to differ (form al)

You say that you beg to differ with

someone on a certain point, when you

disagree in a very formal way: I ’m afraid I must beg to differ on this point

beggars

o beggars can't be choosers

I f you say that beggars can’t be choo­

sers, you mean that people who have a

great need for something have to ac­

cept whatever is offered: I didn’t really want to take a job like this again, but I suppose now that I ’m unemployed - beg­ gars can’t be choosers

begging

) going begging (inform al)

Something is goin g b e g g in g when it

does not belong to anyone and is there­fore being offered to any person who

wants it: There are a few sandwiches going begging here; has anybody still not had one?

Trang 17

beginner 13 beside beginner

3 beginner's luck

You have b egin n er’s luck when you

are unexpectedly successful at an early

stage o f learning something: Congratu­

lations to our new Assistant Editor, who

( thanks to a large slice of

beginner's luck!) made accurate predic­

tions for all the World Cup matches

behind

3 right be hind som eone

You are right behind someone when

you fully support them: D o n t listen to

them — we're right behind you on this

belief

o beyond b e lie f

Something which is beyond belief is

incredible: His rudeness is beyond be­

lief ♦ see also have to be seen to be

b elieved s e e n

bell

3 ring a bell (informal)

You say that something such as a name

rings a bell if it is fam iliar or reminds

you of something: His name rings a bell.

o ring the bell (A m E )

Something rings the bell i f it is exact­

ly what is needed: Lower interest rates

will ring the bell for new home-buyers.

3 saved by the bell

People sometimes exclaim ‘saved by

the b ell!’ when someone is rescued

from an unpleasant or difficult situ­

ation by something which brings the

situation suddenly to an end

^In boxing, a bell indicates the end of a"^

round and the fight stops f

belt

3 below the belt

A remark or comment that is below

the belt is unkind and unfair, or unac­

ceptable: ‘Perhaps, M r Prentice, as

you re obviously out of work, you should

take a course in housekeeping/ That was

below the belt, but she went on.

In boxing, it is against the rules to hit

your opponent below the level of the

belt

3 tighten your belt

You tighten your belt when you have

to get used to having less money to

spend than usual: We have to do our best

to pull ourselves out of this recession and tighten our belts.

3 under your belt

You have something under your belt

when you have done or achieved it, and w ill be able to use it to your ad­

vantage in the future: I f you have fol­ lowed our training schedules you will not just turn up on the day, unprepared and with no training under your belt

bend

3 bend over backwards

You bend over back w ards to help

someone when you do everything you

can to help them: They bent over back­ wards to make sure we were comfortable.

♦ see also lean o v e r b a c k w a rd s

' L E A N

3 drive som eone round the bend (infor­ mal)

You say that someone or something is

d rivin g you round the bend i f they

are annoying you intensely: That noise outside is driving me round the bend ♦ see also g e t so m eon e's g o a t o g o a t ;

g e t on som eone's nerves o n e r v e s ;

g e t up som eone's nose o n o se; rub som eon e up the w ro n g w a y > w a y ;

g e t on som eone's w ick > w i c k

3 round the bend (B rE ; informal)

You say that someone is round the

bend if you think they are mad ♦ see

also round the tw ist > t w i s t

benefit

3 g iv e s o m e o n e th e b e n e fit o f th e doubt

You give someone the benefit of the

doubt when you accept that what they

say is true, even though there is no evi­

dence to support it: I ’ll give you the benefit of the doubt this time, but you must bring your identification with you.

bent

3 bent out o f shape (A m E )

You are bent out o f shape if you feel

insulted or angry: Sam has been bent out of shape since we left him off the guest list

beside

3 be side yourself w ith something

You are beside yourself with an

Trang 18

emo-best 14 bill

tion like worry or anger i f that emotion

is so strong that you cannot think and

behave as you normally do: He was be­

side himself with anxiety

best

:> at best

You describe something unsatisfactory

as a certain thing at best if that is the

most optimistic or favourable way you

can regard it: It would be a setback at

best if we were denied use o f their soft­

ware.

3 make the best o f something

People m ake the best of difficult or

unpleasant circumstances when they

try to accept them as cheerfully as pos­

sible: We were allowed one blanket apiece

and had to make the best of it

bets

3 hedge your bets

You hedge your bets when you do

something to protect yourself from los­

ing something, being criticized, etc: I

suggest you hedge your bets by applying

for a university fla t, whether you think

you want one or not.

In gam bling, you hedge y o u r bets

when you make bets on both sides, to

make sure that you do not lose any

money whatever happens

better

3 better late than never

You say ‘better late than never’ 1 to

someone to show that you are not very

pleased that they are late 2 if you think

that it is preferable that something

should happen late than not at all: You

will have to accept that some permanent

damage may already have occurred Bet-

ter late than never, though

j b etter o ff

You are better o ff 1 i f you have more

money: a situation where those who do

not work are better off than those who

do 2 if you are in more satisfactory cir­

cumstances: There are disturbed people

in prison who’d be better off in hospital.

3 better safe than sorry

You say ‘better safe than so rry ’ when

you want to remind someone that it’s

worth taking precautions, or to tell

them not to be afraid of raising the

alarm if they see something suspicious:

You might as well take out holiday insur­ ance; better safe than sorry.

3 for better or w o rse

Something that is the case for better

or worse is the case whatever you

may think of it: For better or worse, the computer has taken control o f our lives.

3 g e t the better o f som eone

Someone gets the better of you when

they defeat you, often because they are able to think faster than you; an emo­

tion gets the better of you when you

fa il to control it: Curiosity eventually got the better of him, and he approached

to see what was happening.

3 go one better

You go one better when you do the

same thing as before, or as someone

else, only better: Bernard Tapie will be hoping to go one better than two years ago when they lost to Red Star Belgrade

on penalties ♦ see also keep up w ith

the Jon eses > j o n e s e s

beyond

3 be yond you

Something is beyond you i f it is too

difficult for you to understand: I cant help him with his homework any more; all that modern stuff is beyond me ♦ see also over your head > h e a d

big

3 make it big

Someone who has made it big has be­

come very successful, famous or rich: I knew from a young age that I wanted to make it big in showbusiness ♦ see also

make it > m a k e ; make a name fo r you rself or make your name [> n a m e

bike

3 on yer bike (B rE ; slang)

People sometimes say ‘on yer bike’as a

way of telling someone to go away: FIX give you £50 for it ! ‘Oh, on yer bike!

bill

3 fit the bill (inform al)

Something fits the bill if it is suitable

or what is required: We need someone with some experience and an ability to mix well with all sorts of people; I think the first candidate fits the bill exactly.

Trang 19

bird 15 bite

bird

o bird's eye view

You have a b ird ’s eye view of some­

thing when you are at a point above it

from which you can see it very clearly:

I had a bird’s eye view of the procession

from the top of the lamp post 2 You get

a b ird ’s eye view of a subject when

you get a general, but clear, outline of

it: A good selective bibliography gives a

bird’s eye view of the relevant subject lit­

erature.

) a bird in the hand is w orth t w o in the

bush

People say ‘a bird in the hand is

in the hand’, when they think that it is

not worth giving up something you al­

ready have for only the possibility of

getting something better

o early bird

A n early bird is a person who gains

some advantage by being early: I f you’re

an early bird you’ll be able to see the sun­

rise from the top of the mountain.

S ->

This idiom is the shortened form of the

saying ‘ the ea rly bird catches the

worm’, meaning that people who get

up for work early w ill be successful

birds

o birds o f a feather

You say ‘birds o f a feather’ to mean

that people who have the same inter­

ests, personalities or backgrounds w ill

often be friendly with each other: T t’s

funny how people travel to the other side

of the world, and then make friends with

people of their own nationality, isn’t it V

‘Yes, well, birds of a feather ’

This idiom is the shortened form of the

proverb: ‘Birds of a feather flock to ­

gether’

o kill t w o birds w ith one stone (in for­

mal)

You kill two birds with one stone

when you manage to achieve two things

with a single action: There are ad­

vantages to an apprenticeship You might

as well k ill two birds with one stone by

doing and learning in parallel.

biscuit

ry take the biscuit (B rE )

You say that something takes the bis­

cuit i f it is the best, worst, strangest,

etc, o f its type that you have experi­

enced: I ’ve heard a lot of excuses in my time, but this one takes the biscuit.

/ ->

This is a British variant of the US form

‘take the cake’, which probably comes from the giving of cakes as prizes in rural competitions

bit (see also bits)

o a bit 'much (informal)

Something that is a bit much is unac­

ceptable, unreasonable or unfair: I t ’s a bit much, her expecting me to wait for her and give her a lift home,

o a bit of all right (B rE ; informal)

People humorously say that someone is

a bit o f all right i f they find them

physically attractive: Who’s that guy at the bar? He’s a bit of all right, isn’t he?

o a bit 'o ff (B rE ; informal)

Something, such as a remark, is a bit

off when it is rather rude: ‘He said he’d

give me a lift to the airport, but now at the last minute he says he’s meeting a friend.’

‘Oh, that’s a bit off, isn’t it?’

bite

o a bite at the cherry or a bite o f the cherry

You get a bite at, or of, the cherry

when you get a chance to do something:

We had been quite successful on our first visit; now we were returning to have an­ other bite at the cherry.

Notice that this idiom is always pre­ceded by a word like ‘firs t’, ‘second’,

‘last’, etc

o bite o ff more than you can ch ew

You have bitten o ff more than you

can chew if you find that a project or

piece of work you have decided to take

on is too difficult for you to manage:

I ’m going to have to travel up to London every day I ’m beginning to wonder if I ’ve bitten off more than I can chew.

o put the bite on som eone (Am E; infor­ mal)

You put the bite on someone when

Trang 20

bits 16 blessing

you try to borrow money from them:

Eddie tried to put the bite on Jack, but

he didn’t have any money either

bits

3 bits and bobs or bits and pieces (in ­

form al)

Bits and bobs, or bits and pieces, are

small things of various kinds: There are

a few bits and bobs o f yours still here;

would you like me to send them on to

you?

j thrilled to bits (inform al)

You are thrilled to bits i f you are sur­

prised and very happy about some­

thing: She looked at the happy faces of

her companions, and knew they wanted

to be alone.4What marvellous news I ’m

thrilled to bits.’ ♦ see also w a lk on air

p a i r ; on cloud nine > c l o u d ; in

seventh heaven > h e a v e n ; o ver the

m oon > m o o n

bitten

o once bitten, t w ic e shy

Someone who is once bitten, twice

shy is afraid to attempt something

again because of a previous bad experi­

ence: He hasn’t had a girlfriend now for

two years; I think it’s a case o f once bit­

ten, twice shy

black

o black and blue

You are black and blue when you are

covered with bruises: Tcould n’t believe

it when I saw him He was black and blue

all over; he looked awful.’

o black and w h ite

1 Something which is in black and

white is w ritten on paper, and there­

fore definite and cannot be legally

stopped: It sounds like an interesting

proposal, but I ’d like to see it in black

and white before we go any further 2

People see something, such as an issue,

in black and white, when they only

look at the two main opposing views,

without considering the points in

between: I t ’s a very difficult moral

question, and it does no good to talk

as if it was a simple black and white

issue

o in the black

You are in the black i f you do not owe

anyone any money: Business is starting

to improve; this is the first time we’ve

been in the black for two years ♦ see also

in th e red r e d

It is custom ary to use black ink to

w rite entries on the credit side o f a ledger

blank

3 draw a blank

You draw a blan k if you get no results,

especially i f you cannot find the person

or thing you are looking for: The police, who have been trying to track down the missing painting, have drawn a blank.

This idiom refers to picking a losing |

blanket

o a w e t blanket (inform al)

A wet blanket is someone who does

not want to have fun, and spoils other people’s enjoyment by being dreary

and pessimistic: 7 still think you’re mad to embark on something so ambi­ tious.’ (Oh, don’t be such a wet blanket.’

blast

o blast from th e past (inform al)

A blast from the past is a person or

thing from your past that you remem­ber, but had almost forgotten about:

Oh yeah, A lvin Stardust, there’s a blast from the past.

o full blast or at full blast

A machine is on fu ll blast, or at fu ll

blast, when it is producing as much

power, heat or sound as it can: We had the heater on fu ll blast but we were still cold

bleed

3 bleed som eone dry

Someone bleeds you dry when they

use all your money: I f they hadn’t bled

me dry we could afford a better place

blessing

□ a blessing in dis guise

I f you describe something as a bles­

sing in disguise, you mean that it

proved to be the best thing that could have happened, despite having seemed

like a disaster at first: ‘The accident was probably a blessing in disguise,’ ad­ mits Barbara.7 had ideas, but no experi­ ence I ’ve had plenty of time to prepare.’

Trang 21

blessings 17 blood

3 a mixed blessing

A situation is a mixed blessing if it

has both advantages and disadvant­

ages: Living here is a mixed blessing

Mixed because you can find real solitude

in the mountains, but lack of people often

means a lack of facilities

blessings

3 count your blessings

You count your blessings when you

remember what is good in your life in­

stead of complaining: Count your bles­

sings - you could have ended up in

hospital ♦ see also thankful fo r small

m ercies m e r c i e s : look on the

bright side > s i d e

blind

o blind as a bat (inform al, humorous)

Someone who is as blind as a bat does

not have very good eyesight, or cannot

see anything at all: I am blind as a bat

without my glasses.

3 the blind leading the blind

A situation may be described as a case

of the blind leading the blind if the

person who is supposed to be teaching

or helping others knows little more

than, or as little as, those being helped

or taught: ‘You gave me a lot o f help at the

beginning, explaining the theory.' ‘That

was the blind leading the blind I dont

know how I got through the exam myself.’

blink

o in the blink o f an eye

Something happens in the blink of an

eye when it happens very quickly: He's

good at spending a long time doing noth­

ing,, then becoming highly active in the

blink of an eye ♦ see also in th e tw in k ­

ling o f an ey e > t w i n k l i n g

o on the blink (informal)

A machine is on the blink i f it is not

working properly: Oh dear; the telly's

on the blink again.

This idiom comes from the character­

istic flickering of a faulty screen,

block

) on the block (A m E )

Something that is on the block is

being sold at an auction: He had to put

his paintings on the block to pay off the

taxes he owed.

blood

o blood is thicker than w ater

When people say that blood is thicker

than water, they mean that people are

generally more loyal to members of their own family than to other people:

‘We had a difference of opinion and she left hom e' said M r Harrison ‘But blood is thicker than water and I have been at the hospital waiting to hear how she is.'

3 in cold blood Something is done in cold blood when

it is done in a deliberately cruel or un­

caring way: A t dawn they were shot down in cold blood by a firin g squad in the woods behind the camp.

This idiom comes from the medieval

b e lie f that emotion raised the tem­perature of the blood

o like gettin g blood out o f a stone or

like trying to g e t blood out o f a stone

(inform al)

You say that obtaining something is

like getting, or tryin g to get, blood out of a stone i f it is almost impossible

to obtain: Persuading them to give away any information is like trying to get blood out of a stone,

o make someone's blood boil (informal)

Someone or something m akes your

blood boil i f they make you very

angry: It makes my blood boil to see how people are ruining the country­ side.

o make someone's blood run cold

Something m akes your blood run

cold i f it makes you feel very frigh­

tened: Her blood ran cold when she heard that voice on the phone again,

j out for som eone's blood or a fte r som eone's blood (inform al)

You are out for, or after, someone’s

blood i f you are very angry with them

and want to fight them or argue with

them: He's out of prison - says there are people out for his blood

o sw ea t blood (informal)

You sweat b lood i f you work very hard:

I've sweated blood to get him to agree to see me at all ♦ see also w o rk your guts

Trang 22

blot 18 board

blot

~> a blot on the landscape (B r E )

Something such as a building can be

described as a blot on the landscape

i f it is very ugly and spoils the view:

Yesterday's blot on the landscape is to­

days tourist curiosity, as lovers of mod­

ern architecture will tell you

blow

o b low som eone a w ay (inform al)

Someone or something blows you

away i f it causes you to feel extremely

strong emotions: ‘She just blew me

away,’ he says 7 was so impressed I

asked her if she wanted to do some work

immediately.’

3 blow-by- blow

A blow -by-blow account or descrip­

tion of something is a detailed and gra­

phic one: I didn’t feel like hearing a blow-

by-blow account of his divorce,

o blow hot and cold

You blow hot and cold on someone or

something when you keep changing

your attitude towards them: ‘You don’t

know where you are with him, do you?’

said Dorothy \From one week to the next

Blowing hot and cold like that!

o 1 blow it (inform al)

You blow it when you lose your chance

of success through your own fault: 4How

did your interview go?’ 7 blew it.’

o blow over

Bad feelings between people blow over

when they pass and become forgotten: I

wouldn’t worry too much if I were you -

it’ll all have blown over by Monday,

j b low someone's mind

I f you blow som eone’s mind, you

amaze or confuse them: I blew D ad’s

mind when I told him I was getting mar­

ried.

blower

3 on the blow er (B rE ; slang)

You are on the blower i f you are on the

telephone: You’d better get on the blower

to him now and tell him what’s happened

blue

o out o f the blue

Something happens out of the blue

when it happens without warning: She

appeared again out of the blue after fif­

teen years absence.

This idiom refers to lightning which strikes out o f a clear skv

blues

3 g o t the blues (inform al)

You say that you’ve got the blues i f you

are feeling sad or depressed: Whenever

I get the blues I take a long walk in the hills or go for a bike ride

bluff

3 call som eone's bluff

You call som eone’s b lu ff when you

are not deceived by another person’s at­tempts to trick you into doing some­

thing: One day, some man is going to call her bluff and she’s going to get hurt

In poker, to b lu ff is to pretend to have

cards o f a greater value than you

really have; to call som eone’s b lu ff

is to force them to show their cards

blushes

3 spare som eone's blushes

You spare som eone’s blushes when

you avoid saying something in public

which might embarrass them: We will omit the names to spare the blushes of those who made the biggest mistakes

board

3 go back to the drawing board

You go back to the d raw in g b o a rd

when you have to abandon something you are working on, and start again at

the planning stage: Radical change can

be achieved only by going back to the drawing board, throwing away the pre­ vious design and starting again.

3 go by the board (inform al)

An arrangement goes by the board if

it is ignored or abandoned: The Govern­ ment’s ‘spend less, earn more’ policy meant that health, education and other welfare spending went by the board.

This was origin a lly a nautical term, meaning ‘to disappear over the side o f the ship’

3 sw eep the board

You sweep the b o a rd in a series o f

competitions when you win all the

prizes: He swept the board with six wins, winning overall by 26points.

Trang 23

boat 19 bones

This idiom refers to the board used in

many games, where one player wins all

the pieces or bets

V ✓

j take something on board

1 You take something on board when

you make yourself responsible for it:

Try not to take too much on board this

year 2 You take an idea on board

when you take it into consideration or

accept it: Thank you for your sugges­

tions; we’ll definitely take them on board

when we start our next project.

boat

o in the same boat {informal)

Two or more people who are in the

same boat are having similar experi­

ences or problems: By meeting others

who are in the same boat, they begin to

feel less alone and different.

You miss the boat when you do not get

a chance to do or have something be­

cause you are too late in arriving or

asking for it: Even if we had celebrated

in a small way we would have attracted

tourists from all over the world The

council has really missed the boat.

3 push the boat o u t (B rE )

I f you say that someone has decided to

push the boat out, you mean that they

are going to spend as much money as is

necessary, and work as hard as they

can to make a particular occasion suc­

cessful: When Andy Saville broke his

arm after signing two weeks ago, a lot of

people thought we would give up, but we

pushed the boat out and bought John

Thomas ♦ see also g o to g re a t

len gths > l e n g t h s ; g o to to w n on

som ething > t o w n ; go out o f your

w a y >w a y

3 rock the boat (informal)

Someone rocks the boat when they

disturb the balance or calmness of a si­

tuation, or cause trouble: I don’t want to

rock the boat, but don’t you think some­

one should bring this to the attention of

the authorities? ♦ see also make w a v e s

> WA VES

body

3 over my dead body (informal)

You respond to some suggested future

event with the words 'over my dead

body' to indicate that you are com­

pletely opposed to it and w ill try every

means of preventing it: ‘Looks like the takeover will be going ahead,’ ‘Over my

dead body/

bogged

^ bogged down (informal)

You are bogged down if you have too

much work to do, or i f you are unable

to make progress because you are pay­

ing too much attention to detail: I ’m not getting anywhere with this essay; I think I ’m getting too bogged down in the theoretical side of things.

C " ~

This idiom refers to the way in which movement is slowed down by thick mud

bolt

3 a bolt from the blue

A bolt from the blue is a sudden, unex­

pected event: Now, was this forty thou­ sand pounds a bolt from the blue or did you know it was coming to you?

bone

3 close to the bone (informal)

A remark which is close to the bone is

one which makes you feel uncomfort­able, perhaps because it contains some truth that you would prefer people did

not mention: ‘Would I be right in saying that we haven’t provided you with what you were looking for when you came hereV He was getting a little too close to the bone for my liking.

3 have a bone to pick w ith som eone

(informal)

You say that you have a bone to pick

with someone if you want to confront

them about something they have done

which has annoyed you: I ’ve got a bone

to pick with you Why did you go off and

leave me on my own? ♦ see also have it

out w ith som eon e > h a v e

boner

3 pull a boner (AmE; informal)

I f you pull a boner, you make a silly

mistake: Ned pulled a boner when he ca­ lled his girlfriend Sue instead of Alice

bones

3 bare bones

The bare bones of something are the

Trang 24

book 20 born

basic or essential parts of it: The com­

pany has worked out the bare bones of

the agreement and needs to work on the

details now

d make no bones about something

You m a k e no bones abou t s o m e ­

th in g if you are w illin g to say it or do

it openly: She made no bones about tell­

ing me to take my business elsewhere

b o o k

o b y the book

You do something by th e b o o k when

you do it exactly according to the rules,

or in the way you are supposed to do it:

They make us do everything by the book,

which doesn't give us much space for

creativity

o th ro w the book at som eone

You th r o w the b o o k at so m eon e

when you reprimand or punish them

severely, especially for breaking the

rules: We cant do that; they'll just throw

the book at us.

C • ~

This idiom refers to the idea of char­

ging someone with all the crimes in

‘the book’

books

o cook the books (inform al)

Someone co o k s the b o oks when they

change the numbers in their, or their

company’s, accounts in order to gain

money for themselves or the company:

They are now saying that everyone is

cooking the books I f it ’s true, its a very

serious allegation

o o n e fo r the books

Something that is one fo r the b o oks is

amazing or very unusual: That sun­

flower is the tallest I've seen One for

the books, I ’d say

boom

o low er the boom on som eon e (A m E ;

informal)

When you lo w e r the boom on so m e­

one, you severely scold or punish them:

I f my daughter stays out late again, I ’m

going to lower the boom on her

boot

o the boot is on the other fo o t (B rE ; in ­

form al) or th e shoe is on th e oth er

'fo o t (Am E; informal)

I f you say that th e b o ot, or the shoe,

is on th e o th e r fo o t, you mean that the situation has changed dramat­ica lly and probably that someone or something that was weak has gained

power: In the past, probably because she was four years older, Laura had always seemed the more dominant fig ­ ure But now the boot was on the other foot ♦ see also turn th e ta b les i t a ­

b l e s

o give som eone the boot (inform al)

You are given , or get, the boot, when you are dismissed from your job: 7

thought you worked at the insurance company down the road V ‘Well I did, but

I got the boot.’ ♦ see also g iv e so m eo n e

th e e lb o w e l b o w ; g ive som eon e the push p u s h ; g ive som eon e the sack > s a c k

boots

j lick som eone's b oots (inform al)

A person lick s so m eon e’s b o o ts when they flatter them and do everything

they want: I ’ve had enough of licking their boots every time I need something; it’s demoralizing and humiliating.

o tough as old boots (inform al)

1 Someone who is as to u g h as old

b o o ts is very strong and not easily

hurt, either physically or mentally: Be­ neath her frail exterior, she’s as tough as old boots 2 Food that is tou g h as old

b o o ts is difficu lt to eat because you have to chew it for a long time before

you can swallow it: I ’m not going back

to that restaurant; the waiters are rude and the steak they serve is tough as old boots.

bored

o bored s t iff or bored to death or

bored to 'tears (inform al)

You are b o re d s tiff, or b o re d to death, or b o re d to tears, i f you are ex­

tremely bored: We were bored stiff by the end of the lecture.

born

o not born yesterday (inform al)

You say that you were n ot b o rn y e s ­

te rd a y i f you do not believe what some­one has told you, and you think that it

is naive of them to expect you to believe

them: Empty your pockets Come on I wasn’t born yesterday, you know.

Trang 25

bottle 21 breakfast bottle

3 bottle out or lose your b o ttle (B rE :

informal)

You bottle out of something, or you

lose your bottle, when you decide not

to do it because you are afraid: I was

going to do this parachute jump, but I

went and bottled out at the last minute.

■r> hit the bottle (informal)

Someone hits the bottle when they

start to drink too much alcohol, usual­

ly because of problems that they are ex­

periencing in their life: A ll the

pressures she was facing caused her to

hit the bottle again ♦ see also d ro w n

your s o rro w s s o r r o w s

bottom

o from the bottom o f your heart

You feel something from the bottom

o f your heart if you feel it very deeply

and sincerely: I thank you from the bot­

tom o f my heart,

o g e t to the bottom o f

You get to the bottom of a mystery,

for example, when you find out its

cause: F ll talk to the member o f staff con­

cerned and get to the bottom of this.

bounds

o know no bounds

Something which knows no bounds

seems to be limitless: His generosity

knows no bounds [= He is very gener­

ous.]

o o u t o f bounds

A place is out o f bounds when people

are not allowed to go there: The playing

fields are out o f bounds to pupils during

the lunch break

brains

o pick someone's brains (informal)

You pick someone’s brains when you

ask them for information about a sub­

ject that they have a lot o f knowledge

and experience of: Being able to pick

your brains on the subject was an im­

mense help

j rack your brains (informal)

You rack your brains when you think

very hard in order to remember some­

thing, or to find a solution to some­

thing: A blonde g irl waved at me from

across the room I waved back, racking

my brains to remember who she was.

, _ ■This idiom refers to the old instrument

of torture, the rack, which stretched the bodv

brass

) bold as 'brass (informal)

Someone who is bold as brass is very

confident and not afraid to ask for things, often to the point of being dis­

respectful: She came up to me, bold as brass, and asked me for the car keys

brave

j brave it out or put on a brave fa ce

You brave something out, or put on a

brave face, when you do not show any

fear about something: I had to put on a brave face and try not to appear worried, but when I saw him I was shocked at how much he had changed

A business breaks even when it makes

as much money as it spends, but does

not make a profit: Although we had bro­ ken even, we were unable to go on paying wages.

o give me a 'break (very informal, rather offensive)

You say to someone ‘Give me a break !’

if you want them to stop annoying you:

‘Come on! Havent you finished yetV ‘Oh, just give me a break, will you? F ll do it in

my own tim e! ♦ see also kn ock it o f f

> k n o c k ; give it a rest > r e s t

o make a break or make a clean break You m ake a break, or m ake a clean

break, when you escape from a place

or situation, or separate yourself

completely from it: F ll make a clean break from athletics in two years time and I wont be competing any more.

♦ see also g iv e s o m e o n e th e slip

[ > SL I P

breakfast

o have som eone fo r breakfast or eat

so m eon e fo r break fast (B rE ; in for­ mal)

You say that someone w ill have, or eat,

Trang 26

breath 22 buck

someone for break fast i f they are

likely to beat them easily in a contest,

or i f they easily gain control over peo­

ple: Have you seen the size of him ? He’ll

have our Charlie for breakfast

breath

3 a breath o f fresh air

You describe someone or something as

a breath o f fresh a ir i f you feel that

they have a fresh and positive influence

on you and people in general: They re­

member him as a ‘breath of fresh air9, as

a manager who rejuvenated the team

with his ability to motivate players.

3 catch your breath

You catch your breath when you stop

breathing for a moment, because of

fear, amazement or pain, for example:

A sudden noise made her catch her

breath; but it was only the wind.

3 don't hold your breath (very informal)

You say to someone ‘D on ’t hold your

breath ’ i f they are expecting some­

thing which you think is unlikely to

happen: T ’m sure she’ll change her mind

when she’s thought about it.’ ‘D on’t hold

your breath; she’s not known for her flex­

ibility.’

o save your breath

You save your breath when you decide

not to bother tellin g someone some­

thing, probably because you know they

won’t pay attention: You might as well

save your breath; whatever you say,

they’ll do exactly as they please,

o take som eone's breath aw ay

Something takes your breath away if

you find it very beautiful, pleasing,

shocking or exciting: The scenery in

the Alps will take your breath away.

3 under your breath

You say something under your breath

when you say it quietly or in a whisper:

4Leave this to me/ she said under her

breath, and winked,

j w ith bated breath

You wait for something with bated

breath when you wait in great antici­

pation: She waited for a reply to her offer

with bated breath

bridge

o cross that bridge w hen you com e to

it

If you say that you w ill cross that

bridge when you come to it, you

mean that you are going to deal with a problem when it arises and not before:

She lit another cigarette What would she

do when the secret was out? She would cross that bridge when she came to it

bright

d bright-eyed and bushy- tailed (in fo r­ mal)

You are brigh t-eyed and bushy-

tailed i f you are feeling fresh, well-

rested and eager to do something:

How can you be so bright-eyed and bushy-tailed on only three hours’ sleep? ♦ see also full o f beans c b e a n s

broke

3 go 'broke (inform al)

A person or company goes broke when

they lose all their money and cannot continue to work or trade properly

o go for broke (inform al)

You go for broke when you risk every­

thing you have for a chance o f being ex­

tremely successful: A fter winning the gold in the under 16s’ National Cham­ pionships, he decided to go for broke and turn professional ♦ see also stick

your neck ou t > n e c k

3 stone broke or ston y broke or flat

broke (inform al)

You are stone broke, or stony broke,

or flat broke, if you have little or no

money left: Can I pay you next week?

I ’m afraid I ’m stone broke

brow s

3 knit your brow s

You knit your brow s when you bring

your eyebrows together in a frown, be­cause you are thinking, or concentrat­

ing very hard: He knitted his brows as

he tried to remember what she had said

brush

3 tarred w ith th e sam e brush (in fo r­ mal)

Two or more people are tarred with

the same brush if they have the same

faults: You never told me that! Not that

I ’m surprised; they’re all tarred with the same brush, that family + see also a chip

o f f th e old block > c h i p

buck

3 pass the buck (inform al)

You pass the buck when you refuse to

Trang 27

bucket 23 bundle

accept responsibility for something,

especially when you refuse to deal with

a problem: The industrialized nations

are the real environmental villains

Shouldn’t we now be acknowledging

blame rather than passing the buck?

- >

This idiom comes from the card game,

poker, where the buck is an object

passed to the person who wins, in or­

der to remind them that they must

start off the new jackpot

bucket

3 kick the bucket (humorous)

Someone kicks the bucket when they

die: Honestly; I was so ill, I thought I was

going to kick the bucket ♦ see also cash

in your chips > c h i p s ; pop your clogs

[ c l o g s ; bite the dust > d u s t ; give up

the ghost >g h o s t ; snuff it > s n u f f

bud

3 nip something in the bud (informal)

You nip something in the bud when

you make it stop at a very early stage:

Her dream of Hollywood stardom was

nipped in the bud last night when critics

savagely criticized her first big movie

bull

3 like a bull in a china shop

You describe someone as being like a

bull in a china shop 1 i f they are very

clumsy: Anthony was always rushing

about like a bull in a china shop, knock­

ing things over, and generally causing

havoc wherever he went 2 i f they do

not make any effort to be polite and

tactful in social situations: Politically,

he often behaved like a bull in a china

shop Privately, he could be a man of

great sensitivity.

3 shoot the bull (AmE; informal)

You shoot the bull when you chat with

others in an idle way: I found him in the

drugstore shooting the bull with some

other salesmen.

3 take the bull by the horns (informal)

You take the bull by the horns when

you make a determined decision to do

something: Being the determined wo­

man she was, she decided to take the bull

by the horns and organize things for her­

self ♦ see also grasp th e n ettle rr n e t ­

t l e ; pull out all the stops s t o p s

bullet

j bite the bullet (informal)

You bite the bullet when you 1 decide

to tolerate a situation rather than com­plain about it, since there is nothing

you can do about it: We have to bite the bullet a little now, but once the ground has been finished, we should start mak­ ing profits again 2 decide that you must

do something, even though it w ill be

unpleasant: Only so much can be done

by discussion Decisions have to be ta­ ken, and as director you have got to bite the bullet.

This idiom refers to the practice used

by army doctors of giving patients a

b u llet to put betw een th e ir teeth during painful operations

3 sw eat 'bullets (AmE; informal)

You sweat bullets when you are very

worried or frightened: The noise down­ stairs had me sweating bullets

bum

o give som eone the bums rush (Am E)

You give someone the bum ’s rush

when you hurry them out o f a place:

The man in the restaurant was drunk, and the manager gave him the bums rush.

3 on the bum (AmE; informal)

1 I f something is on the bum it is not

working: 1 missed the programme be­ cause my radio is on the bum 2 Someone

is on the bum if they are living in an

unsettled way like a tramp: Soon after

he lost his job, he was on the bum ♦ see

also on the fritz > f r i t z

r

In American English, bum is another

word for ‘tramp’

bump

) like a bump on a log (Am E)

I f someone is like a bump on a log,

they sit or stand without moving or re­

sponding: Just give me an answer D on’t sit there like a bump on a log!

bundle

j make a bundle (informal)

You make a bundle when you make a

lot o f money: We made a bundle on that stall at the carnival last year ♦ see also

Trang 28

bunk 24 business

coin it o r coin it in c o i n ; make a

killing k i l l i n g ; make your pile

P I L E

Bundle here refers to banknotes.

d not go a bundle on som ething (B rE ;

inform al)

You don’t go a bundle on som ething

when you are not keen on doing it: They

don’t go a bundle on employing married

women in this company ♦ see also not

your cup o f tea r c u p

This idiom refers to the money that

you would not like to bet on something

)

bunk

3 do a bunk (B rE ; informal)

Someone does a bu n k when they run

away from a place: Several of the pupils

did a bunk during the morning break □

Two prisoners did a bunk during the

chaos of the riots

burner

o put som eth ing on th e back burner

(inform al)

You put som ething on the back b u r­

ner when you delay doing it until later:

The company’s activities have been

put on the back burner until produc­

tion can be resumed abroad with lower

costs.

cThis idiom is an old cooking term J

bursting

3 bursting to do something (inform al)

1 You are bu rstin g to do som ething

i f you are extremely impatient to do it:

She met me at the door; there was some­

thing she was bursting to tell me 2 ‘I ’m

b u rstin g’ usually means ‘I badly need

to go to the toilet.’

bush

o beat about the bush

You tell someone not to beat about the

bush when you want them to speak

openly and directly without hiding

anything: Come on, don’t beat about the

bush What are you trying to say ?

‘Beating the bush’ is an activity car­

ried out while hunting birds

business

) funny business

Funny business is tricks or dishonest

behaviour: I think there’s some funny business going on where these accounts are concerned; something isn’t quite right ♦ see also sharp p r a c tic e

P R A C T I C E

3 give som eone the business (Am E; in­ form al)

You give someone the business when

you treat them badly: The new teacher acted unsure o f herself so the students really gave her the business.

3 go about your business

People go about their business when

they attend to their normal everyday

duties: We watched the small boats going about their business in the harbour.

3 like nobody's business (inform al)

You do something, or something hap­

pens, like nobody’s business when

you do it very well or fast, or if it hap­

pens a lot: The phone’s been ringing like nobody’s business since we put that ad­ vert in the newspaper.

3 mean business (inform al)

People m ean business when they are

seriously determined to do what they

propose: This time they were not just threatening; they clearly meant business.

3 mind your ow n business (informal, of­ fensive)

1 You say to someone ‘M ind your own business!’ if you think they are being

too curious and inquisitive about your

private affairs: ‘How did you vote in the last electionV ‘M in d your own business.’

2 You are m in ding your own bu si­

ness when you are concentrating on

matters which concern you, and not paying attention to, or interfering in,

other people’s affairs: I was so busy minding my own business that I didn’t notice there was anything wrong.

o none o f som eone's business or no

business o f som eone's (inform al)

A matter is none of someone’s busi­

ness, or no business o f theirs, i f you

think that they are being too curious about a private matter which does not

concern them: I t ’s no business of mine how she gets the money for her foreign trips.

Trang 29

butter 25 can butter

3 butter w ouldn 't melt in so-and-so's

mouth

You say that butter wouldn’t melt in

a certain persons mouth when you

want to comment that the person

looks, or acts, as i f they would never

do anything wrong, often despite the

facts to the contrary: The boy was first

arrested at the age o f 10 for giving £1,000

to a drug dealer for heroin The detective

added: ‘To look at him you d think butter

wouldn’t melt in his mouth ’

butterflies

d have butterflies or have bu tterflies

in your stomach

You have butterflies, or have butter­

flies in your stomach, i f you have a

nervous feeling in your stomach: She’s

got butterflies about the exam.

bygones

o let bygones be bygones

You say let bygones be bygones’ to

someone when you agree that you

should both forget quarrels or prob­

lems from the past: I expect auntie has

told you everything, but please come

now We will let bygones be bygones Dad­

dy would have wanted it.

Rattling the cage which an animal or a bird is living in w ill probably make it upset or angrv

cake (see also cakes)

3 have your cake and eat it

I f someone wants to have their cake

and eat it, they want to do or have

two things which are not usually poss­ible together, instead o f making a choice and being happy w ith just one

of those things: You can’t have both You

cant have your cake and eat it ♦ see also

th e grass is a lw a ys g reen er on th e oth er side o f the fe n c e > g r a s s ; the best o f both w orlds w o r l d s

cakes

j sell like hot cakes or go like hot cakes

A new product or item which is sell­

ing, or going, like hot cakes is so pop­

ular that a lot of people are buying it:

Cards depicting Santa are selling like hot cakes

call

y close call

You have a close call when a bad event

almost happens, but you manage to

avoid it just in time: Bernadette Devlin had a close call, but she survived the as­

sassination attempt against her ♦ see also clo s e shave > s h a v e ; clo se or near thing >t h i n g

calm

o the calm before the storm

The calm before the storm is a time

of quiet w aiting that comes before a period of great activity or before some

unpleasant event occurs: Those who ar­ gue that Scotland is now experiencing the calm before the political storm could

well be proved right.

o rattle someone's cage (inform al)

I f someone seems unusually cross or

unfriendly for no obvious reason, peo­

ple sometimes ask what has rattled

their cage: What rattled his cage this

morning? I said he looked well and he

told me to mind my own business ♦ see

also r u ffle s o m e o n e 's fe a th e r s

> F E A T H E R S

can

o can o f w orm s

A situation which is a can of worm s is

full o f hidden problems which have been left to get worse, because nobody noticed them or dealt with them while

they were developing: The prosecution could open a can of worms.

Trang 30

candle 26 carpet

A worm is a long, thin, cylin d rical

anim al, w ith no backbone or legs,

especially one that lives in the soil

o carry the can

You c a rry the can if you take the

blame for something: We were both at

fault, but I had to carry the can.

:> in the 'can (informal)

I f something is in the can, it is already

done or achieved: By lunchtime we al­

ready had two complete runs of the play

in the can

candle

3 burn the candle at both ends

You are bu rn in g the candle at both

ends i f you are making yourself tired,

probably by going to bed late at night

and getting up early in the morning:

This month you are determined to live it

up and have a good time, but you must

watch your health and try not to burn

the candle at both ends

cap

j cap in hand

You go cap in hand to ask for some­

thing if you ask for it in a very humble

way: Shouldn't the elderly automatically

receive a heating allowance every winter;

instead of having to go cap in hand to the

governm ent? ♦ see also on b en d ed

knee > k n e e

o if the cap fits, w ea r it

I f the cap fits, w e ar it, means T f you

recognize yourself in my description,

then let that be the case’: ‘Are you call­

ing me a traitorV ‘No, but if the cap fits,

wear it!

card

o have a card up your sleeve or keep a

card up your sleeve

You have, or are keeping, a card up

your sleeve if other people think that

you are in a difficult situation, but you

have a secret solution which you plan

to surprise them with: D on’t cry Just

wait and see Your old grandad has still

got plenty of cards up his sleeve.

When people cheat at cards they some­

tim es hide an ex tra card up th eir

sleeve

cards

j the cards are stacked a gainst som e­one

I f the cards are stacked against

you you are in a situation which gives

you very little hope of success: He’s g iv ­ ing his best effort to the election cam­ paign, but the cards are stacked against him see also up against it u p

d have all the cards or hold all the cards

I f you have, or hold, all the cards you

have an advantage which puts you in

control of a situation: They know I hold all the cards, so I ’ll just wait and see what they do next

o lay your cards on the table or put your cards on the table

You lay, or put, your cards on the ta­

ble when you make your intentions

known, rather than trying to keep

them secret: I ’d be glad, if you put your cards on the table ♦ see also lay it on

th e line t l i n e

o play your cards close to your ch est or

keep your cards close to your ch est

You are playing, or keeping, your

cards close to your chest when you

do not give much information to other

people about what you are doing: The League’s commercial director is playing his cards close to his chest

carpet

o roll out the red carpet fo r som eone

or g ive so m eon e the r e d -c a r p e t treatm ent

You roll out the red carpet for

someone who is visiting you, or give them the re d -carp et treatment,

when you make a great effort to w el­

come them: What, a cream sponge for dessert? You’re giving Gran the red- carpet treatment, aren’t you'?

When an important person visits an­other country, a red carpet is some­times put on the ground for them to walk on, as a sign of respect

o s w e e p som ething under the carpet

or brush som ething under th e carpet

You sweep, or brush, something, such as a problem, under the carpet

when you ignore it or try to hide it from

Trang 31

carry 27 cat

other people because you do not want

to deal with it: The row continued last

week, despite deliberate efforts in

Bonn to brush the affair under the car­

pet

carry

) carry it o ff

You say that you carried it o ff if you

know you did something badly but you

think that nobody else noticed your

mistakes or weaknesses: My speech

wasn't very well prepared, but I think I

carried it off

case

j make a fed era l ca se out o f s o m e ­

thing (A m E )

I f you say someone is m akin g a fed­

eral case out of something, you be­

lieve they are exaggerating its

seriousness or importance: It was just

a simple mistake, but he tried to make a

federal case out of it ♦ see also make a

big deal abou t som eth ing d e a l

f - • - -In the United States, the more serious

cases often go to federal courts,

castles

o build castles in the air

You are building castles in the a ir

when you make plans based on hopes

and wishes which w ill probably never

come true: Unless she knows that she's

got the job, all her plans are just castles

in the air ♦ see also ch ase rain b ow s

> R A I N B O W S

cat

o fight like cat and dog (B r E ) or figh t

like cats and d o gs (A m E )

Two people fight like cat and dog, or

fight like cats and dogs, when they

argue fiercely whenever they are to­

gether: My sister and I get on much bet­

ter now, but when we were little we used

to fight like cat and dog ♦ see also at

each o th e r s th roats > t h r o a t s

o let the cat out o f the bag

You let the cat out o f the b a g if you

accidentally give away information

which is supposed to remain a secret:

Mum and Dad found out about the party;

someone let the cat out of the bag ♦ see

also spill the beans > b e a n s ; give the

gam e aw ay > g a m e

o like a cat on hot bricks (B r E ) or like a

cat on a hot tin roof

I f you are so excited or anxious that you cannot sit still or concentrate

properly, you are like a cat on hot

bricks or a cat on a hot tin roof: Ford

is hopping like a cat on hot bricks, demanding that something should be done.

o like the cat that got the cream

Someone who looks like the cat that

got the cream is looking very pleased

with themselves: He was smiling, M r Barnes, like the cat that got the cream.

) not have a cat in hells chance or not

stand a cat in hells chance (inform al)

You do not have, or stand, a cat in

hell’s chance i f you are extremely un­

likely to succeed: We'd be stupid to climb

in this weather We wouldn't have a cat in

hell's chance o f reaching the top ♦ see also not have a hope in hell > h o p e

o play cat-and- mouse w ith som eone

I f someone plays cat-and-m ouse

with a person less powerful than them­

selves, they tease them by repeatedly making them afraid and then letting

them relax: The Government is playing cat-and-mouse with p olitical prisoners, releasing and re-imprisoning them.

A cat which has caught a mouse oftenreleases it several times to watch it run, before finally killing it

-o set the cat am-ong the pige-ons -or put

the cat among the pigeons (B rE )

I f someone has set, or put, the cat

am ong the pigeons, they have made

a difficult situation even worse: He said what? That's really set the cat among the pigeons now, hasn't it?

o think you are the cat's whiskers or

the cat's py jamas (insulting)

I f you say that someone thinks they

are the cat’s whiskers, or the cat’s pyjamas, you think they have too high

an opinion of themselves: She thinks she's the cat's whiskers, but she's no bet­

ter than anyone else ♦ see also think

you are th e bee's knees d > b e e

o w hen the cat's away, the m ice will p|ay

I f someone says ‘when the cat’s away,

Trang 32

catch 28 chance

the mice w ill play’, they mean that

when the person who is normally in

authority is absent, people w ill take ad­

vantage o f the situation: The boss is off

sick, so we're all going to the pub for the

afternoon When the cat's away

catch

3 catch som eone at it or catch s o m e ­

one red- handed (inform al)

You catch someone at it, or catch

someone red-handed, when you find

them in the act of doing something

forbidden: N ight patrols were started

in some rural areas, and they some­

times caught cattle thieves red-

handed ♦ see also c a tc h s o m e o n e

w ith th eir tro u s ers d o w n ^ t r o u ­

s e r s

o w hat's the catch?

People ask ‘w hat’s the catch?’ i f they

think there must be a problem with

something that seems good, and easy

to obtain: T 'll give it to you completely

free of charge.' ‘Really? So what's the

catchV

3 you w o n 't catch so-and-so or you

w o n 't catch so -an d -so dead ( infor­

mal)

You say that you won’t catch so-and-

so, or you w on’t catch so -an d -so

dead, doing a certain activity, if you

are sure that that person would never

do, or even consider doing, it: You won't

catch my husband dancing He says it's

naff

catch-up

o play catch-up or play catch-up ball

{AmE; informal)

You play catch-up, or play catch-up

ball, when you try harder in order to

be as good as someone else: The Repub­

lican gains meant the Democrats would

have to play catch-up before the next elec­

tion

caution

3 th ro w caution to the wind

When you throw caution to the wind,

you decide to take a risk, and not to

w orry about the possible bad result

o f your actions: You cannot be tentative

or apprehensive in your movements

you have to throw caution to the wind

and attack' with your objective clearly in

mind.

ceiling

3 hit the ceiling

You hit the ceiling when you become

very angry: When James saw the tele­ phone bill, he hit the ceiling

cellar

3 in the cellar {Am E)

I f a sports team is in the cellar, they

are last in their league: The Chicago Cubs started the season well, but were soon in the cellar\

cent

3 not w orth a red cent (A m E )

I f something is not worth a red cent,

it is not worth anything: Tom wants me

to buy his car, but it's not worth a red cent.

cents

o put your t w o cents in or put your

t w o cents' w o rth in (A m E )

1 I f you put your two cents in, or put

your two cents’ w orth in, you take

part in a discussion by expressing your

opinion: They criticized my school, but I

put my two cents in 2 (inform al) You

put your two cents in, or put your two cents’ w orth in, when you give

unwanted advice: When it comes to the way we bring up our kids, she always has to put her two cents' worth in ♦ see also put your p e n n y w o rth in ^ p e n ­

n y w o r t h

cerem ony

3 stand on cerem ony

I f you agree not to stand on cere­

mony, you decide with someone that

you w ill ignore certain formalities:

Well bring him in We don't stand on cere­ mony in this house

chalk

3 like chalk and ch eese (B rE )

Two things or people that are like

chalk and cheese are completely dif­

ferent

3 not by a long chalk (B rE )

I f something is not the case by a long

chalk, then it is not at all the case: I'm

afraid this essay doesn't deserve a pass mark Not by a long chalk

chance

3 b low your chance (inform al)

I f someone has blow n their chance,

they have lost an opportunity by

Trang 33

mak-chance 29 chance

The next time you write or talk about change you might try to use some

of the following idioms (Remember you can see how to use each idiom

correctly by looking at its entry, which you can find under the word

printed in heavy type.)

for the betterturn over a new leaf

take a turn for the better

a turn-up for the books

change your w ays

a world o f difference

for the worse

go to the dogs

go downhill

down the drain

chop and change

move the goalposts

change your mind

change your tune

ing a mistake or by doing the wrong

things: She’d blown her chance to get

close to Guy.

o chance would be a fine thing! (B rE ;

informal)

I f someone wishes that the thing which

has just been mentioned were true, and

thinks that it is unlikely that they w ill

be able to do it, they might say ‘chance

would be a fine thing!1: How I would

have liked to play that, I thought, but

chance would be a fine thing!

d ’fat chance (informal)

You say there is a fat chance or a fat

chance of something if you are sure

that that thing w ill not happen: ‘Please

stop loving medemands Smith at the al­

bum’s climax Fat chance They’ll love

him even more.

o a fighting chance

You have a fighting chance i f you

have a small, but real, possibility of

success: I f she can get through the first

24 hours, she’s got a fighting chance of

surviving.

o given half a chance

I f you say that a person would do some­thing, especially something considered

to be unacceptable, given h a lf a

chance, you mean that they would do

it happily at the slightest opportunity:

That Tom is such a womanizer He’d be in bed with his own brother’s wife, given half a ch ance.

3 in w ith a chance (B rE )

You are in with a chance i f there is a

good possibility that you w ill succeed

or win: This horse has got to be in with

a chance He has been racing well this season and the going is good.

o jump at the chance

I f someone says they would jum p at

the chance to do something, they

mean they would certainly do it i f they

could: I don’t understand why you turned down that job I ’d jump at the chance to work abroad.

o not stand a chance

You do not stand a chance i f you have

no hope o f succeeding or winning: I ’ve

Trang 34

change 30 chestnut

decided not to enter the competition I

don’t stand a chance against the other

contestants.

3 on the off-ch ance

You do something on the off-chance

when you hope it w ill be useful or suc­

cessful but do not expect it to be: H i!

I ’m just calling you on the off-chance that

you may be free this afternoon

change see also Idiom s stu dy page 29

d have a change o f heart

When you have a change of heart,

you decide not to do something which

you had intended to do, or you change

your opinion about something: The

Government decided that Britain would

remain independent, unless there was a

change o f heart in Washington

changes

3 ring the changes

You rin g the changes, or rin g the

changes on something, when you

change something or do something

new for variety: Why not ring the

changes and freshen up your image with

some of this season’s fantasy jewellery ?

character

o in character

A certain action is in character for

someone if it is what you would expect

them to do: Tony always gets aggressive

when he’s drunk I ’m afraid he was act­

ing very much in character.

3 out o f character

A certain action is out o f character

for someone if it is the opposite of what

you would expect them to do: I t ’s very

out of character for him to be so quiet

He’s usually such a mischievous boy

charity

o charity begins at home

I f someone says ‘charity begins at

home’, they mean that you should con­

centrate on helping the people who are

close to you instead of making an effort

to help people you do not know: Many

believe that charity begins at home and

prefer to donate to British, rather than

overseas, relief

Charley

o look a Charley or fe e l like a Charley

(BrE\ old , informal)

You look, or feel like, a Charley if an

embarrassing event or situation makes

you appear or feel foolish in public: I felt a proper Charley when I got to the church and realized I had left the wed­ ding rings at home

cheek

3 cheek by jow l

When two very different things or peo­

ple are cheek by jowl, they are beside

each other or sharing the same space:

In Montmartre, you will fin d painters cheek by jowl with flower sellers,

A dog’s jowls are the hanging folds of

loose skin which it has instead o f cheeks

3 turn the other cheek

You turn the other cheek when you

accept the bad actions or words which someone directs at you without com­plaining or feeling angry with them:

The B ritish have a reputation for not complaining Turning the other cheek is the national pastime.

In the Bible, Jesus instructs his fol­lowers to offer the other cheek if some­one hits them on one of their cheeks

cheese

3 hard ch eese (B rE ; informal)

I f someone says ‘h ard cheese’ about

another person’s misfortune, it is a rude way o f saying that that person w ill

just have to accept the situation: ‘Id o n ’t want to come to the shops with you.’

‘Hard cheese, you’re coming.’ ♦ see also

hard or tough luck > l u c k

Cheshire

o grin like a Cheshire cat

A person who is grin n in g like a Che­

shire cat is smiling widely, in a rather

foolish-looking way: ‘I t ’s over,’ I said out loud I turned to face Kathleen She was smiling like a Cheshire cat ‘I t ’s going to

be all right now,’ I told her.

The Cheshire Cat is a character in

Lewis Carroll’s A lic e ’s Adventures in

Trang 35

chicken 31 chips

is no longer funny: Nigel bent and

kissed her hand, murmuring something

about pretty, older sisters Juliet cringed

Not that old chestnut! 2 a subject that

has been debated so much that people

have become bored with it: The subject

under discussion is that old chestnut,

public or private financing o f the arts

chicken

o the chicken and the eg g

People call two things the chicken

and the egg if they are closely linked,

but it is difficult to tell which one

causes the other: Which came first, the

chicken or the egg? The existence of a

stable political culture in Britain may be

due to the effectiveness of government

But what has enabled government to be

effective?

chickens

o count your chickens before they are

hatched

I f someone tells you not to count your

chickens before they are hatched,

they mean that you should not be sure

that something good is going to happen

until it has actually happened: I

wouldn't count your chickens, M r Vass

Tve agreed to sign the contract, but that's

all I've agreed to ♦ see also I w ou ld n 't

bank on it > b a n k

child

o child's play

Something that is described as child’s

play is so easy that you never worry

about it: I t ’s child's play giving lectures

But I still get nervous when I have to give

an after-dinner speech ♦ see also easy

as ABC or anything or falling o f f a

log or pie or winking l > e a s y ; a piece

o f cake > p i e c e ; nothing to it > n o t h

-I N G

chin

o keep your chin up

I f you tell someone to keep their chin

up, you mean that they should try not

to be unhappy or afraid: Come on, keep

your chin up Things are bound to get

better soon,

o take it on the chin

I f someone accepts something upset­

ting or discouraging, without com­

plaining, you can say they are taking

it on the chin: See if he ever answers

back, or, indeed, reacts in any other way other than to quietly take it on the chin

chip

d a chip o ff the old blockYou say that someone, especially a man

or boy, is a chip off the old block if, in

behaviour or personality, he reminds

you of his father: From the doorstep she smiled at Jimmy, a chip off the old block with his grey eyes and a bit o f his dad's twinkle ♦ see also ta rre d w ith th e

sam e brush d b r u s h

o have a chip on your shoulder

Someone who has a chip on their

shoulder, or a chip on their shoulder about something, privately resents

something, and gets easily upset or an­

gry when they are reminded of it: He had a bit of a chip on his shoulder be­ cause he felt that other people who were not so talented but who had the right background and connections had got ahead of him and had better career p ro­ spects

chips

o cash in your chips (informal)

To cash in your chips is to die: The old

man cashed in his chips last week Fu­ neral's on Friday ♦ see also b re a th e

your last > l a s t ; kick the bucket

> b u c k e t ; pop your c lo g s > c l o g s ;

bite the dust > d u s t ; g ive up the ghost > g h o s t ; snuff it >s n u f f

Gamblers usually cash in their chips

[= exchange them for money], just be­fore they leave the casino

) in the 'chips (Am E; informal)

Someone who is in the chips is rich:

He could do anything he wanted, because his family was in the chips.

o w hen the chips are dow n (inform al)

A period of time when the chips are

down is one when you have a particu­

lar need, giving you the opportunity

to judge the true value of the people or

things around you: It's when the chips are down that you will find out what he's really capable of ♦ see also co m e to th e

crunch > c r u n c h ; w hen push com es

to shove o p u s h

Trang 36

chop 32 clear

In gambling, when the chips are down

[=on the table], you cannot change

your bet

chop

) chop and change (B r E )

I f someone is always chopping and

changing, they never seem happy with

their decisions, and are continually

changing them: Once youve made the

choice though, stick to it, dont chop and

change from one style to another:

o for the chop (B rE ; inform al)

1 Something that is for the chop is

going to stop existing as the result o f

official action: I ’m afraid housing bene­

fit is probably next for the chop 2 Some­

one who is for the chop is going to lose

their job: Were going to a company meet­

ing today to fin d out who's for the chop

o g e t the chop (B rE ; inform al)

1 I f something gets the chop, it sud­

denly stops existing as the result o f of­

ficial action: How w ill the tourist

industry survive if the ferry service gets

the chop? 2 I f someone gets the chop,

they lose their job suddenly: I f B ill gets

the chop Fm going to hand in my notice

chord

o strike a chord

When something strikes a chord, or

strikes a chord with someone, they

have an understanding of it, or view it

w ith sympathy, because it relates to

something in their own experience:

Our appeal for rights to paternity leave

struck a chord with many young fathers

on the committee

circle

o com e full circle or turn full circle

I f things come, or turn, full circle, a

situation which existed in the past

changes and develops, but then re ­

turns, probably in a slightly different

form, in the present: Sadly, events have

come fu ll circle and those who defended

the university then must do so again

city hall

o figh t city hall (A m E )

I f you fight city hall, you fight in a

hopeless way against government em­

ployees who are more interested in

rules than in your problem: I had a

good case but you can’t fight city hall

clam

) shut up like a clam or clam up

I f you shut up like a clam , or clam

up, you refuse to speak about some­

thing: I tried to fin d out if she knew any­ thing, but she shut up like a clam.

C A clam is a shellfish whose shell is " "made of two halves which it closes to­gether tightly when it senses danger,

clanger

3 drop a clanger

Someone has dropped a clanger if

they have accidentally said or done

something embarrassing in public: I think I dropped a clanger when I told her she had lost weight Was it the wrong thing to say? ♦ see also put your fo o t in

it or in your mouth > f o o t

class

o in a class o f your ow n

I f you consider that someone or some­

thing is in a class o f their own, you

think that they are much better than any other in their area of activity:

Nureyev was in a class o f his own We shall never see a dancer like him again.

♦ see also a cut a b o v e or a cut above

th e rest > c u t ; in a d iffe re n t league

t> L E A G U E

clean

o clean as a w histle

Something that is as clean as a w h is­

tle is very clean.

o com e clean

When you come clean, you admit that

you have done something wrong after

telling lies about it for some time: I may as well come clean I broke the vase then lied about it to everyone

cleaners

3 take som eone to the cleaners (infor­ mal)

I f someone takes you to the cleaners,

their actions result in your losing or spending all or a lot o f your money, or

in your complete defeat: His ex-wife really took him to the cleaners in the di­ vorce settlement

clear

3 clear as a bell

A sound is as clear as a bell i f you can

Trang 37

clever 33 club

hear it very easily: ‘Can you hear meV

‘Yes, you re as clear as a bell!

) clear as mud (informal)

You say that something such as an ex­

planation is as clear as mud i f it is

not very clear at all: You discover which

bits are clear as daylight and which are

clear as mud.

) in the clear

1 You are in the clear i f you are no

longer believed to have committed a

crime: Though it was finally agreed

that I was in the clear, I never got

a formal apology from the police.

2 You are also in the clear i f you

no longer have a debt to pay: I f I

watch what I spend for the next fortnight,

I should be in the clear next month.

3 steer clear o f or stay clear o f

You steer, or stay, clear o f someone or

something when you try to avoid them:

It was prudent to steer clear of political

debate ♦ see also keep your distan ce

T> D I S T A N C E

clever

o to o clever by half (insulting)

I f you say that someone is too clever

by half, you mean that their confident

behaviour and high opinion of their

own abilities annoys you: He stood up,

waved at Monica, winked at Paula and

was gone ‘That man is too clever by half,'

Paula commented

clock

o against the clock

When you do something against the

clock, you are doing it as fast as you

can and recording how long it takes

you: It involves an arduous ten kilometre

run preceded by a long assault course,

against the clock.

clogs

o pop your clo g s (B rE ; in fo rm a l, hu­

morous)

To pop your clogs is to die: I've started

thinking about making my will, though

I d ont intend to pop my clogs for

a few years yet ♦ see also kick th e

bu cket > b u c k e t ; cash in your chips

> c h i p s ; bite the dust > d u s t ; give

up the gh ost o g h o s t ; sn uff it

> S N U F F

close

d com e to a close or draw to a close

When something comes to a close, it finishes; if something is draw ing to a

close, it is about to finish: The happy

day had come to a close, and everyone went to bed

cloud

i cloud cuckoo land (informal)

I f you say that someone is in cloud

cuckoo land, you mean that they are

mad or that their idea of reality is not

accurate: It's always going to be like that here, and anyone who thinks differently

is living in cloud cuckoo land.

3 every cloud has a silver lining

I f you say that every cloud has a sil­

ver lining, you mean that there is al­

ways a positive side to everything,

however bad it may seem: Now you've lost your job, at least you'll have more time for the kids Every cloud has a silver lining.

Notice how this idiom can be adapted

to suit the speaker s needs People also

sometimes just say ‘Every cloud \

3 on cloud nine

I f you are on cloud nine, you are extre­

mely happy: When I was chosen to fight

my first election in Birmingham, I was

on cloud nine ♦ see also w a lk on air

> a i r ; thrilled to bits > b i t s ; in seventh heaven [> h e a v e n ; o ver the moon > m o o n

3 under a cloud

I f you are under a cloud, you are in

trouble for something which you have done previously and which has caused

strong disapproval: I don't know the exact circumstances of her resignation, but she left under a bit of a cloud

clover

3 in 'clover (inform al)

Someone who is in clover is livin g hap­

pily and in great comfort: I f Marcos was cynical, he was no more so than A m eri­ can foreign policy which kept him in power and in clover for 20 years ♦ see also in th e m oney > m o n e y

club

3 join the club (inform al)

You can say ‘join the club’ i f someone

has just complained about something

Trang 38

clue 34 coin

and you want to agree with them or to

say that you are affected in the same

way: T hate this new pedestrian cross­

ing.’ Join the club It doesn’t give you

enough time to get over.’

clue

3 not have a clue (inform al)

1 You say you do not have a clue when

you do not know something, or when

you are ignorant about a certain sub­

ject: Sorry, I haven’t a clue about cars 2

Someone who does n ot have a clue in

general is unable to do anything prop­

erly: My God! Have you seen what he’s

wearing? He just doesn’t have a clue,

does he? ♦ see also not have an earth ly

> E A R T H L Y

clued

o clued ’up (informal)

When you are clued up, you have a lot

o f knowledge about a particular thing:

Choosing the right sparkling wine can be

a minefield if you are not clued up on the

different brands available

coals

o carry coals to N ew ca stle or take

coals to N ew ca stle

I f you are c a r r y in g , or ta k in g , co als

to N ew ca stle, you are taking some­

thing to a place where there is plenty

o f that thing already: It was left to Wes­

tern businessmen to manufacture the T-

shirts which ended up on the Soviet

black market, an acute case of carrying

coals to Newcastle.

N otice that simply saying 'c o a ls to

N ew ca stle’ is often enough

d haul som eone over the coals

You haul so m eo n e o v e r th e co a ls

when you tell them severely that you

disapprove of something they have

done, in order to embarrass them: I

should have hauled him over the coals

for not surrendering all of his files to

me ♦ see also g iv e s o m e o n e a rap

o ver th e knuckles > r a p

coast

o the coast is clear

You say that the co a s t is c le a r when

you consider that it is safe to do some­

thing because a certain person is ab­

sent or is not watching: Once you’re

there, stay absolutely quiet take slow, calm, soft breaths and don’t move until you are sure that the coast is clear

cobw ebs

3 blow the co b w eb s aw ay (B rE )

When people say that going outside

w ill b low the cobw ebs away, they mean that it w ill make you feel better

and more lively: Why don’t you go for a quick walk? That’ll soon blow the cob­ webs away.

A cobw eb is a network o f threads made by a spider Cobwebs gather in places that do not get used, or cleaned, very often

cock

o cock-and- bull story

I f you refer to someone’s excuse or ex­planation as a co ck -a n d -b u ll story,

you mean that you don’t believe it: Last night, she had returned at some un­ earthly hour with some cock-and-bull story about having to work late,

o g o o f f at half- co ck or g o o f f half-

cockedSomething which g o es o f f at h a lf- cock, or goes o f f h a lf-c o ck ed , is un­successful because o f lack of prepara­

tion: My brother tends to rush into things, so his projects often go off at half- cock.

On old guns, if the firin g mechanism was at h a lf-c o c k when the gun fired, the shot would be wasted

cockles

o w arm the cockles o f so m eon e's1 heart

(old or humorous)

You say that something w a rm s the

co ck les o f y o u r h e a rt if it makes you feel happy and sure that the world is

full o f good things: Talk of means- testing pensions hardly warms the cockles.

s

-Notice that just saying 'such-and-such

w arm s the co ck les’ is often enough

Trang 39

-cold 35 compliment

ured he could make a lot of money out of

this room - he could charge £10 an hour

and really coin it in ♦ see also make a

bundle b u n d l e ; make a killing

k i l l i n g : make your pile p i l e

cold

) com e in from the cold

When someone co m es in fr o m the

cold, they re-enter a group or rejoin

an activity after a period of time when

they were not permitted to do so: A lle­

gations of misconduct were dropped and

the M P came back in from the cold.

3 leave som eone cold

I f something leaves you cold, it has no

effect on your emotions: I ’m afraid the

film left me cold I couldn’t sympathize

with either of the main characters.

3 out cold

Someone who is out co ld is uncon­

scious: I saw him fall, but when I got to

him he was out cold

collar

3 hot under the collar

I f you are h ot u n der the co lla r, you

feel annoyed and become rather agi­

tated: There’s no need to get so hot under

the collar I ’m just slower than you, that’s

all Now explain again, slowly

colour (A m E color)

o add colour to something

Something that adds co lou r to so m e­

th in g else brings some energy, interest

or variety to that thing: His enthusias­

tic lecturing style adds colour to a subject

that many people regard as dull

d lend colour to something

Something that lends c o lo u r to a

story or argument, for example, makes

it appear more likely, believable or rea­

sonable: It is essential that nothing is

done that might lend colour to the sug­

gestion that they are favouring any one

section of the community

o o ff- colour (B rE )

I f you are off-co lo u r, you are not feel­

ing very well, but you are not really ill

either: I ’ve been feeling a bit off-colour

ever since I came back from holiday ♦

see also look like death w a rm e d up

> DEATH

o o ff- color (A m E )

I f something is o ff-c o lo r, it is consid­

ered to be rude or in bad taste: Most of

the comedians stand-up act consisted of off-color jokes.

3 see the colour o f som eone's money

(informal)

I f you say that you want to see the co l­

ou r o f so m eo n e’s money, you mean that you want them to prove that they can be trusted by supporting what they

say with money: He says he’ll buy it, but

I ’ll wait to see the colour o f his money be­ fore I take the advert down

colours

d someone's true colours

I f someone shows th e ir tru e colours,

or i f th e ir tru e co lou rs are showing, they have stopped pretending to be nicer than they really are, and are starting to show the unpleasant side

o f their character: Anyway, she’s seen him in his true colours now, and she’s lost interest.

3 w ith flying colours When you do something w ith fly in g colours, you do it easily and with great

success: She passed her exams with fly­ ing colours

unrefined behaviour: That Sue’s as common as dirt.

3 comm on-or-garden (B rE )

A c o m m o n -o r-g a rd e n person or thing is an ordinary or unexceptional

person or thing: He lived in a normal common-or-garden 'caravan

company

3 t w o s company, three's a crow d

I f someone says ‘tw o ’s com pany,

th r e e ’s a c ro w d ’, they mean that, in their opinion, two people are more likely to be happy together than a

group of three: No, sorry, I ’d rather you didn’t come with us Two’s company.

f This expression can also refer to a cou­

ple of lovers who do not want to be dis­turbed by another person

\ - — -

-compliment

Trang 40

compliments 36 contradiction

) backhanded compliment

A backhanded com plim ent is a re ­

mark which is intended to be, or seems

like, a compliment, but in fact is not:

She said that I was dressed much more

tastefully than usual, which was rather

a backhanded compliment

compliments

3 fish for compliments

You are fish in g for com plim ents i f

you try, probably by asking questions,

to persuade someone to make a posi­

tive comment about you: 'You re push­

ing me in the direction o f flattery again,'

he said softly ‘I was not fishing for com­

pliments.V

concern

o a going con cern

Something such as a business is a

going concern if it is operating suc­

cessfully and making money: We will

have to increase the profits before we can

sell the business as a going concern

conclusions

o jump to con elusions

You jum p to conclusions when you

form a judgement of a situation without

knowing all the facts: It may just be a

coincidence, so let's not jump to any con­

clusions

condition

o in mint con dition

Something that is in m int condition

is in excellent condition, as i f it had

never been used: A black and white £5

note, printed between 1920 and 1956,

costs from £20 Those in mint condition

have doubled in value over the last two

years ♦ see also sou n d as a bell

> S O U N D

confidence

3 in confidence

You tell someone something in confi­

dence when you instruct them to keep

it secret: Why did you go spreading the

things I told you in strictest confidence?

conscience

3 in all conscience or in g o o d co n ­

science

I f you do or say something in all con­

science, or in good conscience, you

do or say it without feeling guilty:

How, in all conscience, can you continue

living with your parents without paying any rent?

3 prick som eone's conscience

I f certain thoughts are pricking your

conscience, they are preventing you

from forgetting guilty feelings: A ll the signs which I saw and chose to ignore they've been pricking my conscience since he died.

3 w ith a clear conscience

You do something with a clear con­

science i f you are sure that you have

no reason to feel ashamed or guilty

about doing it: The clear conscience with which most people here avoid taxes

if they can, is to do with their feeling of powerlessness in relation to government

considered

3 all things con sidered

You say that something is the case, all

things considered, when you are giv­

ing a general opinion after thinking

about the whole situation: It rained all the time, but all things considered, we had a good weekend ♦ see also at th e

end o f th e day > e n d

consideration

3 take something into conside1 ration

You take som ething into considera­

tion if you think about it, and how your

actions w ill affect it, before making a

decision: You've got to take his feelings into consideration.

3 under conside1 ration

Something that is under considera­

tion is being considered by someone

before they decide whether to accept

or reject it: Proposals for a new visitors' centre are currently under consideration

contempt

3 hold in con tem pt

I f you hold someone or something in

contempt, you have no respect at all

for them: He holds all violence in the ut­ most contempt

contradiction

3 contradiction in terms

I f you call a combination o f words a

contradiction in terms, you are say­

ing that it does not make sense because the two elements from which it is

formed contradict each other: The most important instrument is subsidy, even

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