Identity: the foundations of British culture 2.. Living culture: the state of modern Britain Play list: the key genres of medieval drama Mystery plays.. Towns in England had their own my
Trang 11 Identity: the
foundations
of British culture
2 Literature
and philosophy
3 Art, architecture and design
4 Performing arts
5 Cinema, photography and fashion
6 Media and communications
7 Food and drink 8 Living culture:
the state of modern Britain
Play list: the key genres of medieval drama
Mystery plays Full-blown biblical epics told from Creation to Last
Judgement and often run over days Towns in England had their own mystery play ‘cycles’: versions from York (comprising 48 pageants),
Chester and Wakefield survive almost intact Guilds of craftsmen acted out the different parts, the parable often relating to their trade – so, for
example, the shipwrights would take charge of Noah and the Flood This association with the guilds engendered the ‘mystery’ name, derived from
mysterium, a Latin word meaning handicraft.
Morality plays The didactic child of mystery plays, they pitched vice
against virtue (personified with different characters) and made sure that
morality romped home with the mortal soul Everyman, dating to the late
Interludes Performed as a digestif between courses at a banquet, or
within the acts of a larger play, interludes were usually secular skits; amusing, sometimes farcical diversions that often satirised local public figures Others followed the morality format
Folk Plays By the late 15thcentury, the green tights of Robin Hood were a standard fixture of the theatre wardrobe Tied in to pagan spring celebrations, the outlaw story made for popular drama, touring around England and Scotland to the accompaniment of morris dancing and
archery competitions Henry VIII took part in Robin Hood plays as a young man, before the story of subversion against the Crown began to rankle and the genre was suppressed and superseded by the story of St George
Stage presence: the dawn of the theatre
didactic morality/mystery mode of old into the secular, professional and terrifically creative strand of British culture that rose to a crescendo with William Shakespeare The impetus for staging drama moved from the Church to the nobility, a transition spearheaded by Henry VII with his small troupe of court actors Wealthy lords followed his lead, retaining their own