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Lecture dynamics of mass communication (9th edition) chapter 8 joseph r dominick

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Tiêu đề Dynamics of Mass Communication (9th Edition) Chapter 8
Tác giả Joseph R. Dominick
Trường học University of Georgia
Chuyên ngành Mass Communication
Thể loại Textbook Chapter
Năm xuất bản 2007
Thành phố Athens
Định dạng
Số trang 25
Dung lượng 0,92 MB

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Chapter 8Sound Recording  History  Sound Recording in the Digital Age  Defining Features of Sound Recording  Organization of the Recording Industry  Ownership in the Recording Ind

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THE DYNAMICS

OF MASS COMMUNCATION

Joseph R Dominick

University of Georgia Athens

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Chapter 8

Sound Recording

 History

 Sound Recording in the Digital Age

 Defining Features of Sound Recording

 Organization of the Recording Industry

 Ownership in the Recording Industry

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• Record players ubiquitous (1916)

• 107 million records produced (1919)

• Radio’s Impact on Recording Industry  

– Radio cuts record player sales in half (1923) – Electronic recording   radio

– Radio/phonograph combos (1926)

– RCA/Victor merge (1929)

History

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• Battle of the Speeds 

– Long­playing record (LP)

• 33­rpm   Columbia Records (1948)– Extended play record

• 45 rpm   RCA– 1947­1949 sales drop due to battle

– HiFi sets appear 1954

– Radio’s Top 40 helps sales of 45s

History

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– Chuck Berry

History

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• Transitions and Trends 60s­90s

– 1960s:  Freedom, experimentation, innovation

• The Who Blood, Sweat, and Tears– 1970s:  Heavy Metal

– 1980s:  Thriller

– 1990s:  CDs replace tape

History

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• Digitally encoded music – easily copied  and shared

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Could pirating shut down the recording industry

?

Sound Recording in the Digital Age

?

?

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• Four major segments 

– Talent – Production – Distribution – Chain Retail

Organization of the Recording

Industry

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Organization of the Recording

Industry

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Ownership in the Recording Industry

Table 8-1 Top Five Recording Companies, 2004

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• Seven departments

1) Artists and repertoire 2) Sales and distribution 3) Advertising and merchandising 4) Business

5) Promotion  6) Publicity  7) Artist development  

Producing Records

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Making a CD

1 Record 4-track demo disc

2 Sell demo with agent

3 Record multitrack master disc

4 Equalize tracks

8 Reproduce on a disk

5 Add special effects

7 Mix down to stereo master

6 Re-record as required

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Economics

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• Economic Trends

– 2000­2003: recording revenues in a tail spin

– 2000: Peer­to­peer file sharing gained 

popularity– 2002: Consumers buy more blank CDs than 

recorded CDs– 2003­2004: Legal downloading increases thanks 

to iPod– 98% of industry sales still come from CDs

Economics

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$0.00 •   Courtney Love’s example– Four­performer band

– 20% royalty + $1 million advance– Recording: $  million

– $150,000 to staff; $170,000 in taxes– $45,000 each for one year

– 1 million copies   $2 million royalties– $1.1 million promotion and tour support

Economics

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• Billboard Charts

– Sales and Digital Downloads

• Nielsen SoundScan

• Weekly sales data from 14,000 retail locations– Exposure 

• Nielsen Broadcast Data Systems

• Airplay on 1200 radio stations– Index number is a composite  

Feedback

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• 30+ spent 55 cents per dollar spent on prerecorded music

• 19­ declined 11% from 1988

Feedback

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• 20,000 people in industry

• Entry­Level

– Engineering

• Recording Institute of America– Creative

• Mass media, business admin, music

• Volunteer at local studio– Business

• Business admin and mass media

• Start at branch office

The Recording Industry

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• Upward Mobility

– Audio engineer   

Staff engineer   

Senior supervising engineer – Producer   

Staff producer   

Executive producer – Business 

The Recording Industry

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