Chapter 9Motion Pictures The Phi Phenomenon Persistence of Vision History of the Motion Picture Motion Pictures in the Digital Age Defining Features of Motion Pictures Organi
Trang 1THE DYNAMICS
OF MASS COMMUNCATION
Joseph R Dominick
University of Georgia Athens
Trang 2Chapter 9
Motion Pictures
The Phi Phenomenon
Persistence of Vision
History of the Motion Picture
Motion Pictures in the Digital Age
Defining Features of Motion Pictures
Organization of the Film Industry
Ownership in the Film Industry
Producing Motion Pictures
Trang 3The phi phenomenon: consecutive light sources appear to be one source that moves
The Phi Phenomenon
Trang 4Persistence of vision: seeing an image
for a split second after it has
disappeared.
Persistence of Vision
Trang 9move to Hollywood – MPPC had lost power by 1917
History of the Motion Picture
Trang 10• The Star System
– ) Carl Laemmle and Florence Lawrence
• Pulls audiences away from MPPC films
• Promotes star competition– Charlie Chaplin
• $150/week (1913) $1 Million / 8 films (1917)– Mary Pickford
• $20,000/week + 50% of profits by 1918– United Artists Studio (1919)
– Strand (NY) and Egyptian Theater (Hollywood)
History of the Motion Picture
Trang 11• Consolidation and Growth
– Economic pressures force consolidation
– Zukor combines production and
distribution Paramount Pictures, then adds theaters
– Loew (theater chain) purchases studio
(which becomes MGM) – Block booking helps production
companies
History of the Motion Picture
Trang 13History of the Motion Picture
Trang 20– Financing of independent producers
Organization of the Film Industry
Trang 21• Exhibition
– 37,400 movie screens in 2000 (USA) – 36,000 in 2004
Trang 26Economics
Trang 27– 9010 deal: nut, air, then 90/10
– Concessions: 90 percent of theater profit
Economics
Trang 28• Internet ads on portals and ticket sites
Economics
Trang 30Feedback
Trang 31Figure 9-2 Average Weekly Film Attendance in the United States
Trang 32– HBO Showtime Cinemax
Cable and Video:
The Hollywood Connection
Trang 33The Film Industry
Trang 35• Upward Mobility
– Editing room workers tend to stay there
– Production
Assistants Assistant Directors Director
Producer
– Distribution or sales management
The Film Industry