When white light enters a material the color perceived is the result of the material absorbing all visible λ except for the apparent color which is reflected.. Subtractive Color Mixing S
Trang 1Activity 3: Color Mixing Why?
Ever since kindergarten we are taught that red paint and blue paint swirled together makes purple but it’s never really explained why this color transformation occurs So how do colors mix? It may appear that colors meld together magically to form a new hue but in reality the observed result is due to mixing in either subtractive or additive
processes
Learning Objectives
Understand the concepts of Additive and Subtractive Mixing
Be able to discern the resultant color when various pure and impure color lights or pigments are mixed
New Concepts
Color mixing
Vocabulary
Subtractive mixing
Additive mixing
Pure and impure pigments
Subtractive Primary colors
Additive Primary colors
Cyan
Magenta
Visible Light Review
When white light passes through a glass prism the visible spectrum emerges in the rainbow we name as red –
orange – yellow – green – blue – indigo – violet These colors are actually the various wavelengths (λ) of pure light from 400nm to 700nm that make
up the visible spectrum
http://www.greatreality.com/ColorComp.htm
Trang 2When white light enters a material the color perceived is the result of the material absorbing all visible λ except for the apparent color which is
reflected For example, when light strikes a piece of red paper, the chemical constituents of the paper absorb the shorter λ corresponding to green and blue and transmit or release the longer λ, those corresponding to red For each pure spectral color, a reflectance curve indicates when light is released
or bounced off of a material
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Why is fluorescent light often considered to have a
“cool” hue?
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So, what occurs when the illuminated material (as is the
case for most paints, inks and dyes) is not spectrally
pure? How is the viewed color being generated? It is
often assumed that pigment colors are adding together
to make a new hue when actually the reverse,
subtraction, is the case
Subtractive Color Mixing
Subtractive Mixing is a method of generating color
occurs when white light enters a solid medium Depending on the chemical nature of the material, certain λ of light will be absorbed (ie “subtracted” or removed from consideration) The remaining λ are refracted (bent) and reflected yielding the color perceived The components in a colored material are not usually “pure” meaning that they absorb all but one λ of light
Trang 3If a paint is made of blue and yellow pigments, what colors are
absorbed? What colors are reflected?
Trang 4Primary pigments are those three colors that when combined produce black
(ie all light is absorbed) The primary pigments in Subtractive Mixing
are as follows:
Yellow
Cyan – “blue-green”
Magenta – “red-blue”
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Complete the column in the table below with the correct color of light for the
λ Absorbed
Primary
Subtractive Color λ Reflected λ Absorbed Apparent Color
Magenta Red, Blue
Activity
Using provided white paper discs and colored paint provided, paint one disc blue and one disc yellow Set these aside In a palette with indentations, mix some of the blue and yellow together Take one additional white disc and paint it with the result of the mixing Explain the results of painting all three
of the discs in the table below:
Disc
number Color Observed Explanation (colors absorbed)
1
2
Trang 5Additive Color Mixing
The making of color with light as the medium follows a different pathway
called Additive Color Mixing When examining the process of coloration
by an additive method, the medium involved is wavelengths (λ) of
transmitted light superimposed on one another such that the colors combine
or “add” together to make a new λ or new color
Primary pigments are those three colors that when
combined produce white light The primary pigments in
Additive Mixing are as follows:
Red
Blue
Green
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A demonstration of Additive Mixing would occur if beams of colored light were shined upon a white wall If the beams were shined adjacent to one another their separate colors would be seen If the beams are subsequently superimposed, the original colors would “add” and a new color would appear
Activity
Gather 3 students/group and using flashlights with colored gel covers (red, green & blue), follow the procedure below
1 The first student projects the red light onto a white wall
2 The second student separately projects blue light and then the third student projects green
3 Lastly, have each student overlap their light source with ⅓rd of the others
What color is at the center? Why?
Trang 7For each primary color a complementary color exists which when combined
with the primary results in grey, black or white The complementary color results for Additive & Subtractive Mixing are shown below:
Colors Yielded
Additive Mixing (ie lights) Subtractive Mixing (ie pigments)
Red - Cyan white black/grey
Blue - Yellow white black/grey
Green - Magenta white black/grey
http://www.greatreality.com/ColorComp.htm
For generating Subtractive Colors through the use of pigments or inks, any color can be produced by mixing correctly proportioned amounts of cyan, yellow and magenta EXCEPT for a true black In this case a true black
pigment must be added as the mixing of cyan, yellow and magenta often yields a muddled black
The CMYK color printing model utilizes cyan,
magenta, yellow and black inks instead of mixing
the first three to remove all light hence make black This method is called 4-color printing and is more appealing visually by producing a true black
Trang 9The following illustration demonstrates the production of color by both the Additive and Subtractive Mixing methods
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Activity
Using the supplied paints and colored filters on flashlights, demonstrate each
of the following examples and complete the table below:
Subtractive?
Red paint + Blue paint
Green light + Blue light
Red light + Blue light
Magenta paint + Yellow
paint
Magenta + Cyan + Yellow
paints
Red + Blue + Green lights
DONE!