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Tiêu đề The New Space of Authenticity Prague 16 - 19 June 2007
Tác giả Birch, Silva, Cevik, Adnan, Chen, Ming, Eynat-Confino, Irene, Davies, Paul, Duda, Artur, Elnecave, Claudine, Feiner, Harry, Groeschel, Phil, Howard, Pamela, Itzhak, Tali, Larionow, Dominika, Lemaire, Veronique, Leyko, Dr hab Malgorzata, Listengarten, Julia and Wood, Vandy, Lucas, Valerie, Neilson, Patrick, Olkusz, Piotr
Người hướng dẫn P. Davies, Paul, P. Howard, Pamela, Irene Eynat-Confino, Vandy M. Wood
Trường học Canakkale Onsekiz Mart University
Chuyên ngành Theatre and Authenticity
Thể loại Conference Proposal
Năm xuất bản 2007
Thành phố Prague
Định dạng
Số trang 4
Dung lượng 215,5 KB

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Nội dung

Eynat-Confino, Irene ISRAEL/ Tel-Aviv University Theatre Space and Authenticity: From a Non Sequitur to a Real Make-believe eynconf@post.tau.ac.il Y 19.03.07 18.04.07dv yes, informal 5.

Trang 1

PRAGUE 16 - 19 JUNE 2007

v 07.06.07 dv

reg

# Name Country/university or org Title of abstract e-mail CV received(date) offer sent(date) accept rec’d(date) reg info(date

sent)

reg made (31.05.07 deadline)

# and date/time in program

1. Birch, Silva UK/ MetropolitanManchester

University

How can the spectator support meaning making in the multi-media performance

process?

silvabirch@btinternet.com Y 21.03.07 18.04.07dv 19.04.07dv 17.06 or 18.06

preferred

2. Cevik, Adnan Turkey/ Canakkale Onsekiz Mart Univeristy 3D vs.2D: Impact of Duality on Authenticity of Turkish Theater acevik@comu.edu.tr Y 26.02.07 18.04.07dv 19.04.07dv not the 19.06.07

3. Chen, Ming USA/ College of the Arts Kennesaw State

University

Authenticity in Theatrical Designs – What Does it Mean chenming.55@gmail.com Y 12.03.07

18.04.07 dv

27.04.07 dv

19.06.07 preferred

4. Eynat-Confino, Irene ISRAEL/ Tel-Aviv University

Theatre Space and Authenticity:

From a Non Sequitur to a Real

Make-believe

eynconf@post.tau.ac.il Y 19.03.07 18.04.07dv yes,

informal

5. Davies, Paul UK /University of Kent,

The Authentic and stylised use

of colour in light on stage; A comparison and analysis of US and UK lighting designers use

of saturated and tint colours

p.davies@kent.ac.uk Y 22.05.07

6. Duda, Artur Poland/Nicolas Copernicus University

Torun

(Re)creating real space for common Europe Roger Waters

The Wall.Live in Berlin, July 21th 1990

dudaart@uni.torun.pl Y 06.03.07 18.04.07dv

7. Elnecave, Claudine IsraelHaifa University Authenticity: the case of McBurney claudine@research.haifa.ac.il Y 19.03.07 18.04.07dv 29.04.07dv

Trang 2

8. Feiner, Harry USA Scenography and the Authenticity of Theatrical

Experience

hfeinerdesign@hotmail.com No 15.03.07 18.04.07dv 21.04.07dv

morning 19.06.07 at the latest (or earlier)

9. Groeschel, Phil USA/ University of Missouri Designer as Dramaturg Robert Wilson’s Danton’s Death phil.groeschel@gmail.com Y 21.03.07 18.04.07dv 18.04.07dv

Reading authenticity in the Émigré’s experience: The Greek Passion by

Martinu/Kazantzakis (Opera)

pamela.howard@onetel.net informal 11.03.07 18.04.07dv informal ok 19.06.0715h30

11. Itzhak, Tali ISRAEL/ Two Layers of Authenticity in Scenography tali.itzhaki@gmail.com Y 23.03.07 18.04.07dv 19.04.07dv

12. Larionow, Dominika POLAND/ University of Lodz

The National Theater - What does it mean in Poland after 1989?

13. Lemaire, Veronique Belgique/Universite Catholique de

Louvain-la-Neuve

Chaque scenographe est source d’authenticite veroniquelemaire@hotmail.com Y 21.03.07

19.94.07 dv

20.04.07 dv

14. Leyko, Dr hab

Malgorzata

POLAND/ University of Lodz

Theatre of the Empty Space

15. Listengarten, Julia and

Wood, Vandy

USA/ University of Central Florida and Syracuse Stage University and Clemson University

In Search of New Authenticity in

Staging Brecht’s Good Woman

of Setzuan

alxjul@aol.com and

mwood@mail.ucf.edu Y 16.03.07 18.04.07dv 06.05.07dv

16. Lucas, Valerie UK/ USA Ohio State University Host and Ghosts The question of Authenticity in Site-Specific

Performance

Trang 3

17. Neilson, Patrick CANADA/ McGill University What is Authentic Shakespeare? patrick.neilson@mcgill.ca Y 21.03.07 18.04.07dv 19.04.07dv

18. Olkusz, Piotr Poland/ University of Lodz Quelle authenticité? Le théâtre contemorain polonais et les

04.04.07 18.04.07dv

19. Prykowska- Michalak,

Karolina Poland/ University of Lodz

The space of liberty – the space

of authenticities Contemporary Polish performance of opera and theater

kprykows@wp.pl Y 02.03.07 18.04.07dv

20. Quint, Cordula CANADA/ Mount Allison University Undoing Authenticity: Irony and Aporia in Robert Wilson’s early

Space-Time Experiments

cordulaquint@hotmail.com N 16.04.07 20.04.07dv 21.04.07dv

21. Rewa, Natalie CANADA/ Queen’s University Michael Levine: production design for Wagner's

Ring Cycle (2006) [rev 31.05]

rewan@post.queensu.ca Y 28.03.07 18.04.07dv 19.04.07dv NOT 18.06

22. Sosnovskaya, Anna Israel/ Haifa University Iconography by A.P Chekhov's plays. allasosn@research.haifa.ac.il Y 05.03.07 17.04.07vkl/dv 19.04.07dv

23. Van Langendock, Katleen BELGIUM/ University of Antwerp

Tactile Theatre

On the (im)possibility of communication and intimacy in the work of Enrique Vargas and Felix Ruckert

katleen.vanlangendonck@ua.ac.be Y 21.03.07 18.04.07dv 19.04.07dv

17.06.07 or 18.06.07 NOT 19.06.07

24. Velemanova, Vera CZ/ Theatre Institute Praga The Apartment-Theatre and its Authentic Space vera.velemanova@tiscali.cz Y 21.03.07 18.04.07dv 20.04.07dv

26. Zawistowska, Katarzyna Poland/ The Academy of Fine Arts in Gdansk

Inter/theater between the illusion of the stage and the reality/authenticity of the spectator

oko_oko@wp.pl Y 01.03.07 18.04.07dv

Not presenting

Trang 4

27. Cottis, Eillen E UK e.cottis@btinternet.com 08.06.07?TI

28. Konstantinakou,

30. Withdrawn participation

31. Gharavi, Lance and

Pinholster, Jake USA/Arizona State University

Raving the Real: Authenticity and Digital Performance in

Caridad Svich’s Iphigenia…

Lance.gharavi@asu.edu Y 21.03.07 18.04.07dv 18.04.07pending $ MAY ATTEND

32. Kuksa, Iryna England/ Univeristy of Warwick The set-spectrum project – a new approach to studying

scenography

I.Kuksa@warwick.ac.uk Y 23.02.07 18.04.07dv

NOT ATTENDING (SI)

33. Paterok Anna

Germany Bund der Szenografen, Berlin

database project as contribution

to the meeting in scenographic practice

anna.paterok@szenografen-bund.de

no

initial email posted 23.02.07

recontacted 18.04.07

informal 20.04.07 dv

not presenting

34. Shanahan, Maureen G USA/ James Madison University Thea Musgrave’s Simon Bolivar(1995): Staging Revolution shanahmg@jmu.edu Y 21.03.07 18.04.07dv NOT ATTENDING

35. Sordyl, Alina

Poland/ Institute of Culture of the Silesian University in Katowice

Aesthetical and communication conventions of reality at the Polish theater of television

alinasordyl@tlen.pl Y 03.03.07 18.04.07dv

NO 27.04.07 dv

NOT ATTENDING

36. Vosyliute, Marta LITHUANIA/ Freelance visual artist

Non-traditional spaces for theatre production and theatricality in Lithuanian visual arts

marta_vo@hotmail.com Y 19.03.07 18.04.07dv 08.05.07dv NOT ATTENDING

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