COLLECTED THE ALAN WILDER/DEPECHE MODE HISTORIC EQUIPMENT, VINYL & MEMORABILIA AUCTION pdf

Includes Version 2.0 software disc, operation manual G power supply cable, Dates produced: 1988-1993.. Includes operation manual G power supply cable.. Includes operation manual, Patch b

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THE ALAN WILDER/DEPECHE MODE HISTORIC EQUIPMENT, VINYL G MEMORABILIA AUCTION Saturday 3rd September 2011 at 3.00pm

Zion Arts Centre, 335 Stretford Road, Hulme, Manchester, M15 5ZA

ON VIEW Friday 2nd September 11.00am - 8.00pm Saturday 3rd September 10.00am - 2.45pm

Catalogue £5.00

Omega Auctions Telephone: +44 161 865 0838 Email: office @omegaauctions.co.uk www.omegaauctions.co.uk

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HISTORY - ALAN WILDER

After classical training from an early age, Alan Wild- er's career in music began at the age of 16 when he

secured the position of studio assistant at DJM Studi-

os in London's West End Following 3 years of moder- ate success in a variety of different bands, he joined Depeche Mode in 1981 after replying to an advert in Melody Maker

Depeche Mode's trademark sound has earned them worldwide success and been credited by industry and media alike as a prominent and distinctive influence

on the development of the electronic and dance music movements Alan Wilder's training and studio experience made him a vital player in this success and his mantle as DM's ‘musical director’ has long been acknowledged throughout the music industry

The band's steady rise from synth pop ‘teeny bop- pers’ to chart-topping stadium act was dramatically demonstrated in 1989 with their sell-out ‘Concert For The Masses’ show to 80,000 people at The Rosebowl stadium in Pasadena (the culmination of a 101- date world

tour) and their popularity further elevated the following year, when approximately 20,000 fans attempted to

gain entrance to Wherehouse Records in Los Angeles to see their heroes sign copies of the new record ‘Violator’

A riot spilled out onto the streets and the LAPD, who were called out in full force, described the incident (which

made news worldwide) as comparable to a presidential visit

The Mode embarked on their most adventurous tour to date in 1993, enduring a gruelling 15 months on the

road to promote their 8th studio album ‘Songs Of Faith And Devotion’ Following this globally successful outing

and well-publicised problems within the internal workings of the band, Alan Wilder decided to leave Depeche

Mode in 1995

FOREWORD

“Since those heady DM years, | have concentrated fully on my once side project Recoil (which originated in 1986) The most significant work has evolved since 1996 Free from former commitments, | began operating from my own studio, ‘The Thin Line’, and at my own pace, gradually piecing together what would become the

‘Unsound Methods’, ‘Liquid’ and ‘subHuman’ albums Over the course of the last 12 years | have been ably ac- companied by Paul Kendall who brings his idiosyncratic view to the whole procedure

The recent ‘Selected’ collection is made up of my personal favourites, remastered and edited together into what | consider a cohesive and total listening experience The idea to take the project out on the road evolved

as we started discussing promotion and | realised that | wanted to do something more challenging this time The events were not so much ‘live’ band but more art installation Paul and | just extended what we do in the studio into the live setting where we add spontaneous effects and extra parts to a pre-prepared bedrock For ‘A

Strange Hour’, | turned to various filmmakers from as far as Russia, via the Czech Republic and Hungary, all the

way to Argentina We worked very fast, and in the modern way, by creating a central server where everybody could upload their work for others to see, react to and feedback on This for me typifies the whole essence

of what Recoil is all about - a collective but with a focused direction - and a very thrilling process it was too, watching and hearing it all come together from our base in the UA We spent most of 2010 bringing Recoil to a worldwide live audience for the very first time

One of my new year's resolutions for 2011 was to start streamlining my set-up at The Thin Line Studios My needs have altered a bit since laptops, soft synths and plug-ins have come to the fore, and even though I'm emotionally attached, passing on some vintage gear and historical items seemed like a good way to start Since

my teenage years I've been an avid collector of interesting and unique musical instruments, including a ‘Stein- way’ Grand piano, vintage keyboards, synthesisers such as the ‘Mini-moog’, ‘Arp Odyssey’, a ‘Wurlitzer’ electric piano, plus ‘Manley’ valve amps, valve-driven ‘Telefunken’ amps and a ‘Manley’ limiter/compressor There is one very special guitar and various ‘Emulators’ which were featured during the Mode tours, and | even have my old stage clothing, touring wardrobe, the ‘Devotional’ drum kit, drumming extras and other artefacts available

| also decided that, since | was having a clear out, why not include some extra memorabilia and pass on some

of the stuff | have collected over the years — the additional memorabilia such as Gold G Platinum award discs, leather clothing, rare acetates G test pressings, artwork, posters and tour merchandise covers my entire musi-

cal career, focusing mainly on the years between 1982 G 1995

| found it an evocative and cathartic experience to sift through all the collectables - the actual sorting and cataloguing process brought back great memories and | was able to re-live some key moments which | had inevitably forgotten about, reminding me of how lucky | have been to have enjoyed such a career, doing something I'm passionate about My team and | spent weeks scouring the web, my own archives, photographs and diary entries, plus anything else we could find to make the descriptions as detailed and accurate as possible Many items are very collectable and hold special value having been used extensively in the recording sessions

for classic Depeche Mode and Recoil albums, as well as live performances on the ‘Black Celebration’, ‘Music For The Masses’, ‘World Violation’ and ‘Devotional’ tours

Finally, | have managed to forge a great relationship with Omega in order to create an all-inclusive fan-friendly event, incorporating a film presentation (‘Alan Wilder - Collected’) about the fascinating history of everything

in the sale, a workshop and QGA session with myself G Paul Kendall, plus some other surprises | hope you'll agree that this all makes for something quite unique | think you will enjoy what's on offer and good luck with your bidding!

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AUCTION INFORMATION

Entrance to the viewing gallery/auction room at the Zion Arts Centre requires registration and an official cata-

logue (cost £5) Each registered bidder may bring a guest Guests will not be able to bid unless registering in

their own right Please note that guests will also require an official catalogue

How to bịd:

In person

You can bid in person on Saturday 3rd September at the Zion Arts Centre but will need to be registered We

recommend that you pre-register in advance in order to confirm your place Once registered, you will be issued

with a bidding number Entrance to the viewing gallery/auction room will require a bidder number and an official

catalogue (cost £5)

Absentee Bid

If you are unable to attend the sale you can place a bid in advance with Omega Auctions — this is referred to as

an “absentee bid” In order to place an absentee bid, please send an email to office @omegaauctions.co.uk by

8.00pm on Friday 2nd September

Live bidding via the-saleroom.com

The auction will be broadcast live over the internet Register with the-saleroom.com and sign up to this auction

to bid live online on the day of the sale

Telephone Bid

If you are unable to attend the sale and wish to bid on any item which is estimated to sell for over £500, you can

reserve a telephone line in order to bid over the phone during the live auction We will call you approximately

5 lots prior to the lot you wish to bid on and will bid on your behalf under instructions received from you over

the phone during the bidding process Telephone lines are limited, so please reserve in advance to avoid disap-

pointment

Charges

« Registration fee for all bidders is £1 and is payable via debit/credit card

‹ For those attending the Zion Arts Centre an official catalogue is required to øain entry (£5)

¢ The buyer's premium for this sale is 15% of the hammer price

For example, if you bid up to £100, you will pay £100 + 15%, so £115 in total

¢ Credit card payments incur a 2% charge

Payment

Payment for items purchased is by Cash (Sterling or Euros), Credit Card, Debit Card, Bank Transfer or Cheque

Notte

¢ If paying by cheque or bank transfer, funds will need to clear before items can be collected/shipped

¢ Credit card payments will incur a 2% charge

Detailed information on how to bid, together with Terms G Conditions of Sale are available from Omega Auctions

at www.omegaauctions.co.uk

All major lots come with a signed letter from Alan Wilder Additional information, particularly for the equipment

lots (1-49, 51-70E), may be available via www.auction.recoil.co.uk

Where estimates are not listed, guide prices are available from Omega Auctions on request

Renee tees 10-010 100)91-1 ea A ULoto) (17A (0 (0000:0000) 0 0Ô(ÔÔ 00 UW mela void(e)al-1 6 Includes power supply cable See www.auction.recoil.co.uk for further details Estimate £80 - £120

See www.auction.recoil.co.uk for further details Estimate £60 - £100

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al (samples and plays back) Includes set of 20-30 factory, self-made sample discs G power supply cable In production 1985-86 Disk drive serial number: 01120-00210 Condition: good, a few scratches/marks The drive powers up but doesn't always load prop- erly, Ideally main drive band for spindle needs replacement In production 1985-86 See www.auction.recoil.co.uk for further details ions comments: “This is a period piece and has value as a novelty collector's item | can remember sitting with Daniel Miller in the mid- 80s fiddling with it and feeling both bemused and excited by how quickly we could truncate and loop a sound to create immediate unusual effects, the kind we hadn't heard before when using a sample as a source It’s low-fi quality gave it an other-worldly quality The discs which | have thrown in include quite a few factory supplied samples as well as some home made sounds.” Estimate £100 - £150

S768 s81 S77 172: sai sr - Serial number: 89255-00233 In very good condition, fully functional Includes Version 2.0 software disc, operation manual G power supply cable, Dates produced: 1988-1993 See www.auction.recoil.co.uk for further details iens comments: “The entire Akai sampler range, starting with the S1000 and then $1100 and S3000 was used extensively on DM and Recoil albums They appear all over ‘Violator’, ‘SOFAD, ‘Unsound Methods’ and others Flood was a big fan In particular, many of the ƒamous Violator' and S0DFAD" drums were sampled using the Akai which was particularly qood at stackhing and triggering sounds tightly (much better than the Emulators which took a back seat around this time).” Estimate £150 - £200

S276 ng S717 168 ssmer - Serial number: 50855-00316 Very øood condition, fuLly functional Includes operation manual G power supply cable For Alan's comments see lot 7 or see www.auction.recoil.co.uk for further details

Estimate £200 - £300

S277 82770765 sa crc -¬, - Serial number: C9655-00237 In excellent condition, fuLly functional Includes operation manual G power supply cable Dated 1996 For Alan's comments see lot 7 or see www.auction.recoil.co.uk for further details Estimate £200 - £300

cently tested) Includes operation manual, Patch book, Midi interface instructions G power supply cable Dates from circa 1978, USA Midi retro upgrade fitted by Kenton, Surrey, UK As the legendary first compact studio synthesiser, the Minimoog, proved to be a runaway success, ARP responded with a compact user-friendly studio synthesiser of their own with the Odyssey An almost equally legendary machine itself (the Odyssey was ARP’s highest selling synth), it essentially offers you a somewhat scaled-down G hard-wired ARP 2600 in a much smaller and more affordable package The Odyssey is a 2-oscillator analog synth (with duo-phonic capability) It comes well equipped with all the features one would expect: resonant low pass filter, ADSR envelopes, sine or square wave LFO and even a sample-and-hold function, It also added a few new features such as a high pass filter in series with the low pass, oscillator-sync capability and pulse-width

modulation It is a very professional and expressive machine that can create nice analog basses, interesting leads and great effects and

sweeping sounds or noises

Technical spec: Odyssey III - Models 2820-2823 were produced from 1976-81 and featured the new Model 4075 filter design In addition

to its 1/4” outputs, XLR outputs have been added The rest of its specifications are virtually identical to the Odyssey Mk II except that the

overall look and quality were further updated to with the orange & black color-scheme See www.auction.recoil.co.uk for further details

“lan coamaamnenis: “F bought the ARP ín the late 70s privately in London and it ƒeatured on quite a ƒew oƒ my pre-Mode recordings with various bands | quess | always had a soft spot for the Minimoog but once you accepted that the Arp was never going to sound as ‘fat’ and realised that it could be used as a completely different kind of tool, then it came into its own Midi upgrades were added later when | used the Arp on some of the earlier Recoil recordings such as ‘Hydrology’ and ‘Bloodline’ | can’t pretend | was ever a skilled operator (unlike Daniel Miller for example) but it is certainly a lot of fun to fiddle about with.” Estimate £600 - £1000

tion, fully functional Includes carrying case, operation manual, power supply G cable Made in UK circa 1985

OUTBOARD Po} Drawmer 01225 Dual compressor/imiter - Industry standard dual mono/stereo compressor/limiter, widely used since the mid 1980s Serial number: 2337 In very good condition, fully functional Includes operation manual

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Includes operation manual G power supply cable See www.auction.recoil.co.uk for further details Estimate £200 - £300

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21 E806 « lncludes: 4 x drum trigger pads, 2 x PearL stands, 2 x pairs Aquarian øgraphite drumsticks (2B) (sizned,

unused) G 2 x pairs (used) Zildjian drumming gloves All in good condition, fully functional Extra info: Release: Japan pat: 1522359, US pat: 4141272 Made in US by Davz See www.auction.recoil.co.uk for further details

Fiens comments: “These drum pads were used to perform the rhythm parts to ‘Personal Jesus’ plus a few other songs during the ‘World Violation’ and ‘Devotional’ tours The pads were custom mounted on the ‘Pearl’ stands and | would have these set up next to the drum kit

(or keyboard) for the relevant numbers.” Estimate £500 - £700

22 S076 = 70/80/8787 00806107 run macnine - Serial number: 338 Condition: visually excellent but not currently functional

(the power supply hums, so could be easy to fix) Includes original flight case G power supply cable Manufactured by Emu Systems Inc., USA See www.auction.recoil.co.uk for further details

Jiens comments: “As used on ‘Construction Time Again’ - its sounds are all over that album Listen to ‘Everything Counts’, Something

To Do’ or ‘Told You So’ for example to hear the character of this machine which preceded the famous Linn drum It was very simple to use and featured it's own sequencer It’s very disappointing to me that | couldn't get it to respond when | tried it recently but I'm assured that it is easily repairable Again, it’s value is more historical, as a collector's item.” Estimate £200 - £300

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ally very good, fully functional with newly fitted hard drive Includes: ‘Bulldog’ tour flight case with compartments for discs and

extras, 30 pre-loaded sound banks for tracks played on ‘Music for the Masses’ and ‘Devotional’ tours, 21 x 3.5-inch dual-sided flop-

py discs each containing keyboard sample patches which Alan used during the ‘Music For The Masses’ tour in 1988, 60 x sound

patch discs containing many factory and self-made sounds (examples: Harp/Karplus Strings, Rock Guitar, Grand Piano, Elec-

tric Bass, etc.) In addition, a laminated ‘Devotional’ tour set list, operations manual G power supply cable Manufactured by Emu

Systems Inc., USA More detail is available for this lot via Omega Auctions or see www.auction.recoil.co.uk for further details

Fiens comments “What can one say about the Emulator range? Used so much on DM recordings and on stage between 1983 and

1994, they were probably the most versatile of samplers from the 1980s From the very first Emulator 1, | have used them all and been

captivated by sampling technology ever since | remember when we first inserted the huge floppy disc into the Emu 17 and listened to

the ‘Motorbike Idling’ sound (which later became the mainstay rhythm behind the song ‘Stripped’), | was hooked All over ‘Construction

Time Again’ you can hear the Emulator with it's grainy 8bit samples (later improved on other models of course) Think of the intro to

'Everything Counts' ƒor example, and then most oƒ the other sounds within the song as well, such as the main riffˆ 0ƒ course, l couldn't

list all the songs the Emulators have been used on suffice it to say that, compared to the vastly complicated Synclavier (which did sound

amazing), the Emulator was almost always the sampler of choice We continued to use them extensively on ‘Some Great Reward’, ‘Black

Celebration’, ‘Music For the Masses’, ‘Violator’ and ‘SOFAD’ As each model appeared, we acquired one (or several) right up to the E111 and

the Emax for live use They could prove troublesome on stage, the Emax being by far the only fairly reliable model for that purpose, and

they haven't really stood the test of time, with power supplies and mother boards having blown along the way The Emax was featured

in the D.A Pennebaker film “101' for the sequence where l describe how it works This one is the actual machine used on the 'Devotional”

tour As mentioned, it is fully functional and has the live sounds internally programmed as well as a laminated set list attached to it The

collection of floppies which accompany it, in some ways is even more interesting, containing as they do all the sounds and patches for

my performances during the ‘Music For The Masses’ tour, as well as a large library of factory and self-made sounds So if you want to see

exactly how it was all done, here's your chance.”

Estimate £2500 - £3000

excellent condition, fully functional Manufactured by: David Knight (based on Gretsch) Includes ‘Bulldog’ Depeche Mode flight case and

a signed letter of authentication from Alan

A close listen to every Depeche Mode album from 1987's ‘Music for the Masses’ onward reveals an increasingly significant role for

6-strings, including the cleanly plucked harmonics and swinging, half-Johnny Cash/half-Goth acoustic riff that drove 1990's ‘Personal Jesus’ and the glorious Gretsch tones that highlighted ‘Enjoy The Silence’ In fact, although guitar rarely commands the spotlight in the

traditional sense on planet Depeche, co-founder and primary songwriter Martin Gore - who also handles keyboard and occasional lead vocal duties - ensures that they play a far more integral role than many listeners might realise Says Martin “| started playing guitar when | was about 13 In the very first incarnation of the band, | was the only one who actually played synth and I'd never had any kind

of keyboard training whatsoever, so | learned keyboards through guitar, We felt electronic music was the way forward at that point, however, so we decided to become an all-electronic band It wasn’t until a few years later that we realised we were really restricting ourselves by not opening up to any other kind of instrumentation.” It is common knowledge that in more recent years Martin has been

an avid collector of guitars, gizmos, synths and effects via eBay Despite his eBay prizes, Gore's favourite guitar remains his beloved lime

green Gretsch Double Anniversary, dubbed “the Green Knight” after luthier David Knight, who modified it in the early ‘90s to be feedback

resistant See www.auction.recoil.co.uk for further details

ions comments: “This guitar is one of two identical replicas which were manufactured specifically for the ‘World Violation’ and ‘Devo- tional’ tours Knight adapted them to work better in a live context due to the feedback issues associated with the original guitar It was used throughout those tours and also in the studio around that time, and still supports the rubber protective backing designed to avoid the inevitable scratches that would have occurred as a result of the friction from Martin's metallic jangling stage clothing! | don't think I've actually changed the strings since the tour even though | do occasionally play and record with it myself.” Estimate £3000 - £5000

operation manual G power supply cable Dated circa 1986 See www.auction.recoil.co.uk for further details

28 SAMPLER - Emulator Il Model 6028 8 bit sampler, plus set of Recoil/DM performance floppy discs G large sample library collection (total

|) ciscs) - Serial number: 1099 Condition: fully working G recently serviced by James Walker (Vintage Synth Service Centre) G Paul Nash

Visually very good with brand new LCD display fitted Includes power supple cable G case with 121 floppy discs Manufactured by Emu Systems

Inc., USA The Emulator 11 isthe sampler on which the very first Recoilrecording’1+2' was entirely composed Included with the Emulator II are

121 x 5"" floppy discs, each containing unique library samples and original Recoil patches See www.auction.recoil.co.uk for further details

/iens comments: “What can one say about the Emulator range? Used so much on DM recordings and on stage between 1983 and 1994,

they were probably the most versatile of samplers from the 1980s From the very first Emulator 1, | have used them all and been cap-

tivated by sampling technology ever since | remember when we first inserted the huge floppy disc into the Emu 1 and listened to the

‘Motorbike Idling’ sound (which later became the mainstay rhythm behind the song ‘Stripped’), | was hooked All over ‘Construction Time

Again’ you can hear the Emulator with it's grainy 8bit samples (later improved on other models of course) Think of the intro to ‘Everything

Counts’ for example, and then most of the other sounds within the song as well, such as the main riff Of course, | couldn't list all the

songs the Emulators have been used on suffice it to say that, compared to the vastly complicated Synclavier (which did sound amazing),

the Emulator was almost always the sampler of choice We continued to use them extensively on ‘Some Great Reward’, ‘Black Celebration’,

‘Music For the Masses’, ‘Violator’ and ‘SOFAD’ As each model appeared, we acquired one (or several) right up to the E111 and the Emax for

live use They could prove troublesome on stage, the Emax being by far the only fairly reliable model for that purpose My machines are all

cosmetically in excellent condition and the E171 has now been repaired, with new power supply and LCD display to make it fully functional

Most appealing here is the collection of discs containing all kinds of interesting things This Emulator 11 is the sampler on which the very

first Recoil recording ‘1+2' was entirely composed | even used its internal sequencer for that EP and you might just find that the ‘Recoil

4' disc plays back the very sequence used in the original recording | also found DM's ‘Christmas Island’, ‘Shake The Disease’ and there are

other DM gems too:)”

Estimate £2000 - £3000

fully functional Includes operation instructions G power supply cable Full implementation of Apple’s Logic Control Digidesign Pro Tools control via HUI, 100mm Penny + Giles Motorized Touchfaders Multi-function V-Pots for fast control of panning and effects, Comprehensive Automation controls, Full Meter Display with track names and parameters 7-segment Timecode display Software-specific Lexan overlays Expandable via optional Mackie Control Extenders and C4 module See www.auction.recoil.co.uk for further details Estimate £300 - £400

38 ¬ RR Oe Vanley: Stereo varebie V0 000 Umm ter compressor - Model: Stereo variable MU Serial number: MSLC 6810

In excellent condition, fully functional Includes settings template sheets G power supply cable

The Manley stereo 10DV Limiter / Compressor is one of the very few compressors that has become a real standard in Mastering studios

and contributed to most hit records over the last decade "Mu" is tube-speak for gain It works by using the "remote cut-off" or re-biasing

of a vacuum tube to achieve compression The precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that we know of Even the side-chain has glowing rectifier bottles The unique 5670 dual triode is at the center of the

peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause

this tube to smoothly change its gain See www.auction.recoil.co.uk for further details

ions comments: “Alll can say is that it sounds wonderfully warm and inviting, and has been the outboard compressor that | turn to most for a variety of applications, from drums to guitars to vocals The results can be heard on all Recoil material since ‘Liquid’.”

Estimate £3000 - £4000

cosmetically excellent although in need of repair and service Includes power supply cable and hard drive (separated) Manufactured by

Emu Systems Inc., USA It features a standard 3.25” floppy disk drive, a 16-channel sequencer, a fast processor, an internal 40 Mb hard

disk, 16-voice polyphony and a SCSI interface to allow the connection of an external hard disk or CD-ROM player The filters are still ana-

logue filters, hence the sampler’s ‘warm’ sound The keyboard also has aftertouch The Emulator range was used on Depeche Mode record-

ings and on stage between 1983 and 1994 Also included a set of 75 x 3.5inch floppy discs containing factory samples

See www.auction.recoil.co.uk for further details

39 "kẽ L6.) E00 GJNGH Cored (lal mrocelave iM(e la PRU] (YMAU Ln ome tional Includes power supply cable Width 19"", Depth 10"", Height 8.5"" The Manley Reference 350 watt monoblocks were built at the old VTL factory back before the Manley-VTL split that took place in 1993 They were, at the time, Manley's second-to-largest models in

the Designer's Reference Series

ions comments: “I have used these valve Manley amps to drive my Dynaudio M2 monitors and have not been disappointed The sound actually improves and opens up as the amps warm up, giving you a real sense of valve presence Inviting, warm and always bringing a smile, the Manley’s are all that they should be Don't try lifting them though - they weigh a ton! They were used a lot during the 5.1 mix- ing of ‘SubHuman’ where | could really test the full frequency range and power of that album Recently refurbished, with some calibration, valve testing G replacement by John Earls, they couldn't be in a better state.” Estimate £2000 - £3000

30 M (“6l (L( ((Á 7.0/02 d0 027401002000) ì)0000 2220 n3 i0 l0) 0/0) ic

nal drive (works via SCSI with external drive) Includes operation manual, power supply, software version 4.0e, 64 channel card and 128Mb

internal sound memory The Emulator range was used on Depeche Mode recordings and on stage between 1983 and 1994

33 eee eee ee T-1 6) Wl 10) 9)-lem sole lor MM) Corel Cla lmeredalelia(e ((VẢll0(lvia Nho oi

tion manual G framed original warranty certificate with serial number G model number Manufactured by The Packard Company, Indiana,

USA Dates from circa 1890-1900 See www.auction.recoil.co.uk for further details

/ 995 commen s: “A harmonium such as this was used to create the alternative version of ‘Enjoy The Silence’ (L12 BONG 18) - featur-

ing just Harmonium and voice, it formed the basis of Martin's original demo for the song, before we turned it into a disco stomper! |

purchased the ‘Packard ‘ organ about 15 years ago from an antiques market in Sussex, UK | don't really know the full history of this

particular instrument but when | saw it, | just had to have it | was transported back to my youth when | would spend weekends at my

Aunt Flo's house just off the Harrow Rd in London She owned a very similar organ which was kept in her bathroom and | would spend

hours up there intoxicated by the strange and wonderful machine, experimenting with the stops, discovering the unique creaking

breathy sound of the old beast and trying to imagine who could have invented such a contraption I'm loath to part with this fine exam-

ple but space is needed and | have had many hours of enjoyment already, and plenty of sing songs when people have visited and been

intrigued, It is quite hard work keeping pumping away with the feet while you play but the up side is a great work-out for the old calves

and thighs!”

Estimate £600 - £1000

me een eee eee 6l c0 (N0 LH CO (00000 00(00)0000 0Ô 0 0` C20) Mae] (oT Ae] wheel Tested and working, although Oscillator 3 needs calibration Includes operation manual, midi interface instructions, wooden/

foam-lined flight case G power supply cable Designed by Robert Moog in 1970, the Minimoog Model D synthesiser is still regarded as the Rolls Royce of analogue keyboard-based synthesisers Specifically designed for touring musicians, the Minimoog exported electronic music experiments from university labs out to the masses There were originally 13,000 Minimoogs produced between 1970 and 1981

After a brief hiatus during the digital-synth craze in the 1980s, the Minimoog has enjoyed a resurgence of interest among musicians

since, Dates from circa 1975, retro fit midi ‘in' G midi ‘thru’ by Kenton, Surrey, UA See www.auction.recoil.co.uk for further details Fiens comments: “This was my first synthesiser bought around 1977, pre-Mode, when | was a member of Dafne G The Tenderspots It was a big deal for us at the time as it was quite expensive and we couldn't really afford it until we secured our record deal It added to my Wurlitzer electric piano and gave me a whole wealth of new sound possibilities It is still probably my all-time favourite synthesiser due

to the famous fat 3-oscillator sound, and of course it's an absolute classic | continued to use it for many years on early Mode recordings such as ‘Construction Time Again’ and ‘Some Great Reward’ and even had a midi update added during the eighties By the time a rack- mount version called the Midi Moog came along, | stopped carting around the Minimoog, but | remain just as attached as | always was to this original which still works and still sounds immense.” Estimate £2500 - £3000

44 MA LAI LG.LLG.( (CC II (À0) C7 00A 11000 (00 I0 6000000006 000000( 0ì na cuits good but analogue voice needs servicing Includes power supply cable Manufactured by Oberheim Electronics, Los Angeles, USA The Oberheim OB-8 is a vintage analog polysynth launched by Oberheim and discontinued in 1985 It features 8-voice polyphony and is highly programmable, making it a popular classic It features a 61-note piano keyboard, LFO modulation, filters, external cassette storage, MIDI capability and 120 memory patches, and used the Z80 CPU See www.auction.recoil.co.uk for further details Fiens comments: “To my disappointment, when | powered this up recently, | couldn’t get an actual sound although I'm told that it is just the voices which need attention | was surprised as it has been looked after well and, cosmetically, it's in superb physical shape | used this synth during my time with Real to Real and The Hitmen in the early 80s It has a fat, warm sound and was my first polyphonic synth | loved the fact that | could actually store patches for the first time and it introduced me to the Oberheim sound which has a unique quality

| have been a fan of Oberheim ever since.” Estimate £800 - £1200

45 eee eee TMS TCTORESR) (S-6T-1 010111191 Uae Aleem le (ate Mmae UN mi aveid(e)ar-| Om Lavelle le [-1oMe)ol-16-)e

tion manual Manufactured in Huntington, UA See www.auction.recoil.co.uk for further details Estimate £300 - £400

46 VSO EOU Pen} Qolanc vodel A) 0 Wich cisolay unit - Serial number: 871351, In excellent condition, fully functional Includes power supply cable See www.auction.recoil.co.uk for further details Estimate £50 - £70

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500 ¬ h LÀ A cAÁ XL clL (91002061508 Material is elasticated In perfect condition Item comes with a signed letter of authentication from Alan

(See item description 50A for further collection information)

Hamburg Condition: Very good (small section of rosewood finish needs attention), French polished, beautiful Steinway tone, excellent

tuning Overstrung Restored 20 years ago An investment Includes Piano stool See www.auction.recoil.co.uk for further details

“lan s coaaarnens: *F acquired the Steinway in the late 80s when it was completely overhauled by one oƒ the fnest piano technicians in the world Peter Salisbury (all strings replaced, hammer heads renewed, new dampers and leathers replaced where necessary, keys tops cleaned or replaced, tuned, cleaned, regulated: www.globalpianoservices.com/technicalteam/petersalisbury.html ) Even though it hasn't received any significant updates since, it has remained in my home and has been looked after in an exemplary fashion Over the last 20 years It hasn't received the kind of playing hours one would expect from a serious classical musician but rather more occasional use As such, it is still in excellent condition, sounds fantastic and has always retained its tuning extremely well The main consideration with any Steinway is that they will always increase in value if looked after It is definitely an investment.” Estimate £12000 - £16000

52 SVT AES SES | Novation Supernova’ powypoonic syotoesiser - Serial number: 006652 In excellent condition, fully functional Includes operation manual G power supply cable Manufactured in UK An excellent polyphonic super synth based on the classic Bass Station 16 voices of polyphony, with three VCO's using sound modeling to re-create classic analog sounds with digital clarity and reliability Amazingly, this synth has seven effects per voice adding up to 56 effects, all programmable and simultaneously available on all voices

Jiens comments: “Lused the Supernova mainly on Recoil's ‘Liquid’ and ‘subHuman’ albums It was responsible for the bass lines on ‘Jeze- bel’ G ‘Black Box’ as well as sounds for ‘Breath Control’ amongst others (the Recoil patches are still programmed in the unit) | have found

it to be extremely consistent and reliable with a vast potential for sound storage, clever easy-to-use effects making it very quick and easy

to get a good usable sound In fact, not sure | want to sell it now ammm"

i} eer eee eee eee RTSEESSY-10T-1 0110 (00161-16800 0) 0s Yam lan ->.cor-1(-ajmerelaleia(elaMm el vmae inet d(elat-1em [aveitele 33 operation manual G power supply cable Manufactured in Japan See www.auction.recoil.co.uk for further details Estimate £300 - £400

ey eer L Đ LLÀ.CL (0/0000 1/61 Ả(700)0(0 (2000 30ìì ¡lv ải 0l ï0)0)(o tional Includes custom adapted casing G power cable, Reconditioned by Electric Eel Dates from circa 1950 See www.auction.recoil.co.uk for further details

Fiens comments: “AV72 microphone preamplifier is one of the key pieces in any studio collection and these sound exactly as they should, adding unique warmth and presence Used in the 60s on classic albums by The Beatles, Pink Floyd and many many others, these units are highly sought today This pair has been custom housed and refurbished by Kevin Van Greene | have used them extensively at my studio since 1996 mainly to record vocals for the ‘Unsound Methods’, ‘Liquid’ and ‘subHuman’ Recoil albums.” Estimate £1000 - £1500

55 THgaAA là la LG (00020600) 7A0 (00000 9200)0(00 0000020 (vi, 0(v()-—- custom adapted casing G power cable, Reconditioned by Electric Eel Dates from circa 1950, See www.auction.recoil.co.uk for further details Fons comments: “A V76/80 microphone preamplifier is one of the key pieces in any studio collection and this one sounds exactly as it should, adding unique warmth and presence Used in the 60s on classic albums by The Beatles, Pink Floyd and many many others, these units are highly sought today This one has been custom housed and refurbished by Kevin Van Greene | have used it extensively at my studio since 1996 mainly to record vocals for the ‘Unsound Methods’, ‘Liquid’ and ‘subHuman’ Recoil albums.” Estimate £800 - £1200

56A ¬" .À l (L6 U2 2 À1) (0060 A(( (SA) li: lv 000i

fully functional Stencilled with Depeche Mode ‘Devotional’ logos (clean and dry inside) W: 116cm, H: 143cm, D: 60cm See www.auction recoil.co.uk for further details

(9p 6 comments “This wardrobe spent 14 months on the road with me during 1993 G 1994 (oh the stories it could tell!:) | can’t remember whether | used the same set for the ‘World Violation’ tour which preceded ‘Devotional’ — I'm pretty sure | did These cases were built to specification by the Bulldog flight case company and they are indestructible as well as being extremely practical | have been using them at home ever since they retired from the road.” Estimate £1500 - £2000

56B ALAN WILDER SINGLE TOUR WARDROBE FLIGHT CASE - Portable wardrobe used during the ‘Violator’ G ‘Devotional’ tours - Condition:

fully functional Stencilled with Depeche Mode ‘Devotional’ logos (clean and dry inside) W: 58cm, H: 143cm, D: 60cm See www.auction recoil.co.uk for further details

Jon 6 commen s: “This wardrobe spent 14 months on the road with me during 1993 G 1994 (oh the stories it could tell!:) | can’t remember whether I used the same set for the ‘World Violation’ tour which preceded ‘Devotional’ — I'm pretty sure | did These cases were built to specification by the Bulldog flight case company and they are indestructible as well as being extremely practical | have been using them

at home ever since they retired from the road.” Estimate £1000 - £1500

37 — Ã .L( 0/00 2/ 7/00 ⁄102(/2 0001002000020 00020 (3ï, 000 (0 00-1092, -0-)006 0ì, cable Manufactured by Waldorf Electronics, Germany See www.auction.recoil.co.uk for further details Estimate £100 - £150

58 L (L (0/0020 77/00 EA 0/2 001(002000)0(002 (000020 (vi, 00) (0 00-1092 -0-)006 01, cable Manufactured by Waldorf Electronics, Germany See www.auction.recoil.co.uk for further details Estimate £100 - £150

59 ad eked eT ST-10T-1 a0 [onl] Ua) talon (POAT Mela 0200009 0 MOM AT-M OL -t 11-18 grill, otherwise very good and fully functional Includes operation manual, 1 power supply cable G ‘Spider’ connection cable The ‘Spider’ will require a second power supply (not included) See www.auction.recoil.co.uk for further details

Fiens comments: “Il bought the Wasp & Spider privately in London in the early 80s I'd used one earlier on a pre-Mode recording and when it became available, | snapped it up It has a unique sound all of its own and works in such a user-friendly way, that you can get lost just fiddling around creating literally endless possibilities | remember the original sales blurb said that it was indestructible and boasted that you could throw it from the roof of a large office block and it would still work at the end of it | never tried that you'll be pleased to hear This Wasp was later used on various DM records, most notably for the Aggro mix of ‘Never Let Me Down Again’ to create the famous bass sequencer part | think we used the Wasp and Spider sequencer and then probably sampled the result, as it isn't midi controllable We may have been able to sequence it using cv/gate | can't quite remember.” Estimate £600 - £1000

47 0 oe ee Poland 2-360 Including 60-8 Graphic controller - R-880 Serial number: 2950964 In excellent condition, fully functional

(circa 1988) Includes operation manual G power supply cable Used on Recoil’s ‘Bloodline’, ‘Unsound Methods’ G ‘Liquid’ albums GC-8

Graphic controller serial number: Z950428 In excellent condition, fully functional

48 |MISC EQUIPMENT - Sony PCM - F1 Digital Audio processor G Sony SL - F1E - to include, Sony PCM - F1 - Pal/Secam, Sony SL - F1E

Dorlao.e video cassette recorcer (Betamax) - Ingood condition, working status tbc Includes operation manual G 2 x power supply

Released 1981, AC-F1UB serial number 0155000, AC-700 serial number 650883 Paired with the SL-F1 Betamax deck, the PCM-F1 was

the first portable, battery-operated digital recording system See www.auction.recoil.co.uk for further details

ons comments: “This was the very first digital storage device we used to catalogue all our DM samples at the time, from about 1982/3

onwards l remember a huge collection oƒ individual drum sounds (and other instruments) which we used as our “go to' library during

the making of ‘Some Great Reward’, ‘Black Celebration’ and beyond before more sophisticated storage mediums presented themselves

The Sony machines used Betamax video cassettes | haven't used it for many years but my recollection is that it was reliable, and at the

time essential It is a collector's piece without doubt.” Estimate £150 - £200

tion manual G power supply cable Manufactured by: Friendchip, West Germany Released 29.8.1988

ro) 0) 2 227 77777177777767/77 5575 - =: - 17 bespoke garments, individually desizned for Depeche Mode's

'DevotionaL' tour In excellent condition Dates from 1993/4 Each øgarment designed by Paula Bradley and Karen Dusenbery in response

to Depeche Mode's specifications The collection comprises several items, mainly in black and dark green colours, using silk, mesh and

other unusual materials Many items feature zips, buttons and poppers - each is different but all conform to a unified aesthetic concept

Exact measurements are unconfirmed, but at the time Alan's waist size was 32"/34" and his height is approximately 6 foot

lens comments: “A unique collection in itself — all my clothing from the tour has been kept in pristine condition, cellophane wrapped

and stored in a dry environment Each was designed specifically for the tour, consisting of mainly two-piece outfits which would allow

freedom of movement to accommodate drum performance One or two pieces were unfortunately stolen during an infamous stop on the

tour in South Africa ('94) — these 15 pieces are what remains of the collection | feel emotionally attached to this stuff but really have no

use for it anymore and would prefer a real DM fanatic collector to own this small piece of history.”

All items within this collection come with a letter of authenticity signed by Alan

ee eee Td -1110|-)ce 0 (ot CM Ct -tn ada mo VA) LAM el -1gic meee Leela R

SOB Fe yo ey BEL} From the Devotional cour clotaine collection - Black belt with metal rivet detail Length 108cm In perfect

condition Item comes with a signed letter of authentication from Alan (See item description 50A for further collection information)

diagonal chrome zip, diagonal nylon stripes and chrome detailing In perfect condition Item comes with a signed letter of authentication

from Alan (See item description 50A for further collection information)

leather and nylon stripes G piping In perfect condition Item comes with a signed letter of authentication from Alan

zips on the front, with zip on the side of one sleeve G smaller zip detail on the other sleeve In perfect condition Item comes with a signed

letter of authentication from Alan (See item description 50A for further collection information)

seams (as seen in the ‘Devotional’ film) In perfect condition Item comes with a signed letter of authentication from Alan

sleeves, black and bronze zips ữ white seams (as seen in the 'Devotional' film) In perfect condition ltem comes with a siøned letter of

authentication from Alan (See item description 50A for further collection information)

a LXA (AT , ,(0/0T01LLL( (4L (0L /2/00L 0102000202101) 0100 -.)Ỉ

- Alan's favourite pair! In perfect condition Item comes with a signed letter of authentication from Alan

UN AI Q L ((LL.I (45 Xã 90t 6060 14g (= K-04 8T-] 8) (=

sleeves, 8 zips in total In perfect condition Item comes with a signed letter of authentication from Alan

SO ce Se Boe SU From She Jevotonal tour clotoine collection - Boiler suit with detachable sleeves, chrome

zips, leather belt straps, chrome buckles G silver metallic and black mesh detail In perfect condition Item comes with a signed letter of

authentication from Alan (See item description 50A for further collection information)

5 a XSL the “Devotonal cour clotoine collection - Black silk trousers with 5 popper buttons, 6

chrome zips, 5 nylon straps on each leg, chrome and black mesh detail G white seams In perfect condition Item comes with a signed letter

of authentication from Alan (See item description 50A for further collection 80-000)

detail, bronze zips, black mesh detail G white seams In perfect condition Item comes with a signed letter of authentication from Alan

cross stripes/piping In perfect condition Item comes with a signed letter of authentication from Alan

so) 0) te 7c 00716 6/017008Ẻ T8UECernine ca ecr.or: - Sleeveless black cotton top with chrome zip detail

In perfect condition Item comes with a signed letter of authentication from Alan

500 | SPARE ATTACHABLE SLEEVES (2 pairs) - From the ‘Devotional’ tour clothing collection

- Pair 1 - sleeves made from green ‘parachute’ silk with chrome zips G black mesh detail

- Pair 2 - sleeves made from black/blue nylon Ø silver mesh

Both pairs in perfect condition Items come with a signed letter of authentication from Alan

SOP Fe re oP aS} vrom the ‘Devotional cour clotoine collection - Black top with detachable sleeves, central chrome zip G metal rings on the main body and arms In perfect condition Item comes with a signed letter of authentication from Alan

pots work) No legs or pedal Includes wooden/foam-lined flight case G power supply cable See www.auction.recoil.co.uk for further details Fiens comments: “l make no bones about it - my Wurltizer has seen better days It is not the most cosmetically appealing shall we say

- missing its knobs, with the name plate having been painted over and the original legs and pedal getting lost somewhere on the road Finding the missing bits may not be too much of a struggle though However, the big plus point is that is it fully working and sounds just as good as it ever did | had a play on it recently and really enjoyed the experience | remembered what it was about the piano that attracted me to it in the first place When | was a lowly tape op working at DJM records in 1977, Roger Scott Craig (the keyboard from one of the acts recording there - Liverpool Express ) said to me “don't get a Fender Rhodes - everyone has those Go for the Wurlitzer instead, it's much cooler and has a unique sound.” He was right | used the piano for many years in several bands and even had a flight case built Stupidly, | painted over the name plate to make it all black although | guess it might be possible to remove the paint and re-expose the plate So there you have it, not in perfect condition but plenty of history and all the character.” Estimate £1000 - £1500

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25 12000 7007/78 © Vamane Vibe Vici patch bay - Serial number: 0L01143 In excellent condition, fully functional Includes operation

manual See www.auction.recoil.co.uk for further details Estimate £60 - £80

new, fully functional Includes operation manual G power supply Dates from circa 1997 See www.auction.recoil.co.uk for further details

B3 27077 n8 mang SE ssune psroscs==sr - SerialL number: 15076 Condition: Visually excellent but does not function (in

need of service and repair) Includes operation manual See www.auction.recoil.co.uk for further details, Estimate £80 - £120

ey CU BOR RD Pe) Foom 2000 ©) Processor - Serial number: 100568 In good condition, a few scratches but fully functional Includes stored

programs of gtr fx settings for entire ‘Songs Of Faith G Devotion’ Depeche Mode album G operations manual See www.auction.recoil.co.uk

for further details

ions comments: “This superb little unit has a unique sound of it’s own and has been a ‘go-to’ effect for many years, both with Depeche

Mode and Recoil This particular box still has stored many of the guitar effects used on ‘SOFAD’ including the ‘I Feel You’ gtr settings

amongst many others It is also very versatile and adaptable - often we would use it on a voice for example to create a dirty, radio-

frequency effect, or perhaps on drum loops like on ‘Mercy In You’,

Condition: Used Made by ‘Zildjian’, signed by Alan 1 x pair ‘Aquarian’ graphite drumsticks (2B) Condition: New, unused

All items signed NB - items 65A - 65H are the same

Hiens comments: “Once I started rehearsing the drums for Depeche Mode's ‘Devotional’ tour, | knew that if | wanted to avoid painful blis-

ters for the subsequent 14 months, I'd need to find a way to protect my hands | investigated several manufacturers and found that these

purpose-designed gloves were the best choice, along with tape for the fingers, all helping me to come through pretty much unscathed

The drumming sticks were specially sourced when it became clear that | wouldn't be able to complete a live set without breaking several

normal wooden ones, such was my ‘enthusiasm’ Daryl Bamonte found a company that manufactured these red/black graphite versions

which are virtually unbreakable (although | did manage to trash a few along the way).”

67 S077 6 8W/ẽ ng (= 6) 7406 condition Includes 2 very large 'DM embossed' Bulldog flight cases as used

during the tour, drum stool G extra skins Flight cases: include the ‘Depeche Mode’ logo stamped on them, and being Bulldog built, are

incredibly sturdy There’s been some rusting to the exterior handles and the foam has some minor damage, but essentially they are very

robust, with history G character Dimensions: Case 1: Length: 210 cm, Width: 37 cm, Height: 106 cm Case 2: Length: 107 cm, Width: 90

cm, Height: 84 cm ‘Recording custom’ drum kit, produced around 1988

Details: Bass drum - Model: BD922RF Colour: Cobalt blue Serial number: HX-0012 Width: 57cm

Snare drum - Model: $0090 Colour: Deep red Serial number: 011-4657 Width: 36cm

Tom 1 - Model: TT913RF Colour: Cobalt blue Serial number: HP-0623 Width: 31cm

Tom 2 - Model: TT912RF Colour: Cobalt blue Serial number: HP-0614 Width: 34cm

Tom 3 - Model: TT914RF Colour: Cobalt blue Serial number: HM-0526 Width: 36cm

Floor Tom - Model: TT914RF Colour: Cobalt blue Serial number: HX-0012 Width: 42cm

Zildjian Hi-hats (Yamaha stand G pedal) Dimensions: 36cm

‘K’ — Dark crash cymbal (medium thin) Dimensions: 40cm

‘A’ — Splash cymbal Dimensions: 20cm

‘K’ — Dark crash (medium thin) Dimensions: 45cm

Zildjian Crash ride, Dimensions: 56cm

Zildjian China boy low Dimensions: 45cm,

Yamaha stool

ions comments: “The kit was purchased specifically when it was decided to include live drums as part of the recording of DM's ‘SOFAD'

and the subsequent decision to take that performance concept into the live arena The advice | received at the time was that this

Yamaha kit would be the most reliable, hard wearing, best sounding drum set for the job And it certainly proved to be so To enhance

the experience and bring variety, | added two different and much sought after Noble G Cooley snare drums | have used the drums many

times since the tour during recording sessions for all the Recoil albums since ‘Unsound Methods’ With some new skins and a nice polish,

it will be ready to go, sounding as good as it has ever done.”

Estimate £4000 - £6000

68A SV OBLE & COOLEY Sane O80 - In very good condition Details: Noble G Cooley snare drum Colour: Black Serial number: 39-2950

Dimensions (inches): 7 inch depth Noble G Cooley snare drum Because of its true sound and deep resonance, the Noble G Cooley snare

became an instant hit throughout the music world Today, the company make and paint the shells and install the hardware and heads

for 1,000 drums each year, including snares and complete drum sets, with prices starting at $1,400 for the classic snare, and $2,500 to

$6,000 for a full set For professional drummers, a custom-made Noble G Cooley drum is worth its premium price It's quite simply the

Lamborghini of drums

“ians comments: “To enhance the experience and bring variety, | added two different and much sought after Noble G Cooley snare drums.”

68B SV OBLE & COOLEY Sane DRU\ - In very good condition Details: Noble G Cooley snare drum Colour: Black Serial number: 39-904

Dimensions (inches): 4 inch depth Noble G Cooley snare drum Because of its true sound and deep resonance, the Noble G Cooley snare

became an instant hit throughout the music world Today, the company make and paint the shells and install the hardware and heads

for 1,000 drums each year, including snares and complete drum sets, with prices starting at $1,400 for the classic snare, and $2,500 to

$6,000 for a full set For professional drummers, a custom-made Noble G Cooley drum is worth its premium price It's quite simply the

Lamborghini of drums

“lan s comments: “To enhance the experience and bring variety, | added two different and much sought after Noble G Cooley snare drums.”

classic tracks) containine exact sounds which were pròrammed and used by Alan durine DM's 'DevotionaU' and “Music For The Masses' tours

Fons comments “P spent many hours (days!) programming each member's keyboards for the tours, painstakingly trying to recreate as accurately as possible the sounds we formulated and used on the records The Emax was a perfect tool for the live re-creations This collection covers most of my own sounds for the two tours, although | did play live drums on some songs | tried all these out recently and discovered how much fun it is to work out the various parts we all used to play.” These are signed and numbered by Alan and are designed for the Emax sampler (The Zip discs will work in any suitable Zip drive and con- nect to the Emax via a SCSI cable) See www.auction.recoil.co.uk for further details Estimate £200 - £400

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63°) 7/2 2/////2///7727277Ẻ67 1/7/7557 7 `: - ãs per item 69A Estimate £200 - £400

70A.—— ` ` -Epndrion: Used, has character, As used by Dave 6ahan during Depeche Mode's 'Devotional tour” ustom

made for durability, designed to be quite lightweight but able to withstand any treatment With three removable screw in legs, they are

simplicity itself, with plenty of rock ‘n’ roll scars to prove their heritage See www.auction.recoil.co.uk for further details Note - Items 70A - 70E are the same

Fiens comments: “We had several of these custom made especially for Mr Gahan to throw around, perform backflips and other various manoeuvres during his ‘Devotional’ performances in the safe knowledge that, with no unnecessary connectors, swivelling pieces, screws, nuts and bolts, they could not disassemble during the show.” Estimate £150 - £250

JOB Feo oN a ob vic Stat - see item 70A for description Estimate £150 - £250

4 Oona OO ee TIO S-1- 10-10 70A for description Estimate £150 - £250 JOD Feo oN ole vic STA - see item 70A for description Estimate £150 - £250 YAU een "` - seeitem7DAfor description Missing one foot Estimate £100 - £150

FT oe oe Co ea a bos COL Leo oO - excellent collection of 15 UK and 2 US-only albums to include ‘Speak and Spell’

(STUMM 5 / 1981), ‘A Broken Frame’ (STUMM 9 / 1982), ‘Construction Time Again’ (STUMM 13 / 1983), ‘People Are People’ Import (1-25124 / USA 1984), ‘Some Great Reward’ (STUMM 19 / 1984), 'The Singles 81-85' (LMUTEL 1 / 1985), ‘Catching Up With' — import (1-25346 / USA 1985), ‘Black Celebration’ (STUMM 26 / 1986), ‘Music For The Masses’ (STUMM 47 / 1987), '101' (STUMM 101 / 1989), ‘Violator’ (STUMM 64 / 1990), ‘Songs Of Faith And Devotion’ (STUMM 106 / 1993), ‘Songs Of Faith And Devotion’ Live (LSTUMM 106 / 1993), 'The Singles 86>98' (P12MUTEL 5 / 1998 3LP), ‘The Singles 81>85' (LMUTEL 1 / 1998 2LP), ‘The Singles 81>85' (P1Z2LMUTEL 1 / 1998) G The Best Of Volume 1' (MUTEL 15 / 2007 - 3LP) All albums have been signed by Alan and are in unplayed, Excellent+ condition (15)

7227727 T6 7 “S7” ———-—- - fuLt set of all 10 remastered UB/EU albums from 2006/07 to include 'Speak and Spell' (DMLP

1), ‘A Broken Frame' (DMLP 2), 'Construction Time Aøain' (DMLP 3), ‘Some Great Reward' (DMLP 4), ‘Black Celebration’ (DMLP 5), ‘Music For The Masses’ (DMLP 6), ‘Violator’ (DMLP 7), ‘Songs Of Faith And Devotion’ (DMLP 8), ‘Ultra’ (DMLP 9) G ‘Exciter’ (DMLP10)

All albums have been signed by Alan and are in unplayed, mint condition (seals broken to sign) (10)

7296 / SPAIN 1981), ‘Construction Time Again’ /(INT 146.807 / Germany 1983 - Club edition), ‘Construction Time Aøain' (P0W 6059 / Aus-

tralia 1983 - Gatefold), ‘People Are People’ (Import / 1-25124 / USA 1984 notched promo), ‘The Singles 81-85' (MUTE1 / Israel 1985), ‘Black Celebration’ (9 25429-1 / USA 1986 Promo copy — not for re-sale), ‘Black Celebration’ (INT 146.818 / Germany 1986 Grey vinyl), ‘Black Celebration’ (STUMZ26 / Israel 1986 - Home made cover), ‘Music For The Masses’ (INT 146.833 / Germany 1987 - Blue vinyl), ‘Music For The Masses’ (111051-1 / Czech 1987), 'Music For The Masses’ (STUMM 47 / Spain 1987) and '101' (WI-25853 / USA 1987)

All signed by Alan and in Excellent+ condition (12) 1) eae td eR Co aod 0 (= 'Speak and SpelL' (SPL1-7296 / SPAIN 1981), 'People Are People' (Import / 1-25124 /USA

1984 hole notched promo) and 'Music For The Masses' (INT 146.833 / Germany 1987 on Blue vinyl)

All signed by Alan and in unplayed, mint condition (3) 73B - -toincude ‘Speak and Spell’ (SPL1-7296 / SPAIN 1981), ‘People Are People’ (Import / 1-25124 / USA

1984 hole notched promo) and ‘Music For The Masses' (INT 146.833 / Germany 1987 on Blue vinyl)

All signed by Alan and in unplayed, mint condition (3) yee (CDSTUMM 5 / 1988), 'A Broken Frame' (CDSTUMM 9 / 1989), 'Construction Time Aøain' (CDXSTUMM 13 / 2007), ‘Some Great Reward' (CD- (90 C(l602 92100 (O0 (0 (00:0 ((/0)(00 00 (0 (0( 0007000 (0000000000 -2- 1.00: -\)

STUMM 19 / 1984), The Singles 81-85' (CDMUTEL 1 / 1985), 'Black Celebration' (CDSTUMM 26 / 1986), 'Music For The Masses' (CDXSTUMM

47 / 2007), '101' (LCDSTUMM 101 / 2003), 'Violator' (CDXSTUMM 64 / 2006), ‘Songs 0f Faith And Devotion' (CDSTUMM 106 / 1993), 'Sonøs

Of Faith And Devotion Live’ (LCDSTUMM 106 / 1993), ‘The Singles 81>85' (PLCDMUTEL 1 / 1998), ‘The Singles 86>98' (PCDMUTEL 5 / 1998),

‘The Singles 81>98' - 2 x CD box set ((LCDMUTEL5 / 2001), ‘Remixes 81 04' (XLCDMUTEL 8 / 2004) G 'The Best Of Volume 1' - inc DVD (LCDMUTEL 15 / 2007) All albums have been signed by Alan and are in unplayed, near mint condition (16)

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Lot 97E

Lot 976

Định dạng
Số trang	20
Dung lượng	4,35 MB