Bài hát tiếng Anh nổi tiếng có lời Việt tham khảo (tập 4) doc

TUYEN CHON : NGUYEN HANH - THANH NGUYEN TIẾNG vn lữ } NHÀ XUẤT BẢN TRE... TUYEN CHON : NGUYEN HANH - THANH NGUYEN TUYEN TAP NHỮNG BAI HAT... ALL FOR LOVE BRYAN ADAMS, STING & ROD STEWAR

TUYEN CHON : NGUYEN HANH - THANH NGUYEN TIẾNG

vn

lữ } NHÀ XUẤT BẢN TRE

TUYEN CHON : NGUYEN HANH - THANH NGUYEN

TUYEN TAP NHỮNG BAI HAT

ALL FOR LOVE

BRYAN ADAMS, STING & ROD STEWART

%

When it's love you give (II be a man of good

(I swear T}l al -ways be (fll be the fire in your

ri be a rock you can bulid on,

Tu be the wall that pro - tects you

ru be there when you need me

— —

be there when you're old, to have and to

from the hurt and

When hon - or's at stake, this vow I will

(4 _ lÍa,

hold When there's love in-side _ „

pam Let's make it

make: that it's

3

ALL I WANNA DO | sueryr crown

Words and Music by SHERYL CROWN, WIN COOPER, BILL BOTTRELL, DAVID BAERWALD and KEVIN GILBERT

The bartender looks up from his want ads (To Chorus:)

[ found ¡in you rll be, for- ev- er thank - ful ba- by

I had mú all I'm grate’-ful for each day = you gaveme

You're the one who held me up nev- er let mc fail

May be [don’t know that much) But) IT knowthis much is true

strengh when { was break You! were my voice when T could-n't speak You were my

len -der wind that car- ricd me A liftanthe dark shin-in’ yo! love in

BEDTIME STORY Words and Mise by

MADONNA NELLEE HOOPER, BJORK GUPMUNSDOTTIR

Moderately and MARIUS DEVRIES

is the last đay that I'm us - ing words

2.Words are use - less es - pe - cially senten-ces

- Uonan-y more Trav-el-ingJearn-ing log- ic and rca - son

they ex-plainhow [feel? Trav-cl-ing, I'm trav- el - ing

~

—

Trav-el-ing to the arms of uncon-scious-ness Trav-el ing, learn-ing

Trav-el-ing,learn-ing lo- gic or reason Trav-el-ing, I'm

17

log -te — andrea -son Trav-eling to the arms of Uñ<ön %cIous

gon-na rc-lax noọwW Traveling out the arms of UN -CON-SCIOUS

— — — _

worldor I'll be dead To let you walk right out my life and

EY

throw my heart a- way And I! stopped car-ing a - bout a -bout the

22

CHILDHOOD

(Theme from "FREE WILLY 2")

Slowly, with expression Written and Composed by

3 3 ven-tor-ous dreams of — conguest and kings on the throne._

Have you secn my Childhood? I'm search ing for that

youth Like fan- las - uo - cal

won - der in_ my

- CIRCLE IN THE SAND

BELINDA CARLISLE

Medium Rock

Ww Sun - down, all a-round, walk -ing through the sum - mer's

Cold wind, lide moves in, Shiv-ers in the sal - ty

end Waves crash, ba-by, don't look back

air Day breaks, my heart- a - ches,

[ won't walk a -way a - gain Oh, ba - by,

1 will wan for you right here Oh, when you

`

an - y-Where you go we are bound to-geth - ef

look for mc Can you see for-ev - er

29

[ be -gin, ba-by whereyou end Some -things are for-ev - cr

| be -gin ba-by whereyou end We be - long to-geth- er

— Cir- cle 1n the sand, ‘round and

sand sand,

' 30

Colors of the wind

VANESSA WILLIAMS

You think you own whatever land you land on,

The carth is just a dead thing you can claim

But if know every rock and tree and creature

Has a life, has a spirit, has a name

You think the only people who are people

Are the people who }ook and think like you

But if you walk the footsteps of a stranger

You’ ll learn things you never knew you never knew

Have you ever heard the wolf cry to the bluc corn moon

Or asked the grinning bobcat why he grinned

Can you sing with all the voices of the moutain ?

Can you paint with all the colors of the wind ?

Can you paint with all the colors of the wind ?

Come run the hidden pine trails of the forest

Come taste the sun-sweet berries of the earth

Come roll in all the richer al] around you

And for once never wonder what they're worth

The rainstorm and the river are my brother

The hero and the others are my friends

And we are all connected are my each other

{n a cirle in a hoop that never end

Repeat *

33

How high does the sycamore grow

If you cut it down then you'll never know

And you'll never hear the wolf Cry to the blue corn moon For whether we are white or copper skinned

We need to sing with all the voice of the mountain - Need to paint with all the colors of the wind

You can own is earth and sull All you'll own is earth untill You can paint with all the colors of the wind

La khúc đoạt gidi Oscar 1996 vé nhae phim

hay nhất

34

FALLING INTO YOU

let me drop Love me, don't e -ver stop

Shoo- be - do- be-do de do do, Shoo-be-do-he-do do do do do

Images of rapture When you take me over,

Creep into me slowly, Time and ume and time again

As you'te going to my head Bul it's just a

And my heart beats faster (To Chorus:)

42

FIELDS

Yow ]] remember me

When the cast wind moves

Upon the fields of baricy

You'll forget the sun in his jealous sky

As we walk the field of gold

So she took her lover - for a while

To gaze upon the bields of barley

In his arms she fell

As her hair came down upon the fields

of gold

Will you stay with me, will you be my

love

Among the fields of }eley

TOU forget the sun i his jealous sky

As we hie in the fields of gold

See the west wind moves like a lover

Among the field of barley See the children run as the sitn gous

down

Among the fields of gold You'll remember me,whcen the cast wihd moves

Upon the fields of barley You can tel! the sun in his jealous sk When we walk in the ficlds of gold

There was a trmewhen all broken treats and bro-ken dreams were

When 1 was sor-— ry, it wastoo late to turn a - round I cap

wish - ing a four lea-ved clo- ver But

jist « fool-tsh beat of my heart Oh!

nowils a new time there is ncW nỉa - cố where dreams just can't true

44

GOT TO BE THERE

MICHAEL JACKSON

Got To Be There Got To Be There tn the morn

Got To Be There Got To Be There when she needs

—

-ing when she says hel- lo lo othe World

someone to keep her thru the night,

Cot To Be There, Gat To Be There, bringher good times and Got To Be There, Got To Be There, to take her hand and

—t

showhcr that — she's my girl Oh,

lead her in - to my life

Ai

side me, So, vẻ Got To Be There Got To

That's whylI've Got To Be There, Got To

<=

Be There in the = morn - Ing, and

Be There where love be - gins and

shc says hel- lo world! Got To Be There

when she's with mc

From the Original Motion Picture Soundtrack "DON JUAN DeMAR@O"

HAVE YOU EVER REALLY LOVED A WOMAN?

Lyrics by BRYAN ADAMS and Music by

ROBER'T JOHN "MUTT" LANGE MICHEAL KAMEN

wom - an, to un - der-stand her, you've got to

wom - an, let her hold you ‘til you

love a wom-an, When you love a wom-an, you tell her that she's real -ly

love a wom - an

3

want +d When you love a wom-in, you tell her that she's the

one, She needs some-bod- y to tcl her that it's gon- na

‘Cause she needs some -bod- y to tell her that youll al- ways

56

HEAL THE WORLD

MICHAEL JACKSON

—

¬——

I.Theres a place in yo' heart and ï know

to know why there's a love

SỐ hiph Let our Spir

- row And if you~ real - ly try you'll find there's

- in’ If we try we shall sec inthis’ bliss

ther - Cre-ate a world with no fear To-ge - ther we

Ne

N ⁄ ~ —————

no needto — cry In this place you'll feel there'sno hurt or sor

we can not fecl fear or drcad wc slop cx - ist-in’ start liv

cry hap-py tears Seethe na-tions turns their swords in - to plow

60

- aim Then = it feels that al - ways

shares We could real - Íy gc( there If you

——=E

° : ~ » c ”

care en-ough for the liv -in' Makea lL-dc space Make a Love's en-ough for us grow-in' Make a bet-ter — world So make a care cn-ough for the lHv- in’ Make a fit-tle — space To make a

me And the dream we were con-ccived in will re-veal a

you (See Chorus, s Lyrics)

63 Heal the world

HOW MANY WAYS

Words & Music by

TONY BRAXTON V.HERBERT, T.BRAXTON, N.GOPLING,

K.MILLER and P.FIELB

HUMAN NATURE

MADONNA

Words and Music by MADONNA CICCONE, DAVE HALL, KEVIN McKENZIE, MODERATE SHAWN McKENZIE and MICHEAL DEERING

+t a tự

(I'm not SOT - ry,

i's hu -man nà - ture.)

ture, And I'm not sor-

ee ‘

zr? "po Pert (i'm not sor

-ry, I'm not your bitch, don't hang your

— — did- n't want {to see

break -in' all the = rules

tricd to shove me — back

took my words and = made

si - lence me with bit - ter - ness and © likes Did |

helped me down and tried to make me break, Did I

say some-thing wrong? Oops,

say some-thing true? Oops,

sex (Spoken): I must have been crazy

Sex (Spoken): ] must have been crazy

sor - ry, i's hu - man na

i's hu -man na - ture

- ture.) (I'm not

And I'm not sor- Ty,

ee

"sr tferfT or

sor , its hu -man na

ỨÏm not your bitch,don't hang your shit on me.)

12

nhá 4/00~ mướn Vay tro HS od mạn ;el$«e« 7 „‡0FE-) een I'm oa

“> Gre) 2 : ‘And [m , nat” sér

Ld

1 = ÐĐ- Rt rare ee F5 tái, ]—— HƯƠNG nH

| CAN LOVE YOU LIKE THAT

care * Words and Music by “

ALL-4-ONE STEVE DIAMOND, MARIBETH DERRY

Moderately and JENNIFER KIMBALL

% - mm +

* a

1.They real you Cin -der-el=ta, “yor foped + womid cofié trúc; that

nev- ermake a promise I _ don't in -tend to, keep, so-

sẻ: H

ss, one > day your Prinee Charm ‘ing would.came _ J€§ -CỨt you Yor: when I say for’: ev - er, for - ev - er'swhai [ mean

hike To -man -tic -mov-fes, and“you-nev~-er will for - get the

Ứm no Ca- sa - no-va, bút | swear this much is true:

¬ way you felt when Ro - me- O ‘kissed du, Pe 2£ et And

I'll be hold-ing noth-ing back when it comes to you You

16

all this time that you've been wall - ing

dream of love that’s ev - cr - last - ing,

ON Tố ——

You don't have to wait no morc

ba - hy, op - en up your eyes

[ can Jove you like — that — NS [ would make you my words

move hea -ven and — earth if you were my © girl

¬ —

—— [ will give you my heart, bc all that you need,

76

l can love you like — that

rn love — you Tike that

1 can love you Jike — that

i Uf; you want, ten-der-ness, I've got :: - ten -

2P eye, — ¬ lay ; "xả jor as WOT eke eps aw

ae Le = Z~~ ——¬ TT ` “ : ¬ „1 z

SOG " B can love yotR et

AON Ape abr 4m AN

* mote “heav-en and earth,

“ a

as an

2 ta ` ty > ks

IF ive you my heart,

8 TỐ “HF you Wete Tmy “girl

show you you're, ev ~”

"4 1

- ery-thing that’s pre-cious to me If you give me achance

78

[ know him so well

Nothing here — So good that lasts ct- er - nai- ly

No one in yo’ life iswith yoU cons tan- ly,

80

Pcr-fCcL si - tu - a 4ionsmust go wrong But this is*nev- cr yet pre

No one is completely oon yo’ sidc, And tho’ [| move my world to

spared lo be One thing far too much or far too long

be with him Sul] the gap bet -ween us is SỐ wide

Looking back | could'veplayed it differently What T fechthe moments who can Louking back LT could'veplayed it differently 9 Learned about the manbetore — |

tell? But it took ume to under - stand that all,

found Bat of owas) ev - er so much younger them

— 4

Now at least [know [know him well

asn't it 2 9 ‘Ssog Aen’ ~ fine?

Now at least [know Eknow him well, Wasalt good? (It's so good) Wasn't he fine

yoy od Il eqctt, VI diow crud: trlV ÙfqU00 1 2v | bpTmecrzzrnrl :

va tật back Win there “is love - rl

h+2)-Ìg gnol iw at onto 24 -0T “~——taideus! bas yor nliw

have an all that you do Just call my

non Meee, \

— —— " - ———DẦ s + Set — —-= i — | b ie 2 ae | _ ery "—a +—®%

and: when_ just the opyo_ - of ,,us_ are there

AN CARVae -, c- PF ALi ae gacritaHk ny -ờS

night Stop! You're gon -na hurt me if you uy to stay

Stop! T don’t be Reve you T know you won't) slay

—

92

Go! and find a new love it's het - ter that way

Go! Hind a - no - ther who needs you that way

Stop! Look - ing al me he - fore — it's too late

Stop! Cha - sing rain - bows be - fore it's too late

guess you heard me — cry You smiled at me like

OO guess ° well no’ ‘one tried You smiled at ' mè like

Verma age x `N sone ame! TY Su h _— ^ Jes- us to a chỉỉd ` I'm Jes -ous lo achild © ing a Love

14 - a, ma we em

blessed I~ know Hea - ven sent and

"¬¬ ` ey ảdng: cold’ with” your tast' breath - you

e) aon mỊ

Hea-ven sole You smiled at = me like Jes-us to a child

save my’soulYou smiled at me’ Tike Jes- us to a child

Maem ˆ

roy + And what have I learned :fromall :' (hs pam I thought

3

Ứd nẹv - cr, fccl the.same, a„,-bqut an-:y z one

AB

NEVER CAN SAY GOODBYE

MICHAEL JACKSON

Never can say good-bye No no, no no, | never can sav t00d-

hye (.Ì;› - ven tho’ the pain and heart- ache seem to

2.}2v - ‘ry time I think Tve had ce -nough and start 3.h keep) think in’? that) our prob - lems soon are

99

try to say you're leaving me and | al -ways have to say no,

turn around you fool,you know you love hẹr morcaúd more, Tell me sameold diz- zy hang-up, can't do with you or with -ouC

why is it SỐ, Thai Ï why 1S il

Ten