WRITING THE SHORT FILM (Third Edition)

WRITING THE SHORT FILM (Third Edition)

... from the Aristotelian con- cerns of their predecessors. Consequently, the relevance of these books to the writing of the short film posits an analogy between the structure of the short film and ... character. There is no time in the short film for the kind of pauses for elabo- ration of character so often deployed in the long film. The freedom of short fi...

Ngày tải lên: 17/10/2013, 11:15

Writing the short film 3th - Part 16

... assume that the woman is our main charac- ter. We needn’t see the march itself but can confine the film to the prepara- tions for the march and the aftermath. The scenes should clarify the relationship ... near home. The closer the spies, the more intense the story will be. We can distract the audience from the true nature of the neighbor by mak- ing the neig...

Ngày tải lên: 07/11/2013, 23:15

Writing the short film 3th - Part 17

... does not achieve his or her goal. The success of one character and the failure of the other links directly to the advancement of the plot. 106 Writing the Short Film Ch09.qxd 9/27/04 6:07 PM ... people. The visual we see is the bread knife in the hand of the main character. On the sound track we lose the gossip and hear only the word “knife.” Here, sound and...

Ngày tải lên: 07/11/2013, 23:15