adobe production premium for final cut studio editors 2009 phần 7 ppt

adobe production premium for final cut studio editors 2009 phần 7 ppt

adobe production premium for final cut studio editors 2009 phần 7 ppt

... blurring of your travel matte (see Fig. 8. 27) . Figure 8. 27 1 87 This chapter is a mix of old and new techniques in both Final Cut Pro (FCP) and Photoshop, which editors tell me they enjoy a great ... Case for Title 3D One of the advantages for using Title 3D for text is that you can rotate the text while retaining its vector shape, which is something that can’t be d...

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adobe production premium for final cut studio editors 2009 phần 6 pptx

adobe production premium for final cut studio editors 2009 phần 6 pptx

... re-render in Final Cut, export it using either the Animation codec for FCP 6, or the ProRes 4444 for FCP 7 and later. If you need to retain alpha channel • (transparency) information, export ... Fig. 7. 13). This is because Final Cut is using it in the current project. To solve this, quit Final Cut, then save your file. The clip will be updated the next time you open your...

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adobe production premium for final cut studio editors 2009 phần 8 ppt

adobe production premium for final cut studio editors 2009 phần 8 ppt

... Discs. With the release of latest version of Final Cut Studio, Apple now provides two different options for the creation of Blu-ray Discs. Final Cut Pro 7, using the new Share function, A Note ... version of Final Cut earlier than 7, or if you want to create a master file of your project to retain for a while, Share is not an option. In this case, to get video out of F...

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adobe production premium for final cut studio editors 2009 phần 4 pps

adobe production premium for final cut studio editors 2009 phần 4 pps

... outside Final Cut Studio, you use Open in Editor to reopen it to make changes. If the media originated in Final Cut Studio, you use Send. In either case, final rendering is done in Final Cut Pro, ... application. A Reason to Use Both Final Cut Pro and Premiere Pro Most of the time, Final Cut Pro is fine for editing. But, here’s a reason to consider using both Final...

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adobe production premium for final cut studio editors 2009 phần 5 pot

adobe production premium for final cut studio editors 2009 phần 5 pot

... to 72 . Video format Aspect ratio Resize image to size DV NTSC 4:3 640 3 480 3 72 16:9 640 3 360 3 72 SD NTSC 4:3 640 3 480 3 72 * 16:9 640 3 360 3 72 * PAL 4:3 76 8 3 576 3 72 16:9 1024 3 576 3 72 HD ... Freeze Frames from Final Cut Pro Just as we can get still images created in Photoshop into Final Cut using importing, so also we can get stills out of Final Cut by e...

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adobe production premium for final cut studio editors 2009 phần 9 pdf

adobe production premium for final cut studio editors 2009 phần 9 pdf

... a variety of formats for DVD or Web distribution. In earlier versions of Final Cut, we could round-trip files (what Adobe calls Dynamic Linking) by sending them between Final Cut and Motion, ... Web site. Adobe calls it: “Author Once, Write Many.” In this chapter, I’ll show you how to create a Flash project to post to the Web. Final Cut Pro 7 With the release of Final...

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adobe production premium for final cut studio editors 2009 phần 10 potx

adobe production premium for final cut studio editors 2009 phần 10 potx

... 251–255 for superimposing text clip, 190, 191 workflow, 90–91 Final Cut Pro (FCP) 7, 220, 221–225, 250 Final Cut Studio, 82–83 integrating Adobe Bridge with, 37 38 Flash movies, 95– 97, 236, ... mode in Adobe Bridge, 15 Composite, definition of, 188 Compression, 263 adding watermark during, 2 57, 258 Job Action, 256, 2 57 settings for iPhone, 277 , 279 for mobile video...

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